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We Saw You: GLITCH Re-Returns

Adam Farmer will host another “GLITCH” art show Friday, July 28th at his Midtown home.

His last “GLITCH” show took place July 21st, but it wasn’t the show the artist originally planned. Thanks to a glitch, the power went out.

 “‘Glitch,’ if you look it up, is a mistake or a malfunction of something’s normal operation,” says Farmer, 34. “When something screws up.”

Thanks to a generator, GLITCH went on with about 35 or 40 people attending. But it was more of an open house, so Farmer decided to hold another show more like what he originally envisioned. Those who attended last week’s GLITCH will see a different show this week because Farmer changed a lot of the work. The recent exhibit was titled “Second Nature,” so his upcoming show is “Second Nature (Second Chance).”

When his house is being used as a GLITCH show, it’s not a house. It’s a glitch because it “becomes something new and different” for a brief time.

Adam Farmer held a GLITCH show July 21st at his home. He’ll hold another one July 28th (Credit: Michael Donahue)

A native Memphian, Farmer, who graduated from Memphis College of Art, says, “I’m a post-modernist painter and I’m focusing mainly on installation right now. And collage-based processes. The most dynamic installation I’ve ever been a part of would have to be my home.”

Between July 2013 and July 2016, Farmer held 40 art and music shows in his home. “Each show was different and I never gave myself a solo show. I always gave other people the opportunity to take over the space and do whatever they wanted.”

Farmer featured at least 175 artists, including local, national, and international, over those 10 years. The upcoming GLITCH will be on the 10th anniversary of his first show.

He also features bands and performers. “GLITCH was and is more than a venue. It’s a living, breathing work of art, one big immersive hybrid assemblage. It’s one piece.”

Farmer uses the German word Gesamtkunstwerk to describe Glitch. “It means total art work — an art that resonates with all of your senses. It’s audio, visual. It’s sensory.”

His entire house is artwork: “What extends beyond the main space, the transformative GLITCH gallery space, is still part of GLITCH. There is art on every square inch of these walls. From the gallery space to the kitchen to the laundry room and even the bathrooms are carefully curated installations. 

GLITCH (Credit: Adam Farmer)

Farmer stopped doing the shows because they were too labor intensive. “So much work and I wasn’t being paid for it. Ultimately, giving up your home is a major sacrifice. And doing it every single month for three years would be a lot on anybody — and there were a few extra shows in between.”

He decided to bring it back this year as a test and a celebration. This two-part show is the “first, last, and only solo show” for Farmer at his own space.

His art work is on view inside as well as in the backyard. “The new work is mostly portraits. And they come from screen shots from films or TV shows. My work is about collage or borrowing or stealing. It’s about appropriation. So, if I’m watching something, it becomes a part of my life. It’s a response to life, both digital and physical.”

One of his favorite TV shows is Survivor, which he describes as “a guilty pleasure.” 

The show features portraits of participants from Survivor and characters from Stranger Things and the 2019 movie, Villains.

One of his portraits is of Allen Iverson, one of his favorite NBA players growing up. Farmer’s grandmother gave him six Iverson jerseys three years in a row as Christmas and birthday presents, he says.

Adam Farmer’s portrait of Allen Iverson (Credit: Adam Farmer)

He also will be showing his video collages made on VHS tapes. He paints the tape box covers 

Farmer features large sculptures and installations in his backyard.  “I call them ‘shrines.’ They’re all about moments and different choices in my life. I try to remember them. One of them is about never leaving Memphis. It’s a basketball goal. And the foliage is growing into it.”

He created his own lacrosse goal with Santa Claus as his goalie “My backyard is more of a gym than anything else.”

Adam Farmer created his own lacrosse goal with an iconic goalie (Credit: Michael Donahue)

Another piece is a stationary bike.  You can ride it as a bicycle but “it makes sound when you ride. It creates a wind chime effect. It’s physical. It’s sculpture. It’s painting. And it also makes music.”

Farmer’s stationary bike sculpture (Credit: Michael Donahue)

Live performances at his upcoming show after 8 p.m. will include Wallace Leopard and Quinton Jevon Lee a.k.a. Outside Source.

