Categories
Film/TV Film/TV/Etc. Blog

Roll Camera! Memphis Film Prize Kicks Off Fifth Year With Party at The Cove

The Memphis Film Prize’s annual kickoff toast.

The traditional signal that it’s time to make a movie for the Memphis Film Prize is a bracing shot of tequila. For five years, the national organization has offered $10,000 for the best made-in-Memphis short film of the year. To qualify for the prize, you first have to register your project—and that’s what the party at the Cove tonight at 6 p.m. is about. “We can’t wait to kick off our fifth year in Memphis!” says Memphis Film Prize local coordinator David Merrill. “We invite all filmmakers, cast, crew, film enthusiasts, and the Film Prize fans in the community to celebrate this new year of Film Prize with us.”

Last year’s winner was “Night Out,” co-directed by Abby Myers and Kevin Brooks. But this year, it could be your film. The key, says Gregory Kallenberg, executive director of the Prize Foundation, is building a network of collaborators to bring your vision to life. “We are helping build a homegrown, independent film scene in Memphis. A film scene not just of talented filmmakers, screenwriters, production artists, and actors, but one that involves the entire Memphis community.”

Once you’re registered, you’d better get filming. The deadline to turn in your rough cut is June 9, 2020.

Categories
Film/TV Film/TV/Etc. Blog

Memphis Film Prize Awards $10,000 to Brooks and Meyers’ “A Night Out”

Courtesy Memphis Film Prize

(left to right) Memphis Film Prize Executive Director Gregory Kallenberg, cinematographer Andrew Fleming, directors Kevin Brooks and Abby Meyers, actress Rosalyn R. Ross, and Memphis Film Prize Filmmaker Liaison David Merrill.

The Memphis Film Prize screened the ten finalists’ films to packed houses Friday and Saturday. The winning film, announced at an awards brunch on Sunday, was A Night Out by co-directors Kevin Brooks and Abby Meyers. The film stars Rosalyn R. Ross as a woman trying to cheer herself up after a bad breakup by going to a nightclub. It represents a significant technical achievement, as all of the action takes place in one continuous, 10-minute shot in an around Molly Fontaine’s in Victorian Village. This is Brooks’ second Film Prize win in a row, after taking home last year’s prize for his short film Last Day.

This year’s prize also included, for the first time, Best Performance awards. Best Actor went to Percy Bradley’s comedic performance in Clint Till’s Hangry, where he plays a retired reverend in an assisted-care facility who is done with the bad food they serve and helps himself to some of the staff’s fried chicken.

Best Actress went to Latrice D. Bobo for her turn in Arnold Edwards’ Pages. Bobo plays a suicidal woman who connects with her similarly depressed upstairs neighbor.

This is the fourth year the Memphis Film Prize has solicited films made in Shelby County for its contest. You can read more about the filmmakers who competed this year in the current issue of the Memphis Flyer.

Categories
Film/TV Film/TV/Etc. Blog

Memphis Film Prize Calls For Entries At Fourth Annual Kickoff Party

Kevin Brooks (center right) won the 2018 Memphis Film Prize with his short film ‘Last Day’.

The fourth annual Memphis Film Prize will call for entries at a gala kickoff party at The Cove on Thursday, February 7th at 6:30 PM.

“We are gearing up for another huge year,” said David Merrill, Memphis Film Prize Filmmaker liaison. “Our goal is to continue to grow independent filmmaking in Memphis and create an indigenous film capital in our city.”

Begun as an offshoot of the Louisiana Film Prize, the festival offers a unique competitive structure. Filmmakers are required to register their films in advance, and Film Prize officials sometimes show up on competitor’s sets. The entries, which usually range from 40 to 60 short films, are winnowed down to 10 films, which are shown at the two-day event and voted on by festival-goers. The winning short film receives $10,000. Past winners have included McGhee Monteith’s “He Could Have Gone Pro,” Matteo Servente’s “We Go On,” and Kevin Brooks’ “Last Day.” The 2018 edition of the festival set records for attendance, doubling the audience from 2017.

“Last year, Film Prize was elevated to a new level by the talents of the filmmakers,” said
Gregory Kallenberg, Executive Director of the Prize Foundation. “The local community has been key in making all of the filmmakers and the festival successful, and we want everyone to celebrate that success and kick off a new and glorious year with us on February 7th.”

You can find more information about the Memphis Film Prize at their website

Categories
Film Features Film/TV

Memphis Film Prize Draws Bluff City Talent

Gregory Kallenberg wanted to create a different sort of film festival when he founded the Louisiana Film Prize in 2012. After filming in Shreveport, he fell in love with the town and relocated from Austin, Texas, and brought a more competitive model to the festival world — along with a $50,000 prize.

