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News News Blog

Crosstown Calls for Your Memories for Third Anniversary


Crosstown Concourse opened to much fanfare in 2017 with tours and live music events dominating the day and night. The same was true for 2018 and 2019.

But this year, thanks to COVID-19, Crosstown is calling for a more muted celebration.

With the Concourse unable to safely host a celebration, they have asked for the community to share their favorite Crosstown photos on Instagram, Facebook, or Twitter with the hashtags #yourconcourse and #bettertogether for a chance to win a $50 Concourse gift card.

“Three years ago, when Concourse welcomed thousands of Memphians from all walks of life at the opening celebration, we were finally able to experience the vertical urban village dream of ‘better together’ in action,” said Todd Richardson, president of the Crosstown Redevelopment Cooperative. “If absence makes the heart grow fonder, Crosstown Concourse’s third anniversary this week has given us the opportunity to reminisce about our favorite memories and events over the last three years, and, as a result, cherish more than ever all the people and arts programming we miss so much.”

Memphians have until 5 p.m. on Friday, August 21st to make posts. Three winners will be randomly selected and announced on Concourse social media channels on Monday, August 24th.

Crosstown Concourse/Facebook

Crosstown Concourse’s opening day in 2017.

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Food & Drink Hungry Memphis

Supporting Local Breweries When the Taps Get Turned Off

“That’s so cool!” This was the most common response I got when people heard that I owned a small brewery. In reality, I didn’t own a brewery. I owned an LLC that contract brewed our own beer on a “real” brewery’s equipment (Lazy Magnolia in Kiln, Mississippi). This distinction was hard to explain. It required complicated descriptions of the business of beer and could veer dangerously close to my standard pitch to potential investors. Both instantly killed the cool vibe, so I often omitted the distinction, opting instead for some witty response like, “Yeah, it’s really cool!”
  

My brewery (or LLC masquerading as a brewery) ultimately failed, but even if it had survived, it would certainly be on the brink of destruction now — an eventual casualty of COVID-19. Our local Memphis breweries are on far better footing than my fly-by-night business ever was, but the pandemic is closing or limiting brewery tap rooms, and it is hard to overstate the impact this will have on them. For a small craft brewery, a tap room can provide a disproportionate amount of overall revenue.

Indeed, my brewery’s entire business model was based upon opening a tap room. When we started the brewery, tap rooms were not yet legal in Mississippi (where the brewery was based), but we were betting that would change. Contract brewing, basically paying another brewery to use its equipment to brew and package our beer, was merely a way to build our brand and woo investors while we waited for more enlightened state beer laws. It was a PR stunt to put our beer in bars and on retail shelves, not a sustainable business. The end goal was the tap room.

To understand our plan, you have to get into some of the complicated beer business details that I tried to avoid in casual conversation. Beer is a low-margin business. This is primarily true for two reasons. First, state laws make it this way. In Tennessee (and most states), with the exception of tap rooms, breweries can only sell their beer to a state-licensed distributor. These distributors then mark up the price and sell to retailers (restaurants, bars, grocery stores, package stores, etc.) who then mark up the price again and sell it to you. Even in the current craft-beer renaissance, there is only so much you or I will pay for a beer, so this three-tiered sales system pushes down a brewery’s profit margin. The profit is split three ways.

The second reason beer is a low-margin business comes from the way we consume beer. Unless it’s coming out of a tap, beer is a highly packaged product. There are cans or bottles. There are six-pack containers. There are boxes that all of this is shipped in. The owner of Lazy Magnolia once joked that I was really getting into the cardboard business, not the beer business, because the price of sourcing cardboard would likely determine my brewery’s profit margin. Even with kegs, the kegs themselves are expensive and hard to keep track of. And regardless of packaging form, all of it needs to be shipped to wherever we want to buy beer. This is expensive. When combined with the realities of the three-tiered sales system, it means that your local brewery makes very little on each pint you purchase in a bar, and even less on each can or bottle you enjoy, regardless of where you buy it.

Tap rooms, however, are magical places where breweries can either eliminate or limit these profit-minimizing realities. There is no three-tiered system in a tap room. The brewery sells directly to the public — the beer version of a farmer’s market. Transportation costs are also eliminated. You buy the beer from the source and transport it yourself (either by lifting a glass to your lips or carting your beer home). Even packaging costs are minimized. Kegs never leave the brewery and thus can never be lost or stolen. Carry-out beer still requires basic packaging (cans, bottles, six-pack carriers), but not additional shipping packaging. There is even the option of the growler fill, which holds packaging costs to a minimum. In short, tap rooms are vital revenue sources for many craft breweries, but the pandemic is literally and metaphorically turning off the tap.

