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Macrophonics About to Release Their First EP

Cooper-Young Porchfest 2022 was the catalyst for Macrophonics, which features lead singer Lawson Day, lead guitarist Justin Weirich, and drummer Margo Araoz.

“It was the first Porchfest I’d been to,” Day says. He told Weirich, “We need to play this.”

The two met when they were in the seventh grade at DeSoto Central Middle School in Southaven, Mississippi. 

“I think when we really started hanging out more was in 10th grade,” Weirich says. “Physical science class.”

They would “talk about music and movies for an hour,” Day says.

“I wouldn’t really pay much attention in school. I was more focused on learning music and listening to different stuff,” Weirich says. 

Weirich was 11 when he bought his Fender Starcaster with leftover birthday money and $300 winnings from a family golf tournament.

Day began singing six years ago. He originally was “too lost in video games and things.” Also, he says, “I was terrified to hear my voice for a long time.”

He didn’t sing in front of an audience until he sang karaoke on a cruise. “I’m like, ‘I’m going to sing karaoke.’ And I did it every night on the cruise.”

“Get Down Tonight” by KC & the Sunshine Band was his first song. “I can remember being pretty nervous the first night. And then, I think, from every night onward, I didn’t really care.”

Araoz, who is from Birmingham, Alabama, joined the drumline in high school when she was about 10 years old. “Half the people in my school were in the band,” she says. “That was what the school was known for. I got to see a drumline play live. It was the first time I got to do this. I remember as a 9-year-old feeling the vibrations in my body. I said, ‘I need to do that. I’m put on this Earth to do that.’”

Araoz stopped playing drums and percussion when she was 14 to focus on her high school studies.

She majored in environmental science at North Carolina State University before moving to Memphis in 2021. She met Weirich when they worked together at Otherlands Coffee Bar. “I didn’t have a drum set when I moved here. I hadn’t played since I was 14. I was like, ‘Oh, that’s behind me. I’m no longer a drummer.’”

But, she says, “Justin encouraged me to buy a drum set and he just got the ball rolling for me to retry it.”

The trio got a practice space at Off the Walls Arts, “all hanging out playing music and having fun with it,” Weirich says. 

“It was such a cool experience,” Day says. “It felt like being in some kind of coming-of-age movie.”

Macrophonics at the practice space at Off the Wall Arts (Credit: Michael Donahue)

The name “Macrophonics” was Weirich’s brainchild. “I like the imagery of ‘macro,’ being ‘big,’ and ‘phonics’ — ‘big sound,’” he says.

They’ve described their music as “punk rock,” he says. “More the attitude for us in terms of musicality. We try to make songs that sound aggressive, but still kind of catchy.”

“Some of our songs, while they all have a bit of pop structure, sonically can be different,” Day adds. “They don’t fit what people think of as ’80s punk.’”

Their songs are “just do-it-yourself” with “a little absurdist humor,” Weirich says. “Because humor helps the reality go down smoother.”

They only had two originals when they signed up for their first Porchfest in 2023. Day describes their show as “overwhelming. It was me and Margo’s first show.”

Macrophonics at 2023 Cooper-Young Porchfest (Credit: Michael Donahue)

“I remember being very, very nervous. At that point I was kind of yelling instead of singing. I felt it was a controlled yell. But I was nervous as hell. Freaked out.”

Because it was hot, Day took off his shirt while he sang. He now sings shirtless most shows. “I didn’t want it to be a trademark, but I feel it kind of is.”

Their Porchfest experience was a success. “We wanted to keep doing it: ‘Okay. We’re pretty good at this. We can actually do this. Let’s keep it chugging along.’”

They played shows at Growlers, Hi Tone, Black Lodge, and “a lot of Lamplighter shows,” Weirich says.

Macrophonics is about to have its first EP mastered. They hope to release it “within the next month or so,” Weirich says.

Macrophonics: Justin Weirich, Margo Araoz, and Lawson Day (Credit: Michael Donahue)

Weirich doesn’t like to define their music genre. “I think we like keeping it vague like that. Who wants to be just a punk band? I feel like we have a lot more musical influences to branch into, more things we want to do with the band. For now, it’s more about the ethos of punk than necessarily the direct sound.”

Araoz also makes the band shirts. “I thrift the material for the T-shirts,” she says. “And I carve out my rubber stamps myself. Me and a friend.

“Environmental science shapes how I move through the world in every aspect. I did find a wholesale T-shirt company that uses a closed loop system for fabrics. There’s no waste being produced from any part of the company. They make new T-shirts out of old fibers.

“I wanted to make sure I was producing a product that can be broken down and reused again, not end up in a landfill in Ghana.”

Macrophonics played their second Cooper-Young Porchfest this April with “a lot more confidence going into it,” Day says. “I had a whole year of experience kind of flowing through my body.”

And, Weirich says, “We actually got our first encore. When they asked us, all we had to add on was ‘Blitzkrieg Bop’ by the Ramones. We played it double time. We played it faster than the Ramones played it.” 

