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Get Ready to Shake, Rattle, and Roll in Tupelo, Mississippi

While Tupelo, Mississippi, celebrates its favorite native son throughout the year, the city rolls out the blue suede carpet each June during the Tupelo Elvis Festival. Held June 6-9, 2024, the festival honors the legacy of Elvis Presley and his immense impact on popular culture in the city where it all began.

The celebration kicks into high gear June 6th with the “Becoming Experience” Youth Day & Competition at the Elvis Presley Birthplace. Young Elvis fans participate in workshops with Elvis tribute artists and compete to earn $1,000, a guitar from Tupelo Hardware Company, and the opportunity to perform on the main stage at the Cadence Bank Arena during the Ultimate Elvis Tribute Artist finals Saturday morning. A showcase featuring the 30 Ultimate Elvis Tribute Artist contestants and the “Welcome Back to Tupelo” concert round out Thursday’s events, followed by the Tupelo Elvis Festival After Party at the Silver Moon Club.  

The Ultimate Elvis Tribute Artist Competition begins June 7th at the Cadence Bank Arena with festival host Tom Brown and the Tributes in Concert band. Festival participants are invited to Food Truck Friday featuring Tupelo’s delicious food truck fare and a special Stax Museum of American Soul Music Pop-Up experience featuring the Stax Soul Mobile. Other events on Friday include the “Behind the Jumpsuits” Conversations event that delves into the stories of those individuals who keep Elvis’ memory alive, and the “From Tupelo with Love” concert. More after parties round out Friday night’s festivities.

TCB Fights is one of the newest festival events, and features fighters from UFM, HIT Fitness, and other local gyms. The TCB Fights “Decked Out” Weigh In happens June 7th, with the Boxing Event June 8th at 7 p.m. in the Cadence Bank Conference Center. Dress to impress and enjoy fight night with the king.

Lace up your running shoes for the Running with the King 5K at Veteran’s Park June 8th. This annual race takes participants past the Elvis Presley Birthplace and through the neighborhood where Elvis grew up. Sponsored by the Tupelo Running Club, the race is a fast, flat course and benefits the Northeast Mississippi Boys & Girls Club.

The Elvis Tribute Artist Meet & Greets and Tupelo Elvis Fan Club activities take over Downtown Tupelo June 8th. Visit Downtown retailers, meet the tribute artists, and enjoy living history demonstrations. Tupelo Hardware Company, where Gladys Presley purchased Elvis’ first guitar, holds a reenactment of the famous purchase, and guitars are still sold there today. The Stax Museum Soul Mobile makes another appearance Saturday with music, giveaways, and fun for the entire family.

With more than 200 restaurants in Tupelo, planning your next meal is as much fun as the festival revelry. Eat like the king with a visit to Tupelo’s oldest restaurant, Johnnie’s Drive-In, where Elvis liked to eat. Sit in the Elvis booth inside or enjoy carhop service at this operating drive-in. Try the doughburger, a North Mississippi delicacy. Tupelo’s restaurants serve up plenty of other Elvis eats including his favorite fried peanut butter and banana sandwich at Café 212 in Downtown Tupelo. Visit tupelo.net/blog/eat-like-a-king/ to explore all of the scrumptious food inspired by Elvis. Follow #tupelofoodie on Instagram and drool over all of the culinary delights just waiting to be enjoyed.

Johnnies Doughburger – photo: Tupelo Convention & Visitors Bureau

Looking for an experience you can only have in Tupelo? Mississippi’s first and only meadery, Queen’s Reward, is the only meadery in the world that makes mead with 100 percent Mississippi honey. Enjoy a tasting in their exquisite west Tupelo tasting room or enjoy mead by the glass. Mead slushies are a crowd favorite. Can’t decide which one to try? Order the mead slushie sampler and try them all.

Tupelo has more than 2,200 accommodating hotel rooms, so you are sure to get a great night’s sleep after a full day of festival fun. Hotel Tupelo is the city’s newest boutique hotel. Located in the heart of Downtown Tupelo’s Fairpark, Hotel Tupelo has 79 rooms, a bar and restaurant on-site, and an array of local touches that make it a truly unique stay. Just across the street, the Hilton Garden Inn offers guests a comfortable stay in walking distance of all Tupelo Elvis Festival events.  

