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The Flyer’s 2022 Holiday Gift Guide

As we shop around to find the perfect gift for family, friends, and loved ones, resist the impulse to scroll over to Amazon and let Jeff Bezos fix all your problems. Local businesses are the bedrock of any city, and there are plenty of well-known shops and hidden gems that can provide the perfect present, no matter the festivity. From art to socks to whiskey, our alternative Black Friday guide has Memphis shoppers covered, helping create a cheery holiday spirit for both Bluff City customers and entrepreneurs.

Arrow Creative Holiday Bazaar (Photo: Arrow Creative)

Arrow Creative Holiday Bazaar

The much-beloved Holiday Bazaar continued the Memphis College of Art’s (MCA) 69-year tradition when it opened last week at Arrow Creative. For all of those years, Memphians were well used to finding MCA’s Rust Hall in Overton Park, where the public was welcomed into creative spaces to find the work of the school’s students, faculty, staff, and alumni. The school closed in 2020.

That’s when Arrow picked up the mantle to continue the Holiday Bazaar tradition. But Arrow leaders changed the weekend event into a month-long affair with a ticketed First Dibs Party (last week), private shopping experiences, and creative classes throughout the month.

Local artists and creatives remain the focus of the bazaar — a free shopping event — now in its third year at the Cooper-Young-area Arrow. The bazaar will feature one-of-a-kind gifts including art, jewelry, home goods, accessories, apparel, and more from more than 80 local artists. Shoppers will find sculpture, ceramics, painting, fine art, fashion design, fiber arts, photography, woodworking, the Memphis Flyer coloring book (just sayin’), and more.

“The excitement is contagious,” said Arrow artist Terri Scott, describing the event. “With a cup of wine, you weave through the crowd. You have a mental note of the tables you want to visit first. A table of carefully crafted jewelry beckons you forward and you can’t resist gazing upon colorful paintings and sculptures inspired by sea life. “Everyone is lively, carrying their treasures to check-out, and feeling a little drunk on wine and holiday cheer.” — Toby Sells

Bazaar runs through December 23rd, 653 Philadelphia St., 213-6320, arrowcreative.org

Launch a budding artist’s career at Art Center on Union. (Photo: D’Angelo Connell)

Unlock Your Inner Artist at Art Center

Inside Art Center, everyone has a chance to be an artist. Conveniently placed on Union Street, the Art Center offers a plentiful selection of well-known and quality products for any art project. Their shelves are always stocked with the best and most popular supplies — Golden Acrylic, Gamblin Oil, Princeton Brush, Fredrix Canvas, Copic Markers, Montana Spray Paint, a dozen sketchbook brands in multiple sizes, a fully stocked drawing supply section, a children’s art supply section, decorative papers, and much more. Aside from the quality and quantity of products offered, the staff is eager to help you plan your next project. Whether you’re an art teacher, an aspiring designer, or just looking for a new hobby, each staff member will welcome you with open arms. If this isn’t enough, the windowed storefront invites you to enter and explore.

The Art Center, for nearly 50 years, has never ceased making connections with the Memphis community. While browsing inside, find their decorated bulletin board of local artists’ business cards and information. These artists range from photographers, graphic designers, calligraphy artists, to influencers all in the Memphis area. While inspiring local artists to accomplish their goals, the Art Center also celebrates everyone’s potential to create a more colorful world. With discounted products and new sales every day, find your new favorite art supplies on every visit. — Izzy Wollfarth

Art Center, 1636 Union Ave., 276-6321, artcentermemphis.com

Ornament at Cotton Row Uniques (Photo: Cotton Row Uniques)

Cotton Row Uniques

Nestled among the storefronts at the Poplar Collection strip mall, Cotton Row Uniques offers a carefully curated shopping experience. “We try to have something for everyone,” owner Shane Waldroup says. “We have everything from furniture to Turkish rugs to a gourmet food section to perfumes and colognes. It’s kind of that one-stop shop for your unique gift.”

Unique is a keyword in this store’s operation. Waldroup, along with co-owner Scott Barnes, sources items that extend outside the run-of-the-mill to appeal to the store’s eclectic customer base. “We love seeing mothers buying gifts for their kids, and then kids coming in and buying for their parents and grandparents,” Waldroup adds.

