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Elmwood Cemetery’s Soul of the City Returns with Love Stories

Love is a many splendored thing. Love is patient; love is kind. Love will set you free. Love conquers all. Blah, blah, blah, you’ve heard all the cliches about love, but for all the cliches out there, there are probably a million times more love stories. 

And love stories don’t have to be romantic; they can be about friendship or community, and they don’t have to end in a happily ever after — ever heard of Romeo and Juliet? At least, that’s been the expansive definition for the folks at Elmwood Cemetery as they prepare for this year’s Soul of the City, where the theme of the year is Love Stories. 

At the popular annual event, sponsored by Raymond James, guests will be taken on a tour of the cemetery as local actors share Elmwood’s love stories at the grave sites of the residents they’re playing. “You should be prepared to be really blown away by the types of stories that you’re going to hear,” says Kim Bearden, Elmwood’s executive director. “I don’t want to give away too much, but I can tell you that a couple of married couples are included in the tour this year, including the Reverend Dr. Benjamin Hooks and his wife Frances Hooks. They are being featured in the tour because they had a long marriage and love story, and they also gave deeply of themselves to their fellow man during throughout the Civil Rights Movement.”

On a less romantic note, Bearden adds, “There is also one love story that is included in which there is a murder because of a love triangle. … So we really have taken some of what we think are the most interesting love stories to be found here.

“In between the characters that you’ll meet, you’ll be greeted by tour guides who are going to share information about what you’re seeing as you walk through the cemetery. So not only are you going to get to meet the people who are buried here, but you’ll also get a little bit of background about Elmwood in general, too. It’s a great way to learn Memphis history, to be entertained, to get to know Elmwood a little bit better, and to experience the city in a way you probably haven’t before.”

Tours last approximately 75 minutes and are family-friendly and wheelchair accessible. Tickets are sold in time slots and are selling out fast, so be sure to get yours soon at elmwoodcemetery.org

Memphis Dawgs food truck will be on site Friday night, and Chi Phi Food Truck on Saturday; the Tipsy Tumbler will have beverages for sale on both nights. 

Soul of the City, Elmwood Cemetery, 824 South Dudley, Friday-Saturday, October 11-12, 5-7:30 p.m., $20-25/adults, free/children 12 and under.

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Art Art Feature

Martha Kelly’s Love for Memphis Is Carved in Stone

With its noble trees, winding paths, sprawling views, and magnificent monuments, Elmwood Cemetery is a place of peace, not just for the dead but for the living. For artist Martha Kelly, the historical site has been a source of inspiration, a quiet spot to sketch and paint trees and statues, a “mishmash of visual elements,” as she calls it. Now, after years of drawing and painting and printmaking images of Elmwood, Kelly’s own art is about to become a part of the cemetery’s permanent landscape.

Last year, the cemetery commissioned the artist to create a design for three granite columbaria outside the Chapel, which bear the names Oak, Willow, and Maple. Engraver Brian Griffin of Saltillo, Mississippi, recently finished carving Kelly’s design on-site.

For the commission, the cemetery board had selected the three tree names for the columbaria but otherwise gave Kelly free rein. “Trees are kind of in my wheelhouse,” she says. “I’m traditionally a landscape artist. And I have walked out here and sketched so much. I love the history, and I wanted to honor it in a way that is new, and that is current, and that is appropriate for my work, but also have those echoes coming forward. So they had the tree names. And I said, ‘What if I pair it with a statue [that’s already in Elmwood]?’ And everybody fell in love with that.”

So, Oak is paired with one of the angels who presides over an Elmwood grave. In her statue form, she holds an anchor, a Christian symbol for hope, but on the columbarium, she holds a branch to be more inclusive. Willow, meanwhile, is paired with Margaret Turley, whose memorial statue Kelly sketches regularly. “I felt like [the willow] was a very graceful complement to who she was,” she says.

Lastly, Maple is paired with Emily Sutton’s statue. “She’s my favorite story out here,” Kelly says. Sutton was a madam, who turned her brothel into a hospital during the 1873 yellow fever epidemic and nursed the dying until she herself died. “They put up the statue of her. But the cranky old men who were in charge at the cemetery at the time said, ‘Oh, no, no, we don’t want people to just think she was a hero or anything.’ So they took her madam name, which was Fannie Walker, and they put it in very large letters on stones on three sides around her monument, so people would know that she wasn’t a pristine woman. When I heard that story, I was like, ‘Oh, I think she gets a second round of acclaim.’”

