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News News Feature

Haunted Happenings: Halloween Event Guide

Zoo Boo
Memphis Zoo, Friday, Oct. 25-Sunday, Oct. 27, Thursday, Oct. 31

This event features candy stations and hayrides, straw mazes and magic shows, and more. Zoo Boo is fun for ghosts and goblins of all ages.

Haunted Happenings: A Victorian Carnival
Woodruff-Fontaine House, Friday, Oct. 25, 6 p.m., $30
The resident spirits of the mansion will make mischief with paranormal investigators, tarot readers, the magician Jeffrey Day, face-painting, and Poleluminati Performing Arts.

Soul of the City: Elmwood Rises

Soul of the City: Elmwood Rises
Elmwood Cemetery, Friday, Oct. 25-Saturday, Oct. 26, 4 p.m.
This tour invites visitors to get to know Memphians of ages past. They were saints and sinners. Patriarchs and politicians. Suffragists, scoundrels, leaders of the civil rights movement. Lovers, and epidemic victims.

Model Zero at Black Lodge

Halloween Ritual Weekend
Black Lodge, Friday, Oct. 25-Saturday, Oct. 26, 9 p.m.-3 a.m., $13
The return of the living Halloween party — two nights of musical mayhem and cinematic creepiness. A screening

of The Cabinet of Dr. Caligari and performances by Switchblade Kid, Model Zero, 1000 Lights, HEELS, Siouxsies and more. The Masquerade Ball is Saturday night.

Big Top Tease: Vol. VI: Freak Show
Dru’s Place, Friday, Oct. 25, 9 p.m.
QCG Productions returns with their monthly variety show, but this time, things are going to be a little more freaky, with a night of circus acts, drag performances, shock shows, and more.

The Rocky Horror Picture Show
The Orpheum, Saturday, Oct. 26, 8 p.m., $6-$8
Screening of this seasonally scary flick in which a newly engaged couple have a breakdown in an isolated area and must pay a call to the bizarre residence of Dr. Frank-N-Furter.

Flick or Treat
Memphis Botanic Garden, Saturday, Oct. 26, 5-9 p.m., $8-$10
Scare up your creepiest costume, grab a blanket or chairs, and scream with delight for It’s the Great Pumpkin, Charlie Brown and Casper.

Zombie Walk and Undead DJ Party
Carolina Watershed, Saturday, Oct. 26, 7-11 p.m.
It’s an Undead DJ set followed by a costume contest and a zombie walk to the Loflin Yard barn.

Loflin Graveyard
Loflin Yard, Saturday, Oct. 26, 11 a.m.-midnight
All-day event with food, drinks, and games. There will be a live DJ in the barn, pumpkin decorating in the yard, and three costume contests with cash prizes for the adult costume contest.

Halloween Party
The Gold Club, Saturday, Oct. 26
It’s scary how sexy this Halloween shindig might get.

Halloween Bash and Costume Contest
Young Avenue Deli, Thursday, Oct. 31, 9 p.m., $5
Fifth annual party and contest with drink specials, a costume contest at midnight with a grand prize of a Budweiser bike, and music from DJ Hush.

Devil Train and Freeloader
Hi Tone, Thursday, Oct. 31, 9 p.m., $10
A devilishly dark musical performance from these roots rockers.

Crosstown Creep Sweep Trunk or Treat
Crosstown Concourse, Thursday, Oct. 31, 4-6 p.m.
Trick-or-treating for little ghouls and goblins. Volunteers will park their cars on the plaza and fill their trunks with candy. Live music by Almost Elton John and a “Thriller” dance flash mob.

Fifth Annual Black October
The CMPLX, Thursday, Oct. 31, 9 p.m.-midnight
Halloween party for the damned with monsters, witches, vampires, and werewolves.

Costumes & Cocktails on the River
Jack Robinson Gallery, Thursday, Oct. 31, 6:30-11 p.m., $35
Third annual party with an open buffet, open bar, live entertainment, DJ, vendors, costume contest, in a safe and mature adult atmosphere. Event is for age 25+.

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News News Blog

Memphis Ghost Group Helps the Living…and the Dead

Memphis Ghost Investigations and Spirit Rescue

A ghost at the Memphis Zoo? Yes, and there’s evidence. Mary, The Orpheum’s most famous spirit? She’s passed over. And The Woodruff-Fontaine House? It’s “filled with spirits.”

All of this is according to Stephen Williams. He is a “veteran, clairsentient, paranormal investigator” and leader of the Memphis Ghost Investigations and Spirit Rescue (MGISR). The group does identify as “ghost hunters,” but they do much more than that.

