As many music lovers savor memories of hearing their favorite bands on the Mississippi’s shores at last weekend’s RiverBeat Music Festival, another such experience is just heating up: the Sunset Jazz series at Court Square. And while the performances, taking place once a month from May through October, may lack strobe lights, flame cannons, or the feeling of a weaponized kick drum rattling your chest, they will offer their own kind of fireworks: the sheer virtuosity of the series’ featured artists.
The musicianship is top-notch partly because the series’ producer and curator, Deborah Swiney, is a seasoned jazz singer herself. After she released her 2017 album, I Remember Rio, there were precious few jazz-friendly venues in which to promote it — so she took matters into her own hands.
“I had been wanting to do something at Court Square Park forever,” she recalls. “It’s a beautiful park, with the gazebo there to use as a stage. So I contacted Penelope Huston at Downtown Memphis and threw the idea out there, and she loved it. We did a pop-up event and had a great turnout, far beyond what we would have ever imagined. So I did a couple more.”
Pivoting from her own work to the likes of Chris Parker and Kelley Hurt, who had only just premiered their stunning No Tears Suite in Little Rock, those other 2018 pop-ups set a tone of eclecticism and quality that has continued to mark the series, now in its fifth year (after a two-year break during the worst of Covid). “I try to do something different each time,” Swiney says.
Ted Ludwig
This year’s lineup carries on that tradition, while keeping the focus firmly on Memphis-based artists. Season opener Ted Ludwig (appearing on Mother’s Day) has become a fixture at The Green Room at Crosstown Arts, for instance, with his trio often backing talent visiting from elsewhere (as in this Wednesday’s performance with New York saxophonist and composer Jim Snidero). “To me, he’s one of the top guitar players around,” says Swiney, “and we have a bunch of great guitarists in Memphis. He grew up in New Orleans and won the Louis Armstrong Award in high school there, then studied with the great pianist Ellis Marsalis.”
Ekpe & the African Jazz Ensemble
June’s concert will feature the more international side of Memphis jazz with percussionist Ekpe Abioto’s African Jazz Ensemble, one of the few local groups who pursue the sounds of contemporary Africa. “Ekpe also has a great resume, and he does a lot of studio work,” says Swiney. “He played on my Rio album and if someone needs a percussionist here it’s likely to be either Ekpe or Felix Hernandez.” While Abioto’s ensemble is often known to delve into Afrobeat territory, Swiney says, “he’s likely to focus more on the jazz part for this series.”
Stephen M. Lee
While many parents and aspiring young players know of Lee as a teacher, some may not realize that he’s a world-class pianist in his own right. He studied under fellow Memphian Donald Brown in his college years, then went on to develop a career in New York for over a decade. When he received the Steinway and Sons Top Teacher Certificate Award in 2017, he returned to Memphis and founded the Memphis Jazz Workshop to fill in gaps in public school music education here. The program has been a great success. Swiney sees his July performance as a chance to showcase “more straight-ahead jazz.”
Soul Ingredient
After Lee’s July performance, the following month will present the best of what his educational efforts have wrought. Soul Ingredient collects some the Memphis Jazz Workshop’s finest young players into a powerhouse ensemble. “Have you ever heard these guys?” exclaims Swiney. “I heard them at an event last year, and had I been in another room and not seen that these were kids, you couldn’t have convinced me that they were so young. Of course, all their instructors are professional musicians and you can just tell they’re getting taught by some of the best top players.”
Patrice Williamson
Memphis doesn’t see enough of the singer featured in the September Sunset Jazz show, possibly because she teaches at Berklee College of Music in Boston. But Jazz Times magazine wrote that “Patrice Williamson isn’t a singer, she’s a one-woman jazz sampler. She is a woman of many voices, each distinctly intriguing, all distinctly her own.” Growing up in Memphis, Williamson’s father introduced her to both gospel and the music of greats like Louis Armstrong, Nat King Cole, and Lena Horne, and that blend influences her singing to this day.
Brian “Breeze” Cayolle
Further cementing the close ties between New Orleans and Memphis, this Crescent City-native has been a fixture in Memphis since Hurricane Katrina nudged him northward. “He brings a bit of New Orleans wherever he goes,” says Swiney of the clarinetist and saxophonist, who held down Wednesday nights at Lafayette’s Music Room for years. “He’s played with a bunch of people and he’s quite celebrated,” Swiney adds. Cayolle will wrap up this year’s Sunset Jazz series on October 13th.
Visit sunsetjazzmemphis.com for details.
