Suspicious minds at the U.S. Attorney’s Office found a Missouri woman was a devil in disguise for a fraud scheme against Elvis Presley’s family that may now have her singing “Jailhouse Rock.”
Lisa Jeanine Findley (also known as Lisa Holden, Lisa Howell, Gregory Naussany, Kurt Naussany, Lisa Jeanine Sullins, and Carolyn Williams), 53, was arrested Friday morning for an attempt to steal the Presley family’s ownership in Graceland. The woman will appear later today in the U.S. District Court for the Western District of Missouri.
“As alleged in the complaint, the defendant orchestrated a scheme to conduct a fraudulent sale of Graceland, falsely claiming that Elvis Presley’s daughter had pledged the historic landmark as collateral for a loan that she failed to repay before her death,” said Principal Deputy Assistant Attorney General Nicole M. Argentieri, head of the Justice Department’s Criminal Division. “As part of the brazen scheme, we allege that the defendant created numerous false documents and sought to extort a settlement from the Presley family. Now she is facing federal charges. The Criminal Division and its partners are committed to holding fraudsters to account.”
According to court documents, Findley allegedly posed as three different individuals affiliated with a fictitious private lender named Naussany Investments & Private Lending LLC. Findley allegedly claimed falsely that Lisa Marie Presley had borrowed $3.8 million in 2018 from Naussany Investments, pledged Graceland as collateral for the loan, and failed to repay the debt.
To settle the purported claim, Findley allegedly sought $2.8 million from Elvis Presley’s family. She allegedly fabricated loan documents on which Findley forged the signatures of Elvis Presley’s daughter and a Florida State notary public.
She then allegedly filed a false creditor’s claim with the Superior Court of California in Los Angeles, and a fake deed of trust with the Shelby County Register’s Office in Memphis. Findley also allegedly published a fraudulent foreclosure notice in The Commercial Appeal, announcing that Naussany Investments planned to auction Graceland to the highest bidder on May 23rd.
Finally, when Naussany Investments was sued by Presley’s family in Tennessee state court as part of an effort to stop the sale of Graceland, Findley allegedly submitted false court filings.
After the scheme attracted global media attention, Findley allegedly wrote to representatives of Presley’s family, the Tennessee state court, and the media to claim falsely that the person responsible for the scheme was an identity thief located in Nigeria.
“As a Memphian, I know that Graceland is a national treasure,” said Kevin G. Ritz, U.S. attorney for the Western District of Tennessee. “This defendant allegedly used a brazen scheme to try to defraud the Presley family of their interest in this singularly important landmark.
“Of course, all homeowners deserve to have their property protected from fraud, and the Department of Justice will vigorously prosecute anyone who commits financial crimes or identity theft.”
Findley is charged with mail fraud and aggravated identity theft. If convicted, she faces a mandatory minimum of two years in prison for aggravated identity theft and a maximum penalty of 20 years in prison for mail fraud.
“Fame and money are magnets for criminals who look to capitalize on another person’s celebrity status,” said Inspector in Charge Eric Shen of U.S. Postal Inspection Service (USPIS) Criminal Investigations Group. “In this case, Ms. Findley allegedly took advantage of the very public and tragic occurrences in the Presley family as an opportunity to prey on the name and financial status of the heirs to the Graceland estate, attempting to steal what rightfully belongs to the Presley family for her personal gain.
“Postal inspectors and their law enforcement partners put an end to her alleged scheme, protecting the Presley family from continued harm and stress. This is an example of our relentless investigative work and commitment to bringing criminals to justice for their illegal activity.”
The MEMernet buzzed about a guy walking around Crosstown with a mattress attached to his back. But no one really knew what was going on. Now we do!
Musician Nick Black dreamed up the mattress rig and took it for a spin to promote his new single “Future Me’s Problem.”
Top Comment
The Memphis subreddit piled on contempt for that weird investment company … or whatever … that tried and failed to sue Riley Keough … for something … in a move that would have put Graceland on the auction block. (Big h/t to The Daily Memphian for breaking the story.)
Top comment, however, goes to u/erichsommer, to whom it was clear that the investment firm “ain’t never caught a rabbit.”
UFO App
Enigma Labs has launched an app to capture UFO/UAP sightings.