After three successful years, the prize is branching out to create a feeder system of regional competitions, and Memphis was at the top of the list. They partnered with On Location: Memphis, and this weekend, the top 10 films from more than 50 local entries will screen at Studio on the Square. The winning film will receive $10,000 and a chance at the $50,000 Louisiana prize in September. I spoke with three of the nominated directors.

Ricky D. Smith in director Kevin Brooks’ street drama “Marcus”

“Marcus”

Dir. Kevin Brooks

Last year, the young filmmaker’s short, “Heat Vision,” earned him a slot in the Sundance Ignite program and a trip to Park City, where he was mentored by Nate Parker, director of the Grand Jury and Audience Award-winning Birth of a Nation. “I came back with a huge burst of energy!” he says. “I made ‘Marcus’ especially for the Film Prize.”

The film stars Ricky D. Smith, whom Brooks met while they attended University of Memphis together. “The movie tells the story of a young man who is struggling with the consequences of karma,” Brooks says. “It’s derived from the decisions he made to survive. I wanted to make it really realistic, and I wanted to talk to the issues that people of color face in these urban settings.”

Brooks’ goal, he says, is to return to the big leagues in Park City with a film of his own. “I have to stay focused and keep moving forward, because I want to be there someday.”

“Calls From the Unknown”

Dir. Edward Valibus

Edward Valibus, noted for his gonzo comedies with Corduroy Wednesday, wanted to tackle something a little more serious with “Calls From the Unknown.” “Our main character is a young woman. She’s a film student doing the usual documentary 101: interviewing her dad and hearing stories she’s never heard before,” he says.

His inspiration came from his experiences with his own father’s terminal illness. “I’ve been doing absurdist humor for so long, people who watch it have been calling it a dark comedy. People laugh, then they gasp, then they cry.”

Lead actress Lara Johnson directed the documentary “Geekland,” but Valibus says her comedic student films convinced him she could excel in the role. “A big philosophy behind doing this film was giving people chances to do something new.”

Jordan Danelz, normally a gaffer, was the cinematographer, and musician Michael Jasud, of Dead Soldiers, makes his acting debut. “All my gambles really paid off,” Valibus says.

The one sure thing was Mark Pergolizzi as Johnson’s father. “He’s my favorite actor to work with,” Valibus says. “I went through the entire thing with Mark, what I wanted out of her and what I wanted out of him. Then I sent them off together to work it out. I was trying to create a father-daughter bond. It worked out amazingly well; I just let the camera roll.”

“Teeth”

Dir. Melissa Anderson Sweazy

“Like a lot of my ideas, it came about through casual conversation with my daughter,” director Melissa Anderson Sweazy says. “She heard about the tooth fairy, and she was like, ‘Why? There’s a person coming to my house to get my teeth? Who is this person, and what are they doing with all those teeth?'”

Sweazy, whose previous works include the Indie Memphis-winning “John’s Farm” and “The Department of Signs and Magical Interventions” loves to work in fantastic realms. “I’m definitely drawn to stories about magic, either about the absence of magic in the world or the proof that it is there in reality. I like the world to look normal, except for a magical element at play.”

“Teeth” stars newcomer Gabriella Goble as the young child who wants to investigate the tooth fairy’s motives. Her father, Ryan, was the director of photography. “It was kind of a miraculous find. My day job is at a production company, so my entire crew was made up of co-workers who donated their time.”

Lindsey Roberts portrays the tooth fairy. “It’s going to be a take on the tooth fairy that you have never considered.”

Categories
Film/TV Film/TV/Etc. Blog

Memphis Film Prize Launch Party Tonight

Since its inception in 2012, the Louisiana Film Prize has become a sought-after accolade for up-and-coming directors, and its generous purse is one reason why. Now director Gregory Kellnberg has teamed up with Fuel Film’s David Merrill to bring a version of the short film competition to the Bluff City. 

“We are incredibly excited to bring the Film Prize to one of my favorite cities in the country,” says Gregory Kallenberg,founder and Executive Director of the Film Prize Foundation. “Memphis has an amazing vibe and has a rich history inindependent filmmaking. We can’t wait to see the amazing work that will come out of the Memphis FIlm Prize.”

Tonight, a party at Local on the Square, Memphis Film Prize will celebrate the inaugural call for entries announcement. Filmmakers have until June 14 to submit a rough cut of their short film, which will vie on  for a $10,000 prize and a chance to go to Shreveport for the Louisiana Film Prize competition, which carries a grand prize of $50,000. The Memphis competition will be held on August 12-14, in conjunction with the On Location: Memphis film festival.

“The Memphis Film Prize presents a great opportunity for filmmakers and for the city of Memphis, to foster emerging talent and incentivize filmmaking while continuing to expand a network of film industry connections started by the Louisiana Film Prize.” says David Merrill of FuelFilm.

The kickoff party is tonight at Local on the Square at 6 PM.