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Memphis Ghost Group Helps the Living…and the Dead

Memphis Ghost Investigations and Spirit Rescue

A ghost at the Memphis Zoo? Yes, and there’s evidence. Mary, The Orpheum’s most famous spirit? She’s passed over. And The Woodruff-Fontaine House? It’s “filled with spirits.”

All of this is according to Stephen Williams. He is a “veteran, clairsentient, paranormal investigator” and leader of the Memphis Ghost Investigations and Spirit Rescue (MGISR). The group does identify as “ghost hunters,” but they do much more than that.

“We don’t just investigate,” reads the group’s website. “We help them move on.”

Memphis Ghost Investigations and Spirit Rescue

In this case, “them” means spirits — ghosts — and Williams tries to help them cross over. MGISR’s motto is “investigate, educate, and rescue.” They investigate the haunting and educate the home or building owner about what it is going on. But they also educate the spirit in hopes to rescue them from whatever keeps them glued to this side of existence.

If any of this has you skeptical or scintillated, check out the evidence section of the group’s website. There, you’ll find photos and a collection of electronic voice phenomena (EVPs) of, what MGISR says, are voices of spirits either barely audible to humans or not at all.

Listen for the Halloween-perfect “oooohhh” of a ghost caught on a recorder during a late-night investigation of the Memphis Zoo, where ”paranormal activity had been witnessed multiple times by different people,” according to the group.

But this work is not just some Halloween-time spookfest for Williams and his group. They continue their work year round and never take a dime for it. For them, it’s service work, Williams said.

We talked with Williams about his work, how he educates spirits, and the scariest thing he’s witnessed in his 17 years as a paranormal investigator. — Toby Sells

Memphis Flyer: How did you get started in ghost investigations?

Stephen Williams:
I got involved in 2002. I was working here with these two ladies. This is before everything became really popular on TV, like on Ghost Hunters.
In 2002, I was in St. Augustine, Florida on a family vacation and took some photos on our ghost tour. I didn’t know anything about it, and sent those photos to a couple of ladies who had a website here. At the time it was called Ghost Stalkers of West Tennessee.

We exchanged emails and eventually they asked me to start accompanying them. About that time is when we we got invited into people’s homes.  Memphis Ghost Investigations and Spirit Rescue

Williams

About 2006, those two ladies retired from it.

I changed the name to Memphis-Midsouth Ghost Hunters I was in charge of that organization. It ran continuously until earlier last year. I took a little break because of some personal things.

Then, I started this new organization. I just renamed it to the current name and found some really gifted mediums to work with. That’s what sets us apart from everybody else.

MF: Did you see something on those St. Augustine photos? What made you send them in to the two original ladies?

SW: It was what looked like an orb, a streaking orb. I didn’t know anything about any of that at that time. So, I got back to the ladies that were running that website.
They said, go in your backyard and find where a spider has spun a little strand from the tree down to the ground. Take a picture. Sure enough, there was that same effect. But it left me intrigued.

I started going out to a local cemetery and just sitting there with a recorder and I got a voice. That just kept me going. It was up around Millington.

MF: Any idea what the voice said?

SW: It sounded like a child. I don’t remember exactly. I have recorded so many (electronic voice phenomena — EVP) over the years. I don’t remember exactly what it was. It was like a word or two. But it was definitely there. There was no one there with me. It was totally quiet. There was a voice.
[pullquote-1]
MF:
What pushed you into getting more involved in that work?

SW: The people that contacted us were really terrified. They were perplexed. They didn’t understand what was going on. It was affecting their lives.

In the beginning, I didn’t know a whole lot about how to help any spirits that were at a locale that we visited. But I became more acquainted with people, and discovered methods of my own, and learned from others.

When we go into a place, we’re going to communicate with whoever [spirit] is there. We’re going to find out why they’re there, who they are. Then we try to get them moving on to the next phase of their existence.

It helps everybody. It helps those lost souls and helps the people that are having disturbances. All that stops. Their lives go back to normal. So, everybody wins.