Before selecting these three feminine figures, Kelly had experimented with sketches of other statues in the cemetery, including a few statues of men. “But these three emerged for me,” she says. “I thought this is fitting. This is what I want for here, for now. There’s something about women and trees. They feel right together somehow. … And there’s a lot of statues of men out there. I’m not saying I wouldn’t do a male figure if I end up getting to do more of these, but it was important to me to center women in public art because that hasn’t been the tradition. There’s a handful of them out there, but not that many.”

And the same can be said for women who have been credited for their art over the centuries, Kelly points out. “There’s so much work by women that hasn’t been credited,” she says. “[Elmwood] insisted on putting my name on [the columbaria] which I really appreciate. They sent me the mock-up and I’m like, ‘I think [my name] is a little big.’ They said, ‘It’s fine. We like it.’ I’m like, ‘Okay.’ … I’m just so tickled.”

This installation will also be Kelly’s first piece of public art. “There’s an extra bit of responsibility and wonder that goes into making art for something like this,” she says. “It really just meant a lot in so many different ways, because of the place, because of the purpose.

“I grew up here. I’m living in my grandparents’ house. I have a lot of history in the city. It means a lot to get to leave a small mark behind me as a lifelong artist who loves Memphis, loves the trees that we have. … This is where I want to live. So it just really means a lot, to me as someone with my roots very deep in Memphis, to get to have made something out of our history and out of our trees that’s gonna last.”

Elmwood Cemetery will host a free celebration of Martha Kelly’s public art on Sunday, November 19th, 3-5 p.m. Harbert Avenue Porch Orchestra will perform. RSVP at elmwoodcemetery.org.

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Elmwood Cemetery Hosts Writing Contest

Calling all writers! Elmwood Cemetery has announced the second Snowden Spirit Writing Series, a writing contest sponsored by the Snowden family.

For the contest, the cemetery asks applicants to write their own story — historical fiction — about the people buried at Elmwood. Writers can choose an individual, a couple, or a group, so long as they are at rest in Elmwood. The limit is 1,500 words.

There will be three prizes awarded. Third place will receive $250, and second place will receive $500. The first-place winner will receive $1,000. The winning submission will be published in Elmwood Cemetery’s newsletter and on its website. The winning entry will be read aloud at a reception to be held in Elmwood’s Chapel in January 2024. 

Entries are already being accepted and are due by December 30th at 4 p.m. Click here and donate $20 to Elmwood Cemetery, email your submission to amanda@elmwoodcemetery.org, and you’re entered.

The previous Snowden Spirit Writing Series winner was Melissa Bolshinskaya for her “Cut Her Out in Little Stars.” You can read the full story here.

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Elmwood Cemetery Breaks Silence on the Paranormal … Sorta

Memphis is host to many a haunting — the Orpheum Theatre, the Woodruff-Fontaine House, Earnestine & Hazels, maybe even the very house you live in. But one place which makes no claim of a haunting is Elmwood Cemetery.

Sure, it’s been around since 1852 and is home to over 75,000 of the, er, formerly living, but Elmwood’s executive director Kim Beaden hasn’t seen a ghost in her 25 years working at the cemetery, nor has she heard of such a sighting. That’s not to say ghosts don’t exist — or that they do. Bearden, when asked whether they exist, circumvents the questions. Good on her. 

But she will be presenting a lecture on the historical side of ghost stories. (Also good on her.) “The history of spiritualism in the United States kind of fascinated me,” she says. “I want to examine how our current concept of ghosts arrived in the United States. It came over from multiple points, from the South and the East, from Europe and from Africa. And so it’s a pretty interesting subject matter to me. I think it tells us a lot. The study of spiritualism can tell us a lot about ourselves, and the things that we are longing for or afraid of. All those stories are just part of the American story. It’s part of the Memphis story, too.”

This Sunday, Bearden will talk about the religious belief that the dead communicate with and advise the living, ghost photography, séances, and more. You’ll learn about the young United States and young Memphis, too, including, yes, some Memphis spiritualism. “We do have at least one spiritualist buried in the cemetery,” she says. “His name was Samuel Watson, and he was a Methodist minister for a time. So his life story is included in the presentation.”

