Categories
Cover Feature News

Give Memphis! Great Local Gift Ideas for the Holidays

Greg Cravens

If 2020 has proven anything, it’s that we need to come together to support our community — the health, happiness, and longevity of our fellow Memphians count on it now more than ever. While we may not be able to gather with friends and family for gift exchanges like we have in the past, we can still lift their spirits with thoughtful presents that help our local restaurants, retail outlets, and entrepreneurs keep doing what they do. Think local this season!

A Box of Magic

Have a giftee in your life who seeks to better understand their own power, to look within and outside for growth and restoration? Give them a box of magic, or as Sami Harvey, owner of Foxglove Pharm, calls it: a Coven Box.

“I’ve always been amazed by Mother Nature’s ability to heal, and I love finding new ways to use her ingredients to solve my problems,” Harvey says. “I started Foxglove Pharm in 2017 because I wanted to share some of those solutions with my community.”

Each subscription box ($40/month) includes a rotating variety of handcrafted herbal “remeteas” (About Last Night: Hangover Tea, Out of the Blue: Third Eye Tea, and others), scented oils, Resting Witch Face skincare products, rituals, and more special items that “honor the moon, the current astrological phase, and a featured plant.”

Sami Harvey

Each month, she partners with another local maker or small business to spotlight their wares. For her Foxglove offerings, Harvey is “the only witch in the kitchen,” so the products are small-batch and made with “ethically sourced, organic, sustainable ingredients.”

Regarding the rituals included in a box (or separately on the website), Harvey says, “These aren’t like supernatural spells that will destroy all your enemies and turn Michelle Obama into your BFF. But they’re ways to meditate and channel your energy into manifesting a better reality for yourself. The real magic ingredient is you and your intention.”

Visit foxglovepharm.com to order a Coven Box and shop products. — Shara Clark

Feed an Artist

The old cliché about “starving artists” has seldom been more true. Buying art is often the last thing folks are thinking about during tough times like these, but our Memphis painters and sculptors and photographers — and their galleries — have bills to pay, just like the rest of us. That’s why this might be a great year to put a new painting on your wall, or gift someone a work of art so they’ll be reminded of you every day.

Courtesy Jay Etkin Gallery

Untitled by John Ryan

There are many fine galleries in Memphis. Here are just a few: L Ross, David Lusk, Jay Etkin, Crosstown Arts, Orange Mound Gallery, Art Village, Cooper-Young Gallery, and B. Collective. Artists featured include Matthew Hasty, Jeanne Seagle, John Ryan, Mary Long, Roy Tamboli, Eunika Rogers, Cat Pena, Yancy Villa-Calvo, Hamlett Dobbins, Anne Siems, Tim Craddock, and many, many more. In addition, many galleries are featuring special holiday shows.

End what has been a nightmarish year on an upbeat note: Buy a piece of art. It’s good for your heart. — Bruce VanWyngarden

Let Them Eat Cake

I’d be happy to receive a Memphis Bourbon Caramel Cake from Sugar Avenue Bakery, either in or out of my stocking. This is the Sugar Avenue collaboration with Old Dominick Distillery.

Just listening to Sugar Avenue owner Ed Crenshaw describe the six-inch cake makes me crave a slice or three: “The cake is four layers. Each layer is literally soaked in a bourbon caramel sauce. And then our caramel icing, which we make from scratch.”

Courtesy Ben Fant

Sugar Avenue cake

Sugar Avenue worked with Old Dominick’s master distiller/senior vice president Alex Castle to come up with the perfect blend of cake and bourbon. Old Dominick’s Huling Station Straight Bourbon Whiskey was chosen for the cake, which has “a great hint of bourbon flavor,” Crenshaw says. “We add bourbon to the icing and ice the cake with it.”

To help you get even more into the holiday spirit, Sugar Avenue Bakery recently began adding two-ounce jars of extra caramel sauce with every bourbon-flavored cake.

Memphis Bourbon Caramel Cakes are $55 each, and they’re available at sugaravenue.com. — Michael Donahue

Accessorize in Style

When Memphians need to give the gift of stylish living, they turn to Cheryl Pesce, the jewelry and lifestyle store in Crosstown Concourse. The store takes its name from its owner, Cheryl Pesce, a jewelry maker, entrepreneur, and all-around style guru.