“We don’t just investigate,” reads the group’s website. “We help them move on.”

Memphis Ghost Investigations and Spirit Rescue

In this case, “them” means spirits — ghosts — and Williams tries to help them cross over. MGISR’s motto is “investigate, educate, and rescue.” They investigate the haunting and educate the home or building owner about what it is going on. But they also educate the spirit in hopes to rescue them from whatever keeps them glued to this side of existence.

If any of this has you skeptical or scintillated, check out the evidence section of the group’s website. There, you’ll find photos and a collection of electronic voice phenomena (EVPs) of, what MGISR says, are voices of spirits either barely audible to humans or not at all.

Listen for the Halloween-perfect “oooohhh” of a ghost caught on a recorder during a late-night investigation of the Memphis Zoo, where ”paranormal activity had been witnessed multiple times by different people,” according to the group.

But this work is not just some Halloween-time spookfest for Williams and his group. They continue their work year round and never take a dime for it. For them, it’s service work, Williams said.

We talked with Williams about his work, how he educates spirits, and the scariest thing he’s witnessed in his 17 years as a paranormal investigator. — Toby Sells

Memphis Flyer: How did you get started in ghost investigations?

Stephen Williams:
I got involved in 2002. I was working here with these two ladies. This is before everything became really popular on TV, like on Ghost Hunters.
In 2002, I was in St. Augustine, Florida on a family vacation and took some photos on our ghost tour. I didn’t know anything about it, and sent those photos to a couple of ladies who had a website here. At the time it was called Ghost Stalkers of West Tennessee.

We exchanged emails and eventually they asked me to start accompanying them. About that time is when we we got invited into people’s homes.  Memphis Ghost Investigations and Spirit Rescue

Williams

About 2006, those two ladies retired from it.

I changed the name to Memphis-Midsouth Ghost Hunters I was in charge of that organization. It ran continuously until earlier last year. I took a little break because of some personal things.

Then, I started this new organization. I just renamed it to the current name and found some really gifted mediums to work with. That’s what sets us apart from everybody else.

MF: Did you see something on those St. Augustine photos? What made you send them in to the two original ladies?

SW: It was what looked like an orb, a streaking orb. I didn’t know anything about any of that at that time. So, I got back to the ladies that were running that website.
They said, go in your backyard and find where a spider has spun a little strand from the tree down to the ground. Take a picture. Sure enough, there was that same effect. But it left me intrigued.

I started going out to a local cemetery and just sitting there with a recorder and I got a voice. That just kept me going. It was up around Millington.

MF: Any idea what the voice said?

SW: It sounded like a child. I don’t remember exactly. I have recorded so many (electronic voice phenomena — EVP) over the years. I don’t remember exactly what it was. It was like a word or two. But it was definitely there. There was no one there with me. It was totally quiet. There was a voice.
[pullquote-1]
MF:
What pushed you into getting more involved in that work?

SW: The people that contacted us were really terrified. They were perplexed. They didn’t understand what was going on. It was affecting their lives.

In the beginning, I didn’t know a whole lot about how to help any spirits that were at a locale that we visited. But I became more acquainted with people, and discovered methods of my own, and learned from others.

When we go into a place, we’re going to communicate with whoever [spirit] is there. We’re going to find out why they’re there, who they are. Then we try to get them moving on to the next phase of their existence.

It helps everybody. It helps those lost souls and helps the people that are having disturbances. All that stops. Their lives go back to normal. So, everybody wins.

MF: So, that’s one of the payoffs. You really do get to help people on both sides of the plane?

SW: Absolutely. We don’t do like the guys on TV. They go in and collect a bunch of evidence and then leave with all the same things going on.
[pullquote-2] Evidence is not a huge part of (the work) for me anymore. Within the first year, I got definitive proof that this is not the end of existence. There is something beyond, OK?

Our focus is on connecting with whoever’s there. I am an intuitive. I can sense their energy. I can tell if it’s male or female. I can tell if they’re what we call earthbound or if they’ve crossed over.

Sometimes it’s the people’s loved ones on the other side that are around. They’ll do things. They’ll leave coins, things like that, to try to get their loved ones’ attention. Usually when that occurs, there’s maybe a family crisis, or the person is having some a crossroads. So, these on the other side that have already transitioned, come in to let them know that they’re supported, to try to get them in touch with people like us.

MF: In your time in doing this work, what was something that either scared you or what was just so unexplainable?

