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Ghoul and Phobia at the Hi-Tone May 26th

Ghoul play the Hi-Tone this Tuesday.

Ghoul is made up of quasi-anonymous Bay Area death metal/grindcore scene veterans that bring a refreshingly riotous sense of humor to the frequently too-serious metal scene. Taking more than a few cues from GWAR, to whom Ghoul have provided tour support in the past, the four gentlemen credited as Digestor (guitar, vocals, razor hooks and mosh riffs), Dissector (same, plus skateboards and something we’ll skip over right now), Cremator (bass, vocals, plus bone torch, something else we won’t be mentioning), and Fermentor (drums, rot gut, beserker beats) know a little something about making solid crossover thrash metal with the occasional vocal detour into the death metal arena.

But there’s so much more going on here: Ghoul’s discography of four full-length albums, last year’s six-song Hang Ten EP, and several splits with like-minded outfits (plus a 7″) provides the musical backdrop to a brilliant combination of KISS-style attention-getting tactics and new-media savviness that’s a reliable one-way ticket to amassing a cult following. The band’s elaborate fictional back-story, told lyrically throughout the progression of releases but REALLY entertaining as it comes together on their website and YouTube, stars the four band member personas as the perpetually-hooded characters they assume onstage and on record as well as a supporting cast of fellow “Creepsylvania” residents (the town’s history, as written on the site, is a must read). And to those unfamiliar or curious, the “Ask Cremator” page features four ten-minute clips (in “Ghoul’s Burning Questions” series of YouTube episodes) of the namesake member replying in advice-column style to fans who have called “the catacombs” at the number provided. Let me assure you…this is FUNNY stuff, but in no way suitable for the workplace or mixed company and perhaps only enjoyable for those with at least a passable knowledge of metal culture and history.

A couple of great things about Ghoul: Despite this degree of thematic complexity and effort, the band never slides down the slippery slope into novelty, and lastly, their sense of humor shows a mastery of subtlety and self-deprecation. For instance, perusal of Ghoul’s Bandcamp page will find a fake debut album listed simply as “Lou Reed Collaboration”. Also, it is common knowledge in the metal community that Ghoul feature (or featured) members of Bay Area death metal/grindcore bands Impaled and Exhumed. Ghoul will be headlining their Weapons of Mosh Destruction Tour when they hit the Hi-Tone on Tuesday night and it’s worth mentioning a thing or two about Phobia, who will occupy the third slot in the lineup behind Nekrofilth and local metal stalwarts Incineration. Phobia is a Southern California grindcore/crust-punk institution that formed in 1990 and has spit out countless releases over the last 25 years while going through just as many former members with the very definition of a revolving lineup. Never compromising its brutal meat-and-potatoes grind and always on the socio-political (and Anarchic) tip aesthetically and lyrically, Phobia are legends in their own right and make an interesting musical contrast to the theatrical thrash of Ghoul. This will most assuredly be a night of across-the-board metallic intensity and entertainment that doesn’t come through town all that often. Admission is $10.

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GWAR: It’s Alive

After the death of lead singer, founder, and last-remaining original member Dave Brockie (aka Oderus Urungus) this past April, most people considered GWAR to be finished. The band was 30 years into a career that spanned 13 albums and more than 20 live films and long-form music videos. They surprised everyone at Riotfest in Chicago last month when they showed up with their newest member in tow, Vulvatron, an imposing Amazon whose massive prosthetic breasts sprayed the crowd with goo through most of the band’s set. Kim Dylla, lead singer of kabuki-clad Kung Fu Dykes, depicts the time-traveling cybernetic female assassin.

Apparently, Vulvatron and new lead vocalist Blothar (portrayed by former bassist and Beefcake the Mighty originator Michael Bishop) arrived on earth through the same wormhole. Blothar gives his account of being jettisoned through the space time continuum: “I went into a trance of blinding rage. I must have killed a million space apes. I was sleeping it off, and I woke up with a piss boner. I figure, why waste it, you know? So I’m rubbing one out, and the next thing I know, I’m on stage with GWAR in front of thousands of hideous, acne-ridden teenaged humanoids. I was promised there would be wifi, but it’s hit or miss…”

GWAR rolls through Memphis with a show on Wednesday at the New Daisy. Rhythm guitarist BalSac the Jaws of Death describes it: “Dark clouds of war and ill omen have gathered around GWAR. In our hour of greatest peril, Oderus has left us and our enemies stand poised, ready to strike while they sense weakness, but we shall no longer cower in our Antarctic stronghold awaiting destiny’s final blow. This fall, GWAR sets out on the most trying quest of our career. We shall scour our leader’s favorite stomping ground, North America, leaving no city unsearched, no venue unraised, and no sheep unmolested. GWAR will venture to the depths of hell or to the very end of time itself, and though I fear what we may encounter out there, I know that we can never return home until we have the answer we seek: ‘Where is Oderus Urungus?'”

Bassist Beefcake the Mighty gave a heartfelt summation of the their upcoming 52-date tour: “Dave was our friend and anchor for as far back as anyone can remember. He’s held us together, and sometimes he drove us apart. He is our brother, and we love him. Unlike a lot of prominent musicians, he was friends with all of the fans. He made GWAR fans feel special on a personal level. The fans love Dave as much as we do and the GWAR Eternal Tour 2014 is our way of getting together and sharing that love.”

Most of mainstream America was introduced to GWAR during a 1993 episode of Beavis and Butthead. The series was a continual champion of the band and frequently showed their videos. GWAR was also a pivotal part of the 1994 Beavis and Butthead video game, wherein Beavis and Butthead had to search the town looking for the remnants of their GWAR tickets which had been ripped to shreds after a neighbor’s riding mower ran over them. The band popped up on daytime talk shows by Joan Rivers and Jerry Springer during the 1990s to discuss their brand of outlandish entertainment. Springer even attended one of GWAR’s concerts and was consumed on stage by a giant space worm. In 1995, the band popped up in the movie Empire Records when stoner store employee Marc eats some pot brownies and hallucinates that Oderus Urungus invites him through the TV to join the band. He then watches himself play guitar onstage with the band and be complimented on his skills before being devoured by the same space worm that engulfed Springer. From 2009-2010, Brockie portrayed Urungus on Fox News’ Red Eye as their intergalactic correspondent.

Make sure to get down to Beale on time to see American Sharks. The Austin trio are one of the best hesher/metal/stoner bands of the past few years. They’ve been touring behind their excellent self-titled debut that came out last year. The band has joined heavy hitters Clutch and fellow Austin retro riffers the Sword, whose bassist Bryan Richie recorded their LP, for extended stints on the road. For fans of Fu Manchu, St. Vitus, and C.O.C., don’t forget to wear a crisp, new white tee so Vulvatron can cover it in her mammary spew.