Macrophonics: Lawson Day, Margo Araoz, and Justin Weirich (Credit: Michael Donahue)
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Open-Air Concerts Spring Back to Life

While many have been celebrating the return of indoor concerts for some time now, open-air concerts haven’t gone anywhere. They have an inherent appeal with or without the pandemic, especially from spring to fall in Memphis. In recent days and weeks, many of the key venues for outdoor concert series have released their planned line-ups. Here’s a roundup of all the acts to expect under the sun, moon and stars, from this weekend until October. Be sure to watch for our in-depth guide to the Beale Street Music Festival in next week’s issue of the Memphis Flyer

Click the link for each concert series to learn more.

Cooper-Young Porchfest
This Saturday, April 23rd, from noon til 6 p.m., the Cooper-Young neighborhood will run riot with live music as the Cooper-Young Community Association revives its annual Porchfest. This all-volunteer event will feature an eclectic mix of bands playing on residents’ front porches and at the Cooper-Young gazebo, not to mention a community yard sale that morning.

Cooper-Young Porchfest (Photo courtesy of CYCA).

Please see the Cooper-Young Porchfest website for a full listing of names, times and locations, but some of the highlights include Greg Cartwright, J.D. Reager, Bailey Bigger, Jeff Hulett, the Church Brothers, Los Psychosis, Alice Hasen, San Salida, Flamenco Memphis, the Turnstyles, and Model Zero.

The River Series
With an amphitheater boasting an incredible view of the Memphis skyline, as well as naturally superior acoustics, Harbor Town’s Maria Montessori School has made its bi-annual fundraising series a touchstone of musical happenings. Curated by Goner honcho Zac Ives, the artists are always intriguing, even as they depart from typical Goner fare.

Motel Mirrors at the River Series (Photo courtesy of Maria Montessori School)

This spring’s line-up features: Greg Cartwright’s Whelk Stall with Aquarian Blood (Saturday, April 30th), Jeremy and the Drip Edges with Tm. Prudhomme’s FAKE (Saturday, May 14th), and Mouserocket with Ibex Clone (Saturday, June 4th). All shows begin at 4 p.m.

Overton Park Shell
The newly rechristened Shell has not missed a beat as it moves into its next chapter, a fully Memphis-based nonprofit once more. Just as in the Levitt Shell years, the stage will host the Orion Free Music Concert Series through the summer and fall, along with a few ticketed Shell Yeah! events to serve as fundraisers.

The latter will include Durand Jones & The Indications (June 16th), St. Paul & The Broken Bones (July 16th), Almost Elton John Masquerade (September 15th), and an as-yet undisclosed fourth artist on September 23rd. As Overton Park Shell executive director Natalie Wilson notes in a statement, “In order to provide accessibility to our free concerts and events, we rely on revenue raised from Shell Yeah! Benefit Shows and generous donations from the Memphis community.”

1972 album cover by Trapeze, featuring an Overton Park Shell audience (courtesy of Overton Park Shell Archives).

As usual, the Shell will bring national and international artists to Overton Park, alongside many notable local acts. Memphis-related groups include the Memphis Symphony Orchestra’s Sunset Symphony (May 29th), which opens the season, followed by the Sensational Barnes Brothers (June 9th), Reigning Sound (June 10th), the Stax Music Academy (June 25th), Cameron Bethany (July 2nd), Don Lifted (September 16th) and the North Mississippi Allstars (October 14th). See the Overton Park Shell website for the full line-up.

Gonerfest
With Gonerfest 18 taking place entirely at Railgarten last year — a first for the festival — Goner Records is taking the same approach in 2022. Gonerfest will once again be centered on Covid safety, and while many slots still need to be filled, the marquee names have been announced and tickets are now on sale for the event, which takes place September 22nd through 25th.

Headliners will include Bay Area garage/soul weirdo masters Shannon & the Clams, wild lo-fi R&B rockers King Khan & BBQ Show, pre-Oblivians/Reigning Sound Memphis legends Compulsive Gamblers, lo-fi punks Gee Tee and garage rocker Michael Beach, both from Australia, and Nashville’s own Snooper. The complete festival will be live-streamed for those unable to attend.


Mempho Music Festival
Just as we are about to enjoy one major event, the Beale Street Music Festival, we’re also hearing about the finalized line-up for another, the Mempho Music Festival, scheduled for September 30th through October 2nd. Different ticket packages can already be found here, and, given the quality of the performers slated for the event, early ticket purchases might be prudent.

The Memphis Botanic Garden will thrill to the sounds of The Black Keys, alternative rock mainstays Wilco, and decorated Americana outfit Jason Isbell and the 400 Unit, as well as a double-dose of Athens-based ensemble Widespread Panic returning to the lineup by popular demand. Appearances by Portugal. The Man, Fantastic Negrito, Tank and the Bangas, Allison Russell, and Celisse will also be a highlight. Local favorites Bobby Rush, Big Ass Truck, Amy LaVere and Elizabeth King will also share the spotlight’s glow.