So, what can we do to help? Obviously, the answer is not to go hang out in a crowded space and drink beer. As therapeutic as that would be right now, it would only make the underlying problem worse. If you plan on adding beer to your provisions list for this period of social distancing, however, consider what you buy and where you source it. Obviously, you should buy local beer. The Memphis breweries need your business now more than ever. But also consider buying directly from our local breweries. This can help to offset the lost tap room revenue that is so important to these businesses. A couple of Memphis breweries have already set up to-go protocols, despite closing their tap rooms for on-premises consumption. Wiseacre Brewing Company has created a to-go request form through its website (also included in its Instagram bio) that allows you to order beer from the safety of your home. After ordering, the brewery will follow up with link for payment and arrange a pickup time at the brewery. Wiseacre also has an optional gratuity option for to-go orders with all funds will go directly to its bartending staff. Crosstown Brewing Company also has curbside pickup for to-go orders. You can place an order by calling the brewery or messaging them through social media. Although for both breweries, staff will still need to card you before you head home with your beer, this is the same level of face-to-face contact you would have in a grocery or package store. No doubt, other breweries in the area will come up with similar plans.

When the crisis has ended and we are all free to go back to enjoying Memphis collectively, we will likely need a beer, and we will certainly need places to meet face-to-face (“social normalizing?” “social associating?” “social crowding?”). Our choices now can help ensure that all of our favorite places are still around when that day comes. So, go buy some Memphis beer, and after you do, you can tell people that you helped save a local brewery. It will be at least as true as my brewery ownership claims and infinitely cooler.

Cameron Fogle is a professor of legal writing and a one-time owner of Sweetgum Brewing Company, LLC in Starkville, Mississippi.

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News News Blog

Beer Bracket Challenge 2020: Go Vote for Your Fave Memphis Beers

Voting is important. Voting on beer is important-er.

That’s why we launched the Memphis Flyer Beer Bracket Challenge. Voting commenced this morning (Thursday) and will run until the champion is picked on Saturday, February 29th. (Leap Year, weird.)

For this year’s challenge, we split our bracket into four divisions — light beer, dark beer, IPA, and seasonals. We really like the idea of the breweries all competing in (roughly) the same style.

Yes, you’ll still have, say, a cream ale up against a pilsner. But this ain’t the Great American Beer Fest, y’all. This is for anyone out there who loves Memphis craft beer.  

We asked six of Memphis’ craft breweries to send us their picks in each category. On Match-Up Monday at the Young Avenue Deli, we seeded those beers on our bracket. We picked the matchups blindly right out of our famous trophy — the VanWyngarden Cup. So, we didn’t influence the match-ups. That’s fair, right?

The rest is now up to you. Do you love Tiny Bomb? Are you ga-ga for Mexican Lager? Does Midnight Magic have you under its spell? (I’ll stop.) Well, go and do your civic, craft-beer duty and vote at the bracket challenge website. (Did we give you the website yet? If not, here it is.)

You can vote once in each of the five rounds of voting — first round, Sweet 16, Elite 8, Final Four, and the championship round. It runs just like another lesser-known tournament that happens this time of year involving basketball. Except it’s better. It’s Memphis craft beer.

if you’re not yet convinced to get off your barstool and go vote, let’s sweeten the pot. Some lucky voters will win tickets to the one-of-a-kind Memphis Brewfest, a beer festival held on the field at Liberty Bowl Stadium.  

Best of luck to all of our breweries this year: Ghost River, Wiseacre, Crosstown, High Cotton, Memphis Made, and last year’s winner, Meddlesome Brewing. 

Categories
Food & Wine Food & Drink

A look back at 2017 food news

2017 was looking to make me a liar. In last year’s “Look Ahead” story, I had several places set to open that just barely made it this year. They include: Sunrise, the biscuit-centered breakfast place from Central BBQ’s Craig Blondis and Roger Sapp and Sweet Grass’ Ryan Trimm, which opened in late November; the food hall South Main Market, which held a grand opening on December 2nd with an opening roster of promising eateries; and the Liquor Store, from the same folks as City & State, which opened in November.

One of the bigger food stories was related to the opening of the Crosstown Concourse building. Mama Gaia was the first out of the gate in early spring. They were followed by French Truck Coffee, Farm Burger, Next Door Eatery, MemPops, So Nuts, Curb Market, and I Love Juice Bar. I frequent the place and pay — gasp! — $11 for a small smoothie from the Juice Bar at least once a week.

