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Memphis: Sports Talkin’

As a media market, Memphis ranks 51st in the United States, according to Nielsen, behind several cities of comparable size. However, when it comes to sports-talk radio, that rating number shoots up into the 20s. Much of that is based on the current success of one FM station, 92.9 WMFS, and its roster of talent — which includes Gary Parrish, the top-rated sports host in town. But it also has something to do with the fact that, as a format, sports-talk is as deeply ingrained in the Memphis community as the teams we follow. And that story starts with George Lapides.

Like most of the prominent sports-talk radio hosts in Memphis, Lapides (who died earlier this year of the rare lung disease idiopathic pulmonary fibrosis) got his start in print journalism. As a former sports editor and columnist for the Memphis Press-Scimitar, which ceased publication in 1983, Lapides had imbedded himself in Memphis sports culture from the mid-’60s. But it wasn’t until 1971 that he launched his pioneering radio show, Sports Time, and truly found his calling. In some form or fashion, Sports Time with George Lapides ran continuously on Memphis airwaves for more than 45 years, making it the longest-running sports-talk show in history.

George Lapides

“George basically introduced the format to Memphis,” says Eli Savoie, the program director and midday host (with Greg Gaston) on Sports 56 AM, home to Lapides and Sports Time for the last two decades. “He was one of, if not the first, newspaper man to switch to radio; he showed it could be done. There isn’t a sports-talk host in Memphis who hasn’t crossed paths with George or been influenced by him.”

J.D. Reager

Geoff Calkins

“You couldn’t have a lot of ego, working with George,” says Geoff Calkins, the lead sports columnist for The Commercial Appeal, Lapides’ former co-host on 560 AM, and the current host of the 9 to 11 a.m. slot on 92.9. “He made it clear he ran the show, but we had a mutual respect for each other. We both had our roots in print journalism. I thought we played off each other well. As I have often said about George, I admire that he always thought of himself as a reporter, always cared about getting the story and getting the story right. That was as true at the end of his show as it was when he first began.” 

Those sentiments are echoed by another of Lapides’ longtime radio partners, and a Memphis radio legend in his own right, Dave Woloshin, who currently hosts the show in Lapides’ old time slot (7 to 10 a.m.) on 560 AM and has been the voice of the University of Memphis Tigers team for 25 years.

J.D. Reager

Dave Woloshin

“George’s legacy can be found at every station,” he says. “It cannot be overstated.”

What also cannot be overstated is how much 92.9 is kicking everyone else’s ass in the sports-talk ratings. The station’s Nielsen ratings are more than double those of 560 AM, and the other local sports station in town, 730 AM, doesn’t even chart. A lot of that comes from 92.9 FM’s strong FM signal (560 AM simulcasts on 87.7 FM, but the strength on that band is weak) and the fact that it’s the local ESPN affiliate and the flagship station of the Memphis Grizzlies.

“We suffered with them through the lean years,” says Savoie, whose station was the Grizzlies home when the team wasn’t winning. “It’s definitely an advantage for them.”

The Unconventional Approach

But there is another element that has contributed to 92.9’s sports-talk success: its hosts’ unconventional approach to the genre. For better or worse, the hosts on Sports 56 tend to stick more closely to a traditional format — news and stories related to sports — and rarely venture into social issues or pop culture. At 92.9 FM, those rules have gone out the window. On any given afternoon, you are as likely to hear Parrish discuss race politics or local restaurants or celebrity boobs as you are sports, and that has become part of his appeal.

“I think the biggest thing is that I’m a natural storyteller, and I’ve always been one,” says Parrish, whose show is on every weekday from 4 to 6 p.m. “Sitting at a cafeteria table as a kid, standing at a bar with friends as an adult, I could always tell a story. So that’s part of it, for sure. And everything is rooted in that. I also construct the show in a way that appeals to a larger audience than most sports shows. For instance, sometimes people will tweet me and tell me to ‘stick to sports.’ What they don’t realize is that I’m purposely not sticking to sports, and for two reasons: One, because I have interests outside of sports, and I enjoy discussing them. And, two, because I’m going to have sports fans listening no matter what. I’m on a sports station. So I’ve got sports fans no matter what. But, because I venture outside of sports so often, I also have non-sports fans listening.”

According to Brad Carson, the director of branding and sports programming at 92.9 FM and the on-air producer of The Gary Parrish Show, that approach isn’t just limited to Parrish. It’s practically become a station-wide mantra.