With new reports from users and some publicly available data, the company shows 4,028 UFO sightings for Tennessee since 2018. Knoxville leads the way with 251 sightings reported. Memphis is a close second with 239.
“No words …,” said Susan Adler Thorp in the All News Is Local Facebook group, referring to a huge headline typo in The Commercial Appeal.
“Hardaway: Small-ball lineup helped Tugers end skid,” it read, referring to the University of Memphis men’s basketball team.
Yep. Tugers.
Neverending Elvis
Graceland has a fun section on its blog that collects “Elvis sightings” in media or IRL. The image above, for example, was found in a first-grade English workbook.
Marsha, Marsha
U.S. Supreme Court justices weighed whether or not former President Donald Trump could appear on Colorado’s ballot last week. During the session, Tennessee Sen. Marsha Blackburn stood outside in bright pink, maybe hoping to catch Trump’s eye as he flipped channels.
“The Left’s [sic] nearly decade-long witch hunt to take down Trump must end,” she tweeted.
It sure feels like summer! The hot, humid days have moved in with full force, but that doesn’t scare us. Yet as we all sit inside next to our struggling AC units, it’s easy to forget all the cool things going on in Memphis. The city attracted more than 11 million visitors last year, and for good reason: Memphis is a place people want to see. So get outside and re-familiarize yourself with all the great places and people that make Bluff City unique. Whether it’s restaurants, museums, or a night out on the town, there are plenty of reasons why here at home remains a great option for remaining summer plans.
Free Art and Museums
A staycation saves money, right? Save even more with these free attractions.
• The Dixon Gallery & Gardens is free through the end of 2024 with 2,000 objects in its collection and a glorious spread of botanic brilliance.
• The Memphis Brooks Museum of Art is free Saturdays from 10 a.m. to noon, and also for family-oriented Community Day events.
• The National Civil Rights Museum is free for Tennessee residents with state-issued ID Mondays from 3 p.m. until closing.
• The Stax Museum of American Soul Music is free for kids 6 and under. Shelby County residents with ID get in free on Tuesdays from 1 to 5 p.m. And it’s free for everyone from 1 to 5 p.m. on Family Day, the second Saturday of each month.
• The Memphis Zoo is free for wee ones under 2 years old. Tennessee residents get in free on Tuesdays from 2 p.m. to close.
• Access to the Metal Museum grounds, including its sculpture garden and gift shop, is always free.
• Walking and driving tours of Elmwood Cemetery are free, and it’s pretty quiet as well.
As always, you should check with the venues first before you go. And as you visit these places, you might be tempted to buy a membership. Go ahead. Find the level that works for you and enjoy it year-round. — Jon W. Sparks
Hit the Town
A night at home curled up under a blanket to watch a movie or read a book is probably my ideal night. In fact, I’d say it’s so ideal that I do that practically every night, but, apparently, it’s good to shake things up a little every now and then. So this homebody did just that and dragged herself out of bed for a night out on the town. Sure, it was for a writing assignment, but I got out of the bed and that’s a start.
With a friend in tow, the night started at Bardog Tavern for dinner and drinks. I ordered something with rum that our server recommended — couldn’t really tell you what else was in it because I heard the word “rum” and that was enough for me. Turns out the name of the drink is James’ Cock, and I sucked it down like a Coca-Cola, so do with that what you will.
After that we headed to Blind Bear, a speakeasy I’d never heard about before, mostly because I rarely leave the house after 7 p.m. Then it was time for the Flying Saucer and, like, Beale and stuff. (I had a bit to drink at this point.) I think we headed to Paula & Raiford’s Disco after, waited in line for about 10 minutes, and then gave up and ordered a Lyft. But, yeah, it was nice to shake things up a bit for a bit of a “staycation,” but the best part was being able to fall asleep in my own bed. — Abigail Morici
Be a Tourist For a Day
More than 11 million people came to Memphis on vacation — on vacation! — last year. That’s roughly the population of Belgium. Why?! The crime! The heat! The potholes!
Daily Memphians might miss the mystique of the city’s cultural treasure trove that draws all those tourists each year. The Pyramid’s funny. Barbecue is routine. Beale is for tourists. Don’t get us started on Graceland.
But if you’re staycating this year, try (at least) vacating your house or your neighborhood. Go find out what makes Memphis a destination. Go reconnect with that everyday magic. Do it all while staying within your staycation budget, too.
