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Sick Thoughts at the Buccaneer

Baltimore’s Drew Owen brings his home-recording wrecking machine to the Buccaneer this Thursday night when his band Sick Thoughts play with locals Aquarian Blood and Gimp Teeth. Since claiming the garage-punk crown from New Orleans provocateur Buck Biloxi last year, Owen has placed himself at the top of the trash heap, with his only real competition in massive-output perhaps being Martin Meyer of Lumpy and the Dumpers (St. Louis). Sick Thoughts released new music almost every month of 2014, throwing songs out in the form of singles, cassette tapes, and EPs. By the end of the year, Owen had worked with just about every relevant garage punk label in the game including Slovenly, Goner, Kenrock, Goodbye Boozy, and Going Underground.

Josh Miller

Sick Thoughts

With so much recorded output released in such little time, it comes as no surprise that Owen frequently changes up his sound, dabbling in power pop, hardcore punk, and even “techno synth sludge metal.” But no matter what genre of music he’s tackling/making fun of, Owen’s approach is almost immediately identifiable. And while it might be easy to knock Sick Thoughts for taking the quantity over quality route, Owen’s prolific discography seems to be the product of one thing: he’s having fun. And I don’t mean he’s having fun in an ironic pizza-party-thrash-metal way, or a tongue-in-cheek, dance-around-onstage-in-my-underwear type of way. His music is still authentic and believable, it’s just obvious that this perma-teen from Baltimore is enjoying what he’s doing, which is refreshing in a genre that has plenty of bands exuding a fake, tough-guy attitude.

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Music Music Blog

RPLD GHSTS at the Hi-Tone

RPLD GHSTS performing live.

November is shaping up to be a great month at the Hi-Tone, with plenty of national acts making tour stops in addition to a whole slew of locals performing as well. If you’re a fan of hip-hop, hardcore punk, or experimental music, then the show at the Hi-Tone tonight might already be on your radar. If not, here’s the rundown.

RPLD GHSTS is the project of Quinton-JeVon Lee, the Memphis musician who frequently collaborates with Cities Aviv. Lee doesn’t perform very often, and normally prefers DIY or unorthodox venues over places with an actual stage, making this Hi-Tone show that much more appealing.

RPLD GHSTS at the Hi-Tone

Joining RPLD GHSTS is B L A C K I E (real name Michael LaCour), the Houston, Texas musician who melds noise, jazz, and hardcore into a frightening cyclone of aggressive output. This is B L A C K I E ‘s first time in Memphis, but his connections to Cities Aviv and RPLD GHSTS run deep.

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Also on the bill is Gimp Teeth, the Memphis hardcore band that recently released their self-titled cassette. Rumors are circulating that Gimp Teeth will have a single out soon, and their tape should be available at Thursday’s show. If you’re into music that can’t be categorized by simple,one-word genres, get to the Hi-Tone tonight (Thursday, November 5th) by 9 p.m., $8 gets you in. 

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Music Music Features

Rule of Thirds live at Murphy’s

Over the past few years, Australia has become one of the main sources of exceptional synth-driven post-punk bands. Adelaide’s Rule of Thirds sit somewhere in between fellow Aussies Total Control and Nun, combining elements of golden era UK post-punk with heavy doses of early ’80s new wave worship. The band qualifies as a super group, featuring the founder of the excellent No Patience record label on synth and members of other Adelaide bands like Young Professionals, Deep Red, and Hydromedusa.

Rule of Thirds

While the Rule of Thirds’ demo and EP flirted with a few different subgenres of punk music, the self-titled album is heavily influenced by Siouxsie and the Banshees, 13th Chime, Joy Division, and other bands on the more accessible side of British post-punk. I recently wrote about the Oblivians traveling to Australia for the first time, citing the fact that even a band as big as they are had to wait until the time was right for such a big trip. Through the tireless work of the Rule of Thirds’ synth player (a person affectionately known as Rat Boy), the band has booked a full US tour on the strength of just three releases, and their month long tour includes a stop at the renowned punk festival New York’s Alright in addition to multiple shows in Los Angeles. Three different labels in three different countries will release the debut Rule of Thirds album while the band is on their first US tour. Mass Media will release the self-titled LP in the US, No Patience will release the album in Australia, and Desire Records will press the record oversees. The band will have copies of their brand-new album at the show Thursday.