J.D. Reager

Brad Carson

“Along with being a brilliant storyteller, host, reporter, and entertainer, Gary gave us the opportunity to learn how to build our radio station and develop something fun, different, and compelling,” he says. “We encourage all of our hosts to be themselves.”

This stylistic difference isn’t lost on the competition, either. “The moniker of the station [560 AM] is ‘Real Sports,'” says Woloshin. “I can only do the show the way I know how. I’m all for talking about myself and my life, but sports is still the most important thing.”

“Free Verno”

If there’s a chink in 92.9 FM’s armor, it is the recent departure of one of the station’s most popular and outspoken hosts, Chris Vernon.

Vernon, who, like most local sports-talk radio personalities, got his start on 560 AM before leaving for greener pastures (first 730 AM, and eventually 92.9 FM), parted ways with the station in September, when an agreement on a contract extension could not be reached. And while the higher-ups at 92.9 FM have certainly tried to keep the negotiations and subsequent ill-will under wraps, Vernon and his rabid fanbase would not be denied. Before long, the hashtag “#FreeVerno” was trending on social media and personal shots were fired — mostly between Vernon and Dan Barron, general manager of Entercom, the radio conglomerate that operates 92.9 FM. The rift became irreparable.

J.D. Reager

Chris Vernon

“I knew I would eventually have other opportunities, and I didn’t like the fighting,” says Vernon. “After the way everything went down, I just thought [92.9 FM] wasn’t the place for me anymore. Whether I’ve been on AM or FM, big station or small, my fans have always been extremely loyal to me and my advertisers, so I knew I’d be fine wherever I ended up.”

For their part, the higher-ups at 92.9 FM are playing it, if not tight-lipped, at least fairly cool, when it comes to Vernon.

“There’s no animosity from our point of view,” says Carson. “He is a super talent, and we had a great working relationship throughout his time with us. Chris chose to move on and do something different. We respect that. He has different professional goals that will advance his career. I think often times in these scenarios some folks like to find a villain. There’s no villain here.”

Whether or not there’s a villain, one thing is clear: There is bad blood. And Parrish, who is both Vernon’s longtime friend (and, briefly, former co-host when the two were on 730 AM) and an inside observer of the situation, sees it clearly.

“I hated that it got so ugly, publicly, because on one side, I had a close friend, and on the other side was one of my employers,” he says. “I was very much in the middle of everything. It wasn’t fun. But, ultimately, Vernon did what he thought was best for his career, and then the station moved on as best it could. In the end, I think all parties will be fine. But those were a wild few weeks, absolutely.”

For those who are still wondering, Vernon has landed on his feet. He hosts a podcast version of The Chris Vernon Show as a part of Grind City Media, the Grizzlies’ new in-house media outlet, and produces viral videos to go along with it. He’s also doing a regular NBA podcast for nationally known sports reporter/author/TV-host Bill Simmons’ latest, post-ESPN media iteration, The Ringer, and doing Grizzlies pre- and post-game work.

“He [Simmons] and I met when the Grizzlies were in the NBA Western Conference finals in 2013,” says Vernon. “He was covering the games for ABC. We stayed in contact, and I had him on my show on 92.9 FM a few times. Everyone over there is cool.”

As for his Grind City Media podcast, it has been somewhat sporadic in its early stages, with shows varying in length and regularity. But the long-term plan is for the Grizzlies to build Vernon a studio — similar to what DirectTV did for former ESPN radio host and SportsCenter anchor Dan Patrick when it hired him away from the mothership — and have his show available as both a live internet TV show as well as an on-demand podcast.

“We found out the same way everybody else did that Vernon’s relationship with 92.9 FM didn’t work out,” says Jason Wexler, president of business operations for the Grizzlies and the head of Grind City Media. “Once he was available, it seemed logical to have a conversation with him and see what we could do together. We liked everything he brings to table — a dedicated audience, marketplace credibility, and a unique voice.”

“I don’t need to be on terrestrial radio anymore,” says Vernon. “Things are changing in radio. People are not on my time, they are on their own time. They listen to podcasts on-demand, when they want to. Traditional radio is dying.”

Jason and John

If traditional radio is dying, that’s news to 92.9 FM. To fill Vernon’s 11 to 2 p.m. slot, the station has turned to two fresh voices — both former Commercial Appeal sports reporters: John Martin and Jason Smith. The duo launched their show in October, and despite some rookie jitters early on, has started to establish its own voice on the airwaves.