MF: So, that’s one of the payoffs. You really do get to help people on both sides of the plane?

SW: Absolutely. We don’t do like the guys on TV. They go in and collect a bunch of evidence and then leave with all the same things going on.
[pullquote-2] Evidence is not a huge part of (the work) for me anymore. Within the first year, I got definitive proof that this is not the end of existence. There is something beyond, OK?

Our focus is on connecting with whoever’s there. I am an intuitive. I can sense their energy. I can tell if it’s male or female. I can tell if they’re what we call earthbound or if they’ve crossed over.

Sometimes it’s the people’s loved ones on the other side that are around. They’ll do things. They’ll leave coins, things like that, to try to get their loved ones’ attention. Usually when that occurs, there’s maybe a family crisis, or the person is having some a crossroads. So, these on the other side that have already transitioned, come in to let them know that they’re supported, to try to get them in touch with people like us.

MF: In your time in doing this work, what was something that either scared you or what was just so unexplainable?

SW: At one point, the group had dwindled down to me and one other person, a guy who is very intuitive. We got called to an apartment Downtown where a person had been murdered.

A guy who moved into the apartment had a really terrifying experience where he looked in the mirror and the spirit was standing behind him and actually was choking him. So, we went down there.
[pullquote-3] The spirit actually spoke out loud, which is called ”direct voice” when you can actually hear it. She was very troubled. At the time, I didn’t have a lot of knowledge about how to help spirits cross over.

But during that couple of hours that we were there, the guy who had moved into the apartment became overshadowed, I guess you’d say, by the spirit. He actually passed out. That was quite dramatic.

He passed out. Fell backwards and hit his head on a wooden floor. The only way we could get him back to himself was to get him out of the apartment and down the hallway. He finally started regaining his senses. The (female spirit) basically short circuited; she was so enraged.
[pullquote-4] MF: What are some of the techniques you use now to help spirits cross over?

SW: I work with very gifted mediums. I’ve been blessed to have those people come into my life. They are Jennifer and Kayla. They’ve been able to sense this energy since they were children. They’ve been able to communicate with spirits from a very early age. So, it’s very normal for them.  Memphis Ghost Investigations and Spirit Rescue

Kayla

We’re going into a house in a small town in Mississippi tomorrow and then going to another in Jackson, Tennessee on Sunday.

What we do is go in and visit for a little while. I will take a piece of equipment and sometimes they will interact with it. But usually, in my experience, when there are mediums on the location, they they don’t waste their energy with equipment.

The mediums are clairvoyant and clairaudient, meaning they can see the energy and they can hear the thoughts of the spirits. So, they will connect with them and we’ll get an idea of who’s there. Then, we’ll give them an opportunity to tell their story.

If they’re in some traumatic loop, or something like that, we have methods of dealing with that. We also have connections to where we can call on their loved ones on the other side to come in and help them get across.

You see these people on TV, they go in at 7 p.m. or 9 p.m. and they’re there overnight. Gosh, thats’ crazy. We can usually go in within two hours and take care of what needs to be done sometimes a lot less time.
Memphis Ghost Investigations and Spirit Rescue

Jennifer

So, the intuitive aspect of it is what really sets us apart from most of the groups. I think there’s a few other groups around here. I’m very complimentary of what they’re doing. They just may not have the firepower to really go and be effective and make a change, a positive change. That’s our goal is to help those spirits cross and to help the people get their lives back to normal.

MF: So, that’s the “spirit rescue” part of what you do, right?

SW: Right.

MF: In all of your years of doing this, about how many cases have you worked on?

SW: I would say over 1,000 or maybe more. I never kept up with it. I have been in hundreds, and hundreds, and hundreds of homes and public places.

I have been in a lot of the well-known, allegedly haunted places here in town. You have the Orpheum, Earnestine & Hazel’s, and Fontaine House. The Fonataine House is filled with spirits.

