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Art Art Feature

Colossal Collaboration: Nisa Williams and Theo James Bring Their Artistry to the Coliseum

The Mid-South Coliseum, Memphis’ first racially integrated facility, once host to concerts, basketball games, graduations, and more, has been closed to the public since 2006. This summer, the Coliseum Coalition, which has been advocating for the Coliseum’s revitalization, commissioned Nisa Williams, a Crosstown High School senior, and her father, Theo James, a textile and graphic artist, to add visual appeal to the landmark’s exterior.

Within two months, Williams and James painted six 15-by-15-foot panels that illustrate Memphis values, with Otis Redding captioned as representing culture, Larry Finch as talent, Justice Constance Baker Motley as justice, a grad in cap and gown as community, Unapologetic as passion, and three children with a globe in their hand as imagination. The father-daughter duo finished the paintings in early August. I recently spoke with them about their project.

Memphis Flyer: How would y’all describe your process?

Nisa Williams: The words were given to us, like prompts, from the coalition. We had a little more freedom of who we wanted to portray. We were given a list of names, and we were also told we could do our own research on what provokes us.

Theo James: After we decided what we were going to do, Nisa and I bashed around the idea of sticking to a graphic style. We didn’t want to go for a photorealistic look because we wanted it to be punchy from a distance.

NW: We just got started doing stuff. I’d start painting in one area, and then he would do another, and it kinda just came together. I think I served the most in concept sketches and making sure that the framework of the murals, as soon as we started painting, was correct.

TJ: Yeah, she was the one that organized how we were going about doing it. I was impressed with what she was capable of doing. There’s some difficulty in translating a screen-size thumbnail into a 15-by-15-foot panel. I think I would’ve had a lot more difficulty without her. I felt that we had an eye-to-eye approach.

What was it like to work together as father and daughter?

TJ: For me, it’s probably the most flattering thing a parent can feel. I didn’t twist Nisa’s arm; she got into art on her own. She started doing little rudimentary things and then it went from there, like people discovering fire to the internet, with her. She has a style already. I know it’s her stuff when I see it, and I’m amazed by it. I’m self-taught. Nisa — she’s taught herself a lot — but she’s had the benefit of good high school art classes. I’ve actually learned a lot from her.

NW: I appreciate that a lot. You can ask him, I’m not really good at receiving compliments. He’s a really talented artist with a notable style. I learned a lot of techniques and more professional and streamlined ways to problem-solve and how to appeal to clients. I think a lot of people underestimate how influential he is in the city, and I think it’s cool that anybody can provoke you through art or make you think about something. That’s a hard thing to do.

What do you hope this project will provoke in onlookers?

NW: We wanted to get people to inquire about the space and what’s happening to it. A lot of the composition has references to the people embodied in the picture. It functions almost as a timeline of the Coliseum.

TJ: Every one of the people portrayed had a piece of history that happened at that location. You can’t live in Memphis without having a story about the Coliseum. You went there to see a show or you went there to graduate. This is a place that has history with a community already connected to it, a place that shouldn’t be demolished. It’s a large space where there’s so much potential. We have to have a place that people can bond over, a place that’s central.

NW: A place to have a collective experience.

TJ: Yeah, I think that’s how a city gets its identity.

Categories
News News Blog

UPDATED: MidSouth Coliseum Mothballed in New Plan

Brandon Dill

The main floor of the MidSouth Coliseum.

City officials will mothball the MidSouth Coliseum in a new, $160 million redevelopment project that would transform the MidSouth Fairgrounds as a youth sports destination.

The overall plan calls for building a new youth sports complex. Renovating the Coliseum would cost $40 million, according to city officials. Though, the grassroots Coliseum Coalition has put the figure at $23 million in the past.

“We believe that money is better spent on benefits to the surrounding neighborhoods and communities, as part of Mayor Jim Strickland’s ongoing efforts to reinvest in our core,” reads the city’s Facebook post. “Also, consulting with our experts did not produce a business case to operate the Coliseum on at least a break-even basis every year, meaning that reviving it would very likely mean diverting funds from core services like police and fire.”
[pullquote-1]But the Coliseum won’t be torn down immediately. About $500,000 will be spent “to preserve the Coliseum in its current state.”