Here’s a brief list of classic (and free!) tourist spots to hit for your Memphis staycation:
• Graceland — Brag that you’ve never been? Go. See what you think. Free walk-up admission to the Meditation Garden daily.
• Beale Street — Go for the people-watching. Stay for the music and a Big Ass Beer. Are your feet 10 feet off?
• Big River Crossing — A one-of-a-kind walk with Insta-worthy views of the river and the city. Free daily.
• Bass Pro Shops at the Pyramid — Fish pond, gator pit, and massive aquarium? Check. The place is a tourist magnet for a reason. Free daily. — Toby Sells
Be a Homebody
Staycate means staycate. No need to go figuring out car trips to some semi-distant place or to rush out to some favorite or fetchingly rumored juke joint in the evenings just because you’ve got some spare time.
Stay home. Sleep late. Alternatively, get up early in the morning when it’s still cool enough and take long walks on your property or in your neighborhood.
Give yourself at least one good substantial grocery visit. Then put it to use. Cook something new, for yourself or guests. And back in that fridge somewhere is an item you bought backaways with some purpose in mind you haven’t got to yet. Do it now before the food goes bad.
Fix up that spare room you’ve been using as a warehouse space. Change those worn-out bulbs. Take care of those overlooked potted plants. They’re thirstier than you are!
You bought those books. Now read them. Ditto with those magazines that are lying around. Forget about social media for a while. If you’ve got to turn on the computer, then use it to catch up on news you missed.
Look at yourself in the mirror and take inventory. I don’t need to tell you that you’ll see something that needs changing. Change it. Or at least start the process.
For a little while, everything is in your hands. Enjoy the fact. — Jackson Baker
The Memphis International Restaurant Tour
Eating out at a great restaurant is my favorite thing to do on a vacation.
Eating out at a great restaurant is also my favorite thing to do on a staycation.
You can experience other countries by staying home and visiting Memphis restaurants that specialize in various types of food from across the globe. Sort of “Around the World in 901 Days.” Maybe choose cuisine from a particular country each day of your staycation. Some places serve lunch, which usually is cheaper. And if you don’t know what to order at these places, ask your servers what they’d recommend. Here are some restaurant ideas:
Taking a trip around town to try exotic food is less expensive than airfare to exotic places. Not to mention lodging. You can go home to your own bed. And you don’t have to worry about passports. — Michael Donahue
A Night at the Shell
There are a lot of places to see live music in Memphis: the Beale Street club packed with tourists, the Orpheum Theatre’s Gilded Age grandeur, the Green Room’s intimate sounds. But the best place in Memphis for a night of music is the Overton Park Shell.
Built in 1936 as a Works Progress Administration project designed to help workers during the Great Depression, it is one of a handful of band shells from that era still standing.
I was recently reminded of how lucky we are to have a place like the Shell when I saw PreauXX play there on July 1st. It was one of the super hot days we’ve been having this year, so I was expecting to be uncomfortable, at least until well after the sun had set. But the towering trees of Overton Park provided enough shade that a steady breeze made it quite pleasant, especially after a couple of days spent indoors hiding from the heat. We found a spot near the front of the stage and set up our camp chairs next to a young mom corralling her toddler.
My wife LJ stayed with the chairs as I checked out the food trucks, which were parked next to the new, greatly improved bar facilities.
We were chowing down on some barbecue tacos when PreauXX hit the stage, backed by his friends from the Unapologetic crew. The young mother was joined by her partner, and, after ignoring the music in favor of rolling on the lawn, the toddler threw his energy into dancing. (Really, it was more of a body-wide twitch, but he was trying his best.) When AWFM joined in for “Slide,” folks were streaming down the hill to do the title dance. This stage has hosted everyone from Elvis to Seun Kuti and Egypt 80, but for this night, PreauXX was the king. — Chris McCoy
Drag Shows at the Atomic Rose
Thanks to the phenomenon known as RuPaul’s Drag Race, we’re able to appreciate the art of drag without leaving our homes. And while watching hours of Snatch Game makes for the perfect staycation activity, so does supporting your local drag performers and artists.
Voted as the number-one best drag bar in the South by Time Out, Atomic Rose is the top destination for your staycation entertainment fix. The club recently went viral, at the height of Tennessee’s anti-drag controversy, when local drag queen and activist Bella DuBalle informed the audience of the severity of the bill and what it meant for the drag community. But the clip that circulated around TikTok only gave viewers a tidbit of the magic the nightclub possesses.