SW: At one point, the group had dwindled down to me and one other person, a guy who is very intuitive. We got called to an apartment Downtown where a person had been murdered.

A guy who moved into the apartment had a really terrifying experience where he looked in the mirror and the spirit was standing behind him and actually was choking him. So, we went down there.
[pullquote-3] The spirit actually spoke out loud, which is called ”direct voice” when you can actually hear it. She was very troubled. At the time, I didn’t have a lot of knowledge about how to help spirits cross over.

But during that couple of hours that we were there, the guy who had moved into the apartment became overshadowed, I guess you’d say, by the spirit. He actually passed out. That was quite dramatic.

He passed out. Fell backwards and hit his head on a wooden floor. The only way we could get him back to himself was to get him out of the apartment and down the hallway. He finally started regaining his senses. The (female spirit) basically short circuited; she was so enraged.
[pullquote-4] MF: What are some of the techniques you use now to help spirits cross over?

SW: I work with very gifted mediums. I’ve been blessed to have those people come into my life. They are Jennifer and Kayla. They’ve been able to sense this energy since they were children. They’ve been able to communicate with spirits from a very early age. So, it’s very normal for them.  Memphis Ghost Investigations and Spirit Rescue

Kayla

We’re going into a house in a small town in Mississippi tomorrow and then going to another in Jackson, Tennessee on Sunday.

What we do is go in and visit for a little while. I will take a piece of equipment and sometimes they will interact with it. But usually, in my experience, when there are mediums on the location, they they don’t waste their energy with equipment.

The mediums are clairvoyant and clairaudient, meaning they can see the energy and they can hear the thoughts of the spirits. So, they will connect with them and we’ll get an idea of who’s there. Then, we’ll give them an opportunity to tell their story.

If they’re in some traumatic loop, or something like that, we have methods of dealing with that. We also have connections to where we can call on their loved ones on the other side to come in and help them get across.

You see these people on TV, they go in at 7 p.m. or 9 p.m. and they’re there overnight. Gosh, thats’ crazy. We can usually go in within two hours and take care of what needs to be done sometimes a lot less time.
Memphis Ghost Investigations and Spirit Rescue

Jennifer

So, the intuitive aspect of it is what really sets us apart from most of the groups. I think there’s a few other groups around here. I’m very complimentary of what they’re doing. They just may not have the firepower to really go and be effective and make a change, a positive change. That’s our goal is to help those spirits cross and to help the people get their lives back to normal.

MF: So, that’s the “spirit rescue” part of what you do, right?

SW: Right.

MF: In all of your years of doing this, about how many cases have you worked on?

SW: I would say over 1,000 or maybe more. I never kept up with it. I have been in hundreds, and hundreds, and hundreds of homes and public places.

I have been in a lot of the well-known, allegedly haunted places here in town. You have the Orpheum, Earnestine & Hazel’s, and Fontaine House. The Fonataine House is filled with spirits.

I have been in that house with two different mediums who both connected with Elliot. It was one of the family members. He said he stays up on the second floor, a reclusive-type energy. He’s not interested in leaving the place.

You can talk to them. You can counsel them. You can explain that they don’t have to be here, but they have free will. So, they can make the choice.
[pullquote-5]
MF:
The most famous Memphis spirit, I guess, is Mary at The Orpheum. What do you make of that one?

SW: I got invited down there one time and I had a very gifted medium with me. We feel like she crossed over because we talked to her. We were able to communicate with her and we feel like she did cross over.

We have not been back there since then to actually do a check. But when we called on her loved ones, some did come. I felt like she did release at that time.

She may come back. In my experience, what happens is when they cross over — even in people’s homes — they’re in a different vibration. They’re at a higher vibration. Sometimes, they’ll just come around as protectors or to just to say thank you or that type of thing.  Memphis Ghost Investigations and Spirit Rescue

They don’t usually stay long. So, (Mary) may pop up here and there. But she’s not in that vibration of what we call earthbound.

MF: Finally, I know this is kind of a Halloween topic. But your group does this year round. It’s not just a Halloween thing for you.

SW: Oh, yes. This is year round.

You can go into somewhere — and you don’t have to go during “dead hour” or whatever they say on TV, which is such baloney. Spirits are there 24/7. People have experiences at all times of the day and night.

So, we can go into the home (and have gone into homes) at like at eight or nine o’clock in the morning, because it was the only time we could schedule. And we were able to connect and to do the work that we needed to do.

MF: Is there anything else you’d like to add?
[pullquote-6] SW: Just to emphasize to people that we do not charge. This is service work for us.
In my 17 years, I’ve had people offer me money. I always tell them that I support (St. Jude Children’s Research Hospital). If you want to say thank you, make a donation. People normally do that.