The Tupelo Elvis Festival is the perfect excuse to visit the city where anything is possible. To learn more about the events or to purchase tickets, visit tupeloelvisfestival.com. Plan your trip by visiting tupelo.net and imagine what you can do there!

Elvis Festival Concert – photo: Tupelo Elvis Festival

This article is sponsored by the Tupelo Main Street Association.

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News The Fly-By

MEMernet: Honor?, Culture, and Never-ending Elvis

Memphis on the internet.

Honor?

State House Majority Leader Rep. William Lamberth celebrated the end of this year’s legislative session with the above photo. (Sine die is Latin for, basically, the end of a meeting with no scheduled return date.)

“It has been and continues to be a phenomenal honor to serve you,” he tweeted.

Most of the comments were not kind. “Pig,” wrote one. “You know no honor,” tweeted another. “You served no one but dark money and big business,” another commented.

Culture

Posted to X by Mr. Sound Dobad

“The European mind cannot comprehend how much history and culture is just in Memphis,” tweeted Mr. Sound Dobad.

Never-ending Elvis

Posted to Reddit by u/creature851

This image has been floating around the MEMernet recently. The story is that in 1949 a woman was dropping off film to be developed and had one frame left on her roll. She saw a boy on the sidewalk, asked him to pose with his bike, and took his picture. That boy was … Elvis (mind-blown emoji here).

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News The Fly-By

MEMernet: Dammit Gannett; Never-ending Elvis; Marsha, Marsha

Memphis on the internet.

Dammit Gannett

“No words …,” said Susan Adler Thorp in the All News Is Local Facebook group, referring to a huge headline typo in The Commercial Appeal.

“Hardaway: Small-ball lineup helped Tugers end skid,” it read, referring to the University of Memphis men’s basketball team.

Yep. Tugers.

Neverending Elvis

Posted at graceland.com

Graceland has a fun section on its blog that collects “Elvis sightings” in media or IRL. The image above, for example, was found in a first-grade English workbook.

Marsha, Marsha

Posted to X by Sen. Marsha Blackburn

U.S. Supreme Court justices weighed whether or not former President Donald Trump could appear on Colorado’s ballot last week. During the session, Tennessee Sen. Marsha Blackburn stood outside in bright pink, maybe hoping to catch Trump’s eye as he flipped channels.

“The Left’s [sic] nearly decade-long witch hunt to take down Trump must end,” she tweeted.

Yes, we see you Marsha. Everyone sees you.

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We Saw You

WE SAW YOU: The Elvis-Bowie Birthday Party

Mike McCarthy, a filmmaker, artist, and musician, currently is working on a 10-foot-tall statue of David Bowie. McCarthy’s life-size bronze statue of Johnny Cash now stands in Cooper-Young. “Next to the church (the old Galloway United Methodist Church — now “Galloway House”) where Cash performed in 1954,” McCarthy says.

So, it’s no surprise McCarthy would throw a birthday party for Bowie. And, though he hasn’t yet done a statue of Elvis, McCarthy combines the party with the King, who shares his January 8th birthday with Bowie.

About 50 people gathered for McCarthy’s semi-annual “The Elvis-Bowie Birthday Party” January 6th at his Midtown home.

McCarthy, who began throwing the parties in 2017, hasn’t held one since 2019.

“My Elvis obsession has aways been my pop culture interest in my films, comic books, and music,” McCarthy says. “It’s always fueled them.”

When his “Bowie obsession grew,” McCarthy discovered Bowie loved Memphis and Elvis. “There were many similarities, including they shared the same birthday. But then, when my Bowie obsession grew and I found out that Bowie had a love for Memphis and Elvis and there were many similarities, it sort of blossomed into a party.

“For me, the true start of the New Year or my New Year’s Day is January 8th. Their birthday. That’s when I begin my year.”