“I don’t pretend to have any answers,” Bearden continues. “At the end of the end of my presentation, I’ll leave you with, hopefully, some history, but also some mystery. I don’t have any definitive answers, but I leave them with food for thought. And I hope that they enjoy what they have to hear regardless.”

With this being Halloween weekend, Elmwood has a few other events going on. Unfortunately for you, most of them are sold out. You can still get tickets to “Woe Is Me: A Tour of Tragic Tales” right now — and we mean right now as we write this, so if they’re sold out by the time you read this, that’s on you. 

“The ‘Woe Is Me’ is a relatively new tour,” Bearden says. “If you’re a fan of Edward Gorey and The Gashlycrumb Tinies, this is the tour that you would probably be interested in. It’s a tour of unfortunate events.”

You’ll hear about a man killed in a laboratory explosion due to the carelessness of others, another lost at sea, and a child who drowned in the Court Square fountain in 1884 in broad daylight. Fun fact: Some (read: those who believe in ghosts) say the fountain is still haunted to this day by that child. 

“October is our most popular month for people to visit the cemetery, but we’ve got stuff going on throughout the year,” Bearden says, pointing out the upcoming Veterans Tour of Elmwood Cemetery, Tree Tours of Elmwood Cemetery, and Victorian Christmas Carols event.

Bearden’s “From the Beyond: Ghosts, Spiritualism, and Cemeteries” lecture is Sunday, October 29, 2-3 p.m. Tickets are $20 and can be purchased here.   

“Woe Is Me: A Tour of Tragic Tales” is Saturday, October 28, 10:30 a.m.-noon. Tickets are $20 and can be purchased here

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Elmwood Cemetery Hosts Soul of the City Fundraiser

Elmwood Cemetery, no matter when you go, is never a dead scene — even its dead aren’t really dead all the time. And no, I’m not talking about ghosts or lost souls. I’m talking about Elmwood’s annual fundraiser, Soul of the City, where you can meet some of the cemetery’s residents in the flesh. This year’s event is all about music.

On these one-hour walking tours, which will be offered October 6th through 8th, guests will be guided along lit paths, from site to site, to hear the stories from Memphis’ best songwriters, producers, composers, and singers, including Wayne Jackson, Sid Selvidge, Jimmie Lunceford, Sister Thea Bowman, John Hampton, and Lillie Mae Glover. Plus, you’ll hear about the legend of Stagger Lee. “There’s a connection to Memphis and Elmwood, which I think is very interesting,” Kim Bearden, Elmwood’s executive director, says.

“We don’t always do a theme,” Bearden adds, “but we’re coming out of a really difficult couple of years. We decided we wanted to celebrate the finest of Memphis — our best export, which I think everyone can agree is our music.

“This year we’ve added a couple special touches,” she continues. “We’re going to have the music playing in the background. It’s going to be floating in the cemetery. It’ll make the stories being told even more relatable because so much of the music will be so recognizable.”

After the tour, guests can enjoy fare from Mempops on Thursday, Pok Cha’s Egg Rolls on Friday, and 9DOUGH1 on Saturday. Tickets cost $22 for adults and $18 for veterans, students, and seniors. Children under 12 get in free. Register online at elmwoodcemetery.org/soul-of-the-city-2022 or call 901-774-3212.

Soul of the City, Elmwood Cemetery, Thursday-Saturday, October 6-8, 5 p.m.-8 p.m., $18-$22.

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True Crimes of Bygone Times Tour at Elmwood Cemetery

“I’ve always loved cemeteries,” Sheena Barnett says. “I’ve just always been that weirdo.” So, true to her character, Barnett began volunteering at Elmwood Cemetery a few years ago, but it wasn’t until May of 2020 that she began cleaning gravestones.

“I call this my sob story,” she says. “[In May 2020] my dad died of Covid, and a week later I was laid off. And it was these two back-to-back blows where I was just like, What do I with myself and my life?” So she went to Elmwood, where she was suggested to take up headstone cleaning. “I just fell in love with it. I was out there, not everyday but close to it, for about a month or so. And then I finally found a job again, and so now I clean about once a week. I’ve cleaned over 300 stones so far, and it’s really helped me with my grief. … It’s so peaceful.”