For this holiday season, Waldroup points to a few popular sellers, first among which is the HeARTfully Yours Christmas Ornaments by Christopher Radko. The charming ornaments are hand-blown in Europe, with proceeds benefiting causes including heart disease, breast cancer, AIDS research, and food insecurity. Another popular item this season, Waldroup says, is the “Walking in Memphis” down-filled pillow, with a design of the Memphis skyline and other Memphis references.

And, of course, there’s Cotton Row’s brand of candles, including the Memphis Creed, #901 Bond, Citrus Grove, Southern Garden, and Cotton Row. Of the candles, Waldroup says, “We’ve made sure that the fragrance would last until the candle is completely finished. They’ll burn for about a hundred hours.” — Abigail Morici

Cotton Row Uniques, 4615 Poplar Ave., 590-3647, shopcottonrow.com

Jared McStay at Shangri-La Records (Photo: Justin Fox Burks)

Pick Up Some Vinyl at Local Record Stores

“Give the gift of music,” went the old promotional slogan, back when that could only mean purchasing an album or single on vinyl or CD. Streaming changed all that, of course … or did it? With vinyl’s share of the music market on the rise, record stores in Memphis are not only thriving, they’re multiplying. Shangri-La is the granddaddy of them all, and Goner has followed their example (and then some).

But don’t sleep on the Memphis Music shop on Beale Street, stocked with an impressive array of albums by Memphis artists past and present. And just a stone’s throw away is the relatively new River City Records, also doing brisk business. Finally, there are pockets of vinyl in stores focused on other products, such as the second floor of A. Schwab and, believe it or not, Urban Outfitters.

Note that the dedicated record stores above also feature oodles of other music-related delights, including CDs, cassettes, and books galore. It turns out you can give the gift of music. River City Records’ Chris Braswell notes, “The people that are really driving the increases [in record sales] are teenagers, 20-year-olds, and 30-year-olds. They’re becoming avid vinyl collectors. A lot of people think streaming services like Spotify hurt physical sales, but I think it’s the exact opposite. This most recent generation has started looking for a way to physically possess their music, and vinyl is just the coolest medium there is. You get liner notes and the cover art!” — Alex Greene

Hand-dressed candles at Broom Closet (Photo: Shara Clark)

The Broom Closet

This metaphysical shop on South Main has everything for the witchy giftees on your list. And you certainly won’t find these items in big-box stores. Herbs, essential oils, an extensive selection of crystals, candles, books, boxes, incense, goblets and chalices, and so much more. You can also book a personalized tarot reading, an aura and chakra analysis, or purchase a gift card so your special someone can choose for themselves.

Does your gift recipient wish to ward off the evil eye? Perhaps they could use a little money luck? The shop’s knowledgeable staff has prepared a variety of intentional smudge kits ($18) — for protection, love drawing, money drawing, and home cleansing and blessing — that include tools like sage bundles, incense cones, selenite sticks, gemstones, and chime candles for ritual assistance.

For manifestation work, they offer candles ($12), hand-dressed with oils, herbs, and gemstone sand, and blessed in-store for their purpose — cleansing, drawing money or love, protection, and more.

These are just a few of the unique goods you’ll find at the Broom Closet. Stop in, stock up, and give the gift of magic this season! — Shara Clark

The Broom Closet, 552 S. Main, 497-9486, thebroomclosetmemphis.com

Necklace by Penny Preville (Photo: Mednikow Jewelers)

Mednikow Jewelers

If you like your gifts to twinkle and sparkle, then you should go directly to Mednikow, the jewelry store that’s been bringing the best, the brightest, and the most shimmering stones to Memphis since 1891. With five generations of dedication to the art of jewelry, you’ll find gems in a wide range of styles and prices.