Part of the attraction of the party is getting to tour McCarthy’s home, including his “Bowie-Elvis living room,” which features “photographs, rarities, and images of Bowie and Elvis that adorn my living room throughout the year.”

The living room includes a velvet Elvis painting and “rare photos from the Bowie fan club circa 1973.”

 McCarthy features live music at the party, but he doesn’t “try to be literal or obvious with the music.”

The Elvis-Bowie Birthday Party (Credit: Michael Donahue)

“You won’t hear an Elvis or Bowie cover band at this party. You’ll hear other types of local living room punk rock music.”

Yesterday’s Trash, featuring Frank Bruno on guitar, Aaron Brame on accordion, and Hans Faulhaber on drums, performed at this year’s party. “A Replacements cover band. Which has a Memphis connection because they recorded here with (Jim) Dickinson and Bob Mehr wrote a book (Trouble Boys: The True Story of the Replacements) on them.”

Yesterday’s Trash at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)

As for who he invites to the party, McCarthy says, “Generally, it’s almost sort of like an ‘office of the mind’ party because I don’t have a physical work space. I am self-employed. I do various art gigs. I’ve done them through the last year. So, anybody I worked with or had collaborations with or somebody I’ve communicated with or old friends, of course, were those I invited to the party. All connections and friends I made in the course of 2023.”

Joe Smith and Lauren Wheeler at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Nya Goble and Darcy Thomas at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Courtney Fly and Ross Johnson at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Tyler Lambert and Natalie Rhodes at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Chris McCoy and some other Memphis Flyer writer at The Elvis-Bowie Birthday Party (Credit: Chris McCoy)
John Beifuss and Mike McCarthy at The Elvis-Bowie Birthday Party (Credit: MIchael Donahue)

One of those projects was McCarthy’s Teenage Tupelo coffee table book, which was released last October. “It  weighs six pounds — 360 pages.”

The book is based on McCarthy’s 1995 film of the same name. “It’s essentially a portrait of the Memphis film and punk scene circa 1995.”

McCarthy also released a Teenage Tupelo Blu-ray disc.

Another high point of his year was the release of Super Thrift, a film made by his son, John Marvel McCarthy. Mike had a bit part in the movie.

“And my daughter is back home from Korea. Hanna McCarthy. And she is living with me.”

In addition to working on the Bowie statue, Mike’s plans for the future include continuing to grow his company, Sculpt Memphis. “I’ve created small sculptures to pitch to clients and non-profits so we can have larger than life seven-foot-tall bronze sculptures of Memphis music legends, including Bowie and others because of Memphis influence to the music scene in the 20th century.”

McCarthy is collaborating with Geordan Lugar on the Bowie statue.

“I’ve created a new Shopify page called ‘Super Tupelo,’ where the Blu-ray and my art can be purchased.”

And, Mike adds, “I’m about to start up a new Rod Stewart cover band.”

John Marvel McCarthy, who invited friends as well as cast members from his movie to the party, says he currently is working on his next film. “We’ve been pretty much working on concepts, as of now, and scheduling,” John says.

Asked for hints about his next movie, John says, “We definitely want to explore different stories in the future, but now we want to do a Super Thrift 2 just out of popular demand.”

Also, John says, “I’ve started collaborating with some musicians and some rappers around Memphis to do behind-the-scenes things for them and make music videos for them in the future.”

John Marvel McCarthy, Nya Goble, Caleb Isom, Max Martin, Chas Burbank at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)

As for what they served at The Elvis-Bowie Birthday Party, Mike says, “My girlfriend Anneliese Jones prepared all the food.”

Jones says her fare included “a meat-and-cheese platter with olives, spinach-artichoke dip, broccoli-cheese cornbread, spicy Chex snack mix, dark chocolate fondue with strawberries, and gluten-free animal crackers to dip.”

Mike McCarthy commemorates the birthdays of Elvis and David Bowie.
Mike McCarthy and Anneliese Jones at The Elvis-Bowie Birthday Party (Credit: Mike McCarthy)

And, Mike says, “We always have a drink that’s served at my bar. And this time we went real heavy on the concept. One of Bowie’s personas was the ‘Thin White Duke.’ We combined ‘Thin White Duke’ with a ‘White Russian’ and had ‘Thin White Russians’ — vodka, Kahlua, and half and half.”