Our motto is investigate, educate, and rescue. We’re going to investigate to see what’s going on. Then, we educate not only the homeowner about what is going on and what we can do, but also the spirits.

We’re going to counsel any spirits we find there and explain to them that they don’t have to stay here. It’s really a roadblock for them to stay. That’s the rescue, of course. Our goal is to rescue anyone who’s there and help them move on to better to better existence. Memphis Ghost Investigations and Spirit Rescue

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Film/TV Film/TV/Etc. Blog

Keith Krass Throws Stephen King Themed Halloween Ball

Keith Krass has many talents. He’s the proprietor of the Arthouse t-shirt shop, whose creations have added ironic heft to my closet, and he’s a talented experimental filmmaker, working under the name Lenzcrack. His bizarre, wildly creative video work can be seen regularly in the interstitials between the classic movies at Time Warp Drive-In, and his hilarious, eye-popping “Scumbags From Outer Space” will screen during the Departures experimental animation bloc at Indie Memphis on Sunday, Nov. 6 at 9 PM.

Krass is getting ready to move on from Memphis to pursue film projects in Atlanta, and he’s decided to say farewell by throwing a Halloween party  at the Hi-Tone. The honoree will be master of nightmares Stephen King, whom Krass will pay tribute to with a video installation in the club’s small room that will combine altered images from film adaptations of King’s work and remixed, theme appropriate music. 
In the big room will be the industrial Goth stylings of DJ PLASTIC CITIZEN leading a dance party that will be the official kickoff to Halloween party weekend “It will be gory. It will be scary. It will be awesome!” says Krass. 

The whole horrorshow will kick off at 9 PM. on Thursday, Oct. 27 at the Hi-Tone.  

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Music Music Blog

A Very Scary Halloween Playlist

Happy Halloween!

Here are a group of  songs guaranteed to get you in the spooky spirit, or at the very least, freak you out. Did I leave off your favorite scary song? Leave a comment and it might get added to the list.

A Very Scary Halloween Playlist (6)

A Very Scary Halloween Playlist (2)

A Very Scary Halloween Playlist (5)

A Very Scary Halloween Playlist (4)

A Very Scary Halloween Playlist (6)

A Very Scary Halloween Playlist (8)

A Very Scary Halloween Playlist (10)

A Very Scary Halloween Playlist

A Very Scary Halloween Playlist (10)

A Very Scary Halloween Playlist (11)

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We Recommend We Recommend

Halloween 2015 Event Roundup

The last days of October provide numerous opportunities to don your scariest garb, beg for candy, paint sugar skulls, and act like a fool. Sometimes it’s even for a good cause. And because Halloween falls on a Saturday this year, the party goes on all weekend. Here’s a roundup featuring just a few of this season’s creepiest, kookiest, and ookiest opportunities for monstrous mischief.

Elmwood Cemetery’s annual Spirits with the Spirits party goes down Friday, October 30th, at 7 p.m., and allows visitors to raise glasses and make grave toasts in Memphis’ most scenic city of the dead. Tickets are $70, and the dress code is black-and-white casual, though costumes and characters are welcome (elmwoodcemetery.org). And speaking of the dead, Latino Memphis’ Day of the Dead Fiesta is also being held Friday. The fund-raising party features performances by the Memphis Symphony Orchestra, Opera Memphis, New Ballet Ensemble, and Mariachi Guadalajara, as well as Dominican DJ Giovanni Rodriguez and Colombian singer Marcela Pinilla and her band (7-11:30 p.m., at downtown’s Cadre Building. $70. Latinomemphis.com).

Costumed fun for the whole family starts early on Saturday with an opportunity to make Midtown a cleaner place. The Mad Sweep of Madison Avenue starts at 11 a.m. on Saturday, October 31st at Clean Memphis, 1859 Madison. Participants will pick up supplies and clear debris along the avenue from Cleveland to Cooper. The party starts at noon. Winners of the costume contest will receive gift bags valued at over $50 each, containing prizes from local Madison businesses. That leaves plenty of time to get ready for Mud Island’s annual Halloween on the Island, with games and trick-or-treating from 6:30-8:30 p.m. Admission is $5 per person.