The store carries pieces by top designers, including David Yurman, Mikimoto, Elizabeth Locke, Penny Preville, Roberto Coin, John Hardy, Gurhan, Monica Rich Kosann, Charles Krypell, and Michael Bondanza. Pictured is one of Penny Preville’s striking creations, a diamond charm necklace with a toggle clasp and several charms. Mednikow not only prides itself on providing gorgeous, top-quality jewelry, but it also loves to work with you to help you come to a decision — after all, it has to be perfect, right? The experts there have decades of knowledge of what’s exceptional and they want you to be exceptionally happy. In fact, you may not know precisely what you want until you go inside, look around, and then see the exact engagement ring that catches your eye. Or bracelet, or earrings, or locket, or necklace, or — well, you get the idea. Whatever you decide, you or someone you love will be wearing a work of art. — Jon W. Sparks

Mednikow Jewelers, 474 Perkins Extd. #100, 767-2100, mednikow.com

Straight Tennessee Whiskey (Photo: Old Dominick Distillery)

Straight Tennessee Whiskey from Old Dominick Distillery

The holidays are a time for joy and cheer. But they’re also a time for family, which could go either way for many of you out there. If your “straight shooter” old uncle is going to be there at the end of the table, hogging all the Thanksgiving turkey and spouting alternative facts, then you’ll need some straight shootin’ of your own. To make sure the whole table is covered and to be supportive of local businesses at the same time, pick up a strong bottle of liquor from Old Dominick Distillery.

We’ve all had the staples: the Formula No. 10 Gin, the Huling Station Straight Bourbon, the Honeybell Citrus Vodka. But this holiday season, focus on the distillery’s major new milestone. Released November 1st, Old Dominick officially launched its Straight Tennessee Whiskey ($35.99 a bottle, $69.99 for the bottled-in-bond variation), the first distilled, barreled, matured, and bottled whiskey in Memphis since Prohibition.

“As a Kentucky native, I did not think I would ever make a Tennessee whiskey,” says Alex Castle, master distiller at Old Dominick, “and yet, here we are.”

The whiskey is aged for a minimum of four years in West Tennessee White Oak barrels. “Straight Tennessee Whiskey opens with vanilla, tobacco, anise, and caramel on the nose. Sugar Maple Charcoal filtering delivers a mellow, medium-bodied whiskey, lightly sweet with caramel and crème brûlée with a hint of oak and vanilla for a silky finish.” Drink up, whiskey connoisseurs! — Samuel X. Cicci

Old Dominick Distillery, 305 S. Front St., 260-1250, olddominick.com

Allpa Del Día travel bag (Photo: Outdoors Inc.)

Allpa Del Día Travel Surprise Pack at Outdoors Inc.

Want a travel item that stands out? Each of these Allpa Del Día innovative travel bags are unique. Since they are made with repurposed remnant fabric of various colors, no two look exactly alike. But, looks aside, this well-constructed 35-liter travel essential is full of nifty features, including a low-profile harness suspension system, contoured shoulder straps, air-mesh back panel, adjustable sternum strap, and padded hip belt.

The bag also features a suitcase-style, full-wrap zipper opening on the main compartment that opens into a large, zippered mesh compartment.

It’s perfectly sized for carry-on, and its padded laptop and tablet sleeves are accessible via an exterior zipper. A subdivided compartment on the top is designed with passports and other small essentials in mind. As a security measure, all external zippers feature theft-proof webbing sewn across the openings. Additionally, four reinforced grab handles provide multiple carry points when the shoulder straps are tucked away. There’s even a high-visibility rain cover that stows into the pack.

Solidly designed and uniquely colorful, for $200, what’s not to like? — Bruce VanWyngarden

Outdoors Inc., multiple locations in Memphis, outdoorsinc.com

Rock Ya Sox (Photo: Michael Donahue)

Custom Socks at Rock Ya Sox

Jeff Farmer is quick to say he’s known for his socks. “At one point I had over 200 pairs of colorful designs,” he says. That was just his personal collection. So, it’s only natural Farmer is owner of Rock Ya Sox, which features more than 100 unisex sock designs, many of which Farmer created.

A native Memphian, Farmer decided to start his own sock business after he visited a store in Portland, Oregon, that just sold socks. A friend then told him where he could get socks in bulk and another place that created sock designs.

Farmer decided to design socks as well. Baptist Memorial Hospital reached out to him and asked him to “create something for a good cause.” So, he came up with a sock with “polka dots, contrasting colors.”

People tell him what they want. “If they want to get them in bulk, it’s $100 minimum.” But, he says, “If they want me to make the socks, it can be as little as one pair. I make socks at home.” A single pair of socks sells for $13. “If someone calls and wants me to put a picture of their face or dog on the sock, I can create those socks.”

