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Music Video Monday: “Lelia” by Marcella Simien

Last Saturday night, Marcella Simien debuted her new album To Bend to the Will of a Dream That’s Being Fulfilled with a unique show at Off The Wall Arts. Sculptor and Off The Wall proprietor Yvonne Bobo created a cylinder of screens, and Infinity Stairs‘ Graham Burks created immersive video to wrap around the performer. The resulting combination of music and video projection mapping were striking.

Marcella Simien sings at Off The Wall Arts while wrapped in Graham Burks’ video projection. (Photo by Chris McCoy)

Simien’s new album is a departure from her usual “swamp soul” sound, incorporating experimental electronic textures and vintage instruments. The first music video from the album takes a completely different tack. It’s a hybrid music video and documentary short by Memphis filmmakers Joshua Cannon and Brody Kuhar. The team traveled down to Louisiana to introduce us to Marcella’s family, including the song’s namesake, her great-grandmother Lelia Manuel Simien. It’s a beautiful, life-affirming work which will cause you to reflect on your family roots as we head into the Thanksgiving holiday.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Video Monday: “Illuminator” by General Labor

Today we have a world premiere music video, which is a collaboration between two Memphis originals.

General Labor is Thomas Corbin, Elijah Posten, and Carlos Carrasco. “Illuminator” is a throbbing, screaming synth punk symphony.

“Though we work in repetitive, clock-synced instrumentation that rides on rails, we try to always leave space for magic,” says Corbin. “We draw heavily from Surrealist techniques and Oblique Strategies for finding our words and instrumental composition, so that the meaning seems to be coming from ‘somewhere else.’ For that reason, the lyrics are largely open to interpretation.

“However, in retrospect, ‘Illuminator’ seems to describe a fearless pursuit of wisdom and truth, trusting a process of transformation that carries one through the dark night of the soul. If this thread of meaning is followed, ‘Illuminator’ appears to be about ego death. It’s about finding the flame that burns inside of us all and harnessing it in a way that serves a higher purpose rather than fueling the will of self.

“The lyrics reflect a journey of self-discovery, transformation, and enlightenment through philosophical and alchemical lenses. It describes a search for hidden truths beyond the visible world, symbolizing the pursuit of deeper understanding by tapping into one’s subconscious mind, guiding the seeker toward a greater self-awareness.

The short answer is that we have no idea what it means!”

Thomas Corbin

“The alignment of senses that metamorphoses the seeker from a shadow self to illuminated self signifies the culmination of alchemical philosophy where body, mind, and spirit harmonize, and where the excess ‘dross’ of character flaws and maladaptations are burned off, revealing the purified gold within. That’s the long explanation, anyway. The short answer is that we have no idea what it means!”

The video was shot at a collaborative performance between the band and Graham Burks’ circuit-bending visuals.

“The live performance featured in the video was recorded at Black Lodge, to whom we are incredibly grateful for letting us pursue such an ambitious experiment,” says Corbin. “We wanted to stay true to this attitude of subconscious exploration and truth-seeking through artistic expression.

“There was no real concept other than to find the magic in the moment, all the way from the song’s inception to the audiovisual performance, recording, and current debut in video form.”

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Video Monday: “Camouflaged in a Color Wheel” by Misti Rae

You may have seen Misti Rae Holton perform her music, or seen her visual art. In the pandemic and post-pandemic era, she’s been recording with her husband, musician and producer Adam Holton, and engineer (and longtime friend of Music Video Monday) Graham Burks. Her first single is “Camouflaged in a Color Wheel,” a proggy mini-opera reminiscent of Kate Bush.

Misti Rae directed and created all of the imagery in the music video, which was edited by Laura Jean Hocking (who, in the interest of full disclosure, is this columnist’s wife). “Creating my own music video from my art has always been a dream,” says Misti Rae. “Following my dream helped me to survive a nightmare: the pandemic. I hope the song and video help you along in your healing journey as creating and sharing it has helped me in mine.”

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Video Monday: “Future Perfect (Bad Decision)” by Cloudland Canyon

Shoegazers Cloudland Canyon know a thing or two about bad decisions. They’re often the most fun part of growing up, but the truth is, you never really grow out of them. “Future Perfect (Bad Decision)” is the first single from their new album, out June 2nd on Medical Records. Lahna Deering joins vocalist Kip Uhlhorn on this song that’s about the joy and pain of messin’ up real bad, and having only yourself to blame.

Graham Burks Jr., who recently joined Uhlhorn’s long-running project, also directed the video. “‘Future Perfect (Bad Decision)’ was created during a period where I had intensely overcommitted myself to multiple creative projects. I found myself context-switching from project to project, while depriving myself of a healthy amount of sleep. I wanted the video to reflect that dissociative haze, pulling myself out of one mindset and snapping into another, while losing track of continuity from one creative spark to the next.”

The video features the collage art of Cloudlander Corbin Linebarier, whom Memphians know from General Labor. “We deconstructed the collages into three-dimensional environments we could weave in and out of,” says Burks. “Kip Uhlhorn’s chorus loops throughout the song as the viewer regresses through a maze of multiple realities.”

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Video Monday: “Yesterday Never Arrives” by Loose Opinions

Music Video Monday has opinions.

Loose Opinions, that is. Graham Burks Jr., a Pezz alum who has played with everyone from Sweet Knives to Magic Kids, has a new solo project. Burkes played almost every instrument on Loose Opinions’ debut full-length Shadow of a Shadow.