DuBalle is known as Slade Kyle outside of drag and says one of the things that makes the club so special is that it is a true melting pot, inclusive in multiple ways encompassing all genders, races, and sexuality. This diversity is showcased in one of their most iconic events known as the “War Of The Roses,” which Kyle describes as an eight-week drag competition, featuring a large and diverse pool of performers.
And if you happen to swing by after War season, the club also offers Friday and Saturday shows, as well as a drag brunch on Sunday. Friday and Saturday shows start at 10:30 p.m., and Sunday brunch service starts at 11 a.m., with the show starting at 12:30 p.m. — Kailynn Johnson
SPORTS!
We can never get enough Grizz action at the FedExForum. But they’re out of season (unless you’ve made the pilgrimage to the Las Vegas Summer League to watch Kenny Lofton Jr. hoop). Luckily, there’s another pleasant Downtown destination to get your fix of ’ball. AutoZone Park is home to the Redbirds and 901 FC, but it’s sometimes apparent that Memphians take the stadium for granted, evidenced by the quite noticeable number of empty seats during baseball and soccer games. It’s still hot outside, but an afternoon or night out at the ballpark is an excellent way to shake up a routine and try out a new experience in town.
Even if you’re not into sports all that much, there are plenty of additional perks that come tacked on to a game. A personal favorite of mine is an all-you-can-eat series at Redbirds games, which, for just a few extra bucks, gets you a pass into a roped-off section that provides drinks, snacks, hot dogs, and an endless supply of the featured entrée (anything from brisket, to nachos, to my personal favorite: hot wings).
Other enticements include specialty nights for $1 hot dogs or $2 beers. And when those nights line up, oh man. Kicking back with a few brews in what can either be a pleasant or a raucous atmosphere, depending on the matchup, is a reliable recipe for a fun night out. And if there’s a fireworks show afterward, well, all the better. Don’t sleep on it, Memphians! — Samuel X. Cicci
Tend Your Garden
If you time your work hours right and stay hydrated, summer gardening can be a breeze — and yield delicious rewards. Why else would the University of Tennessee’s Institute of Agriculture host its Summer Celebration of ag workshops and activities in Jackson only last week? The summer means heat to some, but for others it’s known as peak growing season. While that might sound dangerously like work, once your garden is up and running, tending it can be the perfect break from both screen time and chair time.
Early mornings can be sublime even in July, especially with an eyeful of blooms and fruits of the vine. It’s also a good time to water those roots before the blazing sun can bake the water droplets off the leaves. And yet, assuming you’ve done your homework and have a little mulched, irrigated, squirrel-protected paradise outside your door, there’s still more awaiting the horticultural staycationer: a world of garden clubs and nonprofits to liven up the typically solitary pursuit of the perfect bloom.
You don’t have to be a master of the pursuit to join the Memphis Area Master Gardeners, and it can be a great way to learn from expert volunteers who offer classes, working closely with the local UT extension service. There are also long-established neighborhood garden clubs, like the Cooper-Young Garden Club with their annual garden walk, and even community gardens if you prefer your plant-tending to be more sociable. Check out memphiscitybeautiful.org for a registry of every community garden in the city. — Alex Greene
Elvis hasn’t left the building, or rather Elvis hasn’t left the hearts of fans who keep his legacy alive, some even on stage where his star once shone so brightly. Ted Torres Martin is one such figure — a full-time Elvis tribute artist — and he’ll be here this week performing as Elvis in Aloha from Memphis.
Ever since an 11-year-old Martin caught a glimpse of the King in Jailhouse Rock, he has been enthralled with Elvis’ musicality and charisma. “I was just hooked,” he says, and his attraction to Elvis the musician was natural, seeing that his parents were professional musicians and he’s studied music all his life. “I became a musician first, and I learned to appreciate all kinds of music, but Elvis was always in the back of my mind. … His catalog is so extensive, more than people listen to, beyond the hits.”
Eventually, Martin began attending Elvis conventions. “I started meeting more people who knew him — family members, band members,” he says. “They heard me sing at open mics and told me I could [become an Elvis performer]. I was like, ‘No, I have long hair’ — I still kinda do. Like, ‘I’m a musician; I’m a songwriter. I’m not going to become an Elvis impersonator. There’s only one Elvis, blah blah blah.’”