“Shaken with edible glitter for that added touch of glam,” Jones says.

Pilar and Seth Ruleman at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Charlotte and Chris Davis at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Max Martin, Caleb Isom, John Marvel McCarthy, Ben Schmiedicke at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Elliot Bexley at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
Geoffrey Brent Shrewsbury at The Elvis-Bowie Birthday Party (Credit: Michael Donahue)
We Saw You
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Film Features Film/TV

Priscilla

One choice forced on director Sofia Coppola could have sunk her adaptation of Priscilla Presley’s Elvis and Me before it ever set sail. Sony BMG, which now owns the rights to Elvis Presley’s music, refused to cut her a deal for the use of The King’s music for the film, perhaps because they just backed Baz Luhrmann’s Elvis biopic last year. Without Elvis’ music, how can you tell the story of his relationship with his wife, whose favorite song was “Heartbreak Hotel”?

Instead, Coppola makes the lack of “Heartbreak Hotel” or “Jailhouse Rock” or the apropos “Suspicious Minds” into one of Priscilla’s greatest virtues. On stage, Elvis became a Dionysian demigod, and as mythology tells us, the gods do not play by the same rules as us puny humans. But without the songs to perform, Elvis (Jacob Elordi) is just another dude — an incredibly good-looking and charismatic dude, to be sure, but it’s easier to see the red flags when he’s no longer divine. That’s how 24-year-old Army private Elvis Presley seemed when Priscilla Beaulieu (Cailee Spaeny) met him when she was a 14-year-old high school freshman at the American high school on a military base in West Germany. It takes some convincing to get her father, an Air Force captain (Ari Cohen), to agree to let his very underage daughter spend time with the most famous sex symbol on Earth, but Elvis could be quite convincing. In the end, his conditions were that Elvis pick up and drop off Priscilla himself, and have her back by 2200 hours.

Priscilla is, naturally, starstruck, as are all the other folks who gather to party in Elvis’ off-base housing. But the Elvis she discovers behind closed doors is wounded, lonely, and missing his recently deceased mother. The romance that blooms between them is positively wholesome, and for a very good reason alluded to in one of the film’s few musical moments. At a party, Elvis plops down at the piano and tears through Jerry Lee Lewis’ “Whole Lotta Shakin’ Going On.” Shortly before E was charming ’Cilla in Germany, Jerry Lee’s musical career went into a tailspin because of his marriage to his 13-year-old cousin Myra Gale Brown. So when Elvis’ tour of duty was over, he returned to the states and started publicly dating Nancy Sinatra. When Priscilla was 17, she moved to Memphis, quietly taking up residence in Graceland. (Those who attended Immaculate Conception High School will be quite amused by its depiction in Priscilla.)

According to the only person who knows for sure, Elvis and Priscilla didn’t consummate their relationship until she was 18, and they were married. But that only makes this relationship a little less icky to contemporary eyes. Yes, Priscilla enthusiastically consented at every turn, and the 10-year age difference was culturally acceptable in the South at the time. But as Priscilla languishes in Graceland with only the office staff and cook Alberta (Olivia Barrett) to talk to, it becomes clear that Elvis sees her mostly as a possession. To the Memphis Mafia, she was little more than a PR problem. Coppola slyly outlines the tangle of relationships when Elvis gifts her a poodle, then Dee Presley (Stephanie Moore) chides her for playing with it on the lawn where the fans who gather at the gates of Graceland could see her.

This kind of elliptical storytelling is Coppola’s trademark, and she has rarely done it better than in Priscilla. In her own way, Coppola is as meticulous a director as Wes Anderson. Often, the camera lingers on the impeccable production design, while plot points float by in the little details and callbacks.

On the surface, Coppola’s languid Priscilla couldn’t be more different than Baz Luhrmann’s frenetic Elvis, but the two films share one thing in common: If you can’t tune into the director’s unique wavelength, it’s going to turn you off. From Lost in Translation to Marie Antoinette to Somewhere, Coppola keeps returning to lonely young women who see beauty in the world that others miss. In Priscilla, she has found her perfect subject.

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WE SAW YOU: Elvis 7s

If I played rugby and had been on the winning team at the Elvis 7s, I would have won a guitar bearing a Troy McCall drawing of the King wearing a beret.

The tournament, presented by the Memphis Blues Rugby Club, was August 5th at McBride Field in Tobey Park.

I asked tournament director Harrison Lampley to tell me who came up with the guitar idea. “It was one of our colleagues, Dan Brewer,” Harrison says. “He found the guitars I think in a pawn shop. We changed trophies a few times over the years. This year, the first place trophies were the guitars and the little busts of Elvis were the second place trophies.”

Harrison says that, “Troy did the art and we printed those wraps at Van Wraps (Gallery) on Madison. They gave me a little tutorial on how to wrap them. I did one the night before at my kitchen table and one the morning of the event.”

Kudos to Harrison’s wife, Taylor, by the way. “My wife is pregnant and we had a baby shower (last) weekend. And somehow we fit it all in.”

They used vinyl material like what they use to wrap vehicles. But next year, he said, “we’re going to go with acoustic guitars, ’cause the electrics were a little too difficult.”

Acoustics, he says, “have those flat faces and electric guitars are just hard to wrap. The ones this year are cool ’cause they look like knockoff Stratocasters. But we’ll go with acoustic. That will be more authentic to Elvis anyway.”

Why is Elvis wearing a beret in his drawing? “The Rugby World Cup, which is contested every four years, takes place in France next month,” McCall says. “Since 2011, when the RWC was in New Zealand, I’ve always tried to connect the Elvis 7s graphic theme to the country where that year’s World Cup competition was being held. (In) 2015 it was in England. And Japan in 2019. And, of course, this year, France. Vive Le Memphis!”

That slogan is also on the guitars as well as the 2023 Elvis 7s T-shirts, which feature McCall’s drawing.

Ron McGhee at Elvis 7s rugby tournament (Credit: Michael Donahue)
Kyle Wilson at Elvis 7s rugby tournament (Credit: Michael Donahue)
Tezzyo Mosley, Javon Chapman, Dre Thomas, Christopher Lemon at Elvis 7s rugby tournament (Credit: Michael Donahue)
Bidders Butters at Elvis 7s rugby tournament (Credit: Michael Donahue)
Maranda McLemore, Cadi Morrison, Cassidy Clayton, Theresa Garcia, Claire Thompson , Christa Griffith at Elvis 7s rugby tournament (Credit: Michael Donahue)

The Arkansas Griffins won the men’s division and the Little Rock Women’s Rugby Club won the women’s division. It was the latest competition for the Elvis 7s, which I’ve covered for decades, and it’s uniquely Memphis.

Ruggers play to a soundtrack of Elvis music heard over a loudspeaker. In previous years, players with shaggy side whiskers competed for prizes in the Mr. Sideburns Contest. They had to sing a snippet of an Elvis song. Even if they couldn’t sing.

There were a lot of former players who I’d photographed over the years, including Matthew Wrage, Kyle Baker, and Devin Faletto. It was like a “This is Your Life Covering Elvis 7s.”

Gibs Kell of the USA South Panthers, 19, wore bushy sideburns, but they were artificial and removable. Not like veteran rugger Chris Claude, whose chops were real.

Gibs Kell at Elvis 7s rugby tournament (Credit: Michael Donahue)
Cayden and Chris Claude at Elvis 7s rugby tournament (Credit: Michael Donahue)

But it’s great to see players like Kell continue the tradition of celebrating Elvis through rugby. He’s 19 years old. 

The hits keep on coming.