City officials plan to pay for the Fairgrounds redevelopment project by creating a new Tourism Development Zone (TDZ) around it. The funding mechanism captures state sales taxes for use in a specific area. Strickland will soon ask Memphis City Council members to approve the plan and then seek state approval to create it.

The Coliseum Coalition has worked for years to preserve the building and it is not happy with the proposal.

“This is unacceptable!” reads a Wednesday-monring post on the group’s Facebook page. “The Coliseum will stand but this proposal will not!”

City officials said they looked at four options for the Coliseum and that their evolution was “in-depth and methodical.”

Their review put the full-renovation price tag at $40 million. To open the building’s concourses would cost $14 million. Demolishing the building would cost $8 million-$10 million. Mothballing it for possible use in the future was $500,000.

“We’ve met with experts on every detail, and we started this process with no preconceived notion of what to do,” officials said. “Instead of spending $40 million on the Coliseum, we would rather spend roughly that same amount on benefits for the surrounding neighborhoods and the community as a whole.

“By preserving the Coliseum, we keep our options open for if and when more capital comes to the table — or if the activity of the youth sports complex changes how potential developers may view the site.”

The plan will get a public hearing on Monday, Nov. 6 at 5:30 p.m. at the Kroc Center.

More Details from Paul Young News Conference

Toby Sells

HCD director Paul Young answers questions about the city’s decision to mothball the MidSouth Coliseum during a news conference Wednesday.

Paul Young, the city’s director of Housing and Community Development (HCD), offered up details on his $160-million redevelopment plan for the Fairgrounds at a news conference Wednesday afternoon.

The focal point of the project would be an $80-million youth sports facility that would be built on the former Libertyland site at the southeast part of the property. The site is now a grassy, 18-hole disc golf course.

That facility would attract an expected 500,000 to 1 million people to the site annually, Young said. The north end of the Fairgrounds would be developed with retail. Young did not specify what kinds of retailers the city hopes to attract there.

Young said he wants the new Fairgrounds to be something that can be enjoyed by tourists and the community surrounding the area. For example, he hoped that children in the surrounding neighborhoods would be able to use some of the sports facilities, but noted that the main youth sports facility would be off limits.

He said he will meet with the Coliseum Coalition Thursday and asked the group to “work with us to develop a plan.” He said he has reviewed the Coalition’s $23-million upgrade plan and the group’s business plan to sustain it for the future.

Young said he’ll be working to finalize a pro forma for the Fairgrounds as a youth sports destination in the coming months. He hoped to deliver the plan to the council by January and then take it to the State Building Commission for approval after that.

Categories
News The Fly-By

City Opens Up Mid-South Coliseum for Review

The Mid-South Coliseum’s structural challenges are “solvable and certainly not insurmountable,” according to some who have toured the shuttered facility last week. City officials will open the building up to preservationist groups next week.

The Coliseum has been in “full shut-down” since about 2006, meaning limited utilities and no heating or cooling. The building was targeted for demolition last year in an overall plan that would have transformed the Mid-South Fairgrounds into a youth sports destination. 

It seems that plan has been at least temporarily shelved as its main booster — former Housing and Community Development director Robert Lipscomb — was fired last year in the wake of a rape scandal. 

But before that, two grassroots groups — the Coliseum Coalition and Save the Mid-South Coliseum — were fighting to save the building from the wrecking ball. They organized community members and hosted special events around the building to show its potential.      

Brandon Dill

A look inside the Mid-South Coliseum

On Friday, Memphis Mayor Jim Strickland announced he will allow citizen groups access to the Coliseum to evaluate the building’s potential for renovation. Those groups must bring with them qualified inspection experts like architects, engineers, or consultants specializing in sports and entertainment facilities, historic preservation, or those versed in the American with Disabilities Act (ADA).

