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Film Features Film/TV

Now Playing in Memphis: Let’s Get Small

The big release in movie theaters this week is the latest Marvel contraption, Ant-Man and The Wasp: Quantumania. Reluctant Avenger Scott Lang (Paul Rudd), who usually gets just kinda small, gets super-tiny. We’re talking seething quantum foam of semi-imaginary particles small. His variably sized partner Hope van Dyne (Evangeline Lilly) and their daughter Cassie (Kathryn Newton), who also sports a super-small suit, also get tiny, along with legendary super-scientist Hank Pym (Michael Douglas) and Janet van Dyne (Michelle Pfeiffer). There they meet Kang the Conqueror (Jonathan Majors), who will apparently be important in the next hundred or so Marvel movies.

If you’re not into getting quantum-realm small, how about a small indie romance from Australia? Of An Age is writer/director Goran Stolevski’s second feature film. Ebony (Hattie Hook) is a late-teen party girl whose bestie Kol (Elias Anton) is also her ballroom dance partner. When Kol has to pull Ebony out of a bad situation, he enlists her brother Adam (Thom Green) as a driver, and sparks fly.

But maybe you’re looking for a different kind of small. Short films are often the highlight of film festivals, but rarely get screen time in commercial theaters. There’s a great opportunity to watch the Oscar-nominated short films in the animation, documentary, and narrative categories at the Malco Ridgeway Cinema Grill this week. These films won awards at qualifying festivals, and now the up-and-coming filmmakers have a chance at Oscar glory. And who knows, maybe one of them will get slapped by Will Smith!

Speaking of Oscar contenders, on Wednesday, Feb. 22, Indie Memphis brings the nominated documentary All the Beauty And the Bloodshed to Studio on the Square. Directed by CitizenFour helmer Laura Poitras, it tells the story of legendary photographer Nan Goldin and her crusade against the Sackler family, pharmaceutical oligarchs who also happen to be big patrons of the arts. All the Beauty and the Bloodshed became only the second documentary in history to win the Golden Lion at Cannes, and it’s probably the frontrunner for the Oscar, too.