I have been in that house with two different mediums who both connected with Elliot. It was one of the family members. He said he stays up on the second floor, a reclusive-type energy. He’s not interested in leaving the place.

You can talk to them. You can counsel them. You can explain that they don’t have to be here, but they have free will. So, they can make the choice.
[pullquote-5]
MF:
The most famous Memphis spirit, I guess, is Mary at The Orpheum. What do you make of that one?

SW: I got invited down there one time and I had a very gifted medium with me. We feel like she crossed over because we talked to her. We were able to communicate with her and we feel like she did cross over.

We have not been back there since then to actually do a check. But when we called on her loved ones, some did come. I felt like she did release at that time.

She may come back. In my experience, what happens is when they cross over — even in people’s homes — they’re in a different vibration. They’re at a higher vibration. Sometimes, they’ll just come around as protectors or to just to say thank you or that type of thing.  Memphis Ghost Investigations and Spirit Rescue

They don’t usually stay long. So, (Mary) may pop up here and there. But she’s not in that vibration of what we call earthbound.

MF: Finally, I know this is kind of a Halloween topic. But your group does this year round. It’s not just a Halloween thing for you.

SW: Oh, yes. This is year round.

You can go into somewhere — and you don’t have to go during “dead hour” or whatever they say on TV, which is such baloney. Spirits are there 24/7. People have experiences at all times of the day and night.

So, we can go into the home (and have gone into homes) at like at eight or nine o’clock in the morning, because it was the only time we could schedule. And we were able to connect and to do the work that we needed to do.

MF: Is there anything else you’d like to add?
[pullquote-6] SW: Just to emphasize to people that we do not charge. This is service work for us.
In my 17 years, I’ve had people offer me money. I always tell them that I support (St. Jude Children’s Research Hospital). If you want to say thank you, make a donation. People normally do that.

Our motto is investigate, educate, and rescue. We’re going to investigate to see what’s going on. Then, we educate not only the homeowner about what is going on and what we can do, but also the spirits.

We’re going to counsel any spirits we find there and explain to them that they don’t have to stay here. It’s really a roadblock for them to stay. That’s the rescue, of course. Our goal is to rescue anyone who’s there and help them move on to better to better existence. Memphis Ghost Investigations and Spirit Rescue

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Calling the Bluff Music

Virghost Releases Visual to “Crazy”

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More than a month after releasing his concept album GHOSTS, Virghost drops a visual to the project’s track “Crazy.”

On the song, the up-and-coming hip-hop artist vents about the stress and frustration he experienced while living under the roof of a strict and religious father.

“Crazy” is one of many tracks off GHOSTS Virghost uses to address matters that haunted him in the past, which ultimately birthed his music career.

Last month, Virghost decoded GHOSTS track-by-track. His thoughts can be read here. Peep the visual to “Crazy” below.

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Calling the Bluff Music

Virghost Decodes His Album GHOSTS Track-by-Track

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Talented artist Virghost uses his latest album, GHOSTS, to reflect on a period of his life that’s haunted him for years.

The emcee’s life between 2005 and 2008 is revisited on GHOSTS. During those years, he wasn’t known as Virghost, a raw lyricist with multiple projects under his belt and accolades for winning K97’s beloved “Next Big Thing” annual competition. He was Durand Somerville, a graduate of Millington Central High School excited to finally live life free from the surveillance of strict parents.

In 2005, Virghost enrolled at the University of Memphis and moved into the Richardson Towers dormitory. New to the college scene and clueless of what he wanted to major in, his first few months on campus involved nothing more than chasing ladies and skipping classes.

This carefree lifestyle would come to an end, however, after he befriended a young lady on campus. Subsequent to becoming intimate with her, things seemed to take a turn for the worse. And Virghost found himself immersed in a world of rumors, ostracism, intoxication, deception, and conflict as a result.

Virghost took time out to explain the story behind each track on GHOSTS. You can stream the album and check out his thoughts below. And you can download the project here.

