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Politics Politics Feature

Political Works in Progress During MLK50 Week

In this week of worldwide remembrance of Dr. Martin Luther King Jr., focused on his martyrdom here in Memphis, many eminent visitors will have come to celebrate his name and commemorate his mission. One of the first to speak on the subject was Eric Holder, the former U.S. Attorney General under President Obama.

Holder, introduced by the newly elected Democratic U.S. Senator from Alabama, Doug Jones, was keynote speaker at a Monday luncheon at the Peabody held in tandem with a two-day symposium co-sponsored by the University of Memphis Law School and the National Civil Rights Museum. 

Holder reminded his listeners that, “Dr. King’s dream has not been fully realized,” further noting that there has been backsliding on voting rights, criminal justice reform, and the unexpected re-empowerment of white supremacists and white nationalists. The struggle for social justice, Holder said, remains as difficult as it was during the time of King, who, he noted, was seen by many as a “threatening, polarizing, and disliked figure.”

“The age of bullies and bigots is not entirely behind us,” Holder continued. “We have not yet reached the promised land.” He suggested that, as was the case with King, “it is necessary to be indignant and impatient so that it impels us to take action. … We cannot look back toward a past that was comforting to few. That is not how to make America great.”

Holder was complimentary toward Memphis. “I love this city, its energy, its sense of possibility, and its extraordinary progress,” he said, specifically paying tribute to the 901 Take ‘Em Down movement for its successful agitation to remove symbols of Confederate domination from the Memphis landscape.

But he enumerated several problems still much in need of correcting, including continued economic inequality and systematic voter suppression and gerrymandering.

• The subject of voting rights was the subject of one of the most well-attended symposium panels conducted Monday, moderated by UM law professor Steve Mulroy. It was also one of the subjects on the mind of former Tennessee Governor Phil Bredesen, now running as a Democratic candidate for the U.S. Senate and one of the many political figures of note on hand for the MLK50 week of commemorations.

In an interview with the Flyer at the Peabody on Monday, Bredesen mentioned the existence of various “efforts to suppress African American voters [as] one of the things as senator I’d like to address.”

Bredesen said as the former state’s chief executive, he was able to solve vexing problems by governing from the middle, working with both parties, including those he called “economic Republicans.” If elected Senator, he said he would continue in that vein.

As a successful health-care executive before entering politics, Bredesen said he would address the issue of the nation’s medical insurance system, currently at risk because of uncertainty about the fate of the Affordable Care Act. “The act is still on the books,” he said, “and we’ve got to make it work. As was the case with Medicare and Social Security,” he added, “it requires modifications.”

Bredesen sees his ability to compromise across the political aisle as an asset in his forthcoming Senate race against expected Republican foe, the ultra-conservative U.S. Representative Marsha Blackburn, whom he currently leads in statewide polls.

• Meanwhile, retiring incumbent Republican Senator Bob Corker, the man whom Bredesen and Blackburn would replace, was also in town, addressing members of the Rotary club of Memphis on Tuesday and warning of a spendthrift Congress and the importance of the Iran nuclear pact. “The President should know: you can only tear up the agreement one time,” he said. (More at memphisflyer.com, Political Beat blog.)

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Opinion Viewpoint

Tale of Two Miracles

The Virgin of Guadalupe and Roy Moore’s political defeat in Alabama are two miracles that share more than a common date.

Guadalupe appeared December 12, 1531, in Mexico, and some 486 years later, people there, in Central America and even parts of the southwestern United States still give thanks for her 16th-century intercession.

Two weeks ago, on the Day of the Virgin, much of the U.S. and the world breathed a sigh of relief when Judge Moore’s planned ascendance to the U.S. Senate was interrupted by the electorate. 

While election clerks counted ballots in Alabama, our city’s changing and dynamic demography was on full display at the Cathedral of the Immaculate Conception on Central Avenue. The packed cathedral celebrated the apparition of the Virgin with songs, prayer, processions, and a Catholic mass spoken and sung solely in Spanish.

Rev. Francisco González, an auxiliary bishop from Spain who is based in Washington, D.C., delivered a sermon that was peaceful yet political. He reminded the crowd that “God doesn’t ask for a Green Card when he invites you into Heaven.” On a cold Tuesday night, the warmth and tranquility within the building was moving, memorable — particularly to this writer, a lapsed Catholic of divergent doctrine, beyond redemption.

According to legend, Guadalupe, the Virgin Mary incarnate, appeared to a poor boy named Juan Diego on a hillside outside Mexico City. She arrived in Mexico at a time of existential political crisis, exactly 10 years after the Aztec Empire collapsed due mainly to a Spanish military incursion. Through Juan Diego, she instructed the Mexican people to persevere, and to accept the new social order with resignation.  