Closing down and moving on: The first location of LYFE Kitchen in East Memphis closed in the fall. The second, in the Chisca downtown, closed for a short while and reopened as a reinvented space with a new menu and new decor. Also seeing new life were Brass Door and the Riverfront Grill (now the Front Porch), both forced into shape by Deni and Patrick Reilly of the Majestic Grill. The much-beloved Elwood’s Shack was closed for several months after a fire in December. It reopened in March.

Happy news: The Cosmic Coconut was turned into the City Silo, a vegan-forward space with several great, thoughtful dishes. The oldie but goodie Front Street Deli changed owners and reopened with a John Grisham-themed menu.

Elwood Shack

Sunrise

More milestones: Beauty Shop marked its 15th year with beehives and 1997 prices. Jim’s Grill, the longtime place for graduate lunches and Mother’s Day brunches, closed for good after an attempt at a revival by Alex Grisanti. Other Memphis favorites, the Peanut Shoppe on Summer closed earlier this month after 58 years and Spaghetti Warehouse closed after 30 years in downtown.

A few things found life beyond the confines of this column. Let’s start with Meddlesome and its cheekily named 201 Hoplar IPA, which a lot of folks found problematic, while the vast majority really loved the name-play. (Also, the IPA is really good.) Another hit was the video by Michael Donahue of the “Pie Lady” Katherine Perry. Perry made her caramel pie and a few others and found an enrapt audience. That video had more than one million (!) views. David Scott of Dave’s Bagels is, how do we put it???, super-hot. And folks like his freshly made, truly excellent bagels, too. You can find them pretty much everywhere.

After pouring millions into the old 19th Century Club building to open the restaurant Izakaya, the owners quickly reconsidered the rather unfocused approach, reopening as the chiefly Japanese and quite good Red Fish. The popular food truck Sushi Jimmi found new life in a brick and mortar space on Poplar. The same goes for Riko’s Kickin’ Chicken, which opened on Madison near Cleveland. Lucky Cat gathered quite a following for its pop-ups before settling on a space at the corner of Cooper and Peabody.

Nobody knows trouble like Taylor Berger. His grand vision for shipping crates serving as a venue was almost quashed as the some of the campus of Railgarten did not have proper inspection. It was all eventually worked out, and now the place serves as a happy meeting ground for young folks looking for fun.

Categories
Opinion The Last Word

Memphis: A Tale of Two Cities

My paternal great-grandmother abandoned rural Mississippi in the 1960s in order to escape her husband, an abusive man who decided early in their marriage that he wanted a farmhand instead of a wife. My great-grandmother — affectionately called “Granny” by her great-grandchildren — survived assaults from men who wanted to claim her body, a wage-slavery system that wanted to claim her soul, and a concentrated dose of white supremacy that had no qualms about making a feast out of her bones as well.

In her old age, my Granny’s favorite pastime was riding around the city to visit shopping malls and department stores, but she couldn’t drive, so when one of her children or grandchildren was too busy to serve as chauffeur, we rode the bus. During the face-meltingly hot Memphis summers of the early 1990s, I was frequently her co-pilot and traveling companion. One of my fondest memories of her was a summertime bus ride where we rumbled past the Sears Crosstown tower on Cleveland, which by then had been long abandoned. As we passed the building, Granny looked up at it, cursed (she only cursed when she was mad), and sighed.

My Granny had given most of her life to affluent white Memphians who visited our house whenever they wished to slip silver dollars from behind our ears like stale magic, praising my Granny for her hardworking nature and her homespun wisdom even as they worked her to her grave. Her sigh that day as we passed Sears Crosstown wasn’t wistful. She did not long for bygone days, and she was not lamenting lost fondness; my Granny had lived through so much pain at the hands of men, white-folks, and crushing poverty that she rarely ever seemed fond of anything other than her grandchildren and great-grandchildren.

Justin Fox Burks

Crosstown

I carried her memory and her history with me more than 10 years after that bus ride when I crossed Cleveland and stepped into the brand new Crosstown Concourse. I was there to witness firsthand the realization of a project purported to bring new life into central Memphis. New life, of course, because the old ones are less meaningful in the face of developments like this one.

I can’t lie, the Crosstown Concourse is a nice building. The idea of a “vertical urban village” is a concept out of my futurist fantasies, and the Crosstown Concourse looks the part. The updated construction has managed to retain the massive look and feel of the building from my childhood while also making the new space feel fresh and modern. The public servant in me is impressed by the convergence of commercial and civic interests into a single public-use space.