All of them must sign a waiver, releasing the city of all liability from any harm caused due to potential hazardous materials or conditions in and around the building. Those tours are offered for the five days between June 6th and 10th in four-hour blocks. Groups can do up to two tours per day.

One group has already toured the Coliseum. Last week, architect Charles “Chooch” Pickard led a team from brg3s architects, SSR Engineering, Code Solutions Group, the Memphis Center for Independent Living, and Restoration Clean to examine the building. Experts tested everything from the building’s plumbing system to its mold and air quality. The team was assembled by the Coliseum Coalition and Save the Mid-South Coliseum.   

“I’m delighted that after spending three hours looking at all of the challenges, our team’s preliminary opinion was that the issues were solvable and certainly not insurmountable,” Pickard said. “When creative minds come together to create solutions to the challenges in old buildings, it often leads to a change in perception about the feasibility of renovating a historic structure.”

Still, city officials have not yet made a firm commitment to saving the building. However, the tours show they are willing to at least explore the idea. 

The Coliseum was closed in 2006 after losing more than $1 million in the last four years of its active life. Fixing the building, too, carried a big price tag. 

Bringing it to ADA compliance alone would cost $8.6 million, according to a 2009 study from OT Marshall Architects. After fixing the roof, flooring, kitchens, sprinklers, drywall, and everything else, the total cost to bring the building back to life was $32.8 million, according to the study. 

The Urban Land Institue recommended the Coliseum be saved or “at least part of the structure or its shell [be saved] for reuse as an indoor facility with a larger outdoor stage,” the group said in a November study of the building and the Fairgrounds.

Plans for the Coliseum and the Fairgrounds remain in flux as a new mayor and nearly new Memphis City Council begin to put their stamps on city issues. Also, a new grassroots organization — Friends of the Fairgrounds — are organizing efforts for civic input around the future of that massive space.

Doug McGowen, the city’s chief operating officer, said the Strickland administration have not yet committed to any plan for the Fairgrounds. 

“We are reviewing the previous [Lipscomb] plan along with the [Urban Land Institue] recommendations before advancing any plan,” read a statement from Strickland’s office.

Categories
Cover Feature News

The Robert Lipscomb Affair

Robert Lipscomb has been called the most powerful man in Memphis. Power player. Power broker. Dealmaker. Deal breaker. Planning czar. Point man. Puppet master. Shadow operator. Rapist. Motherfucker.

He earned the first set of names from the powerful friends and opponents he made in a nearly 20-year career in two roles, the director of the Memphis division of Housing and Community Development (HCD) and as director of the Memphis Housing Authority (MHA). With those jobs, he directed the flow of hundreds of millions of dollars of government funding to the biggest and highest-profile projects in Memphis. This is how he — an unelected official, a behind-the-scenes operative known largely only to those in government and business — became so powerful.

The last two names in the first paragraph are from a man whose accusations have burned that power to the ground. The man, now 26 and living in Washington State, told Memphis Police Department (MPD) investigators that Lipscomb raped him. The accuser said that Lipscomb lured him into his SUV and then forced him to perform oral sex on him.

This was in 2003, according to a police report, while the accuser said he was a homeless teenager walking the streets of Memphis. The accuser said Lipscomb made him perform oral sex on him more than a dozen times after that, giving him money and promises of a better life to keep him quiet. Since the accuser’s first allegations surfaced two weeks ago, more accusers have called Memphis City Hall with similar stories about Lipscomb, city officials said. Nine by the end of last week, according to their count, though no further details have been forthcoming, either from City Hall or the MPD.

Indeed, they have gone seriously mum on what is presumably an ongoing investigation.

At this point, the allegations are just that, and Lipscomb hasn’t been charged or arrested for anything. But the stories about him have packed a powerful punch. Memphis Mayor A C Wharton, called the allegations “disturbing.” Jack Sammons, the city’s Chief Administrative Officer (CAO), called them “sickening.” MHA Chairman Ian Randolph called them “horrendous.” Lipscomb quit his job at HCD. He was suspended with pay from the MHA. Investigations have been launched into the criminal aspects of the case, of course, but financial investigators are also shining their lights on the books of every agency Lipscomb directed.