Track #1: “Free”

[The song is] telling why I even made the CD. I was briefly talking about the K97 stuff, the people that were talking about me during the [competition], where my name came from … I was just talking about being free from all of the things that I kept in my past and never faced. I recorded this album to free myself of the stuff that happened back then. I was just looking for my freedom, and my freedom was in creating the album.


Track #2: “Grand Am Music”

I got the Grand Am when I was in high school. My auntie gave it to me. It was a two-door. The hook was basically me talking about what my uncle told me right after I graduated: ‘When you go to college, don’t be getting up for dudes to get in your car. Make them get on the other side of your car and get in.’ When I thought about it, it was kind of like a metaphor: When you’ve got a particular spot that you earned, you don’t get up out of that position for nobody. That was the opening theme for everything that was going to happen.

Track #3: “Carpe Diem (Young Nigga Talk)”

It means seize the day, but [with the song] I mean seize the day, like, basically you’re going out there and trying to talk to every girl. I didn’t care about school, what my major was going to be. I don’t even remember being in class that first semester of school, especially the first couple of weeks. It was so many women in college, and that’s all I cared about. I didn’t care about class. I talked to a lot of girls at that time. As a young man, it was just an exciting time.

Track #4: “Towers”

When I was up there, it was just everybody having sex with everybody. That’s all it was. When I first went to college, I didn’t expect the dormitory life to be like that. It was crazy. It was like a whole bunch of stuff you could get into. I was just trying to give listeners a glimpse of how it was. The song is about the experiences and the things that I witnessed when I first got there. The last verse on the song talks about me accidentally stumbling across a chick that I would get in a relationship with. I put that at the end to basically show people how “Rumors” and “’Pac in ’95” came about.

Track #5: “Rumors”

I was up in [the girl from “Towers”] dorm room one day and when I came down this Sigma was waiting for me. And he said that there was a rumor going around that she had that package. At the time, I didn’t know what the slang “package” meant. I asked him, ‘What you mean?’ He said, ‘Man, they say she got HIV.’ That made my heart drop. I called my friend that introduced us. She said, ‘Yeah, there’s rumors going around.’ I said, ‘Why didn’t you tell me?’ She said, ‘It’s not true, and I didn’t want to mess up her chances with you.’ I finally got around to asking [the girl], and she said it wasn’t true. I got tested, and I didn’t have nothing. But at the same time, a rumor started going around about me. Literally, all the dudes I was cool with on that “Carpe Diem” song turned on me. They didn’t mess with me. The only person that was still cool with me was my homie Yayo. That was one of the worst times in my life. Everybody in that whole dorm was talking about me.

Track #6: “Pac In ’95”

Me being an outcast kind of made me rebellious. I didn’t like that girl like that, but I felt like I had to protect her from everybody. At the time, I used to go to the computer lab and listen to [Tupac’s] “Until the End of Time” everyday. And then I started listening to Me Against the World. I was like, ‘This is exactly how I feel.’

The part at the end is basically about the girl I was talking to at the time. She was cheating on me with somebody, and Yayo basically told me what happened. I was mad as hell, because I felt like I basically put myself out there to help her. I left her alone after that.

Track #7: “Sprung on the Pussy Interlude”

That was a chick that I talked to in high school. She didn’t know about the rumor, obviously. My Granddaddy had got real sick; my other Granddaddy had kind of lost his mind at the time, so I was going through that. And then nobody messed with me, so I started talking to her. She was crazy ass hell. I kind of got sprung on her, because I didn’t have anybody to talk to.

Track #8: “Crazy”

The whole year was over at school, and I moved back home with my dad. My dad did not like the fact that I was dating this girl, because he felt like something was wrong with her. At that time, my dad was real strict and real religious with me. I stayed in the dorms, and he always wanted me back home all the time. And at the time, he basically made me stay home that next year. I was a sophomore. The whole time that I was there, he manipulated me to the point where I was staying in his front room. I couldn’t go nowhere else but the front room. And then me and him kind of got into it, and I moved out. The reason I named it “Crazy” was because that was a crazy period.