But Memphis is full of disrespected dead, and their spirits still cry out for justice. On the afternoon of Saturday, August 12th, our city was at the crux of an interesting convergence: Less than three miles from the celebration of Crosstown’s shining beacon, hundreds of protesters (many of whom are descendants of the slaves that kept Memphis living in high cotton) decided to use their bodies and lives to demand that our elected representatives stand on the correct side of history and remove hateful edifices from our taxpayer-funded parks. While the people who Memphis prioritizes bobbed their heads to performances from some of our most brilliant black artists, immigrant Memphians marched to defend themselves and their families from forces that threaten to rupture their families and destroy their livelihoods.

We are living in a literal tale of two cities.

I want to know: How can I be excited about the Crosstown Concourse when the grocery store inside of it is explicitly not marketed to the disenfranchised residents of Klondike and Smokey City? How can I be excited about the Crosstown Concourse when there are thousands of unemployed and underemployed Memphians in a two-mile radius of its doors? How can I be excited about the Crosstown Concourse when entire swaths of the city remain blighted and infested with vermin and waste? How can I be excited about the Crosstown Concourse when white supremacy, the system that makes Memphis great (for white residents) is still deeply ingrained in every facet of our city’s operation, from the police to the politics to the food and employment deserts, and is still killing people in whatever way it deems best — just like it killed my Granny?

Just last week, I was visiting South Memphis, talking to residents in an area infamous for having lead soil contamination readings higher than 1,700 parts per million (the federal standard for lead soil contamination is 400 parts per million). One woman caught my eye — her resemblance to my Granny struck me so deeply that it nearly brought tears to my eyes.

She was hurt and disgusted. Everyone in Memphis seemed to be on the receiving end of such great developments. Her neighborhood had changed too, with new housing and freshly constructed green space, but she was still not impressed. Where were the opportunities for her children and grandchildren to escape the chains of poverty that had held her in place for generations? Where were the nearby jobs? The adequately funded schools? There isn’t a full-service grocery story within three miles of her house. Those seem to be very basic requests, and I thought that Memphis was in the business of being brilliant at those. At one point during our conversation, she sighed and shook her head. For a moment, I was back on that bus with my Granny, my 10-year-old self finally understanding the weight of her sigh.

Time and again, our city’s leadership proves to folks like me that it does not care about our poor black grannies, our immigrant friends and family, or anyone else who dares to speak up and demand that all of the edifices to hate and white supremacy — mounted or not — be removed from this place where we’ve planted our roots. In the face of all these past memories and current pain, tell me: Why should I, or any Memphians like me, be excited about these future developments?

Troy L. Wiggins is a Memphis writer whose work has appeared in the Memphis Noir anthology, Make Memphis, and The Memphis Flyer.

Categories
Music Music Features

Movin’ On Up

Church Health is unique among Memphis institutions. It was founded three decades ago by Scott Morris as a place to provide help for the working poor who fall through the cracks of our broken health insurance system. Some of those people are Memphis musicians.

“A lot of musicians and artists don’t have access to health care,” says Church Health Communications Director Marvin Stockwell. “This is the music scene itself backing a cause that helps so many of them. That’s been the message of the show for 11 years.”

Stockwell, a founding member of the legendary Memphis punk band Pezz, was one of the driving forces behind starting the Rock for Love benefit concerts. The annual weekend of live music has raised tens of thousands of dollars to help pay for the care of poor Memphians. Three months ago, Church Health moved to an expanded new home in the Crosstown Concourse building.

Stockwell says scheduling Rock for Love for the same weekend as the Concourse’s gala grand opening was a no-brainer. “Why take a weekend-long event, built over a decade, and have it come three weeks after the big hurrah? This is the inaugural, celebratory moment of our brand-new home. It made every sense in the world.”

Near Reaches

This year’s event comes with an added bonus. In the early 2000s, Makeshift Records regularly showcased new Memphis music with a series of sprawling compilation albums. Earlier this year, Memphis musician Crockett Hall found a copy of one of the Makeshift compilations in a used bin at a record store. When he asked his friends on Facebook about it, a discussion ensued in which people told fond stories of the acts they had discovered from Makeshift.

J.D. Reager, an organizer of Rock for Love (and a Flyer contributor) had been involved in the grassroots label. Since a Rock for Love compilation album had been successful a couple of years ago, and since the last Makeshift compilation release had coincided with the first Rock for Love, maybe it would be a good idea to, as Stockwell says, “gin up the old machine.”

The new Makeshift 6 compilation includes 34 songs by contemporary Memphis artists, ranging from Mark Edgar Stuart’s tight singer/songwriter compositions to Glorious Abhor’s noise punk. Select-O-Hits donated their services, helping make the album a reality, and all of the artists donated tracks to the compilation. “When I listen to this broad swath of Memphis music, I think of how proud I am to be a part of this Memphis music scene,” says Stockwell.