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Music Music Blog

The Achtungs Live at the Buccaneer

The Achtungs play the Buccaneer tomorrow night, the only Memphis show on the band’s east coast tour. Hailing from Finland, The Achtungs play bruising punk rock in the vein of The Weirdos, Crime and even Memphis’ own The Reatards. Simply put, this is one of the best punk bands to come through Memphis in quite some time. The Nervous Ticks and Gimp Teeth round out the bill. The show starts at 9, don’t sleep on this one.  

The Achtungs Live at the Buccaneer

The Achtungs Live at the Buccaneer (3)

The Achtungs Live at the Buccaneer (2)

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Music Music Features

Destruction Unit at the Hi-Tone

Arizona’s Destruction Unit plays the Hi-Tone next Wednesday night, returning to Memphis after a triumphant performance at Goner Fest 10 two years ago. Memphians may remember another Destruction Unit (featuring Jay Reatard and Alicja Trout) playing around town in the early 2000s, but founding member Ryan Rousseau took the moniker with him when he relocated to Arizona and reformed the band into a psychedelic powerhouse.

Destruction Unit now features members of the Ascetic House Collective, a group of individuals who mostly release cassette tapes and zines (all of which are available for free to those who are incarcerated) and might be slowly forming a nationwide cult of psychedelic psychos. While it’s not mandatory to be on drugs to enjoy the noise created by Destruction Unit, I’m told it certainly helps.

Sam Monkarsh Cable

Destruction Unit

One of the more interesting things about the band is how active their members are with other projects, despite Destruction Unit’s grueling tour schedule. Drummer Michael Flores has a highly regarded electronic project called Jock Club, and guitarist Nick Nappa is in Marshstepper, a band whose live show incorporates performance art and can only be accurately described as insane. It makes sense then that when all these creative forces combine something special happens. And Destruction Unit is a group that knows how powerful they can be, with slogans like “The New American Heavy Underground” and “Destruction Unit: Better Than Food” proudly displayed on their merchandise. After releasing the highly regarded Deep Trip LP, the band took a short break to focus on some of the projects mentioned earlier, but with this upcoming tour and a new album that’s currently in production, it seems as if Destruction Unit is ready to take the world by storm once again.

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Sing All Kinds We Recommend

10 for 10: October Sound Advice

Aviana Monasterio

Neev

1. Neev with Aviator, Rescuer and Gone Yard

Crosstown Arts, Oct. 5. $5. 7:00 p.m.

For those looking for something heavier than Katy Perry’s Prismatic World Tour, post-hardcore local NEEV will be opening for Aviator and Rescuer as they make their way through Memphis on their “Death-to-False Music” tour. While both touring bands have recently released records on No Sleep Records, NEEV put out their first full-length album Those Things We Tomorrowed on cassette in May through Ireland based ndependent label Little League Records. The post hardcore outfit combines melodic math rock with chaos, and while no song meets the three-minute mark – they are each packed with unpredictable twists and turns that keep you on your toes. This is not a band to ignore.

10 for 10: October Sound Advice

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2. Hea Head and the Heart

d and the Heart with Rayland Baxter

Minglewood Hall, Oct. 6. $30. 8:00 p.m.

On The Head and the Heart’s sophomore release Let’s Be Still, they managed to capture a sense of sincerity that is often lost in the now saturated indie folk genre that has grown popular over the last few years. This is serious, heartfelt songwriting. Perhaps it’s the band’s humble beginnings playing on street corners that separates them from the rest of the crowd. Without a doubt, their live show is less of a concert and more of an experience that will pull your mind away from Memphis for the evening and take you somewhere special.

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3. Berkano CD Release with Ugly Girls and Hair Party


The Hi-Tone, Oct. 7. $7. 9:00 p.m.

Berkano is everything that is right about garage rock. The guitars blend distortion and reverb while the vocals lazily echo their way into the mix. It’s beer-drinkin’-head-bobbin’ rock ‘n roll, and you’d be silly not to come pick up a copy of Santa Sleeping. Ugly Girls are also not to be missed. The three-piece punkers are unapologetic. They sing songs about hating “frat boys” and being gifted cancer from God. You can find more of that on their EP Bad Personalities that they released in February. 

10 for 10: October Sound Advice (2)

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4. Juicy J with Project Pat

Juicy J and Project Pat


Minglewood Hall, Oct 8. 8:00 p.m.

Juicy J has risen far beyond Three 6 Mafia fame, making his way to the soundtrack of the latest reboot of Teenage Mutant Ninja Turtles. Now, he’s rapping alongside Miley Cyrus and is an active member of Wiz Khalifa’s Taylor Gang. His third studio release Stay Trippy featured the radio favorite “Bandz a Make Her Dance,” and landed at 29 on the Billboard Top 100. J and his older brother Project Pat will be returning
to Memphis with some new, and, fingers crossed, hopefully some of the old iconic sounds that defined Memphis rap from the ‘90s to late 2000’s. If we’re lucky, maybe we’ll get to hear some classic Three 6 Mafia tracks. 