Research was another source of therapy in this endeavor, Barnett says. “Every time, I cleaned a stone I would research that person.” And her interest in true crime compelled her toward the stories of those who were murdered or were murderers. One of Barnett’s favorite stories involves Prohibition, tamales, and a one-armed broom-peddler. Barnett offers the gist: “Someone took time out of beating this couple to death to eat tamales,” but for the full story, you’ll have to head over to Elmwood Cemetery for Barnett’s True Crimes of Bygone Times tour.

“It’s 100 percent my baby,” Barnett says of the walking tour, in which guests will learn about, among other stories, a woman accused of lacing cookies with arsenic and another married seven times and accused of offing at least three of her spouses. The stories range from the mid-19th century through the 1940s. “We wanted to focus on telling older stories, nothing new, nothing fresh.”

Barnett led her first tour back in June, and it sold out. The subsequent tours in the fall followed suit in popularity. As such, this spring, Elmwood is offering two walking tours, one on March 19th and the other on March 26th, as well as an indoor, seated presentation based on the tour on March 26th at 11 a.m. Register at elmwoodcemetery.org.

True Crimes of Bygone Times: A Walking Tour of Elmwood Cemetery, Saturday, March 19, 2-3:30 p.m., $22.

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Art Art Feature

Jackie Murray Honors Harriet Tubman in One-Woman Show

The 2019 film Harriet is the most recent major artistic interpretation of the life of the abolitionist/activist/spy Harriet Tubman. The American heroine has long been celebrated in theater, opera, literature, postage stamps, and fine arts.

Jackie Murray knows all about that. Since 2012, the Memphis actor/singer has been performing a one-woman show of Tubman’s life to audiences around the region. There is a certain inevitability in how it came about. A few years before she embarked on her Tubman crusade, Murray was sick in a hospital in Washington, D.C. And she was frightened. She remembers it as something of a Danny Thomas moment before he made the big-time in entertainment and was inspired to create St. Jude Children’s Research Hospital: “I said, God, if you let me out of this situation, I will go back to Memphis, and I’m going to sing and act and do what you put me on this earth to do.”

Harriet Tubman (left) comes to life in Jackie Murray’s one-woman show.

She got out of the hospital and headed back to Memphis. “As soon as I put my car in park, my phone rang and it was one of the local theaters asking, ‘Are you back? Do you want to do a show?’ I was like, well look at that!”

Murray got into productions at Playhouse on the Square and other theaters around town. She became a member of the company at Hattiloo Theatre. And soon enough, she felt the need to write a play. The Imperial Dinner Theatre in Pocahontas, Arkansas, encouraged her, and she determined she’d do a biographical play.

Tubman kept coming to the fore. “The more that I did my research, the more her personality started to shine,” Murray says. “I also read that she had a one-woman show after the Civil War. She needed a way to make money, and one of her gigs was to go around and tell about the atrocities of slavery through her performance. So I was like, well that’s it.”

The next performance of Murray’s Tubman tribute — Harriet Tubman: One Woman’s Journey — is at 7 p.m. on Thursday, February 20th, at Elmwood Cemetery (elmwoodcemetery.org).

She’s done dozens of performances in the Mid-South since the first one at Hattiloo in 2012. “It’s said that Harriet had a beautiful singing voice,” Murray says, “even though it was raspy because of what she had gone through as a child when she got really sick.

“I envisioned her standing on the bank of the river, speaking and singing to these folks, those enslaved Africans, and letting them know, okay, this is what’s up and this is what we needed to do,” Murray says. “So that’s how the whole premise of how I was going to present it happened — I turn the audience into the runaways, and we’re taking this trip together.”

She booked the show in Arkansas mostly, then into Mississippi and Tennessee. She became a teaching artist with the Tennessee Arts Commission, and that expanded the performances of Tubman’s life around the state, particularly in schools.

That eventually led to Murray being contacted by a booking agent who needed someone to play Tubman at an event in Nashville. “I was to be in character and walk around with other historical figures like Abraham Lincoln and Ulysses Grant,” she says. The event was sponsored by the A+E Networks, which includes the History Channel, Lifetime, FYI, and Biography, among others. And that gig led to her being asked to attend the upcoming A+E HISTORYCon the first week in April in Pasadena, California, where she’ll perform and be part of a panel discussion.