Track #9: “Jeep Cherokee Music”

I had a wreck. Somebody ran me off the road and totaled my Grand Am. When I got my insurance money back, my dad co-signed for me to get my Cherokee. He felt bad because he made me break up with the girl I was talking to at the time. He didn’t like her.

It’s probably my favorite song on the CD. It’s a big turning point on the CD. After I got kicked out of my dad’s, I moved back to Richardson Towers. That’s when I first started smoking. That’s when I first started drinking. And I was giving my dad all my checks, so I had to figure out a way to make some money. I was a manager at Kroger. I used to do the book keeping, and before I left I used to take stacks of Black and Milds. I used to sell them at Richardson Towers. I made a lot of money. I became a totally different person all together.

Track #10: “Drowning”

It’s about two girls. The girl I talk about in the first verse, I met her like way back in-between “Towers” and “Rumors.” She wanted to talk to me, I didn’t talk to her, because I didn’t know if I had a disease or not. I was like, ‘Naw, I’m not going to talk to her until I make sure I’m okay.’

The song opens up with her calling me. I had moved back in the dorm, and I seen her on campus one day. I gave her my number, so she gave me her number. She hit me up one day crying, trying to get me to come over. She really, really liked me and wanted to be in a relationship with me. I didn’t want to be in one with her, but I really liked her. It was so loud and crazy in my dorm room, I used to be over her house every night. Basically, the same thing happened to me on the other verse.

[The second chick] was somebody I met, because she saw I was making a lot of money with the Black and Milds, and she wanted to be around that. I did kind of like her, but she didn’t like me like that. And that’s what that last verse was about. We were over Yayo’s house, and I was trying to talk to her, but she didn’t want to talk to me like that. I was drinking so much that night, I literally passed out. The whole thing is about karma.

Track #11: “Bullshit & Nonsense”

That was one of the songs I actually didn’t have on the CD at first. I put it on there because I felt like I had too many songs about women. I said, ‘I want to talk about the mindstate I was in during that time.’ It was bullshit and nonsense. I got fired from my job. I didn’t have my truck no more. I used to be up in my dorm room bored as hell. I used to write a lot of poetry. I was thinking about rapping, but I wasn’t a rapper yet. It was different. I went from having everything to nothing. I had a lot of time to think. My day went with the wind.

Track #12: “Goblins”

One day I was outside and this chick asked me to come smoke with her and her friends. I was like, ‘Cool.’ I hopped in the truck. I didn’t see them roll nothing; I just assumed it was regular weed. I smoked it, and I started hallucinating and tripping like crazy. After that situation, every time I smoked, I kept tripping to the point I stopped smoking all together. It’s true, and it’s serious, but I tried to make the song comical. It wasn’t funny when it happened, but after I thought about it and talked about it with people, it’s actually funny. All that stuff on the song happened for real.

Track #13: “March 4th, 2008”

That’s actually the only song I cannot listen to on the CD. I think I’ve only listened to it one time. It was hard for me to write. It was hard for me to record it. I know the situation like the back of my hand, but I can’t tell you the lyrics. At the time, I had lost my job. And I think what happened was, like, I’m a real cool dude, even when I’m not trying to talk to a girl, I’ve got a lot girls that are my friends. And this particular girl, I didn’t like her like that, but we were real, real close. She was my friend, and I think she liked me. She had a boyfriend, and I had a lot of girls I was talking to at the time. She knew that, but I was real cool with her.