The album will get its official release this Friday, August 18th, the first night of Rock for Love. Artists include Jack Oblivian, Cassette Set, Yesse Yavis, Moon Glimmers, Sweaters Together, the Rough Hearts, and Indeed, We Digress. Al Kapone will be deejaying between sets. “Friday is the Makeshift release show,” says Stockwell, “so we wanted to have as many of those bands as humanly possible.”

Saturday, August 19th, amid all of the other Crosstown opening festivities, Rock for Love acts will be providing music all across the site. The main stage is one of the most diverse lineups in recent memory, beginning with beatbox soulsters Artistik Approach, the Rising Star Drum and Fife Band, Latin big band Melina Almodavar, singer Susan Marshall, and finally Memphis hip-hop superstars 8-Ball and MJG, backed up by Winchester and the Ammunition. Reager says drummer and bandleader Graham Winchester is “very excited about backing up both 8-Ball and Susan Marshall.”

In the atrium at Crosstown will be quieter, acoustic sets, led by Reager and featuring Crockett Hall, Juju Bushman, Mystic Light Casino, and Faith Evans Ruch, among others. That night, the party moves back to the Hi-Tone where Chinese Connection Dub Embassy leads an all-star jam party including Kapone, Tonya Dyson, and Lisa Mac.

Stockwell says the new Church Health facility has energized the whole staff. “There’s so much potential here that we have only started to scratch the surface of.”

Categories
News News Blog

Downward Cat: Yoga With Kitties

“Lift your hips and press back into downward dog — I mean, downward cat,” instructs yoga teacher Adriene Holland, as the class of 15 or so students giggle and transition out of a plank pose to thrust their butts into the air.

Holland, who teaches regular yoga and hooping classes at Co-Motion Studio, worked as many cat puns and feline phrases into her two 30-minute yoga sessions at Saturday’s Yoga with Cats adoption event at Crosstown Arts. Hands became paws, and of course, she worked in a little cat/cow pose. As she led the class, several adoptable cats from Memphis Animal Services (MAS) slinked around the corners of the art gallery.

The event took place on the final day of Crosstown Arts’ We Need to Talk exhibition, which featured break-up art and artifacts from more than 40 local artists. Some of the artwork was humorous, but much of it — about broken marriages and broken hearts — had a bit of depressing feel. But with the combination of restorative yoga postures and free-roaming cats, everyone seemed to be in positive spirits.

“We’ve seen cat yoga in some other cities and thought it would be such a fun thing to bring to Memphis,” said Alexis Pugh, administrator of MAS. “We love that our sponsors, Crosstown Arts and Co-Motion Studio, are just as excited as we are to give our feline friends a chance to find forever homes.”
By the end of the event, which ran from 10 a.m. to 2 p.m., four of the 10 cats that MAS brought to the event had been adopted.

The hope was that the cats would be a little more participatory — maybe disrupting poses by laying on mats or curling up with students during the final corpse pose. In reality, the cats didn’t start to warm up to new people and a new environment until the end of Holland’s second class. Several chose to stay in their kennels, but volunteers from MAS stayed on the sidelines of class, coaxing a few of the more sociable kitties to get more involved. A few cats allowed students to hold them as they sat in seated postures. By the end of the second class, a black cat named Zepp tucked underneath one 
student’s hips as she lay in a supine twist (back on the floor, knees bent, and lying to one side)
(Former Flyer staffer Bianca Phillips the communications coordinator for Crosstown Arts.)


Categories
Opinion Viewpoint

MATA Needs More Funding

In response to The Memphis Flyer cover story: “Bus Stopped: The Battle over Route 31” published on December 1st, there is one key point we all can agree on: Memphis needs and deserves a reliable and efficient transportation system.

As chief executive officer of Memphis Area Transit Authority, it is my mission to be able to deliver this.

But public transportation requires a healthy investment. We all recognize that when public transportation is properly funded, it yields the results the community desires, including access to work, school, recreational activities, the doctor’s office, worship, and to visit family and friends. It also delivers a healthy boost to economic development throughout the community.

Since my arrival in Memphis two years ago, I have been emphasizing this point to our elected officials, community leaders, customers, general public, the news media, and anyone who will listen.

Ron Garrison

I understand the frustration many feel over the decision several years ago to eliminate the 31 Crosstown. For those who may not be familiar with the history behind the 31 Crosstown, when the decision was made to eliminate Route 31 in 2013 and provide other routes that served the same communities, there was quite a bit of ongoing dialogue even well after the decision was made. Many meetings — including those hosted by MATA and even one-on-one discussions — were held with members of the Memphis City Council and community groups.