This month, Pesce opened a second store in the Laurelwood Shopping Center, giving Bluff City-area shoppers double the chances to find — and give — stylish accoutrements. “I’m banking on Memphis,” Pesce explains. And Memphis seems ready to support Pesce. “We had a grand open house, social distancing into the parking lot, and it went well.”

Courtesy Cheryl Pesce

Handmade jewelry from Cheryl Pesce

The store opening story is just the tip of the breaking-news iceberg, though. Pesce tells me excitedly that she’s been in touch with fashion designer Patrick Henry, aka Richfresh, about his newly designed Henry Mask. “I spoke with him today and — drumroll — we will now be carrying his masks in my Laurelwood store.”

But wait! That’s still not all. The ink is still fresh on a deal for Pesce to carry Germantown-produced Leovard skincare products. “I will be his only brick-and-mortar store in the country,” Pesce says. “So there are a lot of cool things happening, most of them local.”

In the smaller store in Crosstown, Pesce sells hand-sewn baby items, masks, Christmas ornaments, and anything with the Crosstown logo — she’s the official source for Crosstown-brand goods. Laurelwood is larger and a little more deluxe. “One of the focuses for that store is local and regional artisans,” Pesce says. She carries Mo’s Bows, Paul Edelstein paintings, and, of course, hand-crafted jewelry. “That’s really my wheelhouse.

“My studio is at Laurelwood,” Pesce says, “so not only is it made in Memphis, made by me, but it’s all under one roof now. The store, the studio. You can literally come pick out your own pearls — ‘I want this pearl on that earring’ — and then I craft it for you right there.”

Cheryl Pesce is located at 1350 Concourse Avenue, Suite 125, and at 374 Grove Park Road South, Suite 104. Find out more at (901) 308-6017 or at cherylpesce.com. — Jesse Davis

Good Reads

There’s something that comes from holding the edges of a book and being taken to a distant land or wondrous world. Whether it’s due to happenstance or the crazy and confusing world in which we find ourselves now, I have been reading more and more as the months drag on. To fuel my ever-growing hunger for words and phrases completed on the page, Novel has been my go-to place.

Novel is proof that when you are doing something you love, the results will follow. The bookstore, founded in 2017, is the go-to for other local book enthusiasts, too — and with good reason. Their staff will go to the moon and back to help you find the book that fits you just right, and if you’re looking for something specific, chances are they will be just as excited about it as you are.

Matthew J. Harris

of what gift to give this season.

Many of their aisles have felt like a second home to me the past few months. And with books in every genre, it is often easier to ask them what they don’t have, rather than what they do. Personally, I love their new-this-year home delivery option, which offers a safe way to give the gift of literature this holiday season. — Matthew J. Harris

Hit the Boards

This year has given us plenty of time to learn new skills. And what better way to get your mind pumping in both a constructive and competitive fashion than with a game of chess?

The Memphis Chess Club recently opened its new café/headquarters Downtown at 195 Madison Avenue, and the three levels of annual memberships make for a great gift, whether someone is looking to seriously pursue an interest in the game or just learn a few tips and tricks.

Samuel X. Cicci

A Memphis Chess Club membership isn’t as risky a move as the Queen’s Gambit.

The social membership ($50) allows members to play chess in the café area at any time, with tables, pieces, and clocks all provided. The full membership ($100), meanwhile, affords all of the social perks but provides unlimited and free access to all classes and tournaments, which are held at the club weekly. It also offers discounts on merchandise, and members are able to check out materials from the club’s chess library, which contains old magazines and strategy books.

For whole families looking to kickstart an interest in the game? The family membership ($150) contains all full membership benefits and includes two adults and all the children in a household.

And, hey, if chess isn’t your thing, the spacious café is a great space to just hang out or study while sipping on some brewed-in-house coffee or munching on one of chef Grier Cosby’s specialty pizzas.

Visit memphischessclub.com/join for more information. — Samuel X. Cicci

The Gift of Grub

Food is fun and helps define Memphis culture. Those who make that food and fun are in trouble.

Restaurants have maybe suffered more than any small business during this pandemic. Restrictions on them have come and gone and may come again soon. Memphis restaurateurs have shown amazing resilience in these ups and downs. They’ve shifted business models, adapted to the latest health directives, and adjusted staff levels (laying off workers and hiring them back) to match it all.

Memphis Restaurant Association/Facebook

Support local restaurants — so they can stick around.