Things heat up when the Halloween sun goes down. You can put on your “Million Dollar Boots” and take in the hip-hop stylings of Lord T & Eloise at the Sinners for Saints Ball, a benefit for the Church Health Center at Stop 345 (9 p.m.-3 a.m. Stop 345. $40). Or you can drop in on the Halloween Bash at Minglewood Hall, “A Scary Good Time,” featuring FreeWorld and benefiting Transformations Autism Treatment Center (9 p.m.-1 a.m. $25. halloweenbashmemphis.com).

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Sing All Kinds We Recommend

Halloween? Moloch!

It’s Halloween. Nothing is scarier than some creepy old god trying to eat your babies. Parents, don’t forget: 

Leviticus 18:21: “And thou shalt not let any of thy seed pass through the fire to Moloch”

Unless it’s the dark-horse entry for greatest Memphis rock band ever – the blues rock band Moloch – don’t let the trick-or-treaters near the real Moloch or any Ammonite gods this holiday season. Be safe out there. 

Want a list of things to do? Boo cares? Merry Christmas.

Halloween? Moloch!

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Intermission Impossible Theater

Original Game of Thrones: Tennessee Shakespeare’s Dan McCleary Talks Richard III

Photo: Joey Miller.

Dan McCleary as Richard and Caley Milliken of the Spirit World in TN Shakespeare Company’s production of RICHARD III playing at GPAC October 30 – November 1 at 7:00 pm. Children admitted FREE with paying, attending guardian. Box Office: 759-0604; tnshakespeare.org.

It’s almost Halloween, and as good a time as any to talk about dry old bones that have come back to haunt the living. Also, given the wild success of contemporary TV shows like Game of Thrones and this season’s installment of American Horror Story, set against the backdrop of a mid-20th-Century freakshow, the cultural stage couldn’t be more perfectly set for a reconsideration of Shakespeare’s gruesome historical tragedy, Richard III. And that’s exactly what the Tennessee Shakespeare Company will be providing in an extremely limited run (October 30-Nov 1) with TSC’s founding director Dan McCleary starring as the deformed and determined soldier who would be king.

It’s almost as if the spirit of the last Plantagenet called out across the centuries, begging to have his twisted bones exhumed from an anonymous grave. In September, 2012, a team of archeologists from the University of Leicester, working with the Richard III Society, broke ground in a parking lot poured over the site where Greyfriars Friary Church once stood. On the very first day of the dig the team discovered human remains. It was the body of a smallish man in his 30’s with a number of wounds, some clearly inflicted after death. The most compelling physical feature was a spine, severely twisted by scoliosis. Over time it became clear that the team’s first discovery, in the first hole they dug, was the body of Richard III, best known to the world by way of Shakespeare’s tale of a murderous hunchbacked villain who slaughtered anybody who stood between him and the throne. Shakespeare’s play presents an image of the King the historical society responsible for unearthing the remains has long dismissed as Tudor propaganda. Earlier this week I talked to McCleary about his approach to playing Richard, and the degree to which information drawn from the newly-discovered bones  combines with current pop cultural fascinations to inform how the historical horror story might be understood by contemporary players and audiences.

Intermission Impossible: This is one of Shakespeare’s longest plays and one of his most demanding roles. I can’t even imagine how you can run the company, keep up with young twin boys, and rehearse this part. How are you holding up?


Dan McCleary:
The boys just came to tech rehearsal last night. They’re really interested in this cartoon called Mike the Knight. I wear some pretty full armor on my torso for the duration of the play and so thay became immediately interested. They wanted to know why I wasn’t wearing a visor or a helmet. It wasn’t about Shakespeare for them.

This isn’t my first time to play Richard. I played him once before when I wasn’t this old and tired and grisled. It’s been 17 years and I was very different then, in a very different take on the play. So yes I did know what it would likely mean to do the part again and that’s why brought in a long time associate David Demke to direct, so I could feel like I had confidence in that area. I wanted to surround myself with some folks who were quick studies and knew the play.

It’s a short run, at least.

It’s a strange schedule you know? It’s more like an opera or a concert. One of the originations of Halloween is a reconsideration of saints or souls, so when GPAC had a few days available over Halloween I seized on that, and also the fact that Richard’s actual remains are still are above ground right now. I thought it was a perfect confluence of creative impulses they came together. In terms of schedule we’d love to run for two or three weeks obviously but it’s fitting quite nicely on the stage.

I’m glad you brought up the bones. There’s been a lot of contention regarding the historical Richard III. Does having seen the remains change how we see the play? And how it’s performed?