When the dialogue about Route 31 resurfaced this summer along with the recent petition drive, I wrote a guest column that was published in the September 25th issue of The Commercial Appeal about the 31 Crosstown to explain the decision again. (Although I was not contacted by the Flyer reporter to comment specifically for the “Bus Stopped: The Battle over Route 31” article, I am glad Ms. Watts included parts of my views that were previously published in the CA.)

The lack of a dedicated source of funding, however, has caused the unfortunate result of trimming service and creating alternative solutions, as we did with Route 31. But we understand our alternative solutions may work for some residents, but not for all.

I deeply respect Georgia “Mother” King and her passion and dedication over this issue, along with the other citizens who have signed the petition, but the main obstacle to restoring Route 31 Crosstown is a matter of dollars and cents.

MATA is underfunded by more than $20 million annually compared to Memphis’ peer transit cities like Louisville.

If this group could help us convey to all of our elected officials that MATA needs a consistent source of funding to help restore public transportation to the level that we need and deserve in the Memphis area, I welcome their assistance.

Right now, it is imperative that we drive the conversation around that single important issue: discovering more funding. After all, public transportation in a city the size of Memphis is an absolute necessity for economic viability, opportunity, and sustainability.

Ron Garrison is the CEO of Memphis Area Transit Authority.

Categories
Cover Feature News

Bus Stopped: The Battle over Route 31

Georgia A. King, 76, is a Memphian who needs her floral-decorated cane to assist in her instantly recognizable, purposeful stride. Whenever she steps out of her apartment near Victorian Village, she is likely to encounter grins and hugs from other Memphians as she makes her way around to her various destinations.   

Most call her “Mother King,” a moniker earned from her reputation, built by decades of organizing work for Memphis’ poor and her involvement with the civil rights movement.  

Since she herself relies on public transportation, pushing for equitable public transportation is high up on King’s exhaustive list of interests and pet projects.

Shortly after the Occupy Memphis protests of 2011, King formed a Transportation Task Force, which would become the Memphis Bus Riders Union in early 2012.

later evolve into the MBRU.

No matter where she is in Memphis — or what else is occupying her time — she watches the Memphis Area Transit Authority buses. “I watch for everything. Is the bus let down for disabled passengers? Does the driver look tired? Are the buses running when they are supposed to?”

King is not alone in her vigilance. She is joined by the other members of MBRU as well as the Amalgamated Transit Union Local 713. Together they monitor the pulse of MATA, and right now one of their major concerns is restoring access to the historic, and once well-used Route 31 Crosstown, which was discontinued in 2013.

Crosstown 31 ran primarily along Cleveland and connected many North and South Memphis neighborhoods. For months, members of MBRU have been knocking on doors in tucked-away neighborhoods that used to bookend the 31. Demographically, these neighborhoods are majority black and marked by the all-too-familiar poverty that disproportionately strangles many black neighborhoods in Memphis.  

Armed with clipboards, volunteers with MBRU have been asking residents to sign their name to a petition and endorse the restoration of Crosstown 31.  

So far, they have more than 1,700 signatures, roughly 900 or so shy of the estimated number of riders that rode Route 31 daily for work and to get necessities, such as groceries, before it was discontinued.

The signatures are important, but they can only change so much, which is why Mother King is hoping city officials are watching and listening to the efforts of the two unions. After all, she says, “If the only people protesting are the ones that need this route, nothing will get done.”

Ron Garrison, CEO of MATA, stands in front of a trolley.

The Cut

When the decision was made to eliminate the 31 in 2013, MATA was facing a $4.5 million deficit in its yearly operating budget. MATA’s then chief executive officer, William Hudson, said that route eliminations would be necessary in order for MATA to continue to operate. Among other route changes that were made that year, a new route No. 42 Crosstown was created that combined and replaced Route 10 Watkins, Route 43 Elvis Presley, and the Crosstown 31.

At the time, Hudson defined vulnerable routes as ones with a low ridership, specifically 25 or fewer customers per hour. However, study findings in the Short Range Transit Plan, a transit study produced by independent consulting firm Nelson/Nygaard just two years prior to its cut, showed Crosstown 31 as Memphis’ third highest-used bus route, with an average of 2,600 riders daily. The route was second only to the 43 Elvis Presley, which funneled 2,700 daily riders between the heart of the city and South Memphis neighborhoods.