But as he grew closer to the people who once knew Elvis — especially D.J. Fontana, Elvis’ longtime drummer, and Gordon Stoker from The Jordanaires who sang backup for him — Martin began to know Elvis the person. “I thought it was kinda weird how many similarities and parallels I found between his life and mine, character-wise as well, from what his friends told me,” Martin says. “Our personalities are pretty similar. By learning more about him from his friends, musicians, and family, I learned that he was such a good-hearted person. That attracted me to him even more.”
So, despite his initial resistance, Martin began his Elvis performances full-time nearly 20 years ago. “I’m like, ‘Okay, let me try to do this respectfully and as authentic as I can, at the same time keeping myself separated where I don’t get so lost where I think I’m Elvis or anything like that.’ I’m Elvis on stage, but when I step off the stage, I’m Ted.”
For Elvis Week, Martin will take over the Halloran Centre’s stage. “We’re doing a complete recreation of the Aloha from Hawaii, including what they called the insert songs that he did in montages,” Martin says. “We’re celebrating the upcoming 50th anniversary which will be in January in 2023. We’re getting ahead and going to do it during Elvis Week, which I feel is a very special thing.”
Aloha From Memphis Starring Ted Torres Martin, Halloran Centre, Friday, August 12, 3 p.m., $60-$85.
Wearing a striking Fouad Sarkis black-and-white gown, Priscilla Presley took the stage to thank her fans at “Honoring Priscilla Presley: The Artist, The Woman,” which was held July 22nd at Theatre Memphis.
“This has been a very overwhelming evening for me,” Presley told the audience. “It’s very difficult to take compliments.”
And, she joked, “I didn’t know I did so much, to be honest with you.”
Presley told the audience she learned about Memphis at age 14 from Elvis when he was in Germany during his Army days. “We had long talks about Graceland, about Memphis, about his childhood, about how much he loved Memphis.”
And, she says, “When I came here I was absolutely amazed at the friendships that I made. But not only that, the Southern hospitality just absolutely blew me away. Everyone was so kind, so wonderful as far as bringing me in, accepting me. It was something I will never ever forget. And won’t forget. I do believe Memphis is my home.”
Dabney Coors was co-chair of the event with Elizabeth Coors, as well as the organizer of the event.
The evening began with a reception in the lobby with food from chef Erling Jensen and live Memphis music, and ended with a party featuring more of the same, in addition to a chance for guests to meet Presley.
In between the parties was a tribute, where the 275 or so audience members learned about the staggering amount Presley has done and been involved in. Kym Clark and Kontji Anthony were the emcees. Special guests included T. G. Sheppard and his wife, Kelly Lang, and, by video, Jerry Schilling.
For one, Presley was responsible for Graceland being saved and being opened to the public, instead of being sold.
She portrayed “Jenna Wade” on TV’s Dallas. She was in movies, including the Naked Gun trilogy. She came out with her own perfume and line of bed linens. She came up with the idea of coupling a lightning bolt image with the words “TCB” during an airplane flight with Elvis in a storm.
All of this and much more was referred to during the evening. According to the program, Presley also is an ambassador with the Dream Foundation, which helps fulfill dreams of terminally-ill adults. And, the program states, “She has also worked closely with the Humane Society of the United States and has spent time in DC to lobby Congress to pass the ‘Prevent All Soring Tactics’ (PAST Act) bill that will strengthen enforcement of the 1970 Horse Protection Act.”
“Congressman Steve Cohen announced from the stage that he entered a declaration in to the Congressional Record that Priscilla Presley is now an honorary Memphian,” Dabney says. “The Mayor (Jim Strickland) came with a key to the city and a proclamation, and the Tennessee governor (Bill Lee) had a proclamation for Priscilla. Kevin Kane was the presenter.”
All the presentations were in honor of “this 40th anniversary of her opening Graceland. It could not have been a better celebration for her.”
Debbie Litch, Theatre Memphis executive producer, announced “The Theatre Memphis – Priscilla Presley Scholarship,” which, according to the program, will “make an artistic dream come true.”