Want something unusual? Farmer also carries “3D socks. They may have a nose on them or ears hanging on them. Or Superman socks with a cape on the back.” — Michael Donahue

Available online at rockyasox.com

Thistle and Bee Gratitude Box (Photo: Thistle and Bee)

Thistle and Bee Gift Boxes

Sweet treats are always popular as stocking stuffers, but this year, why not do some good at the same time? “Thistle and Bee is a nonprofit organization that helps women survivors of sex trafficking and addiction get back into society again and thrive,” says Bridgette House, social justice enterprise manager at Thistle and Bee.

Based out of Second Baptist Church on Walnut Grove, Thistle and Bee’s name refers to their means of production. “We have 40-plus hives that we use to harvest our own honey, and we make our products from the honey that we harvest. All of our products are made by survivors, and they’re packaged with a lot of love and a lot of care.”

Currently, Thistle and Bee supports a residency facility for 11 survivors; next year, they hope to double that capacity. Their premium wildflower honey is also available in a hot, pepper-infused flavor and whipped cinnamon. They also make their own custom blend of tea and granola. “We have the premium brand and then we have a lovely chunky and we have a seasonal apricot and pumpkin spice,” says House. “For the holidays, we have all types of soaps and stocking stuffers, like lip balm.”

Thistle and Bee gift box options include a sampler with all three honeys ($30) and the Gratitude Box ($38), which includes honey, granola, tea, and a beeswax candle. — Chris McCoy

Available online at thistleandbee.org

Tuft Crowd Custom Rugs (Photo: Jackeli Bryant)

Tuft Crowd Custom Rugs

Jackeli Bryant’s tufted rug company was born out of a new wave of artistry during the Covid-19 pandemic. Bryant would see the art form on TikTok, and this inspired him to purchase a tufted rug starter kit consisting of a yarn threader, a tufting frame, and other materials needed to get started.

While Bryant only started selling rugs about four months ago and received his first commission from a sneaker cleaning company in Memphis, he’s been able to make a number of tufted masterpieces featuring Kobe Bryant, Nipsey Hussle, and even a recreation of Brent Faiyaz’s EP, A.M. Paradox. Bryant considers his rugs a unique gift for the holiday season as they are extremely customizable, and he says that he can work with different types of images and “give that gift that no one else is going to have.”

Bryant said that everything that he does is “one of one,” as everything is personalized and handmade with high-quality materials. “Art never loses value. It’s something that you’ll be able to take to another house with you. It’ll be something that you didn’t go to the store and buy. You put in the order, found the image, and then I created it and brought it to life.” — Kailynn Johnson

Contact Jackeli Bryant at tuftcrowdcustoms@gmail.com, or on Instagram: @_tuftcrowd

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Music Music Features

Holding On: Don Lifted Rises Above His Pain With “Alero”

The album that Memphis hip-hop artist Don Lifted drops this Thursday has been a long time in the making. Named after the car he drove when living through a particularly harrowing time, Alero will provide him no small measure of catharsis. After nearly seven years, Don Lifted will finally be able to exhale.

With neither the broad social commentary of Marco Pavé nor the street life debauchery of Yo Gotti, Don Lifted, aka Lawrence Matthews, takes his lyrics to a personal place to fashion a work of art-as-therapy. The album details a stressful period when Matthews and his high school girlfriend ventured east for college and they confronted the challenges of living away from home.

“The story takes place from September 2010 and into 2011. It was six months, but it felt like two years,” he recalls. “We just were clashing. But also it was just being thrown into the world, adulthood, alone. We both were going through a kind of hell. I slept in the car a lot. I was sick a lot, so I’d take cough medicine so I could record music, instead of being sniffly; so I could go to class, go to work.”

The car became a kind of sanctuary for Matthews. “Kappa, Sigma, Omega, Alpha, Kappa, them Deltas/ Futures, degrees and shelters and I am only a nigga/ Carpetbagger from Memphis, they’ll never see me as bigger/ I’m clapping, but I’m pretending, depression down to my tendons, these terrors, they cloud my vision.” So goes the first verse of the first song. And it’s all downhill from there.