J.D. Reager

Jason Smith

“I’ve been incredibly impressed,” says Calkins, who originally brought Martin in to the 92.9 FM fold as his on-air producer and has been a steadfast supporter of Smith over the years. “Let’s be honest, it was past time for the station to add an African-American host [Smith], and Jason is going to be a star. He’s connected, he’s thoughtful, and he’s fabulous on TV and radio. Although I had great regard for Jason as a colleague at The Commercial Appeal, I often wondered why he wasn’t doing TV or radio. He’s a natural. He’s both passionate and genuine. That’s a combination that will take him far.

“As for John, I wouldn’t have insisted on him as my producer if I didn’t think he had what it takes. In many ways, John is the engine of that show. So I knew the two of them would be good together, but I didn’t think they’d be this good, this fast.”

J.D. Reager

John Martin

Both Martin and Smith have acknowledged the immense challenge of filling Vernon’s shoes in a market where he was clearly beloved.

“I’ll tell you this: I didn’t want that job at first,” says Martin. “Are you kidding me? Did you see the response on social media? I didn’t want to follow Chris. I wanted my own show, but not if it meant having to step into that firestorm.”

“There is no replacing Verno,” agrees Smith. “All John and I can do is grind and try to put together the absolute best show we can each day.”

One thing that has helped Martin and Smith through their first few months together on the air is the steadying presence of Jon Roser, Vernon’s former producer/sidekick for 10 years. In fact, one could easily argue that breaking up the team of Vernon and Roser, who were the Johnny Carson and Ed McMahon of Memphis radio, was the biggest drawback of the “#FreeVerno” fallout. However, one host’s loss has turned into Martin and Smith’s gain.

“Jon Roser has been very helpful for Jason and John and has made great suggestions,” says Carson. “It helps that they are friends as well. Jon has encouraged Jason and John to grow the midday show.”

A Good Understanding

So for now, with Vernon gone and Roser working on a new show, Parrish and Carson have become 92.9 FM’s flagship duo. Their chemistry — probably best described as “mock-adversarial,” with the more liberal, free-wheeling Parrish lightly (and, at times, not-so-lightly) picking on the more straight-laced Carson for a litany of differences in opinion — essentially drives the show and feels unforced. But it wasn’t always this easy for them.

“Brad and I have a really good understanding of each other now, and he knows how to be my producer,” says Parrish. “Did it take us a little while to develop that? Yeah, I’m sure it did. But we’re super comfortable together now. He’s very good at producing my show and being a character on my show.”

And for his part, Carson seems completely game to play Parrish’s straight man and occasional whipping boy. At least, as long as the ratings stay high.

“I don’t think Gary is tough on me at all,” he says. “The perceived differences and commonality between us, almost as if we were a married couple, are fascinating to people, I think. It was something totally different in Memphis.”

“I can’t tell you how many people have told me they don’t really care about sports but listen to the show anyway,” says Parrish. “Which is something I love to hear, because it suggests what I’m doing is working the way I intend it to work.”

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From My Seat Sports

Defeats: Glorious and Not So Much …

It had to be the most rewarding loss in at least two decades of Memphis Tiger football. And it will be talked (and written) about for the next two weeks with language you won’t hear (or see) in many recaps of a defeated team. Justin Fuente’s Tigers did, indeed, fall to UCLA last Saturday night at the Rose Bowl, 42-35. But if you envisioned this Memphis team trading punches with a top-15 program from the Pac 12, you haven’t been to the Liberty Bowl in a long, long time.

The fact that the game was played so late locally, and with such limited TV coverage, gave it a modern word-of-mouth quality. Twitter seemed to red-line with astonished (#gotigersgo) reactions, eyes and minds opening 140 characters at a time. Whether you were packed into a bar with a feed of the game on a flat screen or listening to Jarvis Greer hyperventilate next to Dave Woloshin on the radio broadcast, you experienced the football version of that first Rocky Balboa-Apollo Creed affair. By the fourth quarter, when the Tigers tied things at 35 on an interception return, I honestly expected Greer to scream into his microphone, “Cut me, Mick!”

When’s the last time a Memphis football team benefited from a huge penalty call? The Bruins had a touchdown taken off the board in the fourth quarter on a personal foul penalty. That kind of break doesn’t happen to the football Tigers. Well, that kind of break didn’t happen to the football Tigers. And that’s the catch: There’s a past-tense quality to misery in this program.

