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Letter From The Editor Opinion

Prickly City

Irish poet Oscar Wilde opined in his 1899 essay, “The Decay of Lying,” that “Life imitates art far more than art imitates life.” The shortened version of Wilde’s quote — life imitates art — has become something of a go-to aphorism in the ensuing decades. But it seems to me life is no longer imitating art so much as it is imitating a reprise of Lewis Carroll’s Alice in Wonderland, and we’ve all fallen down the rabbit hole.

How else to explain the bizarre phenomenon of Fox News spending countless hours of airtime last week on the decision by the publishers of the Dr. Seuss children’s books to not reprint six titles because they contained ethnically insensitive or xenophobic content? You can easily look up the images in question online. They’re mainly racial-stereotype caricatures that were commonly used in the 1930s and 1940s, and it’s pretty understandable why the books wouldn’t be reprinted in 2021.

But that reasoning doesn’t adequately stoke the Fox News outrage machine. Nope. The real reason Seuss books are going away is because of liberal “cancel culture,” the current rallying cry of the snowflake right. To their credit, it’s a useful phrase, really, one that can be applied to almost anything that is stopped or rejected.

The Commercial Appeal, for instance, has just replaced its long-running conservative cartoon, Mallard Fillmore (which “balanced” Doonesbury), with another conservative political cartoon, Prickly City, which features the adventures of a conservative young Black woman who once fell in love with Tucker Carlson. I am not making this up. Unless Wikipedia made it up.

At any rate, letter writers to the CA are predictably complaining that lame duck (literally) Mallard Fillmore is the victim of cancel culture. The truth is less outrageous: The editors at the CA, a privately owned company, decided to pull one conservative cartoon and replace it with another one. It’s kind of like when Beverly Hill SVU (or whatever) gets the axe from CBS.

Or like when thousands of Fox viewers demanded the resignation of Shepard Smith when he came out as gay. Or was that different?

But wait, there’s more. It turns out that the ancient plastic toy, Mr. Potato Head, is also a victim of cancel culture. And also the subject of many hours of pearl-clutching commentary in conservative media circles. How dare they remove the fedora and mustache of Mr. Potato Head?! What’s next, G.I. Josephine?

It’s kind of like when conservatives went nuts and boycotted the Dixie Chicks after they criticized George W. Bush. Or was that different?

Cancel culture has also become the rallying cry of conservative Republicans on Capitol Hill. Last week, in referencing public attitudes toward COVID, President Biden said, “The last thing we need is Neanderthal thinking, that in the meantime everything’s fine, take off your mask. Forget it. It still matters.” The nerve!

Thankfully, our own Senator Marsha Blackburn was quickly on the case, defending the downtrodden Neanderthal people on Fox News: “Neanderthals are hunter-gatherers. They’re protectors of their family,” she said. “They are resilient. They’re resourceful. They tend to their own. Joe Biden needs to rethink what he is saying.”

No one had the heart to tell Marsha that Neanderthals have been extinct for a few thousand years. I mean, except for a few descendents in Congress, the ones who tried to cancel the last election. Or was that cancellation different?

Senator Ted Cruz asked Attorney General nominee Merrick Garland how he felt about cancel culture in a Senate hearing. Garland responded: “I do not have an understanding of the meaning of the term sufficient to comment.” Which sounds about right.

Shouty Ohio Congressman Jim Jordan demanded that House Speaker Nancy Pelosi hold a congressional hearing on the pressing national crisis of cancel culture. She ignored him, thereby missing a golden opportunity to schedule such a hearing and then cancel it at the last moment.

That would have been artful.

Categories
News

Dixie Chicks’ Natalie Maines Issues Call to Protest Convictions of West Memphis Three

Natalie Maines of the Dixie Chicks is the latest celeb to take up the cause of the West Memphis Three — Damien Echols, Jesse Miskelley, and Jason Baldwin — who were convicted for allegedly murdering three eight-year-old boys in 1993.

Maines writes on the Dixie Chicks website: I’m writing this letter today because I believe that three men have spent the past 13 years in prison for crimes they didn’t commit.

On May 5th, 1993 in West Memphis, Arkansas three 8 eight-year-old boys, Steve Branch, Christopher Byers, and Michael Moore were murdered.

Three teenage boys, Damien Echols, Jesse Misskelley, and Jason Baldwin were convicted of the murders in 1994. Jason Baldwin and Jesse Misskelley received life sentences without parole, and Damien Echols sits on death row.

I encourage everyone to see the HBO documentaries, Paradise Lost and Paradise Lost 2 for the whole history of the case.

I only discovered the films about 6 months ago, and … I immediately got online to make sure that these three wrongly convicted boys had been set free since the films were released. My heart sank when I learned that the boys were now men and were still in prison. I couldn’t believe it.

I searched for answers as to what had been done and what was being done to correct this injustice. I donated to the defense fund and received a letter from Damien Echols wife, Lorri. She is a lovely woman who has dedicated her time and heart to her husband. I was glad to hear that after so many years of fighting for justice it looked like things were finally happening. Below, I have written what the DNA and forensics evidence shows. I hope after reading it and looking at the WM3.org website, you will know that the wrong guys are sitting in jail right now, and feel compelled to help.

Go the Dixie Chicks website to read the rest. And to read a Flyer story on the WM3, go here.

Categories
Film Features Film/TV

Shut Up & Sing

For fans of the great labor documentarian Barbara Kopple (American Dream, the magnificent Harlan County U.S.A.), the mere idea of Shut Up & Sing — a film about the travails of the world-famous and multi-platinum-selling pop group the Dixie Chicks — might sound like a perverse kind of sell-out. But there are some fascinating links between Kopple’s previous works and her surprisingly moving and entertaining new film about the controversy that surrounded the Chicks after some impromptu remarks at a 2003 London concert on the eve of the U.S. invasion of Iraq.

As singer Natalie Maines points out, most people probably don’t know what she said to start such a ruckus, though the film tells us almost instantly: “We do not want this war, this violence. And we’re ashamed that the president of the United States is from Texas.”

This comment cost the Chicks plenty of airplay. But it also gave them plenty of nationwide notoriety. Thus, the main portion of the film consists of the ways in which the Chicks and band manager Simon Renshaw try to reclaim their market share while keeping their band (and brand) integrity intact.

As these three women juggle motherhood, image management, and the daily grind of songwriting and performing, Kopple’s past sympathies with outspoken, no-bullshit women emerge once again, finding her heroine in the form of the raunchy, folksy, enormously entertaining Maines, a business-first leader and mouthpiece who, unlike her more cautious bandmates, is unafraid to riff on any subject. She never loses her cool or her edge, whether she’s calling G.W. Bush a “dumb fuck,” declaring on Howard Stern’s show that she “won’t wear panties until the war is over,” or opining that an alleged stalker and assassin is “kinda cute.”

In showing us the obstacles that arise when people who aren’t supposed to have a thought about anything finally let something slip, Shut Up & Sing, incredibly, works some of the same turf as Kopple’s most incendiary films. She’s made one of the year’s finest documentaries.

Opening Friday, December 1st, at Ridgeway Four