I stayed up at the dorm on spring break, because I was not welcomed at my mom and dad’s house no more. [The girl] felt like we needed to talk about why we should become friends again, because I wasn’t talking to her like that no more. I don’t know what made me go over there, but I went over there. I didn’t think it was going to be like it was, because we weren’t in any relationship. I went up there to just talk to her, and she was talking all crazy. I was like, ‘Man, I ain’t gotta hear this. This is not what I came up here for.’ And when I tried to leave, she blocked the door and literally would not let me leave. I didn’t really know what to do. At first, I thought she was playing. I was laughing, like, ‘Man move.’ When I realized she was serious, I was like, ‘You need to move.’ I was telling her, ‘I don’t want to move you. Move.’ She wouldn’t move. When I tried to move her, she thought I was trying to fight her, I guess, and she started fighting me. She grabbed a curling iron and hit me in the eye. I got a scar on my eye right now. It’ll go with me to my grave. She hit me in my eye and busted it wide open. It shocked the hell out of me. I was like, ‘What in the fuck!’

Track #14: “WTF”

When everything kind of calmed down, she called the police on me. At this point, I was able to leave, but I was like, ‘I’m going to wait until they come up here, because you’re not about to act like I beat you up. I was just trying to leave out of your room.’ I stayed up there like a dumbass, and when they got up there I was trying to tell them what happened. They were screaming at me, telling me, ‘Get down! Shut the fuck up!’ They didn’t want to hear nothing I had to say, so when I kept talking, I guess they felt like I was disobeying what they had to say. They all jumped on me and beat the shit out of me.

Track 15: “Infinite”

When I got arrested, I moved in with my mom and dad. Me and my dad got into it, and I told him, ‘Give me a week to move out.’ He said, ‘Naw, you can leave tomorrow.’ He kicked me out the house on my birthday. He ended up dropping my stuff off at the University of Memphis. I moved with my homie Yayo. That was kind of the start of when I became an artist. When I moved with them, I started recording rap songs with Knowledge Nick and Quake, and that’s when I met PhatMak, too. I got in HypeLife, and I started doing spoken word poetry. That was basically when I finally got out on my own and out of the shadow of my parents and all of that. That’s when I started doing music. And I call the song “Infinite” because it’ll live on forever.

Track 16: “Ghost”

That’s a clip of my performance at this place called “Steppin Up.” PhatMak and them used to have shows there every month. That was probably the first performance I got recognized as Virghost. People dug the performance and everything. That particular performance is when people really started to notice me as a spoken word artist.

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Calling the Bluff Music

Virghost Drops New Track From #GHOSTS Album

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Less than a month before his #GHOSTS album drops on September 13th, Virghost has released a song off the project for hip-hop heads to vibe to. Entitled “Drowning,” Virghost uses the serene track to reflect on two ladies he had relations with while in college. One of the chicks develops strong feelings for Virghost, however, he finds himself developing feelings for the other. In both cases, unfortunately, the feelings aren’t mutual. Stream “Drowning” below.

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Calling the Bluff Music

Virghost Drops “Pac In ’95” Video, Explains Song

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A rap career was the furthest thing from talented lyricist Virghost’s mind when he attended the University of Memphis back in 2005. But something on his mind were the rumors swirling around about him and a lady he was dating.

He revisits the frustrations he felt nearly a decade ago on the track “Pac In ’95.” Inspired by the adversity legendary rapper 2pac encountered and channeled through his 1995 classic Me Against The World, Virghost explains his own stressful circumstances on “Pac In ’95.”

The song, which will appear on Virghost’s forthcoming album, #GHOSTS, takes place in 2005, a period when Virghost was enrolled at the U of M and staying in the school’s Richardson Towers dormitory.

“I messed off with the wrong person, and there were a bunch of rumors being spread around that weren’t true about me and the girl I was dating at the time,” Virghost said. “Her ex-boyfriend was going around starting stuff and all that.”

The hearsay (which will be addressed on the track “Rumors” off #GHOSTS) was that the girl Virghost was dating had promiscuous tendencies; she allegedly had HIV and was passing the disease on to guys she slept with.

Despite the rumors, which Virghost said turned out to be untrue, he continued his relationship with the girl. However, the gossip didn’t cease, and people started to claim that Virghost also had the disease. He was subsequently ostracized by the same people he viewed as friends.