If you spread 2,600 riders over 19 hours of operation, the 31 had an average of 136 riders per hour. Unless there was a drastic (and undocumented) decline in Route 31’s ridership in the two years between the study findings and the route’s elimination, the old Crosstown route didn’t fit Hudson’s definition of low ridership.  

A few years later, it wasn’t the number of daily riders that MATA officials pointed to in defending the cutting of Route 31. Rather, it was a finding of the same SRTP study that said MATA would save funds by combining two of its five highest-used routes.

Very Long Walks, Very Few Stops

In a September 2016 guest column in The Commercial Appeal, MATA’s CEO, Ron Garrison, acknowledged the movement to restore Route 31 and pointed to the SRTP study findings that said “at the time” MATA would save money forming the new No. 42 Crosstown — which also connects North and South Memphis — by eliminating duplicate routes while still being able to adequately serve customers on both ends.

“Fast forward to today, and MATA still serves those communities with Route 42 and six other routes,” Garrison wrote, specifically referring to the New Chicago and Riverview-Kansas neighborhoods.

At last count, there are 1,700 petition signatures that say otherwise.  

“There’s definitely no proof of that,” said Carnita Atwater, the executive director of the New Chicago Community Development Corporation. “Because the 42 won’t circle around some of these neighborhoods.”

Atwater keeps frequent tabs on the residents of the New Chicago area through her work at the NCCDC. Half community center and half museum, the NCCDC is a bustling hub within an economically depressed area. From the building, you can see the towering smokestack of the long-closed Firestone Tire and Rubber Company — a reminder that steady jobs were once considerably more plentiful in the area. Now many of the residents are dependent on the bus to reach their jobs.

Atwater says MATA’s new route isn’t working. “I can tell you that many people have lost their jobs because of [the elimination of] Route 31. We did questionnaires after, and we can verify that.”

Like King, Atwater’s concern is focused on the dozens of smaller neighborhoods that the new Crosstown route doesn’t directly extend to and that feeder routes don’t regularly reach.  

“Most people out here don’t even own a bicycle, and walking to the nearest stop certainly isn’t always an option,” Atwater says. And jobs aren’t her only concern.

“Another major concern is families not being able to go into other communities to see family members. And churches. If you live in North Memphis, but your church is in South Memphis, you’re out of luck, come Sunday.”

According to Google Maps, 60 churches are directly on or within a few blocks of the old Route 31.

Down the line in South Memphis, the Riverview-Kansas neighborhood tells a similar tale. Just like New Chicago, recent census data shows the South Memphis neighborhood to be majority black and with a disproportionate amount of residents living in poverty and with a high unemployment rate.

The Riverview-Kansas area wa s once the south loop for Route 31, and it shares the challenges that New Chicago has with MATA’s 31 replacement plan: lots of residential pockets that would require a resident to either walk an hour or more —  and cross over an interstate — to access the new Crosstown route, or use multiple bus transfers.  

Neither one of those options work for those facing some degree of immobility, or for those who are so financially strapped that transfers must be carefully budgeted.

In fact, data gathered by the Center for Neighborhood Technology, a research-based think tank for urban sustainability, shows the costs of public transportation for residents living in both neighborhoods comprises more than 20 percent of their take-home income.

Coming Soon to Crosstown …

The opening date for the Crosstown Concourse in the former Sears building has been set for May 2017, and among what have been dubbed as the “founding tenants” is Church Health Center, which has as its primary purpose serving the working poor. Its new location in the Concourse means that affordable health care is shifting a few blocks north from the health center’s current location on Peabody, to a location more in the middle of the Midtown/downtown area.  

For the new Crosstown bus route, the question becomes whether or not the route and its feeders can efficiently and economically bring residents from New Chicago and Kansas-Riverside to the Concourse for health-care access, not to mention the hundreds of jobs that will be available in the area once the Concourse opens.

“Crosstown, interestingly enough, was called Crosstown because it was once the easiest place to get to in Memphis,” says Church Health Center founder Scott Morris. “It was once where the trolley lines crossed, and so it was the easiest place to get to in Memphis.”

In Morris’ view, current public transit deficits have resulted from a mixture of decades of underfunding and a lack of creativity and cutting-edge solutions from previous administrations.  

“I’ve looked at their finances over time, and I don’t know how they do what they do,” said Morris.  

For the purposes of the CHC, Morris is more concerned that Memphians reliant on public transit have the routes they need to get to school and work.  

“The number one predictor of anyone’s health and outcome is their education, not their doctor,” says Morris. He says that most of the CHC’s patients, at the very least, have their transportation to work figured out, since a person must be employed to receive services from the CHC. But Morris is still concerned about the problems associated with the loss of Route 31 and the problems concerning MATA as a whole.

