Categories
Music Music Features

The Righteous Brothers at Graceland Soundstage

It was on an August night in 1964 when Memphian Bob Tucker, leading the Bill Black’s Combo as they toured with The Beatles, heard that a singing duo who’d also been opening the shows was leaving the tour. “I walked up to them,” Tucker recalled recently, “and I said, ‘Wait a minute! Hold it! This is the biggest tour in the history of show business,’ which it was at the time. ‘If you quit now, you’re finished! You’ll be blackballed. You’re through!’

“They didn’t care,” Tucker continued. “‘We’re going to California!’ they said. ‘We’re gonna be on a TV show out there and we’re gonna record some more!’ So they left. They went out to California and got on Shindig!, and then cut the most programmed record in the history of music. Later they said, ‘We’re sure glad we didn’t take your advice!’”

That singing duo was The Righteous Brothers, of course. After leaving the tour, they joined Phil Spector at Gold Star Studios and recorded the era-defining “You’ve Lost That Lovin’ Feelin’.” Today, the duo’s distinctive bass/baritone singer, Bill Medley, recalls, “Well, Bob Tucker was certainly more right than wrong. Leaving The Beatles’ tour wasn’t the smartest thing in the world. It turned out to be, but it shouldn’t have been.”

Ultimately, the iconic status of The Righteous Brothers today has borne out the good fortune of their decision. “It was definitely eye-opening,” Medley recalls, “and we learned a lot from Phil Spector. He was brilliant. It was the first time we’d ever worked with that kind of an orchestra, doing that kind of song. So it was brand-new for us. It took us away from what we were doing, which was all rock-and-roll and rhythm and blues.”

Medley credits that rock-and-roll and rhythm and blues with getting him into music in the first place. He and Bobby Hatfield, his partner in The Righteous Brothers until his untimely death in 2003, were just “two punks from Orange County,” Medley says. “It was just bean fields back then, and it was a real white area, so it was strange for The Righteous Brothers to come out of Orange County. But we would tune in to the Black station out of L.A. that played all rhythm and blues. That’s the only stuff Bobby and I listened to.”

And though their second album, released well before they connected with Phil Spector, was titled Some Blue-Eyed Soul, that was not a common term or genre label at the time. But The Righteous Brothers came to define it. “When they started playing ‘You’ve Lost that Lovin’ Feelin’’ on Black stations, a disk jockey out of Philadelphia started calling us the blue-eyed soul brothers. He was trying to hip his audience to the fact that we were white. Since the ’40s or whatever, a Black guy would refer to a white guy as a blue-eye, and this DJ was playing all Black music.”

Like the Mar-Keys out of Memphis, the group’s sound alone was breaking down racial barriers and expectations. And for Medley, that was a great thing. “It was a very cool time to be around,” he says. “It was wonderful.”

Through all of it, Memphis loomed large in Medley’s mind. “I love Memphis. It’s got a great history,” he says. He and Elvis Presley became friends even before the Spector years, a bond that strengthened when Medley and Presley both performed in Las Vegas. Then “in the ’70s, I did a solo album for about three weeks with Chips Moman in Memphis. I’d record every day, and every night I’d have dinner with Elvis at Graceland. We had a great time.”

All of which makes The Righteous Brothers’ appearance at the Graceland Soundstage on July 30th a kind of homecoming for Medley. Since 2016, when he recruited his old friend Bucky Heard to fill Hatfield’s shoes, the duo has been touring again to great acclaim. Beyond the group’s classic tracks, Medley also sings his Grammy-winning 1987 hit with Jennifer Warnes, “(I’ve Had) The Time of My Life,” as a duet with his daughter. “Oddly enough,” he says, “when we recorded it, my wife was just having our daughter McKenna, and now McKenna sings it with me on stage. She’s very, very good. So I’m a very happy man: 81 years old, and still singing songs I recorded at 25!”

Categories
Music Music Blog

“Return2Sender” Redux: Scarypoolparty Kicks Off Graceland’s Calendar

When the King sang “Return to Sender” in 1962, was he singing not only of a rejected love letter, but the cyclic nature of history itself? Did songwriters Winfield Scott and Otis Blackwell have an inkling that another song, “Return2Sender,” would echo through the halls of Graceland half a century later?

Such questions are likely to crop up whenever pop culture perennially reinvents itself, in this case when the the latest pop phenom, Scarypoolparty (aka Alejandro Aranda), brings his solo Acoustic Tour to the Graceland Soundstage on June 14.

But Aranda is no mere flash in the pan. Rather, his rapid ascension into the pop stratosphere (with 15 million combined streams and over 700,000 social media followers) was done with an uncompromising sense of purpose. When he first catapulted into the national spotlight with multiple appearances in season 17 of American Idol, he distinguished himself as the only artist in the show’s history who refused to play cover material, instead performing seven of his own songs as the season wore on.

Those songs, at once vulnerable, fragile, and impossibly glossy, sparkle with the finesse of his own guitar playing and the emotion of his earnest lyrics. They seem to have struck a nerve on a global scale, and Lionel Richie was even moved to give him a hug.

While “Return2Sender” was released in the heart of lockdown last year, he now has dropped a new EP, Los Angeles, which was actually recorded during that time. In contrast, it balances his more ethereal work with a harder-hitting approach that showcases his versatility, even as it keeps his expressive voice front and center.

Expect more of his introspective material at the Graceland show, as he carries out a tour with only his acoustic guitar by his side. But don’t let that lull you into complacency: Even the quieter side of Scarypoolparty is a draw, and tickets for the Memphis appearance are being snatched up.

This will be an especially intimate kick-off show for a venue that’s typically more boisterous. Once Scarypoolparty wraps, the Graceland Soundstage carries on with more world-class national acts well into the fall. After the isolation of quarantine, Elvis himself would be proud that the party, no matter how scary, is once again revving up.

Scarypoolparty
Monday, June 14, 2021

Bill Cherry
Saturday, July 3, 2021

Hardy
Thursday, July 8, 2021

Blackberry Smoke – Spirit of the South Tour
Friday, August 6, 2021

Cheap Trick
Wednesday, August 25, 2021

Nitty Gritty Dirt Band
Friday, September 24, 2021

The Monkees Farewell Tour
Friday, October 1, 2021

Jelly Roll
Thursday, October 7, 2021

Greg Gutfeld
Saturday, October 9, 2021

Trey Kennedy – Are You For Real Tour?
Friday, October 22, 2021

Drive-By Truckers
Friday, February 4, 2022