“I had a group of friends that I was hanging around in college, and when the rumor started going around, mostly all the people that were supposedly cool with me were not cool with me,” Virghost said. “At that particular time, I felt like it was me against the world. It was stressful; people making you an outcast over a rumor that’s not even true.”

Virghost’s album #GHOSTS will be a theme-driven installment based between the years of 2005 and 2008, which he considers a tumultuous period in his life. “Pac In ’95” is just one of the many audio testimonies the album will encompass from Virghost over that three-year period. Check out the visual to the track below.

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Calling the Bluff Music

Virghost Launches #WhatAreYourGhosts? Webisode Series

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  • YouTube

Potent spitter Virghost is prepping the release of his third album, #GHOSTS. And in support of the project, he recently started his “#WhatAreYourGhosts?” webisode series, which will profile the life and music career of the thought-provoking lyricist.

Each month, Virghost will release six #WhatAreYourGhosts? webisodes leading up to the September release of #GHOSTS. The first installment is titled “The Foundation,” and shows Virghost spending time with his wife and daughters along with footage of him during a live performance. Virghost narrates the visual.

Check out part one of #WhatAreYourGhosts? below. And peep a recent article I did on Virghost here.

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Calling the Bluff Music

Lyrical Assassin: Virghost Is Killing Competition

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There’s a burgeoning underground hip-hop community in Memphis that sounds nothing like the Bluff City-bred artists currently enjoying national exposure.

Durand “Virghost” Somerville is one of those artists, who categorize their music as “Memphop,” a local version of the beloved genre. The 26-year-old emcee is currently prepping the release of his forthcoming album, Ghosts. He assures the project will not only satisfy the ear buds of listeners but also give them a look into one of the most challenging periods of his life.

“I named it Ghosts, because I feel like every song on that album represents something that happened in my past that I’ve been too afraid to actually face and tell people about,” Virghost said. “Every song represents something that’s haunted me. But if none of that stuff had happened, I wouldn’t have become an artist. I wouldn’t have become a poet. I wouldn’t have gotten married.”

Ghosts will be based around a three-year time period: 2005 to 2008. On the album, Virghost opens up about hardships he experienced during those years, such as being arrested for a crime he allegedly didn’t commit and his expulsion from the University of Memphis. He credits the trials he encountered as the driving force for him becoming a spoken word artist and deciding to pursue a career in rap.

“I look it at it like those are the worst things to happen in my life,” he said. “If they didn’t happen, I would not be doing any of the good things I’m doing now. This Ghosts album is a really deeply personal album. It’s very detailed. I’m going to be talking about a lot of stuff that I just never really wanted to put out there to people, but it is what it is. People are just gonna have to take it how they hear it.”

Since joining the local hip-hop community in 2008, Virghost has released several mixtapes, EPs, and albums. In 2013 alone, he released two projects: Live From The Other Side and Summer In September, a collaborative EP with KingPin Da’ Composer. He said he’s managed to collectively distribute several thousand units of his projects so far.

Virghost’s undeniable talent earned him a slot among the city’s best lyricist for K97’s fifth annual “Next Big Thing” competition in 2013. To his surprise, he ended up winning.

“To be perfectly honest with you, man, I heard [about] it on the radio one day while I was at work and I figured that I wasn’t going to do it,” Virghost said. “I felt like every year they have it, they don’t choose people like a Virghost or a Knowledge Nick or Royal’T. I felt like, ‘what’s the point of me getting in it?’ And then a friend of mine, [Soulman] Snipes, posted on Facebook that me and a couple other guys should get in it. I was like, ‘Well, it won’t hurt me. If I don’t make it, oh well. If I do make it, a couple more people will listen to my music.’ I decided to go ahead and do it. It was crazy that I actually won. I had no idea I was going to win.”

Although Virghost achieved something unprecedented within the local hip-hop realm, he said some people downplayed his accomplishment. In the song “Best Rapper On The Planet,” he sarcastically echoed the naysayers’ comments after dropping a solemn verse about the struggles he continues to face months after winning the competition.