Memphis artists who performed during the evening included guitarist-songwriter-producer Mario Monterosso, singer/pianist Brennan Villines, who wore a pink tuxedo and slippers with the “TCB” lightning bolt on the toes, and Kallen Esperian, who sang “God Bless America.”
“One of the most popular drinks of the evening was the one created for the party named the ‘Priscilla,'” Dabney says.
“The drink was a French 75 made with vodka instead of gin.” It also included lemon juice, simple syrup, and champagne.
Lansky Brothers was corporate sponsor of the event. And, as a side note, Monterosso’s tuxedo came from Lansky’s.
Dabney says she received more than 100 texts, telephone calls, and emails from people about the tribute. People are “so thrilled for her and for the city of Memphis to acknowledge her continuing great works on behalf of our city,” Dabney says.
It was also good timing that the celebrated movie directed by Baz Luhrmann, Elvis, recently released and premiered at The Guest House at Graceland. “We were able to celebrate her a month after she welcomed the cast and crew and Warner Brothers into Graceland. She had a dinner party inside the mansion for them.”
Lurhmann also gave remarks via video at the event.
Dabney met Presley 25 years ago at a red carpet event in Los Angeles. “We just see each other all the time. And we just have a ball.
“This has been in my heart to honor Priscilla in our city for years and years. And her family knows it, my dear friends know it.”
Priscilla stayed in town several days after the event. Elizabeth Coors and her husband, Giles, held a private dinner party for Priscilla the night after the tribute.
Dr. Jonathan Finder, who attended the tribute with his wife, Jana, talked with Presley a few days after the event at Sam Phillips Recording Studio. “What struck me about chatting with Priscilla was how she came across as incredibly kind and down to Earth,” Finder says. “And at the same time so very sharp and insightful. A remarkable person who has led a remarkable life.”
Mario Torres wasn’t sure about Memphis when he moved here almost 20 years ago.
“It was a shocker,” he says. “From food to culture to everything.”
And, he says, “It took some time for me to adjust.”
Now, he’s about as “Memphis” as you can get. Torres, 41, is senior food and beverage director at The Guest House at Graceland.
He loves the culinary scene. “I think Memphis has a Southern influence when it comes down to dishes. But a lot of chefs came here and brought an attitude of their own and made those dishes unique.”
Like Torres. He makes chicken and waffles, but they’re “marinated with chipotle sauce, and the gravy is made with ancho peppers.”
A native of Mexico City, Torres moved to Dallas when he was 8 years old. “When I first got to America, my parents used to own a small taqueria, just a small family business.”
Torres did prep work, but he also cooked. He grew up with “traditional Mexican cooking. I love food. I was always in the kitchen eating whatever my mom was cooking or in the restaurant trying something new. Food was always my passion.”
After the restaurant closed, Torres got a job as a dishwasher at The Adolphus hotel in Dallas. The hotel helped him enroll at Le Cordon Bleu College of Culinary Arts – Dallas. He then moved up the ranks to become sous-chef.
He was a chef with Royal Caribbean Cruises before he moved to Memphis after his mother remarried. He took a job at Paulette’s. “I loved it. To me, it was going back to the French cuisine I was used to.”
But he wanted to cook for larger numbers of people. “I was going from the Royal Caribbean feeding 2,000 people daily. I found Paulette’s very small. I was looking for big challenges.”
He was at Flight Restaurant and Wine Bar before taking a job as executive chef at Hilton Memphis. “I used to drive by 240 and see the beautiful round building. I said, ‘I want to be a chef there one day.’ The building says ‘Memphis’ to me. I love it.”
He later moved to Little Rock, Arkansas, where he was executive chef at the Little Rock Marriott. He was executive chef at The Don CeSar hotel in St. Pete Beach, Florida, until he opened his own restaurant consulting business in Memphis. He was the consultant for several Marriott and Hilton properties in Chicago, but, he says, “Memphis has always been my home. I’ve always had a house here.”
He spent time with his family during the pandemic. And then when things began opening up again, he finally thought, “I think my traveling days are over. I want to be a part of the community. I want to give back.”
He took the job at The Guest House at Graceland 11 months ago. “It’s funny. I’d been in Memphis all this time and I never went to Graceland.”
But, he says, “Elvis is a Memphis icon.” While at the Hilton, Torres created the King Sandwich, which was “Texas toast with banana flambé. Elvis has always been present in my culinary side.”