Meanwhile, the ousted Lipscomb maintains his innocence. Although he quit talking to the press under orders of his attorney, Ricky Wilkins, he was telling reporters who showed up at his front door two weeks ago that the allegations are false.

From certain points of view, it hardly matters; the damage is done.

It’s likely that, since the allegations surfaced, anyone who ever had contact with Lipscomb has completely reassessed the man who seemed to have all the puzzle pieces and knew how they fit together. Even as the allegations against Lipscomb remain to be investigated and very probably adjudicated, a new and unflattering light has begun to shine upon Lipscomb.

To many in the public, he is now like a comic-book villain walking half in the bright light of polite society and half in a private darkness with the demons that may lie there. And for all these years, if the accusations against him are true, he would have been carrying a disturbingly divided self around, one with unfettered access both to the city’s most innocent as well as to its most powerful — and with only a thin veil separating his competent and somewhat wonky public personality from an alleged private self that was both violent and profane.

Jackson Baker

Lipscomb overseeing slide presentation of Fairgrounds TDZ project for County Commission earlier this year; with him are architect Tom Marshall and Convention & Visitors Bureau head Kevin Kane

The Rundown

Nearly two weeks have passed since the original allegation surfaced about Lipscomb. Here’s what we know so far. First, the publicly known chronology:

Sunday, Aug. 30 — A late-night memo was sent to the press noting that a man had accused Lipscomb of rape and that Lipscomb had been relieved of duty at HCD.

Monday, Aug. 31 — Lipscomb resigns as HCD director. More Lipscomb accusers reportedly call City Hall. The MPD searches Lipscomb’s house and takes computers, folders, and a camcorder as evidence.

Tuesday, Sept. 1 — Wharton taps HCD Deputy Director Debbie Singleton to run that agency in the interim. He recommends Maura Black Sullivan, the city’s deputy chief administrative officer, to temporarily lead MHA. Even more Lipscomb accusers are said to come forward.

Wednesday, Sept. 2 — MHA suspends Lipscomb with pay, appoints Sullivan as temporary director. Sammons tells the press that Wharton’s office is going quiet on the investigation to let the MPD do its job.

Thursday, Sept. 3 — Lipscomb’s initial accuser talks with several media, including the Flyer, adding a detail here or subtracting one there, but always insisting that Lipscomb promised him a job and a house in return for sexual favors, with the relationship souring, as the accuser put it to the Flyer, after he realized “the motherfucker” was “pulling my leg.”

Tuesday, Sept. 8 — Still no charges filed against Lipscomb.

Toby Sells

Jack Sammons during last week’s MHA meeting

Conversations with Wharton and Sammons, among others, have subsequently filled out these bare-boned details somewhat. The first warning signal had come into City Hall on Thursday, August 20th, with an explicit phone call to the mayor’s office from the Seattle man, who, as was later learned, was a Memphis native with a fairly lengthy police record locally.

Wharton was out campaigning, and the first to learn about the call was CAO Sammons, who had just returned from official business in Nashville. The most riveting aspect of the call, that which convinced Sammons — and later Wharton and Memphis Police Director Toney Armstrong — that the matter had to be taken seriously was the caller’s insistence that he had Western Union receipts of blackmail payments from Lipscomb.

The caller had also spoken of a police complaint he had filed against Lipscomb in 2010, one that was virtually identical to his renewed complaint in 2015. The 2010 complaint was dismissed — on the basis, police records showed, that the complainant, who was homeless at the time, could not be located.

The similarity of the two accounts, five years apart, was a convincing fact to Sammons, who explained further that the complainant chose to repeat his charges again as a form of release recommended by a therapist in Seattle.

Acquainted with the basic facts upon his return to his office, Wharton called in Director Armstrong, on Friday, August 21st, and the two of them contacted the Seattle man, who repeated his tale and also forwarded photostats of the Western Union receipts.

Jackson Baker

Mayor Wharton faces a press scrum about Lipscomb matter

As the mayor would explain to the Flyer, he deferred to the judgment of his seasoned police director, who decided the matter was serious enough to merit a personal visit to Seattle to meet with the accuser. Armstrong would arrange for such a visit, by himself and a group of investigators, for the middle of the next week.

Between that weekend and the Armstrong party’s return from Seattle on Sunday, August 30th, there were meetings about various pending projects in City Hall involving Lipscomb, Wharton, and Sammons. They were conducted in a business-as-usual manner, with nothing said to Lipscomb about the caller from Seattle.

But on Sunday, Armstrong and his assisting officers were back in town, and they met with Wharton and Sammons at City Hall with a full briefing on what had been two full days of investigation in Seattle. The convened group then learned that the accuser from Seattle had contacted Fox-13 news with his accusations, and a reporter from that station had called, wanting details.

That fact sped up an itinerary that otherwise might have taken days or even weeks to develop. Lipscomb was called and asked to come to the mayor’s office for a meeting, which, he apparently presumed, had to do with some hitch in one of his ongoing projects.

When he arrived, however, he found out otherwise, and arrangements were made in the tense atmosphere of that meeting for him to begin the process of separating himself from city service.

The Upshot

Heading into its third week, the Lipscomb affair has seemingly settled into an incubation mode, with dormant legal and political implications that could either simmer quietly or explode into an ever-expanding crisis.

On the legal front, the deposed planning czar’s attorney, Wilkins, an able veteran who is as familiar both with Lipscomb and with the way city government operates as anybody around, was keeping his cards — such as have been dealt — close to his chest, with the full expectation that more surprises might be yet to come.

Wilkins has made it clear, though, that he felt his client’s rights had been put in jeopardy and that he will have much to say about several aspects of what has so far transpired at some point in the future.

Meanwhile, the implications of the affair for city business and the mayoral race that was just entering its stretch drive are still being assessed.

Politically, it is too early to tell. Wharton was receiving credit in some quarters for acting quickly and decisively in dealing with the problem, once it came up. Others were prepared to fault the mayor for not seeing the situation develop under his nose or for even looking the other way from potential trouble.

Further development in the Lipscomb saga could determine which view would prevail, at a time when polls show the mayor with only a slight lead over his closest opponent, Memphis City Councilman Jim Strickland.

On the governmental front, it has long been a fact of life in City Hall that Lipscomb was calling the shots on city planning ventures, which included numerous neighborhood developments, the just-completed Bass Pro Shops at the Pyramid attraction, and a $200 million pending TDZ (Tourism Development Zone) project involving the Fairgrounds.

John Branston

Lipscomb’s projects include the Pyramid,

John Branston

Heritage Trail,

Bianca Phillips

and Foote Homes.

Under two mayors, former city chief executive Willie Herenton and now Wharton, Lipscomb has been influential to the point that a common jest was to suggest that Herenton and Wharton had worked for Lipscomb rather than the other way around.

It was no joke, however, that under both his titles, Lipscomb had extraordinary power and bargaining ability, which left most members of the city council, even some who were privately critical of him, unable to say no to Lipscomb when pressed for a vote. Among other things, he had the ability to route developmental funding into their districts, or not, as he saw fit.

The Projects

No matter what was going on in his personal life, Lipscomb’s professional life as the director of the HCD and as the director of the MHA made him the point man on a number of massive city projects.

What will become of those projects — ranging from Foote Homes to the Fairgrounds redevelopment — remains to be seen, but the new MHA interim director, Sullivan, said she will be working with the new HCD interim director, Singleton, to evaluate each one in the coming months.

“Ms. Singleton and I have years of a good working relationship already and will work in concert to ensure the progress of the projects, but more importantly, the success of the city’s residents,” Sullivan said. “These projects are all multi-faceted and involve various divisions of city government. We are both currently evaluating the businesses, and the forward progress of each of these projects is a part of that evaluation.”