Along the way, he struggles with his relationship, his boss, his school, and poverty. But he makes it clear that his hometown was no picnic either. “Family became opponents, all they repping is Memphis/ It offers nothing to poets, offers nothing to loners/ Wasn’t born in the system of 3-6, Elvis, and Jordans.”

Jarvis Hughes

Don Lifted

The struggles evoked in Alero also came as he tried to developed his musical skills. “I was trying to record a record in the closet of my dorm,” he says. “And my plan was to spend six months making the record, finish the record, then spend the next six months going back and forth to New York. I was gonna get on, get connections, meet people. And I got kicked outta school, so I didn’t get to do any of that.”

Instead, he returned home. But it wasn’t until much later that he could reflect on the experience creatively. In the intervening years, he found his voice as an artist, earning a degree from the University of Memphis. “My major was Studio Arts … but my main focus when I came out of college was painting. Now, it’s photography and video work.” Degree in hand, he turned inward to create Alero.
“I started the first song in November 2014, and I finished writing, recording, and producing it by the middle of 2015. And then spent the rest of 2015 just sitting on it, mixing it, being very meticulous.” This period was heavily influenced by his listening habits. “I’m attracted to Kanye West, Common, J Dilla’s production. … But the album I was listening to a lot around the album’s creation was Coldplay’s Ghost Stories. It was about his divorce. Very minimal. And there was a record by Dawn Golden, who I sampled twice.”

Performing such personal material now can still be difficult for Matthews, though he feels he’s gained some perspective on the pain. Listeners need not resign themselves to utter despair. By the final cut, “Holding On,” Matthews finds room for hope. “We’re not holding on for nothing” rings the track’s chorus, and at last it seems Don Lifted has drawn strength from his exile.
Alero will be available for download September 14th. The CD, including a deluxe booklet of lyrics and original photographs, is for sale exclusively at Shangri-La and Goner Records.

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Music Music Blog

Knaughty Knights Rule, OK?

The Knaughty Knights

Knaughty Knights were a Memphis garage band that featured Jack Oblivian and Rich Crook. They were active from 2001 to 2006, and released records on Goner, Solid Sex Lovie Doll, Norton, Perpetrator, and Shattered Records- the label run by Jay Reatard and Alix Brown.

Some Knaughty Knights songs sound like what Jack Oblivian has perfected with The Tennessee Tearjerkers and most currently with The Sheiks, but other numbers- specifically the punchy punk banger “Death Has Come Over Me” -prove that Rich Crook brought an edge to this stellar band of Memphis creeps. Check out some of the Knaughty Knights work below, and best of luck finding these singles.

Knaughty Knights Rules, OK? (4)

Knaughty Knights Rules, OK? (2)

Knaughty Knights Rules, OK?

Knaughty Knights Rules, OK? (3)

____ Rules, Ok? is a new weekly installment on the Memphis Flyer Music Blog where music editor Chris Shaw focuses in on Memphis music past and present. 

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Film/TV Film/TV/Etc. Blog

Music Video Of The Moment: Nots “Decadence”

Natalie Hoffman in Nots new music video ‘Decadence’

Memphis director Geoffrey Brent Shrewsbury‘s new music video for the Nots is as chaotic, raw, and beautiful as the band’s music. Combining performance footage, a studio shoot, and some well-chosen manipulated stock, “Decadence” is reminiscent of the golden age of MTV. 

Music Video Of The Moment: Nots ‘Decadence’

In Shrewsberry’s career, he has done everything from short narratives to PBS documentaries, but he got his start making stylish music videos for some of the best Midtown rock bands of the last 20 years. Here’s his director himself starring in his first video, a narrative of the ultimate New York street hassle he made for The Obivians’ “You Better Behave”. 

Music Video Of The Moment: Nots ‘Decadence’ (2)

A few years later he immortalized Jay Reatard and Alicja Trout’s seminal band Lost Sounds at their peak with the Gothy “Memphis Is Dead”, which saw the filmmaker come into his own as a visual stylist. It’s particularly cool when the video, which has been frantically phantom riding through Downtown, slows to a theatrically languid pace as the music downshifts from punk drive into synth dirge. Shrewsbury is also a musician, and its his deep understanding of and love for Memphis punk that allows him to create such compelling work in a time when music videos are as important as ever.