Torres is in charge of the food at all of Graceland’s restaurants, including Vernon’s Smokehouse, where barbecue is served; Gladys’ Diner, which is designed to look like an old-school 1950s diner, where cheeseburgers, hot dogs, and pizzas are among the fare; Delta’s Kitchen, a fine-dining restaurant where the 28-ounce ruby tomahawk steak with its bourbon glaze is very popular; and EP’s Bar & Grill, where diners can get the Delta Burger with its tangy “Elvis” sauce. “All the menus are mine,” Torres says.
He doesn’t serve any strictly Mexican dishes, but his dishes have a Mexican influence.
“I implement different flavor profiles through Hispanic spices. Achiote, one of my favorite spices, is a two-dimensional spice. It’s not only savory, but it balances out the acidity.”
As for his preferred food item, Torres says, “I love tacos.”
His favorite food truck is on Summer Avenue. “Tacos are my favorite food of all time. I’m from Mexico. Everyone in Mexico knows a good taco.”
If Priscilla Presley gives her seal of approval to your portrayal of Elvis in a movie, that’s all you need.
And that’s exactly what Priscilla, who was married to The King and is the mother of their child, Lisa Marie Presley, did during the Memphis premiere of the Baz Luhrmann movie Elvis, which stars Austin Butler as Elvis, on June 11th at The Guest House at Graceland.
“Elvis morphed into you,” Presley told Butler on stage before the movie started. “You had his guidance.”
Stars from the movie, director Luhrmann, and members of the Presley family, including Lisa Marie and her daughter, Riley Keough, and Elvis’ buddy and business associate, Jerry Schilling, were at the premiere. They all gathered on stage at one point. The movie is slated to open nationwide June 24th.
Earlier, I talked to Priscilla and people involved in the film.
I asked Priscilla what sets Elvis apart from other movies and documentaries about the performer. “It’s very sensitive to me and the family,” she says. “Baz has done an amazing job in this film. This has been two years. I know he’s been wanting to do this forever, do a movie on Elvis. But, with Baz, I get a little nervous because Baz does what he wants. He’s got an eye. He’s got such style. But now dealing with such a sensitive story was a bit worrisome [as to] where he’s going to take it.”
But, she says, “It is a true story between the ups and downs of Elvis and Col. Parker, but with his stylized way, beautiful way. Especially with Austin Butler, who plays Elvis so realistically. He had him down pat to the point of a gesture. He studied him for two years. And the story will prove it. When you see it, you think you’re seeing Elvis Presley. But, again, he is not Elvis Presley. He is an actor playing Elvis Presley. And that’s what I like about it, too. He’s not trying to be Elvis. He is his own person.
“But the story is a wonderful story and I think it’s a different take on what we normally see.”
I asked Butler, who described Elvis as “such a complex human being,” what was the most difficult part of Elvis for him to play. “One of the most challenging things is the fact that he has been held up as either a god-like iconic figure or as this caricature that is not the real man,” Butler says. “So, for me, it was stripping all that away and getting down to his humanity.
“And the challenging part about that is you want to be incredibly technical. You want to be meticulous about all the details. But it could never be the details sacrificing the humanity.”
Luhrmann told me Elvis movies were shown at the theater in the small town where he grew up. “The matinees were the Elvis movies,” he says. “So, like as a 10-year-old, he was the coolest guy in the world. And then I grew on and all that. He was always present.”
As for making Elvis, Luhrmann says, “I didn’t do this so much out of fandom, although I have a great respect for him. I did this because I really believe he is at the center of America in the ’50s, ’60s, and the ’70s. And he is a way of exploring America. To understand that he was this rebel in the ’50s and it was dangerous to do what he was doing. And his relationship to Beale Street and people like B. B. King and then him being put in a bubble in Hollywood and then finding himself again in the [Elvis] ’68 [Comeback] Special and reconnecting with gospel, his great, great love. And then, to put it bluntly and to quote one of his songs, being caught in a trap in Vegas. That’s the sort of tragedy of that.
“And yet, what he’s left behind, as you see in that last great performance of him is still the voice and still the spirit. To me, whatever you say about Elvis, he was a spiritual person. And that comes from his love of gospel.”