I think it does. I really should only speak for myself. But it has for us and it’s one of the questions at the heart of what we’re doing. As Shakespeare was writing England into being he knew very well who his monarch was. He was writing for the Tudors, and as we know, history is written by the winners. Also, Shakespeare is writing at at a time when there is a true and genuine belief, not just a religious belief but a humanist belief, that what’s on a person’s outside was the stamp of God. And because it was a stamp of God they were the same on the inside. We know Richard was not buried as a monarch. He wasn’t buried as a king or with any blessing or ceremony. Shakespeare wrote about a withered hand, and he didn’t have one. What may have made him a smaller person of 5’1” or 5’2” was, quite likely, the onset of scoliosis at the age of 10, which twisted his back quite painfully, and visibly into the shape of the letter C. That wouldn’t have prevented him from being a fierce warrior, but it would’ve forced him to find a way to breathe differently. To reorganize his internal organs. To walk differently. To fight differently. To approach life differently, maybe like the elephant man. We’ve considered those things, and we spent a lot of time looking at people who do indeed live through this. It forced us to come to terms with some of Shakespeare’s writing with an overlay of Richard’s bones.

It does humanize the monster.

Instead of creating a vice or a morality play, or some monster or creature, we’re considering who the man had to be considering the humanist and religious thoughts about what people look like on the outside, and how he was born, which is talked about very explicitly in Shakespeare’s play. We have to consider any horse accident he may have had after the age of 10 and everything he had to do to live, not just physically, but psychologically as well. He was a child born into war. He called himself deformed, and yet he was the most fearsome warrior there was. So we’re trying to figure out what might make him so.

The face of evil?

So the remains suggest a more sympathetic view?

The remains force us to look at is what Shakespeare created for Richard in acts 4 and 5, which is a subconscious, his waking dream when the ghosts visit. There’s a lot of fun working toward Richard becoming King. But there’s about six beats of silence in one of the first lines after he becomes King. He only gets six beats of happiness as king and then he’s already thinking about having to kill a child or children. So with the remains being above ground the impact on our production, so far, has been more heartbreaking than harrowing and more painful than Machiavellian.

Audiences seem more familiar with Richard III than they are with the other History plays.

The monster that Shakespeare was writing for the Tudor family made it a very popular play for 400 years. It’s easy to make into a fun story about a monster but I’m not quite sure that’s what Shakespeare intended, especially as we get to his fourth and fifth acts where we are able see the actual man. And then there’s the remains. Eleven wounds to the body. Nine to the head. Two of them lethal. And then there are the wounds inflicted on the body after he was dead, the shaming wounds. And the body unceremoniously dumped into a mass grave.

You know, right or wrong, good or bad, they’ve decided legally to give him a ceremonial burial in the spring. So that informs us as well.

Original Game of Thrones: Tennessee Shakespeare’s Dan McCleary Talks Richard III

I know your production isn’t directly informed by Game of Thrones or American Horror Story. But it seems to me, given the huge popularity of these kinds of TV shows, that the time is absolutely ripe for bringing Richard back. He’s so clearly an inspiration for the GOT character Tyrion Lannister. Even shows like Walking Dead force us to confront a dark side born of circumstance. So, do you think that these trends in pop culture also shape how we experience Richard?

I don’t watch those shows so I can’t say. We always want to create something through Shakespeare the talks directly to our Memphis audience about time and about geography. We want immediacy, urgency, and relevance. This might not be something that’s as Memphis-flavored as our [Taming of the] Shrew. But the bones being aboveground is what excites. We’re going to have a reconsideration of Shakespeare’s Richard with this overlay of natural history. And we’re going to find ways to visualize that. In regard to pop culture, there’s a fascination and always has been a fascination with perceptions of human evil. How can someone do such a thing to someone else? Or to themselves? Something we do I find, as humans, is attempt to not to just be a spectator, but to understand it. We don’t just pay five dollars to go and see the bearded lady, but to find out what it means for us. You know, I’ve killed a fly before. I’ve done something mean. That’s basically the  foundation and Shakespeare is really the first playwright to be fascinated by this and to investigate.

He also knew human nature and our sick attraction to oddity. In The Tempest, which he writes much later, he says that people who “will not lay out a droit to relieve a lame beggar” will pay good money to see “a dead indian.”

Well, he was a marketing guy too. He was a business owner and he knew what would bring audience to the theater. And I don’t blame him at all for that. But really, Richard was probably presented as a morality play, and, to me, that seems like a foreign kind of theater and a form that’s already settled its case. This way there are more unknowns involved. I much prefer that.

Richard III
is at GPAC Oct. 30-Nov. 1. 

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Sing All Kinds We Recommend

Indie Memphis Film Festival Announces 2014 Lineup

At a gala party last night at the High Cotton Brewing Company, Indie Memphis announced the lineup for their 17th annual film festival, which will be held October 30 to November 2. More than 40 feature length narrative and documentary films, as well as dozens of short subjects, will screen over the course of the four-day festival.

John Carpenter’s They Live

Four classic films will receive gala anniversary screenings. Director Michael Lehman and writer Daniel Waters will be on hand when Heathers, the 1989 black comedy starring Winona Ryder and Christian Slater, will celebrate its 25th anniversary at the festival.

Indie Memphis Film Festival Announces 2014 Lineup

Friday night of the festival is Halloween, so it is appropriate that the work of one of America’s greatest horror directors, John Carpenter, will be honored with two gala screenings, beginning with his 1988 science fiction classic They Live, starring Rowdy Roddy Piper and Keith David.

Indie Memphis Film Festival Announces 2014 Lineup (3)

At midnight, Carpenter’s Halloween will screen. A direct descendant of Alfred Hitchcock’s Psycho, Jamie Lee Curtis’ film debut defined the 80’s slasher genre and holds up better than ever today.

Indie Memphis Film Festival Announces 2014 Lineup (2)

The festival will also celebrate the 20th anniversary of one of the best documentaries ever made, director Steve James’ Hoop Dreams.

Indie Memphis Film Festival Announces 2014 Lineup (4)

Hometown filmmakers are well represented at the festival with three narrative features: Chad Barton’s comedy of filmmaking errors Lights, Camera Bullshit; Anwar Jamison’s workplace comedy 5 Steps To A Conversation; Marlon Wilson and Mechelle Wilson’s Christian drama Just A Measure Of Faith. The sole local documentary is Pharaohs Of Memphis, director Phoebe Driscoll’s history of jookin’.

Indie Memphis Film Festival Announces 2014 Lineup (5)

Twelve films will compete for Best Narrative Feature, including the Brooklyn heist comedy Wild Canaries, Onur Tukel’s vampire comedy Summer Of Blood, the time travel drama Movement & Location, and the Texas-based crime drama Two Step.

Indie Memphis Film Festival Announces 2014 Lineup (6)

The thirteen films up for Best Documentary Feature include the kenetic sport doc American Cheerleader; The Hip Hop Fellow, tracing producer 9th Wonder’s experience as a teacher at Harvard; Man Shot Dead, an intimate history of a family torn apart by an unsolved murder; and Well Now You’re Here, There’s No Way Back, about Quiet Riot drummer Frankie Banali’s fight to keep the heavy metal dream alive.

Indie Memphis Film Festival Announces 2014 Lineup (7)

Other notable films include Sundance winner Whiplash, a music drama starring Miles Teller as a young jazz drummer and J.K Simmons as his demanding teacher, and The Imitation Game, an early Oscar contender starring Benedict Cumberbatch as Alan Turing, the eccentric British codebreaker whose work in World War II led directly to the invention of the modern digital computer.

Indie Memphis Film Festival Announces 2014 Lineup (8)

The festival, which will also include numerous panels, special events, and parties, will take place in venues around Overton Square, including Playhouse On The Square, Circuit Playhouse, the Hattiloo Theater, and Malco’s Studio On The Square. The Memphis Flyer will have an in-depth examination of the festival as the cover story for our October 30th issue. Go to indiememphis.com for details on how to buy passes for Memphis’ greatest film weekend.

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Sing All Kinds We Recommend

Halloween Jam: Disco Werewolf

It’s pretty scary. Just to be safe, check yourself into that abandoned college in Holly Springs before you listen to this Halloween Jam from Clay Otis and and the Dream Sheiks.

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Opinion The Last Word

The Rant

Before the Fox News network gets the chance to gin up hysterical indignation for its patented annual protest against the “war on Christmas,” I would like to address a more pressing issue, one that needs immediate attention — and that’s the war on Thanksgiving.

The war began two years ago, when our Muslim president gave a three-minute Thanksgiving speech without mentioning the word “God.” He did mention that “Love your neighbor” stuff and said “God bless you” at the end of the speech, but where were the biblical references? Enraged religious conservatives took to the airways and social media to rail against the secularization of our sacred commemoration of the marriage between Myles Standish and Sacajawea by the shores of Gitche Gummee, after which they threw a party that made Plymouth rock.

The director of the website Christian Newswire wrote, “Thanksgiving [is] the one American holiday originating within Christian culture. God’s providence was demonstrated when the Pilgrims discarded socialism after a year of absolute failure and embraced capitalism. Redefining Thanksgiving as anything other than a call to give thanks to the one true and living God is an attempt to remove God from America’s one true Christian holiday.” He liked the adjective “true” a lot.

After the president’s Godless address, he went outside to the Rose Garden and pardoned a fat Thanksgiving turkey. Who is Obama to interfere with our nation’s annual turkey genocide? And if turkeys start getting pardons, what’s to keep them from seeking revenge? We need tryptophan to combat the onslaught of annoying relatives’ endless questions about what we’ve been up to. It serves as a natural sedative and combats the desire to tell them to go and perform impossible anatomical contortions. Ben Franklin claimed a preference for the turkey as our national bird, and I’m certain that old Poor Richard never sat down to a Thanksgiving dinner of bald eagle. In fact, Franklin invented the phrase “Let’s talk turkey.”

This year, Obama’s past failure to mention God by name, accompanied by Christian Newswire’s declaration that capitalism is holy, has emboldened Thanksgiving Day Parade sponsor, Macy’s, to break with its 155-year tradition of closing on Thanksgiving. They used to give their employees the day off, because someone had to blow up all those balloons, but the only miracle on 34th Street this year will be an accident-free parade. They now will have fewer employees on the street to make sure a wayward balloon doesn’t hit a light pole and fracture someone’s skull. Now that Macy’s has thrown down the gauntlet, can Dillard’s be far behind? And if capitalism is next to godliness, what becomes of cleanliness? Has the lust for consumer goods caused us to lose the desire to clean ourselves?

Commercialism is destroying our faith-based custom of devouring oversized meals before attending after-dinner worship services that feature the age-old morality play of Cowboys versus Redskins. And speaking of Native Americans, or Indians, as they called them back in the puritanical days, I wonder how they celebrate Thanksgiving? It’s been a few years now since that first shindig when the Pilgrims had the Wampanoag over for Thanksgiving supper. Unfortunately, that was the last act of kindness by the new settlers toward the indigenous population. Why shouldn’t Native Americans still be sore at the sons of English refugees? They gave us maize, weaving techniques, and planting advice, and we gave them syphilis, whiskey, and smallpox. Still, isn’t it time to squash the grudge?

This year, the Judeo-Christian day of Thanksgiving is threatened by encroaching Judaism. For the first time in over 100 years, the first night of Hanukkah, or Chanuka, falls on the same day as Thanksgiving. Personally, I never could get excited over a holiday where there’s a discrepancy over how to spell it, but Hanukkah is a celebration of the Jewish victory over the Greeks in 165 BCE, when Judah and his merry band of Maccabees arranged Olympic-style games for Jewish athletes and the Olympic flame burned for eight nights. I’m being facetious, of course. The eight-day celebration is in reference to the Beatles’ song, “Eight Days a Week,” because some ultra-Reform Jews believe that the Lord created the earth and the heavens in seven days rather than six, and on the eighth day, He created the Beatles.

This cosmic convergence has even been given a name, “Thanksgivukkah,” which was created and trademarked by a Jewish mother from New England named Dana Gitell, who has also snatched up the Twitter handle, created a Facebook page, and started selling T-shirts. Boston mayor Tom Menino has proclaimed November 28th “Thanksgivukkah” in the traditionally Irish-Catholic city, saying, “This is a once-in-a-lifetime event. It’s a day to celebrate the diversity of our city and the spirit of working together to make Boston a better place.” What kind of heretic is he? Just because the event won’t repeat for another 79,043 years, is that any reason to sacrifice our traditional values on the altar of political correctness and declare the day “special”?

Let’s return the religious connotations to Thanksgiving. Then we can put the “cai” back in Chanuka. However, if you don’t say “Happy Thanksgiving” to me, I won’t answer you. None of this “Merry Turkey Day” or “Happy Gobble Day,” and if we don’t nip this “Thanksgivukkah” business in the bud, the next thing you know, the Jews will be trying to claim Jesus, and we’ll all be lighting turkey-shaped menorahs. In fact, a 9-year-old boy has patented a turkey-shaped menorah called a “Menurkey.” At my house, we will still be having our traditional holiday meal of barbecue turkey and chopped liver with fried latkes served over cheese grits — and for dessert, small, mesh bags of chocolate coins. Then we’ll make burnt offerings to Hanuman, the monkey god, and pray for an end to the sequester just as the founders intended. Until then, happy pre-holidays to all y’all. Now let’s discuss this war on Halloween.

Randy Haspel writes the “Born-Again Hippies” blog, where a version of this column first appeared.