By today’s standards, that message sounds defeatist. Cynics see the story of the Virgin of Guadalupe as one of the great hoaxes in history. Others offer a more nuanced view and accept the Virgin as part of the long term restructuring of society that continues to this day. Miraculously, Mexico has held together, for better or worse, since the Virgin’s visit 486 years ago.

Some of the same dynamics were present in Alabama, where Moore’s loss is still nothing short of miraculous. Few people expected Moore, an Evangelical Christian dogged by sexual abuse allegations, to lose. But the voters there were more motivated by Christ’s “Sermon on the Mount” than the candidate’s mandates against gay people and against Muslims. And then there’s the truly zany speech by Kayla Moore on the eve of the election when she told a bemused crowd, “One of our attorneys is a Jew!”  The statement — the delivery — must have been lifted from central casting on a Mel Brooks movie set. But it wasn’t. 

The strong turnout and organization by the state’s African-American voters was no miracle. It was the result of a fed up electorate unwilling to accept Moore in the U.S. Senate. With 26 percent of the state’s population, these voters delivered Doug Jones’ victory and left Moore seething. He has yet (as of this writing, on December 20th) to concede the race. 

The lessons from Alabama are simple and clear: People who have been pushed to the margins in a political system that favors the rich and the well-connected can and will fight back. People don’t need Moore’s brand of disapprobation and false moralism. They need better public schools, a higher minimum wage, and wider access to effective, affordable health care.  

The 16th century Mexican miracle taught resignation after an overwhelming military defeat followed by the gradual development of a new sociopolitical structure. The December 12, 2017 miracle in Alabama offers a different set of lessons. It shows people will organize and resist through the established political process. When astoundingly unfit candidates appear, it’s only a matter of time before the voters make them disappear.

Michael J. LaRosa is a Rhodes College professor.

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Film/TV Film/TV/Etc. Blog

The Shape Of Water

Fish. Everybody likes them, but some people really like them.

I’m going to try to keep the jokes to a minimum in this review, because Guillermo del Toro’s The Shape of Water is a good movie. You might even call it the Citizen Kane of fish fetishist films.

OK, I’ll stop. I promise. The Shape Of Water begins beautifully, with an art deco apartment completely submerged in water, with the furniture floating everywhere, and our heroine Elisa Esposito (Sally Hawkins) suspended in ecstasy. The apartment drains suddenly as Elisa wakes from her dreamworld to discover that she is still in 1962 Baltimore, and her existence is just as dreary as she left it. Elisa, rendered mute from a childhood injury that left her throat scarred, works in housekeeping at a secret government lab. She’s not unhappy, per se—she’s got her bestie Zelda (Octavia Spencer) to watch her back at work, and her neighbor Giles (Richard Jenkins), a commercial artist freelancing after he lost his job for being gay—but she’s not exactly fulfilled, either. The highlight of most days for her is masturbating in the tub. Yeah, she’s got a thing for water.

(The apartment, by the way, is above a movie theater called The Orpheum whose signage and interior looks almost exactly like Memphis’ venerable Downtown treasure.)

A lot of weird stuff goes through the lab, and the housekeeping staff is used to keeping their mouths shut and mopping up the occasional pool of unexplained blood. But nothing prepares Elisa for the moment she sees the lab’s latest asset, a humanoid amphibian that, for complex copyright reasons, I can’t say looks like a super cool version of the Creature from the Black Lagoon. In charge of the Asset is Col. Strickland (Michael Shannon), a sexually harassing creep whose idea of scientific research is torturing Amphibian Guy with an electric cattle prod he calls his “Alabama Howdy-Do”.

Elisa takes pity on the poor amphibian and starts sneaking into the lab to feed him eggs and play him Benny Goodman tunes on her portable turntable. As his condition deteriorates, and she overhears plans to vivisect the Asset, she hatches a hairbrained plan to bust him out of the lab and return him to the ocean. Naturally, things spiral out of control, and she and her new fishy beaux are plunged into a whirlpool of Soviet spies, shady scientists, and aquatic intrigue.

The Shape Of Water grew out of del Toro’s failed pitch to direct a reboot of The Creature From The Black Lagoon for Universal’s monster universe. Those execs are probably kicking themselves for passing over del Toro in favor of Tom Cruise’s excruciating remake of The Mummy. The Shape Of Water is a return to form for del Toro after his gothic horror romance Crimson Peak—which, admittedly, some people liked, but I thought was tedious and silly. The difference here is Hawkins, whose near wordless performance mixes perfectly with del Toro’s always inventive visual sense. She actually manages to have good chemistry with the six-foot amphibian, played in a horribly restrictive, CGI-augmented suit by Doug Jones (but not that Doug Jones). The premise is goofy as hell, but late in the film, when Elisa slips into a dream where she and her Special Amphibian Friend dance in a big musical number, I realized that del Toro had drawn me into this world. The Shape Of Water will charm the pants off of you, and you won’t even mind the fishy smell afterwards.

The Shape Of Water