“A lot of people were telling me, ‘You won the contest, but K97 ain’t get you signed,’ basically dismissing what happened,” he said. “That was an accomplishment for me. Even if didn’t that much come out of it, it was an accomplishment for an actual lyricist to win a contest in Memphis, Tennessee with a major radio station.”

Virghost possesses a flow that’s aggressive at times, laid-back and melodic at others, but is consistently lyrical. Growing up, he listened to local legends like Three 6 Mafia, Project Pat, Playa Fly, and Gangsta Pat. However, he credits East Coast artist Nas — along with Mos Def — as the rapper who truly influenced his style and delivery and gave him the confidence to create music from the soul.

“I wanted to rap, but I was scared,” Virghost reveals. “I wasn’t that typical thug, gangster, or [doing] the music that was popping at the time. I didn’t feel comfortable or confident in vocalizing the things that I wanted to vocalize, so I wrote them down in notebooks. Nas is the artist that really pushed me out there and influenced me to get deeper with what I was talking about.”

From being a teen reluctant to publicly display his lyrical talent to becoming one of the most respected spitters within the city’s underground hip-hop movement, Virghost is clearly on the road to success. His unique subject matter and raw lyrical delivery combined with solid production has placed him among the elite hip-hop artists representing Memphis. And it’s safe to presume that continuing to embrace that formula will do nothing but continue to catapult his career while simultaneously influencing other artists to stay true to themselves in their music.

Aside from being a promising hip-hop artist, Virghost is also a father and husband. He uses his music to both reflect the love he has for his family and the inspiration they provide to continue chasing his dreams. In addition to being one of the area’s most respected rhymers, Virghost said he’s determined to be a voice for minority fathers who take care of their obligations, eradicating stereotypes in the process.

“I feel like there’s not really an artist out there who’s representing for the fathers,” Virghost said. “People try to paint a picture out of black men as not taking care of their kids and not caring about their kids and their wives or the women that they have children by. But there are a lot of black men out here who care about their family. I care about my family, and I want to represent that African-American man out there who takes care of his kids, wife, and his responsibilities.”

Check out Virghost’s bandcamp page here
Friend him on Facebook: Virghost Memphiasco
Follow him on Twitter: @VirghostPoet

Check out my website: ahumblesoul.com
Follow me on Twitter: @Lou4President
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News

Memphis Makes “Beautiful, Haunted Sense” to Visiting Journalist

From The Cleveland Plain Dealer:

Memphis- It’s 3 a.m. in what many call the birthplace of rock ‘n’ roll, and I’m walking out of a former brothel with two women. I just met them inside. Well, met them six hours ago. It’s been a long night.

My new pals, from Tampa, have traveled to this river city to commune with the spirit of Jeff Buckley, an indie-rock icon who drowned in the Mississippi River 10 years ago. The women took a picture of his old shotgun-shack house. In the photo, red eyes glow in a window. It’s either Buckley’s ghost or a golden retriever; they can’t decide.

I’ve come to Memphis for Elvis Presley and Otis Redding, for whom major anniversaries also are being celebrated. The King died 30 years ago and the town is in full-on hunka-hunka mode. Redding was the heart of Stax Records, the Memphis label that turns 50 this year. Redding died 40 years ago. There’s always a major music anniversary here. But 2007 has some doozies.

The women and I have just spent the better part of the night at Earnestine & Hazel’s, a brothel-turned-juke joint built in the early 1900s. Some say the bar is haunted by ghosts of bluesmen; they might be right. It is, without a doubt, the perfect place to hold a rock ‘n’ roll seance.

While we’re there, bartender Karen Brownlee dishes about how B.B. King used to hang out upstairs, and just like that, King starts wailing on the bar’s jukebox, trusty guitar Lucille cutting through the cigarette smoke. Paranormal investigators visit all the time, says bar owner Russell George. “They’re always looking for ghosts,” he says, chuckling.

In Earnestine & Hazel’s, Memphis makes beautiful, haunted sense.

Read the rest of Sean Daly’s story.