Here’s a rundown of a few of the projects Lipscomb’s departure leaves unfinished:

Foote Homes: Through the Memphis Heritage Trail project, Lipscomb had a vision to raze the city’s public housing projects and replace them with multi-income housing. And he saw through the eradication of five of the city’s six housing projects (and the displacement of their residents via housing vouchers) between 2001, when LeMoyne Gardens were razed and redeveloped as College Park, to 2014 when Cleaborn Homes were torn down and rebuilt as Cleaborn Pointe at Heritage Landing.

But the last housing project left in the city — Foote Homes — remains as MHA awaits a decision on the federal department of Housing and Urban Development’s Choice Neighborhoods grant. Winners of the grant are expected to be announced this month.

Kenneth Reardon, the former University of Memphis urban planning professor who led the Vance Avenue Collaborative (the group opposing the demolition of Foote Homes), believes Lipscomb’s sudden departure could put that grant at risk.

“What does Robert’s departure mean? He has been viewed as one of the most effective public housing directors in the country. So his departure, as the major planner/architect/public manager/guy who put the financing together, at this late stage, could have a serious negative effect on the city’s ability to get this [grant]. It’s hard to really know,” said Reardon, who recently moved to Boston to take a job as director of the graduate program for urban planning and development at the University of Massachusetts Boston.

At least Reardon is hoping the city doesn’t get the grant to tear down Foote Homes, which he believes is a colossally bad idea.

“We still think the city’s approach to Foote Homes is ill-conceived and certainly not the most creative and transformative proposal they could put forward, given that the number of low-income people needing deeply subsidized housing and the proportion of those who need to be downtown for employment and medical, educational reasons,” Reardon said. “Foote Homes remains a vital asset.”

Jordan Danelz, Mike McCarthy, and Marvin Stockwell of the Coliseum Coalition

The Fairgrounds: With Singleton named as the new interim director at HCD, Marvin Stockwell, the spokesman for the Coliseum Coalition, said the organization is prepared to continue talks with the city. Lipscomb was a proponent for the redevelopment of the Fairgrounds, possibly as a multi-purpose youth sports complex, and he was planning to go to the state after the October 8th election to push for TDZ status for the Fairgrounds, a move that was opposed by many. The Coliseum Coalition aims to save the long-vacant Mid-South Coliseum.

“We at the Coliseum Coalition stand ready to work with anyone and everyone to reopen and reuse the Mid-South Coliseum,” Stockwell said. “I think part of the reason that public opinion has continued to move in the direction of reopening the Coliseum is because we’ve been able to have a respectful dialogue with the city. We had that type of back-and-forth with Lipscomb, and we have every confidence that will carry forward. We’re going to pick up where we left off.”

Whitehaven: Whitehaven’s revitalization is dependent upon the area in its entirety, rather than only focusing on Southbrook Mall, which was a point of contention within the administration — and Lipscomb, who was secretly recorded earlier this year saying that some city leaders were “throwing darts” at a proposal to revamp the aging mall. Mayor A C Wharton will be heading a committee to enact the Whitehaven plan.

The Pinch District: Lipscomb’s involvement in the Pinch District development — the pressure on which has been mounting since far before Bass Pro Shops’ opening earlier this year — were first focused on making sure the hunting and fishing mega-store got up and running smoothly. During the rezoning of the Pinch District in 2013, Lipscomb was quoted as saying that the Pinch was “second priority” to Bass Pro Shops. With that complete, there’s been talk of a new hotel coming into the area. Tanja Mitchell, community development coordinator for Uptown Memphis, is hopeful that Lipscomb’s departure won’t affect the area’s redevelopment.

Toby Sells

a marquee board at the Memphis Housing Authority

“We’re happy to work with any agency to get the Pinch redeveloped, because that’s something that needs to happen. The Pinch needs to come to life again,” Mitchell said.

All these, and a pending $30 million federal development grant, are potentially hostages to fortune in the uncertain atmosphere of the moment, but Wharton and other city officials have expressed optimism that all can still proceed as before.