The best part of the next two weeks — as the Tigers prepare to host their nemesis from Middle Tennessee — will be how dissatisfied the Memphis players and coaches act. They lost. UCLA may or may not reach college football’s first playoff in January, but the Bruins were good enough to edge the Tigers, and the goal around here is to no longer be “edged.” By anyone. There won’t be 70,000 fans at the Liberty Bowl when the Tigers return to action on September 20th, but every fan there will look at the team in blue differently after the events of September 6th in Pasadena. For the time being, Memphis football fans can be forgiven if they relish a defeat.

• Does winning matter in minor-league baseball?

This question has been debated for years, often over a $7.00 beer and heaping basket of nachos. So let’s end the debate, once and for all. Performance on the field — wins and losses — means squat when it comes to drawing crowds in the minors. Just take a look at this year’s Pacific Coast League playoffs.

Despite winning 79 games (third-most in franchise history), the Memphis Redbirds finished ninth in the 16-team PCL with an attendance average (tickets sold) of 5,693. (Note: AutoZone Park lost five dates this season to inclement weather.) And the Redbirds’ figure is tops among the four teams in the PCL playoffs. Omaha averaged 5,628, Reno 5,270, and Las Vegas finished dead last in the league with an average of 4,640. Then you have the Albuquerque Isotopes, third-worst team in the PCL with a record of 62-80. The Dodgers’ Triple-A affiliate averaged 8,066 tickets sold, third-most in the league. That beer must be extra cold in New Mexico.

Need a broader view of attendance, relative to the Redbirds’ on-field success? Check out total attendance for two seasons since the economic collapse of 2008. In 2009, Memphis finished 77-67 and won its second PCL championship. Attendance that season was 474,764. Three years later, the team was dreadful (57-87), but sold 493,706 tickets.

And how does the parent club, the St. Louis Cardinals, feel about things? Pitcher Tyler Lyons won six straight starts for the Redbirds during the team’s playoff push this season. Instead of starting a game for Memphis in the PCL playoffs, Lyons has sat in the Cardinal bullpen — part of the club’s September roster expansion — and pitched a total of one inning this month.

The day after Game 1 of the Redbirds’ series with Omaha last week (a Memphis loss), the Cardinals recalled first-baseman Xavier Scruggs, the team’s steadiest bat over that two-month drive to the postseason. (Scruggs started that night for St. Louis in a win at Milwaukee.) As Omaha was eliminating the Redbirds last Saturday night at AutoZone Park, a total of 46 Memphis home runs — hit by Scruggs and outfielder Randal Grichuk — sat on the Cardinal bench in Milwaukee. If major-league clubs don’t care about winning games in the minors, should you?

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Cover Feature News

The Flyer Origin Story

It was 1989, the best of times, the worst of times, the flyest of times. Memphis magazine publisher Kenneth Neill, a native Bostonian, had long been a fan of alternative weeklies such as the Boston Phoenix and New York’s Village Voice. Other cities around the country were also seeing weeklies pop up. Could such a publication work in a conservative Southern city like Memphis? Neill thought, “yes, it could.” Which turned out to be true, though it took some time.

Memphis magazine was owned by a group of eight or nine locals, none of whom owned a majority share. One of them was developer Henry Turley. “Ken and I were at a meeting of the Egyptians at Rhodes,” he says. “Ken said he had an idea he’d like to discuss. We adjourned to Alex’s, where he described a new idea in journalism that was being pioneered in several cities. He called it an alternative weekly. I liked the idea. I went to Nashville and saw their financially and journalistically successful project. That confirmed my instinct.”

Kate Gooch was another stockholder. “I remember many pro-forma spreadsheets showing when we would finally make money,” she says. “It took a lot longer than we thought.”

Neill says his original projection was that the Flyer would start to make money in three years. It took five. “The late Ward Archer (also a stockholder) was a mentor to me and helped encourage me through those early years,” Neill says. “He was either the most radical conservative or the most conservative radical I ever met. But his support was key.”

Other supportive stockholders included Jack Belz, Ira Lipman, and Robert Towery, most of whom still own stock in what is now the Flyer‘s parent company, Contemporary Media, Inc.

The nascent weekly was originally going to be called the Delta Flyer. Neill was an admirer of the Dixie Flyer, a hippie paper that was published in Memphis for a time in the 1970s. There is a mock-up of the cover of the Delta Flyer on Neill’s office wall. It features a picture of former Tigers basketball coach, Dana Kirk. The Delta Flyer never saw the light of day; the name was changed to the Memphis Flyer, when it was decided the editorial content would focus on Memphis, not the region.