“While I was fortunate enough to keep working during the pandemic, I had this overwhelming sense of disappointment in myself,” says Burks. “I was supposed to have all of this extra time on my hands to be creative, but instead all I felt was uninspired. Months later my friend and collaborator J.D. Reager broke out of his own rut and started Back to the Light, a creative collective consisting of a podcast network and record label. J.D.’s spark helped me find mine. For the first time in a long time, I felt connected to the world. Albeit, the connection I felt was based on frustrations that we were all feeling, from pandemic isolation to systemic racism, but we were feeling it together.”

You can read Memphis Flyer Music Editor Alex Greene’s take on the record at this link. After a weekend of back-to-back record release parties, here’s the first Loose Opinions music video, for “Yesterday Never Arrives.” Directed by Randy Innis of Outer Villain Studios, the video features swirling images of time’s passage. Prepare to enter the multi-Burks!

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Music Features

Pezz: Hardcore Survivors

What is Pezz fighting for? In the liner notes of their new album More Than You Can Give Us, they tell you: “Honor, dignity, justice, fair play, equal treatment, the benefit of the doubt, a leg up.”

Since their first all-ages gig at the Antenna Club on June 19, 1990, Pezz have been the quintessential Memphis hardcore band. In a few short years, they were touring incessantly and packing the New Daisy Theatre with scruffy kids. Last month, they returned to the renovated New Daisy for Memphis Punk Fest. “It sounded awesome. It looks like somebody cares,” says Pezz founding member Ceylon Mooney.

Unlike the English variety, the first wave of American punk was apolitical. Birthed in the Reagan ’80s, hardcore changed that. The music inspired the members of Pezz not only to write political songs, but also to live lives of social consciousness and political activism. Mooney acknowledges the similarities between today and the Reagan era, but from his point of view, Trump is just a symptom of a diseased system. “You have a cartoonish villain, but these institutions of power operate by design, regardless of whose face is in front of them.”

The cover of Pezz’ More Than You Can Give Us pairs images of striking Memphis sanitation workers from 1968 and last year’s I-40 bridge protest. The band started tracking for the album in 2012, says Pezz singer/guitarist Marvin Stockwell. “We’re purists in the sense that we like to record to tape, but ProTools has been a helpful thing. It’s a help and a hindrance. The good news is, you can mess with it forever. The bad news is, you can mess with it forever.”

Originally, the band wanted to use an image of the Ferguson Black Lives Matter protest for the cover, until they were inspired by the bridge shutdown. “I’m glad it didn’t work out with the Ferguson photos,” says Stockwell. “It allowed us to have, as bookends, two Memphis events. The reason we juxtaposed them is because they represent different moments in our city’s history where regular Memphians stood up and said, ‘The status quo will not stand. We’re going to take radical action!'”

Pezz’ music has always been fast and hard, with a melodic streak that endeared them to pop-punk fans. For this album, the band sounds heavier than ever. Mooney stepped out from behind the drums, where he was replaced by Recoil drummer Graham Burks, and returned to the front line with a guitar, joining Stockwell, guitarist Shawn Apple, and bassist Christian Walker. “This is a three-guitar record with a lot going on,” says Stockwell.

The lineup is uncommon for punk; Stockwell says they were inspired more by classic Chicago hardcore band Articles of Faith than Lynyrd Skynyrd. “When we first started to do it, it seemed like it was too much. But your mind spreads out and hears differently. We had been in a two-guitar dynamic for so long.”

Mooney compares the complex new arrangements to a conversation, as on the album closer “Guilty,” where Walker’s bass takes the lead while Mooney fills in a bass line before all four guitars join in unison for the album’s finale. “You can’t have everybody yelling all at the same time.”

But there’s still plenty of yelling on More Than You Can Give Us. On “Welcome to Palestine,” a song Mooney originally recorded in 2006 with his solo project Akasha, the singer delivers a full-throated tirade against “Occupation, subjugation of the land and its oppressed nation.”

“Unfortunately, that one is still relevant,” he says. “Sometimes I think, ‘We’re still talking about this shit?’ It’s like ‘Live Another Day.’ When people we love stop offing themselves, I guess we’ll stop talking about it.”

Pezz will play their record release show on June 30th at Growlers. Stockwell says he hopes the group’s fifth album (or tenth, if you count split LPs and cassette-only releases) inspires in others the same sense of urgency old school hardcore inspired in him. The vinyl insert contains both a list of local organizations working for change and the record’s mission statement, a call for people to “demand … their birthright as members of the human family.”

“I wrote that before Trump won the election, but if you read that with Trump in mind, it’s not hard to make it fit,” says Stockwell. “We are very fortunate in this band to be able to do the things we’ve done and to use our collective voice to demand change and to express ourselves. We realize not everyone has that opportunity.”

Pezz’ More Than You Can Give Us record release show is June 30th at Growlers.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Infinity Stairs

This week, Music Video Monday is a house of lies!

Memphis musician Graham Burks has clearly been watching too much TV. For the latest release from his solo project Infinity Stairs, he has taken the endless parade of talking heads on TV and created a song that would be at home on My Life In The Bush Of Ghosts. “Alternative Facts” samples Kellyanne Conway’s smug denial of reality catchphrase and the one word analysis it deserves in true cable news splitscreen style. It is the truthy anthem for our time.

Music Video Monday: Infinity Stairs

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com