Referring to Garrison as “intriguing,” Morris says he has spent enough time around MATA’s leader to determine that he “doesn’t have his head stuck in the sand.” While Morris isn’t entirely familiar with all of the dynamics of restoring Route 31, he says it’s a conversation that neither he nor Garrison is ignoring.

Morris says that solutions offered in lieu of Route 31 work for some, but not all. He adds, particularly around Crosstown, that people are “thinking long and hard and deep about this issue.  

“I met with Garrison last week, and I was saying, ‘We have to make this work for everyone at Crosstown. It can’t be just about the middle- and upper-class people who are coming there to work,'” said Morris, who continued to say, “I was singing to the choir when I was talking to him. My personal feeling was that he got it.”

Elena Delavega, PhD, University of Memphis Department of Social Work. Research published August 15, 2014.

What Everyone Agrees On (Money, Money, Money)

What’s to be done — if anything is to be done — about communities affected by Route 31’s elimination remains to be seen.

But, if there’s one sentiment that MBRU, Local 713, Morris, and Garrison can all agree upon, it’s that decades of inadequate funding of Memphis’ buses have created a swath of problems without clear solutions.

Route 31 has become a focal point for conversation and action, but it’s also just one problem in a public transit system that’s beleaguered by an aging fleet, outdated infrastructure, inadequate bus stop shelters, and sometimes inconsistent stops on established routes.

Where there are inadequate transit services, poverty is sure to follow, as we know from mountains of data compiled over the years. The most recent poverty figures (compiled in 2014 by data guru Elena Delavega at the University of Memphis) shows a startling income disparity between those who drive to work and those who use public transportation.  

Residents living in the major Memphis metropolitan area who drive to work have a median income of $34,199. The median income for those who use public transit is just $16,450.

If that bus rider’s median income supports more than one person, they are officially below the poverty line. While, it’s unclear how many children living in poverty rely on a public-transit dependent adult, the links between transportation access and earning capacity are statistically quite apparent.

How much can Garrison do to fix the system? His course of action is ultimately tied to how much money the city council is willing to put into MATA’s budget.

In the meantime, the city’s two transportation unions plan to keep pushing to publicize the challenges facing citizens dependent on public transportation — and for the money to address the issues.

Until that happens, citizens like Georgia King plan to keep watching the buses. “This isn’t about one person, this is about us as a city,” she says. “We’re locked in together. We’d love to get out, but we can’t … so here we are.”

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Crosstown High School Proposes Personalized Learning Model

Against a backdrop of the under-construction Crosstown Concourse, prospective Crosstown High School (XTH) students, their parents, and XTH board member Michelle McKissack held a press conference on Thursday afternoon to show support for the proposed high school inside the Concourse building.

The nonprofit behind the school, Crosstown High, Inc., has submitted a proposal to Shelby County Schools (SCS) to operate the high school. If approved by SCS, they have a goal of having it open by the 2017-18 school year.

McKissack said the proposed school, which would have an independent board but still fall under the purview of SCS, would differ from more traditional public schools in that each student would have a personalized learning plan and students would interact with employees of the other businesses within the Concourse building as part of their education.

“Our school will be distinguished by its use of project-based learning, in which teams of students working under the guidance and supervision of adult mentors will research real-life community challenges and develop solutions. Students will benefit from relationships with employees of Methodist Healthcare, Church Health Center, ALSAC, Crosstown Arts, Christian Brothers University, and many other Crosstown partners and tenants,” McKissack said.

Students would also have two-week long elective courses in areas of their personal interests, such as art, music, athletics, or internships. The school would host a maximum of 500 students in grades 9-12.

“We believe that student potential is found, not only in a test score, but the talents and passions inherent in every individual,” McKissack said. “There are so many types of learning, and we’re going to be tapping into that here at Crosstown High. From where and how we recruit our students to assuring that our student body reflects the population of Memphis and Shelby County in all ways — raciallly, econonomically, socio-economically, ethnically, and by learning styles and differences.”

Memphian Nicole Dorsey attended the press conference with her daughter Vera, who will be starting seventh grade at Colonial Middle School in the fall. Dorsey said she opted to put Vera in Colonial, an optional school, even though they live in Midtown. But if XHS becomes reality, Dorsey said she’d much prefer for Vera to attend school much closer to home.

“As a Midtowner, this gives me another high school option that is equivalent to all the many high schools in East Memphis,” Dorsey said. “I’m not a fan of the optional program, but I’m a fan of integrated learning from all levels, which is what this school is hoping to do.”

Crosstown High has a new website — crosstownhigh.org — and more of their plan can be found there.