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Opinion The Last Word

The Doll and the Don: Contrasting Two American Icons

Like many of this fantastic publication’s erudite and discerning readers, I consider myself a Memphian, not a Tennessean. That is, at least, until Dolly Parton enters the chat. Famed country music singer/songwriter, businesswoman, film star, and philanthropist, Parton’s list of accolades is longer than a country mile, and they’re the rare sort of achievements that have crossover appeal. 

I mention Our Lady of the Wildflowers because I have just signed my newborn son up for Dolly Parton’s Imagination Library, a program funded primarily by the Dollywood Foundation (with some funding from community partners), which provides free books for children from birth to age 5. If that sounds like nothing more than a tax write-off, consider that Parton has said the program was inspired by her father’s struggles reading and that she credits her mother’s songs and stories as an inspiration for her own eventual creative career. Consider also that 21 percent of adults in the United States are illiterate, and a whopping 54 percent of Americans read below a sixth-grade level. According to the National Literacy Institute, low levels of literacy cost the U.S. up to $2.2 trillion per year.

As I write these words, the Imagination Library’s funding is under attack in Indiana. The state’s (Republican) governor, Mike Braun, is looking to defund the program, likely in an attempt to curry favor with President Donald Trump and his gang of cost-cutting cronies. 

“We are hopeful that Governor Braun and the Indiana Legislature will continue this vital investment by restoring the state’s funding match for local Imagination Library programs,” Parton said in a statement released online. “The beauty of the Imagination Library is that it unites us all — regardless of politics — because every child deserves the chance to dream big and succeed.”

It’s hard to argue with that kind of logic, right? 

Wrong. That seemingly American-as-apple-pie statement couldn’t be more out of step with today’s values. Enough of us decided this November that a quick buck and cost-cutting are preferable to an investment in our future. With the National Science Foundation, the National Institute of Health, USAID, NASA, and other critical programs on the chopping block, who has tears to spare for the Imagination Library? 

The current moment seems to me to be summed up thusly: America says it wants Dolly Parton, but it keeps choosing Donald Trump. Though Parton is surely too intelligent ever to descend into politics — and she doesn’t have to, since she’s not desperately avoiding a lengthy stint in prison — she does seem to be the actual best version of everything Trump pretends to be. 

Where Trump claims to be a self-made success, along with his siblings, he inherited a portion of his father’s estate, then valued between $250 and $300 million. Parton, on the other hand, is a real person of the people, one of 12 children raised in a single-room cabin in Pittman Center, Tennessee — her “Tennessee Mountain Home.” She wrote and sang her way to success. Trump’s populist shtick only works if one can suspend disbelief long enough to forget about his gold-plated toilet, his hush payments to porn stars, and his failed for-profit “education center.” As a businessman, his career pales in comparison to Parton’s. Through her Dollywood Foundation, she spends money by the bucketload, investing in poverty relief, in the Imagination Library, in building a cancer treatment center, in the Vanderbilt University Medical Center, and in preservation efforts for the bald eagle — our national bird. She has that money to invest because she’s actually good at business.

Trump’s businesses, on the other hand, have filed for bankruptcy six times. In 2011, the Gold-plated Grifter was quoted by Newsweek as saying, “I do play with the bankruptcy laws — they’re very good for me.” 

Both celebrities — don’t kid yourself; Trump isn’t a politician or a businessman, he just plays one on TV — have augmented their natural appearance (and there’s no reason to judge them for that choice). Trump is famously prickly about himself, though, and completely devoid of a sense of humor. Parton, however, maneuvers through interviews like a dancer on stage, disarming reporters with comments like, “It costs a lot to look this cheap.” She’s funny, and she has a sense of humor about herself. I know who I would rather drink a beer with, and not just because “9 to 5” is one of the best songs ever written. 

There do seem to be strange similarities between the two figures. Is the devil just an angel seen through a scanner, darkly? More than anything else, Parton believes in investing in what she values, while Trump and the sociopaths holding his leash seem intent in strip-mining the once-proud American government and economy for personal gain. 

The moment to choose our hero has already passed. America chose self-interest over sacrifice, cruelty over compassion, petty small-mindedness over creativity. I pray that we get a chance to correct our course, and that we haven’t lost too much when that moment comes. 