Music Video Of The Moment: Nots ‘Decadence’ (3)

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Sing All Kinds We Recommend

Gonerfest 11: Blood, Sweat, and Beers

The 11th edition of Gonerfest roared into Midtown last weekend, with punk, garage, power pop, noise, and just plain weird bands from all over the world converged on the Bluff City in an annual gathering of the tribes that has gotten bigger and more exciting each year. Festivities kicked off in the Cooper-Young Gazebo with New York’s Paul Collins Beat

Gonerfest 11: Blood, Sweat, and Beers

I spent the weekend embedded with the Rocket Science Audio crew, who were live streaming the performances to people from as far away as Australia watching on the web. I’ve done this for several years, formerly with Live From Memphis, and this year we brought the full, multi-camera experience to the audience. It’s a lot of fun, in that I get to be up close and focused on the music, but also quite grueling. 

The Rocket Science Audio van outside Goner Records.

The highlights of Thursday night at the Hi Tone were Ross Johnson, Gail Clifton, Jeff Evans, Steve Selvidge, Alex Greene, and a host of others playing songs from Alex Chilton’s chaotically beautiful 1979 solo album Like Flies On Sherbert. The mixture of old school Memphis punks who had played on the album and the best of the current generation of Memphis music made for an incredible listening experience.

The Grifters’ Dave Shouse on the Rocket Science Audio livestream.

Thursday night’s headliners were 90s Memphis lo-fi masters The Grifters. Recently reunited after more than a decade of inactivity, Dave Shouse, Scott Taylor, Trip Lamkins, and Stan Galimore have their groove back. At the Hi Tone, they even sounded—dare I say it—rehearsed. 

I couldn’t make Friday night due to another commitment, but Friday afternoon at The Buccaneer hosted a great collection of bands, starting off with a blast from Memphis hardcore outfit Gimp Teeth

Cole Wheeler fronts Gimp Teeth at the Buccaneer.

Next was one of the highlights of the festival: The return of Red Sneakers. Back at Gonerfest 5, the duo from Nara, Japan showed up unnannounced wanting to play the big show. When Jay Reatard cancelled, they got their chance and blew the roof off of Murphy’s in front of an unsuspecting crowd. This year, they did it again, only they were invited, and they substituted a soulful “I Wanna Be Your Boyfriend” cover for the smoking “Cold Turkey” they did five years ago. 

Yosei of Red Sneakers about to take the stage.

Afterwards, returning to the Rocket Science Audio van, we found that one of Red Sneakers’ drum sticks had flown over the fence and embedded itself into the earth. No one dared touch it. 

 

Red Sneakers drum stick, fully erect.

Buldgerz

Hardcore Memphis vets Buldgerz played a sweaty and confrontational set of hard and fast punk nuggets, followed by Mississippi’s Wild Emotions

The weather cooperated again the next day for a memorable afternoon show at Murphy’s. Two stages, one inside and one outside, alternated throughout the afternoon. 

Roy from Auckland, New Zealand’s Cool Runnings plays the indoor stage at Murphy’s under the old Antenna sign.

Goner Records co-owner Zach Ives sings with Sons Of Vom, as seen from the Rocket Science Audio webcast monitor.

There were many great performances on Saturday afternoon, but the most incredible was Weather Warlock, an experimental heavy noise act centered around a light-controlled synthesizer custom built by New Orleans’ mad genius Quintron. The cacuphony rose and fell as the light changed with the sunset, and Quintron and co-conspirator Gary Wong swirled around it with guitars and theremin, while a plume of smoke rose over the stage. 

Photographer Don Perry, AKA Bully Rook, dressed for Gonerfest.

Gonerfesters stumbled into the Hi Tone Saturday night, a little bleary from three days of rock, but with a lot of amazing music ahead of them. 

DJ Useless Eater keeps the crowd hopping at the Hi Tone.

Obnox

The highlight of the show for me was Nots. Fronted by steely-eyed, ex-Ex-Cult bassist Natalie Hoffman, the four piece arrived with something to prove. And prove it they did, with punishing, athletic songs delivered amid a shower of balloons and waves of reverb. 