It just shows how busy Murray’s life has been. She’s been nominated as Best Actress by PLAY Enterprises, publisher of PLAY Magazine that covers urban theater. That event is the end of March in Las Vegas. Meanwhile, she’s working on another play, Aspire, about a young gifted girl who must, in adulthood, rediscover her inspiration.

And when she’s not doing all of this, she is a guide with A Tour of Possibilities that gives visitors a look at African-American history in Memphis. The tour goes from Downtown to Cotton Row to Slavehaven to the Mason Temple and the National Civil Rights Museum. She puts her all into conducting those tours, just as she does her Tubman performances and everything else she endeavors. “I give it some soul and bring the city to life to let people know there’s way more to Memphis than Elvis and barbecue.”

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Into The Sunset

The once — and seemingly future — gravesite of General Nathan Bedford Forrest and his wife is on a promontory at Elmwood Cemetery called Chapel Hill. Dominated at its apex by a statue of Jesus, the hill slopes down on its western side to a grassy area containing several graves adorned with the name “Forrest,” — four of them in a row belonging to his brothers, all of whom, according to the stones’ modest inscriptions, served as cavalry officers for the Confederate States of America. In front of these modest markers is a plain grassy area that appears vacant and undisturbed — but that is somewhat misleading, for this earth has been turned more than once, the last time, some 110 years ago, in 1905, so that General Forrest and his wife, Mary, could be disinterred and reburied a mile and a half north, under a splendid bronze statue of the general on horseback. And there it has remained, the centerpiece of an urban park named for a man who was regarded for many decades as a local hero of heroes: Nathan Bedford Forrest, whose military tactics are so highly regarded that they are taught at West Point, whose exploits were countless, and whose valor was marked by the many horses that were shot out from under him in battle.

Jackson Baker

The Forrests would occupy the space in front of the general’s brothers at Elmwood Cemetery.

A month ago, during the whiplash of worldwide revulsion that followed the gunning down in Charleston, South Carolina, of nine African Americans engaged in bible study by a delusional white youth who embraced Confederate imagery, the rebel battle flag began being hauled down from its official places everywhere, as a symbol of an idea whose time had not only come and gone but had clearly become toxic.

And, as Southerners, dazed and horrified by the tragedy like everyone else, looked closer at a venerated Confederate heritage they had long taken for granted, it began to dawn on many that the poison may always have been there. As they read the published manifestoes of the secessionist states, one after another of them proclaiming as their casus belli the need to defend white supremacy and the God-given right to subjugate blacks, the rhetoric of those forefathers could not be cleanly disentangled from the recent ravings of the lunatic Dylann Roof.

Nor could absolution from the legacy of this racial hubris be conferred on the persona of General Forrest — a slave trader before the war, a commander accused during the war of responsibility for the massacre of black Union troops trying to surrender at Fort Pillow, and the documented founder and first Grand Dragon of the Ku Klux Klan after the war.

All this was hard to explain away, although the general’s defenders certainly tried, as the Memphis statue increasingly became a provocation — not only to the city’s African-American population, now a political majority, but to business interests and civic-minded folk who saw the official veneration of Forrest as an embarrassment and a hindrance to civic progress.

Mayor A C Wharton responded to the outrage in Charleston by calling for the expedited removal of the statue and gravesites from what was now called Health Sciences Park. It was the culmination of a process that had long been building.


• Anti-Confederate sentiment first flared in Memphis in earnest in 2005. The Forrest statue was directly assailed by a group of African-American dignitaries, including Shelby County Commissioner Walter Bailey and the Rev. LaSimba Gray, while the Center City Commission (now the Downtown Memphis Commission) petitioned the City Council to consider renaming not only Forrest Park but Jefferson Davis Park and Confederate Park downtown.

Influential businessman Karl Schledwitz, a trustee of the University of Tennessee, whose medical-school buildings surround the park property, made the first proposal for an outright removal of the statue and the return of the Forrests’ remains to Elmwood Cemetery. City Councilman Myron Lowery made a more modest suggestion to add a monument to Ida B. Wells and perhaps other heroic black figures and to give the park a different name.

Justin Fox Burks

Myron Lowery and youthful demonstrators at the general’s statue last week.

In the middle of all this ferment, the Rev. Al Sharpton came down to add his two cents. But then Mayor Willie Herenton held a news conference to denounce “outside agitators” and scotch what he considered the wild talk of name changes and tampering with monuments. The mayor did propose transferring maintenance of Forrest Park to UT, however, and, after all the fuss, that change was made.