Kelvin Harrison Jr., who plays B.B. King in Elvis, told me what drew him to the role. “For me, it was just how smart he was and how savvy he was with his business,” he says. “This was a very strategic man, in my opinion, but also [he had] so much heart and soul. And a simple man. He literally was working in the fields, and literally put up a wire on a post and started learning how to play and find sounds playing one string. That is so incredible to me. So I was just so inspired by the tenacity that he had, and just the rawness.”
In the movie, Elvis is astonished at the stage presence, complete with the most amazing moves, of Little Richard. Alton Mason plays Richard in the film. What attracted him to the role was “how powerful, how outspoken and loud he was,” Mason told me. “How sexy he was. How fly he was. And his aura.”
Mason, who said the revered gospel singer Mahalia Jackson is his great-great-great-great aunt, also told me, “I had to develop empathy for not only who he was, but the period and the time that he was in. And him being that in that time, it takes a lot of power, a lot of fearlessness, to choose to be so different in a time like this. It was an amazing learning experience for me, too.”
I loved what Tom Hanks, who plays Col. Tom Parker, said on stage before the movie began: “As an actor I found myself shooting in castles in which kings once lived in. I shot in palaces that have been turned into museums that were the homes of kings. I shot in museums in which kings and queens have lived in.”
But he told the audience to notice that all of those kings and queens “have an ‘s’ on the end of them. Meaning that there were more than one. At Graceland, we are visiting the home of The King.”
If Vincent van Gogh were on a panel of artists introducing themselves with a fun fact, you might expect him to mention the whole “I cut off my own ear” thing. But who can really say? After all, as art historian Fanny Curtat says, “There’s so much more to him than that. He was much more than this dramatic one-time episode in his life.”
“We tend to remember him for the darkness in his life,” Curtat adds. “For sure, he struggled, for sure. But when you read his letters, he’s very lucid.” When you look at his paintings, especially the later paintings, Curtat says, you don’t see that darkness; you see color and bright beauty. “[Painting] was his way to communicate with the world and really have his message go through. He was trying to communicate and bring joy and help the people around him.”
This story of an artist seeking to sow joy, rather than sulk in tragedy, is the narrative Curtat and her peers sought to showcase in creating “Beyond Van Gogh,” which immerses viewers in more than 300 of van Gogh’s paintings, beginning with his earlier darker work and ending with the bright and colorful paintings we’ve come to expect. “You feel an explosion of color as he gets to the end of his life,” Curtat says.
The traveling exhibition, now on display at the Graceland Exhibition Center, reintroduces the artist and his story to the public consciousness by relating his work to today. “It’s really about showcasing the timelessness, and it really, really helps you connect with the work differently,” Curtat says. Music fills this space as cutting-edge technology projects and animates van Gogh’s work onto the walls and floors of the gallery. “The audience can literally step foot in [the paintings] and really be a part of his vision of the world, feel its movement, light, color.”
The show is family-friendly. Visits take around an hour. For more information or to purchase tickets, visit vangoghmemphis.com.
“Beyond Van Gogh: The Immersive Experience,” Graceland Exhibition Center, On display through June 5, $36.99+.
“Beyond Van Gogh: The Immersive Experience” is stupendous. But I need to go see this amazing art show again at The Graceland Exhibition Center when there isn’t a party going on.
Lights change to purple, blue, yellow and other colors in a big, dark room, as gigantic Van Gogh paintings appear on the walls and music plays. I busily chatted with old and new friends and snapped photos at the show’s VIP pre-opening party, which was held March 24th. It was hard for me to take in the art with all I was doing. I felt more like I was at Van Go Go than a Van Gogh show.
When I looked at my photos, I was amazed how beautiful they turned out with the magnificent Vincent Van Gogh works simultaneously and almost surrealistically appearing and disappearing on the walls around me.
I want to return when I can lose myself in the paintings.
This release from Graceland describes the show and how easy it is to immerse yourself in it: “Featuring more than 300 of Vincent Van Gogh’s artworks, this family-friendly exhibition takes art lovers into an exhilarating three-dimensional world. Created by French-Canadian Creative Director Mathieu St-Arnaud and his team at Montreal’s world-renowned Normal Studios, guests will witness the artist’s stunning masterpieces, including instantly recognizable classics as ‘The Starry Night,’ ‘Sunflowers,’ and ‘Cafe Terrace at Night.’”
Here are some of the guests who were at the VIP party: