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Film Features Film/TV Film/TV/Etc. Blog

Now Playing Sept. 13-20: Evil Killers

The Killer’s Game

Dave Bautista stars as Joe Flood, a professional assassin who is diagnosed with a terminal illness. Unwilling to waste away, he decides to take out a contract on himself. But then his doctor informs him that his diagnosis was in error. Joe must now fight off his fellow assassins who he himself ordered. Also staring Sofia Boutella, Terry Crews, Scott Adkins, and Ben Kinglsey. 

Speak No Evil 

Louise (Mackenzie Davis) and Ben (Scott McNairy) Dalton take their daughter Agnes (Alix West Lefler) on an idyllic holiday in a rustic country house. The house’s owners Paddy (James McAvoy) and Ciara (Aisling Franciosi) are welcoming at first. But then cracks appear in their friendly facade, as their son Ant (Dan Hough) exhibits strange behavior. Soon the Daltons are fearing for their lives, but Paddy won’t let them leave. This Blumhouse production is a remake of a 2022 Danish horror hit. 

Blazing Saddles

Whenever someone says, “They couldn’t make a movie like that today,” they’re usually talking about Mel Brooks’ Blazing Saddles. The crux of the story is this: a frontier town in the Old West gets a new sheriff who happens to be Black, and that throws the racists among them into a tizzy. If that sounds heavy, it’s not. Brooks is a comedy genius who has tackled racism head on over and over again in his career. The film has a crackerjack cast led by Gene Wilder as a drunk gunfighter who helps the late, great Cleavon Little (who got halfway to an EGOT before dying at 53) get control of the town — after blazing up, of course. Blazing Saddles screens Sunday, September 15 and Wednesday, September 18 at the Paradiso.

Being There

Peter Sellers had a long and legendary career. But his real masterpiece didn’t come until Hal Ashby cast him in Being There. It was the film Craig Brewer (who is featured in this week’s Memphis Flyer cover story) chose when he appeared in my Never Seen It series. (Spoiler alert: he loved it.) The Crosstown Theater film series screens Being There on Thursday, Sept. 19.

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Film/TV Film/TV/Etc. Blog

Willy Wonka & The Chocolate Factory Kicks Off Orpheum Summer Movie Series

That beloved Memphis institution, the Orpheum Summer Movie Series, kicks off its 2017 season this Friday with the classic musical from 1971, Willie Wonka & The Chocolate Factory.

Following the death last August of Willie Wonka star Gene Wilder, this screening promises to be extra emotional. The movie did not do well on its initial release, but became a favorite during the VHS era, The wild production design and upbeat songs hold up, but it’s Wilder’s mercurial performance, which ranges from jolly to downright frightening, that elevates the film to classic status.

Willy Wonka & The Chocolate Factory Kicks Off Orpheum Summer Movie Series (2)

Willy Wonka & The Chocolate Factory Kicks Off Orpheum Summer Movie Series

In the twenty first century, Wilder’s Wonka got the ultimate tribute—it inspired a meme.

Doors open at 7 PM for the show. There will be a Wonka trivia contest, drink specials, and a performance on the Orpheum’s Mighty Wurlitzer organ. You can see the full schedule for the Orpheum Summer Movie series on their website.

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Letter From The Editor Opinion

All The News That Flits

Do you double-screen? By that, I mean do you watch television with your laptop open or your phone in your hand? According to a report this week from Accenture Consulting, 87 percent of Americans watch TV with another screen in use. We’re Tweeting, posting on Facebook, texting, and reading online articles while catching the latest episode of The Bachelorette, or whatever. We’ve become multi-taskers, even as we goof off. Multi-goofers?

And not only are Americans double-screening, they’re continuing to turn away from traditional television viewing — watching a show as it’s broadcast in its original timeslot — at prodigious rates. According to the Nielson ratings, traditional TV viewing in 2016 is down 11 percent from 2015.

The trend is being driven by young people (I refuse to use the “M” word), who are turning from traditional television in droves, eschewing cable and satellite packages for streaming subscriptions of various kinds and free internet options. The Nielson Report for the first quarter of 2016 showed that Americans between the ages of 18 and 24 watched an average of 15 hours of traditional television a week. Compare that to the 50-to-64 age bracket, which watched an average of 50 hours of traditional television a week.

It’s easy to see that a generational watershed moment is coming for television and cable networks that will be similar in impact to the sea change that has deconstructed the daily newspaper business in the past decade or so. Our consumption of media will continue to “silo” for the foreseeable future.

The trend has been somewhat masked this year because of the presidential race — and Donald Trump — which has brought record increases in viewership and revenues for cable news outfits such Fox, CNN, and MSNBC. Fox News, in fact, is having its best year ever, averaging over 2.37 million viewers in primetime, which surpassed former cable viewing leader, ESPN.

Of course, compared to network news ratings in the years before cable and the internet fragmented the American viewing audience, that number is a pittance. CBS News anchor Walter Cronkite, for example, once averaged 30 million viewers a night. Television news then was a family banquet, one where we all shared the same meal. It’s now a takeout pu-pu platter.

And those seemingly healthy Fox News numbers mask another issue that the fair-and-balanced folks will have to deal with very soon: The median age of their viewers is 68 — mostly male, mostly white, mostly conservative. That means more than half of Fox News viewers are over 68. To say that the network is facing a demographic challenge in the next few years is an understatement.

To the extent that they watch cable news, CNN is the choice of most younger viewers. But at 1.4 million total viewers a night, it’s a bite of leftover dim sum.

It’s gotten so that we only come out of our silos when events force us to do so. A major disaster, a mass shooting, a terrorist attack, a Super Bowl — or possibly a presidential debate — can lure us away from the mind candy we feed ourselves all day long. Not much else.

I guess the silver lining is that the devices we use to cocoon ourselves are also the very things that bring us together instantly — that alert us to events and update us on breaking news faster than Walter Cronkite ever thought about doing. When Gene Wilder died this week, I knew the details of his passing within minutes. Within a half-hour, I’d seen links to his best scenes and to tributes from dozens of people. I could pick and choose what — if anything — I wanted to see or read. I never thought about turning on the TV. It all just popped up in my social media feeds.

And maybe that’s the “news” of the future — instant and self-selected. Maybe we should all start thinking of ourselves as little cable networks.