Further defusing the situation had been advice from then state Senator Steve Cohen. Minutes of the climactic meeting of the Center City Commission in 2005 record Cohen’s position this way: “There have been things that have offended him as a minority, but he has learned to overcome those personal offenses and see things in a bigger light. … He asked for the board to reconsider this issue and not pass it forward, for it will do no good and will only do harm.”

In the end, the then Center City Commission’s resolution for name changes of the downtown parks, spearheaded by then chairman Rickey Peete and board member (later director) Paul Morris, was ignored by the council, as well as by the Chamber of Commerce, the Landmarks Commission, and the Convention & Visitors Bureau. Even Bailey would say, “I think we’re at a point where until such time as we see some concern by our city leaders, we have to continue to pause.”

An extended pause did ensue, during which, in 2009, over objections from Bailey, state Representative G.A. Hardaway, and others locally, Forrest Park was added to the National Register of Historic Places. That was something of a coup for N.B. Forrest Camp 215, the local unit of the Sons of Confederate Veterans, which had submitted the nomination to the National Register and which had been assisting in routine maintenance of the park for years.


• Things had cooled off and settled into something of a détente between contending parties until 2011, when the Sons of Confederate Veterans, confident that the moment of danger had passed, arguably overplayed their hand.

Lee Millar, an officer of N.B. Forest Camp 215, had written a letter to Cindy Buchanan, then city parks director, proposing to place a new sign with the name “Forrest Park” on the Union Avenue side of the park. Millar had signed his letter, however, not as an officer of the Sons of Confederate Veterans but as chairman of the Shelby County Historical Commission, a post he held at the time.

Buchanan responded with a letter that said, in part, “We appreciate the commission’s offer to provide this important signage for one of the city’s historic parks. … The proposal to create a low monument style sign of Tennessee granite with the park name carved in the front was reviewed by park design staff and found to be appropriate in concept … similar to the monument style signage placed by the city at Overton Park.”

The letter directed Millar to meet with Mike Flowers, administrator of park planning and development, to follow through on the construction and installation of the sign. Copies of Buchanan’s letter were apparently sent to Flowers and then city CAO George Little.

That is as far as the process went, when N.B. Forrest Camp 215 (not the Shelby County Historical Commission), apparently acting on the strength of Buchanan’s letter and dispensing with the suggested further meeting with city officials, raised $9,000 — enough to pay for a large granite sign saying “FORREST PARK.”

The sign sat there for some weeks until its presence was brought to the attention of Little, who insisted that the sign was unauthorized — as, from his point of view, it was: no city permit having been issued.

Little had the sign removed early in 2013, and the simmering crisis was reignited. It was fired up even further when, amid a new groundswell for changing the names of the three Confederate-tinged downtown parks, two state legislators — state Representative Steve McDaniel of Parkers Crossroads and state Senator Bill Ketron of Murfreesboro — rushed into passage HB553, a bill declaring that “[n]o statue, monument, memorial, nameplate, or plaque which has been erected for, or named or dedicated in honor of …” [the bill then names a seemingly complete list of America’s wars, including the Civil War] “… located on public property, may be relocated, removed, altered, renamed, rededicated, or otherwise disturbed.”

The bill went even further, prohibiting name changes to any “statue, monument, memorial, nameplate, plaque, historic flag display, school, street, bridge, building, park preserve, or reserve which has been erected for, or named or dedicated in honor of, any historical military figure, historical military event, military organization, or military unit” on public property.

Though the bill created obstacles to altering the status of the general’s statue and the downtown parks and provided grounds for litigation that still exist, it also inflamed sentiment on the Memphis City Council, which saw this maneuver as an outright transgression by the legislature against local sovereignty. The council’s reaction was further stoked by counsel Allan Wade’s statement that McDaniel and Ketron had been acting on a suggestion by Millar.

Councilman Shea Flinn referred to “the ironic war of aggression from our northern neighbor in Nashville,” while Councilman Harold Collins said, “We will never let the legislature in Nashville control what we in Memphis will do for ourselves.”

Thereupon the council, hesitant to act in 2005, voted 10-0, with three abstentions, for name changes in three downtown parks: Forrest Park would become Health Sciences Park; Jefferson Davis Park would become Mississippi River Park; and Confederate Park was renamed Memphis Park.