Wallace Leopard will perform at “Second Nature (Second Chance)” (Credit: Michael Donahue)
Allie Eastburn, who was the first solo performer at a GLITCH show (October, 2013), and George Williford were at “Second Nature” (Credit: Michael Donahue)
Ham that I am, I played Adam Farmer’s Lowrey organ at “Second Nature” (Credit: Steve Rone)

Farmer will provide “soundscapes for the opening” with his Avant Gauze music project. Avant Gauze was the name of a type of bandage. “Since I’m interested in appropriation, I stole their brand name.” And a bandage fits perfectly. “I think art is healing.”

Avant Gauze is Adam Farmer’s music project (Credit: Adam Farmer)

So, is Farmer going to start doing GLITCH shows again? “I don’t know. I’m open to doing them more sporadically,  but not in the same routine as before. Not a monthly thing. Maybe two or three a year at the most.” The schedule, he says, will be “more like a glitch. More random.”

Second Nature (Second Chance) will be held 6 to 10 p.m. July 28th at 2180 Cowden Avenue.

Note: The show will be “all ages friendly,” Farmer says. Using an old copy machine, Farmer will make free coloring books for children 13 and under.

We Saw You
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Art Exhibit M

Here is Your Weekend Art Itinerary, August 21 – 23

Lawrence Matthews, ‘Vote III’


FRIDAY

Lawrence Matthews, i.e. Don Lifted, “In a Violent Way” at Crosstown Arts (6PM — 9PM):
You may have seen Matthews perform as his alter-ego, Don Lifted, without knowing that the emerging artist is also a prolific painter. For this exhibition, Matthews reimagines famous images of the civil rights struggle.

Nick Pena’s “Crosscut” at Christian Brothers University (5:30PM—7:30PM): 
Pena’s paintings are meditations on the fissure of The American Dream. If you haven’t seen Pena’s work before, this is a great chance to check it out. 

CEREAL at GLITCH (6PM—10PM):
A group show featuring work by Lance Turner, Derrick Dent, Ariel Claiborn and others. There will also be music from C – Stilla, Dick Solomon, Purplecat Jane and Sleepy Barksdale. 

SATURDAY

Animated Film: The Secret of Kells at the Brooks (2PM)
This seems promising: “Young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. “

Still from ‘The Secret of Kells’

SATURDAY AND SUNDAY

Second Terrain Biennial, all day, around the city: 
Artists Terri Jones, Lindsay Julian, Melissa Dunn, Between Worlds Collaborative, Greely Myatt, Johnathan Payne, Terri Phillips, and Lester Julian Merriweather created work to be shown in yards around Memphis. A map is available at the Rhodes College website. Rhodes is hosting the event to kick off This Must Be the Place, a year-long exploration of art’s relationship to place, presented by Clough-Hanson Gallery.

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“Party of Five” at Glitch

When you have a party of five or more at a restaurant, servers often add an automatic tip. So here is our automatic tip for “Party of Five,” the new show at Glitch: Go see it. It’s gonna be good.

“Party of Five” marks the one year anniversary of artist Adam Farmer’s home gallery/artwork-in-progress. For the show, Farmer invited artists to submit work no larger than 5 inches-by-5 inches. All pieces were accepted so long as they fit the parameters. Farmer says, “It’s a large-scale installation comprised of small-scale works.”

Earlier this week, Farmer and several friends were busy sorting through submissions. Some were stacked on the floor, a few in makeshift containers. Several canvases, swathed with fake white fur and glitter, lay piled in a corner. There were photographs, a flipbook, and a six year old’s painting of a small colorful egg. Tyler Hildebrand’s particularly cool submission involves linked colored lightbulbs.

One year after the gallery’s inception, it is clear that Glitch has grown both as a gallery space and as its own morphological work of art. It has become slightly more organized (they have a new intern) and incrementally more complex. The neon murals that originally graced the walls during July 2013’s “Furload” exhibit are still visible, but manipulated and obscured by Alexandra Eastburn’s Mojave Desert murals, Esther Ruiz’ spacey black backdrops, Jessica Lund’s ceiling collages, and Mae Aur’s pastel dreamscapes, among others.

Glitch has also, over the course of the past year, been host to music, video, and performance art. This Friday will be no different. Five musical groups, including Loser Vision and Soundtrack, will play. 

With five bands and some 200 works of art by an international roster of artists, Farmer has a point when he says of “Party of Five”: “I bet it will be a while before another show like this comes along.”