Johnny Holloway, Annabell Joyner, Jimmy Holloway, Jalen Jones at Elvis 7s rugby tournament (Credit: Michael Donahue)
Kameron Walker and Harvey Taylor at Elvis 7s rugby tournament (Credit: Michael Donahue)
Jennae Ramey, Alex Easley, Kayla Davis at Elvis 7s rugby tournament (Credit: Michael Donahue)
Bennett Murphy and Jace Phillips at at Elvis 7s rugby tournament (Credit: Michael Donahue)
Gabbi Jennings and Cameron Jennings at Elvis 7s rugby tournament (Credit: Michael Donahue)
Elvis 7s 2023 rugby tournament (Credit: Michael Donahue)
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News The Fly-By

MEMernet: Star Struck, Neverending Elvis, and Word Up

Memphis on the internet.

Starstruck

Al Roker was starstruck recently. Leaving a TED Countdown Summit on climate change in Detroit, he ran into Tennessee state Representative Justin Pearson.

“I got to meet one of the #twojustins from Tennessee,” Roker wrote on Facebook.

The other Justin, of course, is state Representative Justin Jones. Both Justins were expelled from and reinstated to the Tennessee House of Representatives this year for protests on gun violence.

Never-ending Elvis

Posted to Palaeontologia Electronica

A story in the most recent issue of Cosmos reads, “Scientists have named a new species of pterodactyl with a distinctive pompadour-looking crest on its skull — earning it the nickname ‘Elvis.’” That is all.

Word Up

Photo: Ansley Murphy

An answer on Wordle, The New York Times’ still wildly successful word game, was worth a couple of digital high fives in the Flyer Slack channel last week. The answer? FLYER. Take a win where you can get it, folks.

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We Recommend We Saw You

We Saw You: Austin Butler is a Golden Globes King

 I knew Austin Butler was going to win a Golden Globe Award the other night. Not that I really “knew” — as if I had a list of who was going to win what. But I just had a premonition.

Butler won best performer by an actor in a drama for his role as the King in Baz Luhrmann’s Elvis movie at the Foreign Press Association awards ceremony, which was held January 10th at The Beverly Hilton in Beverly Hills, California. Among those seated at his table were Priscilla Presley, Lisa Marie Presley, and Jerry Schilling.

I was very happy when I heard Butler’s name announced as I watched the show on TV. What a great guy. I only met him one time. That was during the Memphis premiere of the movie June 11th at the Guest House at Graceland.

First off, Butler complimented me as soon as he met me that night. He said I had a good look. He liked the hair and my bolo tie. Maybe the glasses, too. I think he meant it. And I’m a pushover.

Austin Butler at the Memphis premiere of Elvis at the Guest House at Graceland (Credit: Michael Donahue)

But he was so engaging and friendly and he answered my questions. I posted a “We Saw You” column about the premiere, but I never posted the video I took while I interviewed him.

So, here it is. It’s short and I probably sound like an idiot, but it gives you an idea of why I knew Butler was going to win a Golden Globe.

We Saw You
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Film Features Film/TV

The Best (and One Worst) Films of 2022

It may not have been the best of times at the box office, but 2022 produced a bumper crop of great films. But before we get to my annual, non-ranked list of the best the year had to offer, we need to talk about the worst.

Johnny Knoxville gleefully provokes bees into stinging Steve-O’s nether bits.

Worst Picture: Jackass Forever

If I wanted to watch 96 minutes of recreational genital torture, I’d go to the internet like Al Gore intended.

Austin Butler’s performance as Elvis is electrifying.

Best Memphis Film: Elvis

Okay, so it wasn’t filmed in Memphis, and we’re still a little sore about that. But Baz Luhrmann’s epic musical biopic was a certified crowd-pleaser. And despite the … questionable choices made by Tom Hanks as Col. Tom Parker, Austin Butler’s barn-burning turn as the King shed new light on the complicated psychology of the boy from Tupelo who became the most famous person the world has ever seen.

Jenny Slate voices Marcel.

Best Performance by a Nonhuman: Marcel, Marcel the Shell with Shoes On

Who would have thought that a film starring a YouTube sensation from 2010 would be one of the most emotionally complex experiences of the year? Jenny Slate’s profound voice performance and Mars Attacks! animator Eric Adkins bring Marcel to life so convincingly, you’ll be hanging on this little shell’s every word.