And there matters stood until the awful events in Charlleston June 17th.


• Wharton’s demand for the removal of the statue and graves from what was now Health Sciences Park followed quickly upon the atrocity, and council chairman Lowery’s authorship of a resolution to return the remains to Elmwood and an ordinance to remove the statue was announced almost immediately afterward. Unlike the cases of 2005 and 2013, there was no hint of a contrary view on the council.

A quantum leap in consciousness had occurred in Memphis, as elsewhere. In South Carolina, Governor Nikki Haley and a suddenly compliant legislature agreed to lower the capitol’s ceremonial Confederate battle flag. In Mississippi, official action was begun to remove Confederate imagery from that state’s flag.

Justin Fox Burks

A protestor taunts a Forrest loyalist.

On July 7th, Lowery’s proposals were approved unanimously by the council.

The issue was spoken to succinctly on that Tuesday night by, of all people, Bill Boyd, the venerable survivor of the old white-tinted South Side who can, as he did that night, cite the fact that Marcus Winchester, the first Mayor of Memphis, was his great-grandfather, and who had offered words of praise for Forrest in the parks-naming debate of 2013. 

Defenders of Forrest, a handful of whom testified before the council, deny Forrest’s complicity in the massacre of surrendering black Union troops at Fort Pillow in 1864, and maintain that the general was not really the founder of the Ku Klux Klan. Or that, if he was, it was not a viciously intended organization with racist terror at its core. Or that, if other sorts allowed it to become that, Forrest expeditiously dissociated himself from it. Or whatever.

Justin Fox Burks

Children wonder what all the fuss is about.

Boyd made allowance for all these attempted exculpations in his remarks, but, as he noted, they all ignored the one fact of Forrest’s life that was undeniable: that he made his living before the war as a slave trader. That was something Forrest did of his own free will, for personal gain, said Boyd. Slavery was the stain on him, it was the stain on the Confederacy, and there was no defending it. And that was why Boyd was willing to see the general’s statue and remains removed from a place of official honor in downtown Memphis.

And that is why city government and state government and regional and national sentiment, across ideological and party lines, are all moving so deliberately and definitively to distance themselves from the likes of General Forrest and the whole panoply of the Confederacy — that once vaunted “heritage” now seen as a cover for what had been racial despotism.


• Not everywhere and by everyone, however. As the fates would have it, General Forrest’s birthday celebration occurred on schedule this past Sunday, with a formidable and impressive display of Confederate colors and a large and devoted crowd of celebrants. The turnout dwarfed a modest demonstration of youthful anti-Forrest protesters held earlier in the week. Ironically, a proclamation in General Forrest’s honor from Governor Bill Haslam was read to the appreciative crowd. State law requires such a thing, Forrest’s birthday being one of six recognized state holidays. The governor, who has since advocated the removal of a bust of General Forrest from the state capitol, had penned the required accolade in early June, pre-Charleston.

The keynote speaker at Sunday’s celebration was one Ron Sydnor, an African American from Kentucky who serves as superintendent of Jefferson Davis State Historic Site there. He spent an hour providing biographical details about Davis, concluding with a story involving a congenial time spent together by the Confederate president and the “wizard of the saddle,” then a city alderman and, like Davis, involved in the insurance business in Memphis.

After Sydnor’s address, which was warmly applauded, came the ceremonial laying of wreaths at the base of the Forrest statue and a musket salute to the general by members of “the 17th Mississippi and 51st Tennessee Infantry, C.S.A.”

Jackson Baker

The general’s supporters at his birthday celebration Sunday.

But clearly, as they say, events are now in the saddle, despite the efforts of Forrest’s defenders, who have included esteemed deceased Memphis novelist/historian Shelby Foote, who in his monumental trilogy, The Civil War, lionized Forrest and discounted tales of his misconduct at Fort Pillow. If and when Nathan Bedford Forrest comes to rest again in his family plot at Elmwood Cemetery, he and his wife, Mary, will be reburied in their old vacated spot, immediately to the right of the graves of Foote and his wife.

The writer, as renowned a chronicler as Forrest was a warrior, was given his pick of sites at Elmwood, and this is the spot he chose.

That is one last tribute that, come what may, cannot be taken away from the general. 