On the night of February 15, 1989, Neill, circulation director Cheryl Bader, Steve Haley, and a couple of others drove three rental trucks on a stealth operation to put the first Memphis Flyer on the streets of Memphis.

“We had to put out the boxes, fill them up with papers, and quickly move on,” says Neill. “We had three original routes for 20,000 papers: Downtown, Midtown, and, for some reason, Hickory Hill.” The first issue featured a cover story on pollution from Velsicol Chemical’s operation in North Memphis; “Celebrity Birthdays,” by Tom Prestigiacomo; a sports column by Dave Woloshin; a column by former Commercial Appeal editor Lydel Sims; and, of course, News of the Weird, illustrated by Jeanne Seagle.

The Flyer‘s first editor was Tim Sampson, who somehow lived through the wild and wooly early years. “I think what stands out most in my mind were the, uh, interesting people that were drawn to the Flyer in those days,” he says. “I probably spent as much time on the telephone with these people as I did editing the paper. We had no email back then, so it was strictly phone communication. There was one person who thought it was my job to get them out of prison, and the calls were lengthy and daily. Then there was a very sweet young man who was convinced his father assassinated Dr. Martin Luther King Jr. He called and called about it, and one day when I came back to my desk, he was there on my phone discussing it with the FBI.

“I also remember,” Sampson continues, “when Memphis first got those amphibious buses that went into the river. I made a rather cruel crack about them in the old ‘We Recommend’ column, and the owner came to the office early one morning. I was there, with only an elderly receptionist to protect me. He told me he was going to drag me outside and ‘beat my ass.’ We later got a pretty big laugh out of it.”

While Sampson and original art director Nancy Apple held down the fort editorially, ad director Jerry Swift was on the street, trying to convince businesses to put their money into the Flyer. It was a tough battle.

“During our start-up,” Swift recalls, “I went over to see the pastor of a small church in Midtown and commented about seeing their ad on the religion page in the CA. I said to the good reverend that it seemed to me that anyone reading the religion page of the CA already had a church affiliation, and if they wanted to reach wayward, heathen sinners, then I had just the newspaper for their ads.

“They bought an ad and are still with us today as, I’m quite sure, the longest-running advertiser in the Flyer. First Congo now occupies a much larger building and continues to do great work in the community. I’d like to think that we had a small part in helping them.

You can’t talk about the Flyer‘s early days, Swift says, without mentioning the paper’s infamous classified personal ads. In the days before Match.com, the Flyer personals were the city’s go-to hook-up location for men, women, and all sorts of interesting combinations thereof. If you didn’t know what SWM, SWF, GBM, DWM, etc. meant, you were missing the action.

“When we hit the street with ads that were classified as Men Seeking Men and Women Seeking Women, it created a real firestorm,” Swift says. “Many advertisers and potential advertisers were upset that we would run such ‘filth’ in the paper. We were the first citywide publication to embrace the gay community. Those little ads seem so innocuous now, but 25 years ago, we were ‘promoting homosexuality,’ and a lot of people didn’t like it. The reality is that those ads cost us more money than they brought in. But we were right to do it. It was time.”

After five years, the Flyer began making money — and making headway editorially. Neill thinks a large part of the community’s acceptance of the paper as a journalistic source came during the mayoral election of 1991 between Willie Herenton and Dick Hackett. “Jackson Baker and John Branston did a lot of in-depth reporting during the campaign,” Neill says. “The CA had endorsed Hackett early on, and we were able to talk to sources they weren’t getting to, especially in the Herenton camp. We also began sending Jackson to the national party conventions, which gave us more credibility.”

Twenty-five years on, the Flyer is still here, still free, and firmly established as part of the fabric of Memphis, a weekly must-read for 200,000 or so Shelby Countians. Much is owed to the many who’ve worked through the years at 460 Tennessee Street as editors, reporters, designers, and salespeople, as well as those in the business office, marketing department, and circulation department. Much is also owed to those who’ve put their money, their trust, and their advertising in the Flyer. Without them, we wouldn’t exist. Personally, I owe a great debt to my predecessors, Flyer editors Tim Sampson and the late Dennis Freeland, for their imagination and hard work, and for setting the bar so high.

Here’s to another 25!