The Nots, Charlotte Watson, Natalie Hoffman, Allie Eastburn, and Madison Farmer, backstage at the Hi Tone.

Austin, Texas No Wavers Spray Paint on the monitor Saturday night.

Detroit, Michigan’s Protomartyr on the Hi Tone stage.

English guitarist, songwriter, and ranter The Rebel delivers a solo set to a packed house.

Ken Highland and Rich Coffee of The Gizmos get bunny ears from their drummer after a celebratory closing set at Gonerfest 11.

The crowd, the largest I’ve ever seen at the Hi Tone, never flagged throughout the night, which ended with a reunion of The Gizmos, a seminal American band that developed something like punk in 1977 in the isolation of Bloomington, Indiana. The playing was loose, the mood buoyant, and the band vowed to not stay away for so long. And after a Gonerfest as great as this one, next year can’t come soon enough. 

[Ed Note: The first edition of this story incorrectly identified The Nerves “Hanging On The Telephone” as being written by Blondie.]

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Sing All Kinds We Recommend

River Series at Harbor Town Amphitheater

A new concert series hosted by Goner Records and Shoulder Tap will take place at the Harbor Town Amphitheater. Things gets started this Saturday, August 23rd, at the small amphitheater behind Maria Montessori School in Harbortown. Organized by Goner’s Zac Ives and Robby Grant, high honcho at Shoulder Tap (a label and artist collective), the series benefits the school. Folks who have kids may know the location from Rock-n-Romp or other private events that were held there. Grant and the Memphis Dawls are on the bill for the 23rd. On September 20th, Mark Stuart and John Paul Keith will play. And on October 18th, Limes and Ex-Cult wrap up the series. Guest DJs will keep things moving between acts. Go down there, dig the great music and cool view, and for Pete’s sake, stay out of the vegetable garden. 

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Sing All Kinds We Recommend

Noisey Trolls Us

Chris Shaw was our idea. Noisey was in Memphis. In addition to rolling through the usual suspects, they broke script and spoke to our official intern/actual music writer/lead singer of Goner Records’ media darling Ex-Cult, Chris Shaw.   We’re damn glad the big-time, protracted-adolescence media is catching up. Ex-Cult is on a tear. Wait and see what happens as they head out west over the next two weeks. Watch this video for some great quotes from Project Pat, Jody Stephens, Nots, and Peter Buck. In the comments, please discuss who would win in a music showdown between Chris Shaw and Andrew VanWynGarden.

Noisey Trolls Us

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Sing All Kinds We Recommend

Tyler Keith and Jack O on Beale Friday Evening

BullyRook: Tyler Keith & the Apostles w/ Unwed Teenage Mothers @ the Blind Pig &emdash; Tyler Keith & the Apostles

Tyler Keith and Jack O on Beale Friday Evening (2)

Lordamighty. Goner is hosting its Beale Street Takeover this evening in Handy Park. Nots plays at 6, Jack O at 7, and Tyler Keith at 8. Keith is an Oxford-based rocker who is two decades into an immaculately cool career. He played with Oxford punk institution the Cooters and has led his own bands the Neckbones, the Preachers’ Kids, and the Apostles. He’s not up here as much as we’d like. So get down there tonight and go hear him. Also, here is a bad-arse documentary on milk that he directed. Dude is the real deal. (photo by the lovely and talented Don Perry)

Brown Family Dairy from The Southern Documentary Project on Vimeo.

Tyler Keith and Jack O on Beale Friday Evening

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Sing All Kinds We Recommend

Goner’s Holiday Video: Wicked Effects and Records!

Look who’s gotten the holiday spirit, a buncha punk rockers. That’s who. Hell yeah.

Categories
Music Music Features

The “True” Sons

If you’ve ever stumbled into one of the dives on Madison on a Friday or Saturday night, chances are you’ve seen True Sons of Thunder. For the past eight years, the band has been providing the soundtrack to alcohol-fueled nights that usually end with some level of regret. After a strict regimen of playing almost every local punk show, the band finally released their first LP in 2011 through Jeth-Row Records, causing fans of negative noise of all kinds to rejoice. This year has been even more productive for the group, as they released a single on Goner Records and another full-length on Little Big Chief. We sat down with guitarist Joe Simpson to find out more about one of Memphis’ longest-running punk bands.