Jesse Davis is a former Flyer staffer; he writes a monthly Books feature for Memphis Magazine. His opinions, such as they are, were formed in his early years spent tucked away in the library stacks.

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We Recommend We Saw You

WE SAW YOU: Dolly Parton-Themed Party for a Cause

You could call it a “Hello, Dolly” party, but it had nothing to do with the Broadway musical. But just about everywhere you went at the event hosted by Brantley Ellzey and his husband, Jim Renfrow, on April 16th was a depiction of Dolly Parton. Paintings and other art work featured an image of the singer in some way.

P(ART)ON, which was held at Brantley Ellzey’s Summer Studio, was a fundraiser for Liz Grauer, the wife of the late Shea Grauer, and their children. It was reported Shea was killed last February in Midtown.

“An Art Benefit Celebrating the Life of Shea Grauer” was the subhead on the poster. Beneath that was written, “A Silent auction featuring Dolly-inspired art from Memphis’s most dynamic creatives.”

A large photo of Shea hung over the stage, where Tennessee Screamers, Papa Top’s West Coast Turnaround Band, and two “Dollys” — Miss Pattie O’Furniture and Hunny Blunt — performed.

P(ART)ON (Credit: Michael Donahue)
Tennessee Screamers at P(ART)ON (Credit: Michael Donahue)
John Whittemore at P(ART)ON (Credit: Michael Donahue)
Jacob Church at P(ART)ON (Credit: Michael Donahue)

“Jim and I were close friends with Shea,” Ellzey says. “And, like a lot of people in Midtown, we would always see him when we were out in the evenings. Shea was one of those people who was a Midtown fixture for many people. And after he was tragically murdered I think everyone was kind of at a loss. But at the same time looking for a way to respond to that horrible event.

“I was familiar with his passion for Dolly Parton and I just started talking to other artists and realized maybe we could all come together and — it sounds cliché —  try to make something good out of something that was so terrible.”

Brantley Ellzey, Gail and Kevin Grauer at P(ART)ON (Credit: Michael Donahue)

They raised almost $28,000 at the event, which included donations as well as the silent auction, says Ellzey, whose rolled paper piece, Dolly of Many Colors, was the event’s highest-selling artwork at $1,300. It was “rolled copies of People magazine’s tribute issue, ‘Dolly at 75,’” Elzey says.

A total of 49 pieces of art were included in the auction. “All of the art was sold,” he says.

Dolly of Many Colors by Brantley Ellzey at P(ART)ON (Credit: Michael Donahue)
That Parton Fink Feeling by Matthew Hasty at P(ART)ON (Credit: Michael Donahue)
Backwoods Barbie by Frances Berry at P(ART)ON (Credit: Michael Donahue)
The Seeker (pink figural lamp) by Colleen Couch at P(ART)ON (Credit: Michael Donahue)
Dolly Mama Quilt by Jenean Morrison at P(ART)ON (Credit: Michael Donahue)
Ste. Dolly by Melissa Bridgeman at P(ART)ON (Credit: Michael Donahue)

Tiger Bryant provided the food, which included barbecue from Tops Bar-B-Q.

P(ART)ON (Credit: Michael Donahue)
Tops Bar-B-Q was served at P(ART)ON (Credit: Michael Donahue)

P(ART)ON was gratifying, Ellzey says. “When you try to create something beautiful out of all of this bad news we’re hearing, you feel like you’ve done something positive not only for the charity or family, but for the whole city.”

The GoFundMe for the event is still live for those who want to contribute.

Philip and Mark Handwerker and Gail Handwerker Grauer at P(ART)ON (Credit: Michael Donahue)
Chris Davis at P(ART)ON (Credit: Michael Donahue)
Joe Lackie and Gary Beard at P(ART)ON (Credit: Michael Donahue)
Linley Schmidt and Jonathan McCarver at P(ART)ON (Credit: Michael Donahue)
Klay Lester, Laurie Brown, Matthew Hasty at P(ART)ON (Credit: Michael Donahue)
Kevin Keough at P(ART)ON (Credit: Michael Donahue)
Robyn Maxwell, Kelli de Witt, and Stephanie Wexler at P(ART)ON (Credit: Michael Donahue)
Emily Duke and Blakney Gower at P(ART)ON (Credit: Michael Donahue)
David Royer at P(ART)ON (Credit: Michael Donahue)
Pinkney and Janice Herbert at P(ART)ON (Credit: Michael Donahue)
We Saw You
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Music Music Blog

Bruce Sudano at Minglewood and Stax

You might not know Bruce Sudano by name, but chances are you’ve heard his songs. Having featured as a writer for platinum-selling songs by Jermaine & Michael Jackson, Dolly Parton, Reba McEntire, Snoop Dogg, and several for his late wife, Donna Summer, Sudano will be performing material from his solo albums on Friday Night, March 31st at Minglewood Hall opening for popular folk duo Johnnyswim.