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Council Committee Agrees On Relocating Forrest Statue and Remains

The Memphis City Council Parks Committee on Tuesday approved an ordinance allowing the city to move the Nathan Bedford Forrest statue out of Health Sciences Park, and they also approved a resolution to move the remains of Forrest and his wife, which are buried at the park.

The ordinance and resolution came on the heels of a national movement to remove symbols of the Confederacy after a reported white supremacist, Dylann Roof, allegedly murdered nine church members at the historically black Emanuel AME Church in June.

The ordinance to transfer ownership of the statue and to remove and relocate it will be required to pass three readings of the full council before it would go into effect. The resolution to remove the Confederate general’s remains only requires one reading, and the council agreed this morning to move it to tonight’s full council agenda.

But even if that resolution passes, state law would require that the city bring a lawsuit in Shelby County Chancery Court to have the remains removed and relocated. State law requires a Chancery Court decision for the removal and reburial of remains, and any remaining relatives of the deceased must be made a party in the lawsuit.

City Councilmember Janis Fullilove questioned whether the decision to move the statue and remains were related to recent news of the University of Tennessee’s planned expansion. Fullilove said, if UT wanted to purchase the Health Sciences Park land, there could be an ulterior motive for moving the statue. But Myron Lowery, who said he proposed the move before Mayor A C Wharton held a press conference about it two weeks ago, said the move was discussed before he learned of UT’s expansion plans. 

“And there is no proposal to the city from UT to deal with that land,” Lowery said.

Edmund Ford Jr. said he’d talked to a man who was interested in having the statue moved to Shiloh Military Park in Tennessee. And Lowery said he’d heard from others with interest in the statue. An opinion on the matter written by council attorney Allan Wade said Elmwood Cemetery also had room for the statue. But there’s been no decision yet on where the statue would go.

As for the remains, Wade’s opinion highlights the fact that Forrest’s will, which was probated in Shelby County on December 17, 1877, mentions his request to be buried at Elmwood “among the Confederate dead.” Forrest and his wife were originally buried at Elmwood, but their remains were moved to Health Sciences Park (formerly Forrest Park) on November 11, 1904.

The statue was dedicated there on May 18, 1905 by the Forrest Monument Association. The association paid for the statue with private donations, including the donated salaries of the Memphis City Councilmembers who held office in 1903. On March 25, 1903, the association had petitioned the council to authorize a special tax levy for the statue. The council objected because of the need for funding for streets, sewers, and bridges, but the since the members supported the idea for the statue, they agreed to donate that day’s salaries to the cause.

At today’s council committee meeting, Lee Millar of the Sons of Confederate Veterans expressed disapproval of the proposed move of the statue and the remains.

“We are steadfastly opposed to moving the statue of one of our American heroes,” Millar said. “And it would be an abhorrent thing to dig up the graves in Forrest Park.”

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Halloween events at Elmwood Cemetery

Leaves are falling, pumpkins are appearing on porches, and every day finds a new batch of z-grade horror movies available on Netflix. It’s spook season again, and what could be more perfectly Halloween-y than an evening spent talking to dead people or a night pleasantly passed while sipping Ghost River beer in a majestic old graveyard?

Costume Twilight Tour

Every fall Elmwood Cemetery offers some kooky, mysterious, and altogether ookie opportunities for Memphians interested in the darker side of life. On Saturday, October 25th, at twilight, when the sun’s last rays cast eerie shadows, some of Elmwood’s most famous and fascinating residents will rise again to tell their stories. Okay, so it’s only actors in period costumes, but Elmwood’s annual Costume Twilight Tour will give visitors a chance to interact with a number of figures from Memphis’ past, including civil rights leader Dr. Benjamin Hooks, Campbell Clinic founder Dr. Willis Campbell, and William Strong, who survived the 1811 earthquake that created Reelfoot Lake.

Anybody who has ever wanted to walk the manicured grounds of Elmwood in the moonlight and possibly observe the dead brought back to life, may do so a week later on Saturday, November 1st, when the cemetery opens its gates for Spirits with the Spirits, a fund-raising event that starts at 7 p.m. Costumes are optional at a Dia de los Muertos party showcasing locally crafted beer and spirits of the potable kind. There will also be a silent auction where revellers can bid on reincarnated artwork created from dead trees and branches collected from the cemetery grounds.