Flyer: How long has True Sons of Thunder been a band?

Joe Simpson: We started at the end of 2005. I can’t claim to be a founding member because I wasn’t at the first practice, but I was at the second one.

The lineup has stayed pretty constant, but you guys have had a few guest appearances over the years.

I was a guitar player in the band but then I left for six months to live in Ohio and play in the Feelers. In my absence, they got Jeff Gunn to play guitar, and when I came back to Memphis, he stayed in the band, so there were three guitarists. But after three or four months, we kicked Jeff out because he liked Ace Frehley too much.

I feel like there have been other members besides Jeff Gunn.

Tom Potter [of Bantam Rooster] played with us for a while. His wife was snow-birding in Memphis as a physical therapist or something, and he played with us for a few months. Eric Friedl was the one who recruited him to play with us, and I was like, “Really? Tom Potter is going to play with us?” We actually ended up playing a lot of shows with him that winter.

Where did the name come from? It’s a biblical reference isn’t it?

Originally, it was Sons of Thunder, which was [banjitar-playing front man] Richard Martin’s thing, because he’s Episcopalian. I don’t know the biblical reference very well, but I think two of the disciples of Jesus were referred to as the Sons of Thunder because they were rambunctious, righteous dudes. They’d go out and fuck shit up and be wacky and loud and annoying, but they were righteous people. That was how Richard viewed everyone in the band, so we were like, okay, cool.

Then we realized that the band from the movie Airheads was called Sons of Thunder, so we added True to it. There were also a lot of Christian bands that were called Sons of Thunder, so we wanted people to know who the “true” sons of thunder were.

Once we came up with the name and TSOT, we were supposed to make up other names around the acronym, but we never got that far. I think the only one we came up with was TSOTS, which stood for True Sons of the Sixties. We used that name for a show at the P&H, and we covered “In-A-Gadda-Da-Vida,” “House of the Rising Sun,” and other hits. Basically, we didn’t play anything cool.

What aspects of Memphis life do you guys cover with your music?

Drunkenness, disappointment, rage, and confusion. Memphis is all of those things. I love this place; it has everything.

Do you think the city itself has an impact on the band?

We couldn’t do this anywhere else. We are a product of this city. At the same time, our music doesn’t make sense to the people who live here. The funny thing is, people who don’t live here understand what we are doing, but no one here understands it, only we do. That’s been the funniest thing: The people who buy our records don’t live here. But we don’t really care, and maybe that’s the most Memphis thing of all. We don’t give a shit about being liked.

After years without any recordings, you’ve had two LPs and a single come out in the past two years. Is the band going to keep working at this pace?

If people are dumb enough to put out records for us, then yes. It’s not like we weren’t trying to put out a record earlier. We recorded that first record five times before it was released. It took that long to get it sounding right. No one believed that we practiced, but we used to practice once a week. Whether it showed or not, we were really into what we were doing.

My favorite recording session was with Andrew McCalla, and he didn’t even like us as a band. But he knew what it was supposed to sound like, and it finally came out right.

How collaborative is the song writing? Being such a loud band, it seems like everyone gets to leave their mark on a song.

The writing process is completely collaborative. Nobody brings parts to practice. We either do it completely together or we don’t do it. We are like hippies in the fact that we jam. We show up at practice and jam for a while and then something will rise out of the tar, and maybe it’ll be a song and maybe it won’t. It’s kind of like the band Can. It’s all about making it up as you go.

Who comes up with the titles for the songs? Is that also collaborative?

Totally. But it’s usually just some stupid joke. Sam Leimer [bass] has the best ones, and Richard has some gems as well. Richard will spit this stuff out that doesn’t make sense at the time, but it hits you later. Richard is a fucking genius; he’s just encased in a man who acts like a buffoon. He’s been a huge influence on me. He’s the leader whether he wants to be or not.

What Memphis band from the past would you say you guys compare to?

We’re like the Panther Burns, except we’re really loud and ugly. We’re kind of like Los Angeles Smog Division or the Memphis Goons. Something that people think is funny, but it’s not supposed to be. We are like a whole band of Ross Johnsons.