Of particular interest to musicians and songwriters, Mr. Sudano will be leading a songwriting master class the following day, Saturday April 1st at 12 Noon. In this workshop, which is open to the public, Memphians have a rare opportunity to learn technique directly from Mr. Sudano which will allow attendees to delve deeper into the art behind song craft. Saturday’s workshop takes place at the Memphis Slim Collboratory, 115 College Street, directly adjacent to the Stax Museum. The workshop is free to members and $10 for the general public.

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Opinion Viewpoint

That Darn Bug

Lord have mercy. I’ve taken a couple of ass-kickings in my life, but nothing like this. Whatever this bug is that’s going around, I got it in spades. My wife caught it first, and although I tried to be a dutiful husband, I kept what I thought to be a safe distance. No such luck. In fact, my holiday gift from Melody was the flu.

I self-medicated for a New Year’s Eve gig with Eddie Harrison and the Shortkuts and then forgot the words to “Brown-Eyed Girl,” which I’ve probably performed more times than Van Morrison. At midnight, I hid behind some equipment cases to avoid any drunken sloppy kisses — and that was just from the men. But I shook a lot of hands. The next day, wham. You’ve heard the old story about the man who was so sick, one minute he was afraid he was going to die, and the next minute he was afraid he wasn’t?

I didn’t mind the hallucinations. I dodged the flying monkeys, but then a leopard came into the room, leaped up on the bed, and started going for my ears. It took a second to realize that it was just Nancy, our giant, speckled pup. Then I began to cough. I coughed so hard that I was reminded of the funeral procession that was going down Lombardy Street in San Francisco. The hearse hit a bump, the doors flew open, and the casket began toppling end over end until it crashed through a drug store window and rolled right up to the pharmacy counter. The lid sprang open, the corpse sat up and asked the druggist, “Got anything to stop this coffin?”

In honor of Elvis’ 80th birthday, my wife went out and bought some cough syrup for me. Back in the day, Elvis used to drink a little syrup. I remember sitting on the porch at Graceland, swilling cough medicine with Elvis while advising him on his career. Wait a minute, that might have been a dream. Speaking of Elvis, what possible reason could Graceland’s new owners have for selling his planes? The Memphis Belle is gone, the Zippin Pippin is in Green Bay, and the Mid-South Coliseum has a date with the wrecking ball. Please leave Elvis’ air force alone. Do they need the room for another gift shop selling Elvis shot glasses? This is why we can’t have nice things.

But enough about Elvis … What was that? I thought I saw light creeping through the blinds, so it’s either dusk or dawn. I’ve lost track. The other night, the only thing that felt good on my throat was Pepsi, so I drank three cans. The sickness still enveloped me, but I was so jacked up on caffeine, I was able to stay wide awake to enjoy every moment. I’ve also been having wild dreams and earworms, which are songs that creep into your head and won’t leave. I woke up in the middle of the night and had to go, but I was too weak to stand. So, I’m sitting there with my head in my hands, when suddenly the theme from Rocky starts to play in my brain. I hate that song. All day, I’m hearing, “Feeling strong now,” but the song only made me sicker. The next day, all I heard was Dolly Parton singing, “9 to 5,” which wasn’t quite as bad. I thought I might be getting a touch of that Eisenhower’s disease. That’s when you feel an unquenchable desire to go out and build interstates.

The flu has been rough, but we’ll continue to binge-watch episodes of the Family Feud with Steve Harvey until we’re better. And through all of this, I haven’t lost my faith. I saw the Cowboys lose to Green Bay on a controversial last-minute call, sending Johnny Jones back to his billion-dollar football palace, and that horrid person, Chris Christie, and his lucky orange sweater back to either hell or New Jersey. So there is a God.