Footnote: Juggalos gather and spray your Faygo. Da Mafia 6ix, a new project formed in 2013 featuring six original members of Three 6 Mafia, will be joining Insane Clown Posse and Mushroomhead at The New Daisy Oct. 11.

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5. Interpol with Rey Pila

Interpol


Minglewood Hall, Oct. 9. $25 advance / $30 day of show. 8:00 p.m.

Interpol didn’t reinvent the wheel with their nearly brand new release El Pintor, but after four years, it breathes life into their tired, old routine. It’s reminiscent of Turn On The Bright Lights, the album that launched them into the spotlight, and is arguably the best thing the band has released since Antics. With bassist Carlos Dengler having the left the band, the former four piece is now made of three, which is not at all a bad thing. Interpol is playing like a band in their prime again, and the energy of their live show may very well be the best that it has been in quite some time.

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6. Slugz with Gimp Teeth and DJ Wasted Life
Josh Miller

Gimp Teeth


Murphy’s, Oct. 12. $5. 9:00 p.m.

Richmond, Virginia’s Slugz plays raw, punk music that gives show goers a reason to thrash their bodies against each other. Local punkers Gimp Teeth merge power violence with surf rock to create a sound that belongs in a Harmony Korine film. They recently played Gonerfest 11 and released an EP titled Naked City earlier this year.

10 for 10: October Sound Advice (3)

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7. The Jack Oblivian and Monsieur Jeffrey Evans Revue

Josh Miller

Jack Oblivian

The Hi-Tone, Oct. 18. 9:00.

Jack Oblivian and Monsieur Jeffrey Evans have spent decades creating and cultivating a sound derivative of blues and punk that has forever left a stamp on Memphis music. On Oct. 18, the two will share the stage with a batch of Southern musicians. If you can make it to only one show during October, this is it.

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8. City and Colour with Clear Plastic Masks

City and Colour


Minglewood Hall, Oct. 30. $25 advance / $30 day of show. 7:00 p.m.

Dallas Green’s distinguishable tenor and stripped down, acoustic structure coupled with his sentimental lyrics and catchy melodies have carried City and Colour from a small, independent band with a cult following to a household name, selling out venues all over the country. His latest release, The Hurry And The Harm, sees
Green moving into the mainstream with additional musicians and even poppier sensibilities. More recently, Green released the single “You and Me” with Pink, and the two have formed a duo under the same name with plans to release an album titled Rose Ave. While Green’s place in the indie music world seems to be ever growing, he hasn’t lost sight of the intimate performances that define City and Colour’s live show, and you shouldn’t miss out on it, either.

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9. Dead Soldiers with Clay Otis and James & The Ultrasounds
Jamie Harmon

Dead Soldiers


The Hi-Tone, Oct. 31. $10. 9:00.

Dead Soldiers are one of the most hardworking bands out there – playing a brand of alternative-country that is similar to no one else in Memphis. The Soldiers are packing out every show they book, and for good reason. For a relatively new band, 2013’s LP All The Things You Lose and follow up EP High Anxiety are impressive, to say the least. On Halloween night, they will play alongside local pop singer Clay Otis as well as James & The Ultrasounds, whose first full-length Bad To Be Here is due out through Madjack Records in December. The Hi-Tone will also hold their annual costume party, where they will choose the best dressed male and female who participate. The winners get free admission to The Hi-Tone for a full calendar year.

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10. Manchester Orchestra with Chris Staples

Manchester Orchestra


The New Daisy Theatre, Oct. 31. $18. 7:00 p.m.

The last time Manchester Orchestra came to Memphis, it was a cold February evening in 2010 at The New Daisy Theatre. The Atlanta-based rock quintet was touring heavily on their sophomore release Mean Everything To Nothing, and they were just on the cusp of the success that would carry them through 2011’s Simple Math. After releasing 2013’s COPE, an 11-track album that capitalized on the huge guitars and roaring vocals of Frontman Andy Hull that have come to define Manchester Orchestra’s sound, the band later released a stripped-down album entitled HOPE featuring alternative versions of all 11 songs accompanied with a string of stripped-down tour dates. When Manchester Orchestra comes back to The Daisy, it may be the first and last time we get to see the band abandon their amps and tone down their songs.