Top Gun: Maverick

Best Cinematography: Top Gun: Maverick

Aerial photography has been an obsession of the movies since Wings won the first Best Picture Oscar in 1927. In Top Gun: Maverick, Claudio Miranda did it better than anyone ever has — and his work was rewarded with the top-grossing film of the year.

Daniel Radcliffe as Weird Al Yankovich

Best Performance: Daniel Radcliffe, Weird: The Al Yankovic Story

In a year rife with good performances, no one committed to the bit like Daniel Radcliffe. Playing a well-known public figure like Weird Al Yankovic is hard enough, but Radcliffe went above and beyond in capturing the fabled accordionist’s unflappable manner and egalitarian worldview. He single-handedly carries this deeply strange biopic.

Mia Goth as Pearl.

MVP: Mia Goth

In X, the neo-slasher about a group of filmmakers and their exploitative producer who rent a farmhouse in the Texas countryside to film a dirty movie, Mia Goth plays both the young, would-be porn star Maxine and the elderly serial killer Pearl. While they were on set, Goth came up with such a compelling backstory for Pearl that director Ti West started filming the prequel even before the first film hit theaters. Goth’s ferocious performance in Pearl includes a chilling soliloquy for the ages.

UFOs invade California in Jordan Peele’s Nope. (Courtesy Universal Pictures)

Best Horror/Sci-fi/Western: Nope

Granted, it’s a pretty specific category, but even if Nope didn’t have it all to itself, it would still be one of the best films of the year. From killer chimps to a monster reveal that is downright beautiful, Jordan Peele’s latest is original, funny, and above all, creepy as hell. You’ll never look at a wind dancer the same way again.

Moonage Daydream

Best Documentary: Moonage Daydream

Over the course of his 50-year career, David Bowie had many collaborators who claimed he had a knack for bringing out the best in them. That’s what happened when director Brett Morgen got access to the Bowie estate archive and spent four years creating a phantasmagorical tribute to the artist. This powerful ode to the creative spirit is 2022’s most groundbreaking film.

Neptune Frost

Best Director(s): Saul Williams and Anisia Uzeyman, Neptune Frost

If it were only for the opening sequence, in which laborers sing a subversive work song in an actual Rwandan pit mine, Neptune Frost would still be one of the most stunning works of the decade. But it just gets better — and weirder — from there. This unique blend of Afrofuturism, cyberpunk, and Sondheim musical combines catchy tunes with revolutionary fervor. Most remarkably, it was made on a Kickstarter budget.

Michelle Yeoh in Everything Everywhere All At Once

Best Picture: Everything Everywhere All At Once

Every once in a while, a picture comes along that captures the zeitgeist so effortlessly it seems to have invented it from whole cloth. The elements of Everything Everywhere All At Once — multiverse stories, a renewed earnestness, a breezy visual style, and kung fu — were all floating in the ether, but it took Daniel Kwan and Daniel Scheinert to wrangle them into one fantastic package. Anchored by Michelle Yeoh at the peak of her powers, a comeback turn by Ke Huy Quan, and a game-for-anything Jamie Lee Curtis, this is the rare film that features both eye-popping visuals and a deeply humane philosophy.

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MEMernet: A New, Old Sign, Some Slacker, and Best of Memphis

Memphis on the internet.

It’s a Sign

A piece of Memphis past is now part of Cooper-Young’s future.

The eagle-eyed Hunter Demster spotted a crew installing the above sign in Cooper-Young last week. Keen-minded commenters remembered that the sign, and the Silver Horse Shoe Motel it belonged to, used to be on Summer Avenue. That was all confirmed (as most Memphis history things are) with a link to a Memphis magazine story about the hotel by our company’s own Vance Lauderdale.

Photo: Courtesy Vance Lauderdale

Some Slacker

Posted to reddit by u/GoodOlSpence

Reddit user u/GoodOlSpence recently shared this photo to the Memphis subreddit. The image features some random dude and his high school class. Happy Elvis Week!

BOM

Best of Memphis voting closes in less than a week, folks. So remember to head over to our website and let fly your opinions on everything from bartenders to bikini waxes. (Voting closes on August 17th at 5 p.m.)