However, we forever lost some Memphis favorites, like Lucky Cat and Grove Grill. The National Restaurant Association said nearly 100,000 restaurants across the country closed either permanently or for the long-term six months into the pandemic. Nearly 3 million employees have lost their jobs. Help restaurants out and have food fun, too. This holiday season, buy gift cards from our local restaurants.

At the pandemic’s beginning in March, we told you about a national push to buy “dining bonds” or “restaurant bonds.” Many Memphis restaurants jumped in — many selling gift cards at deep discounts. For restaurants, gift cards are quick infusions of cash, helpful in tough times.

So instead of that scarf you’re kind of on the fence about, spend the same amount on a restaurant they love. It’ll be unexpected and, yes, come with some delayed gratification — delicious delayed gratification. Present it not as a gift card but as that dish they love from that place they love.

Sing it with me: “Everybody knows, a burger and some mistletoe help to make the season bright. Memphis foodies, with their eyes all aglow, will find it hard to sleep tonight.”

Gift cards are available at almost every restaurant and for almost any amount. Check websites and socials for details. — Toby Sells

Music to Their Ears

Remember when giving music was a thing? Physical things like LPs, CDs, and cassettes could be wrapped. But now that everything’s ethereal, there’s still a way to give the gift that keeps on giving: Patreon. Musicians are embracing this platform more and more, and it’s working for them. A subscription to their accounts may just be the perfect gift for the superfan in your life who already has everything.

Mike Doughty (Soul Coughing, Ghost of Vroom) relies on his Patreon subscribers for both income and inspiration. As he told the Detroit Metro Times, “Doing a song a week is amazing, and that is really what, if I had my druthers, I’d do for the rest of my life.” Patrons can subscribe at different levels, each with premiums like CDs and T-shirts, but everyone paying at least $5 a month can access Doughty’s song-a-week and more.

Greg Cravens

Other Memphis-affiliated singer/songwriters like Eric Lewis, J.D. Reager, and (coming in December) Marcella and Her Lovers also have accounts. And last month, label and music retailer Goner Records began offering Patreon subscriptions that include access to the Goner archives and exclusive music and videos.

Patreon’s site notes that “there isn’t currently a way to gift patronage,” but if you get creative, you can search for an artist on patreon.com and buy a subscription in a friend’s or family member’s name — and they can thank you all through the year. — Alex Greene

Support Arts and Culture

“A plague on both your houses!” cried the dying Mercutio in Romeo and Juliet, and it seems the COVID-19 pandemic took that sentiment to heart, emptying out our theaters and concert halls and thinning out attendance at museums. But still they persisted. The organizations behind the arts we love are still at work online, virtually, distancing, and striving to keep the arts alive — especially in programs aimed at young people.

You can help the old-fashioned way by getting season subscriptions and memberships for whenever the lights come back on — and they could use that support right now. Or make a simple donation. Help keep Memphis culture alive by giving gifts on behalf of the following, but don’t be limited by this partial list — if you have other favorites, give them a cup o’ kindness as well.

Jon W. Sparks

Spring, Summer, Fall at the Brooks Museum by Wheeler Williams

Performing arts organizations:

• Playhouse on the Square (playhouseonthesquare.org)

• Theatre Memphis (theatrememphis.org)

• Opera Memphis (operamemphis.org)

• Ballet Memphis (balletmemphis.org)

• New Ballet Ensemble (newballet.org)

• Cazateatro (cazateatro.org)

• New Moon Theatre (newmoontheatre.org)

• Hattiloo Theatre (hattiloo.org)

• Tennessee Shakespeare Company (tnshakespeare.org)

• Memphis Black Arts Alliance (memphisblackarts.org)

• Emerald Theatre Company (etcmemphistheater.com)

Museums and galleries:

• Memphis Brooks Museum of Art (brooksmuseum.org)

• Dixon Gallery and Gardens (dixon.org)

• National Civil Rights Museum (civilrightsmuseum.org)

• Metal Museum (metalmuseum.org)

• Stax Museum of American Soul Music (staxmuseum.com)

• Pink Palace Museum (memphismuseums.org)

• Children’s Museum of Memphis (cmom.com)

• Fire Museum of Memphis (firemuseum.org) — Jon W. Sparks

Basket or Box It for a Gift That Rocks It

Need something sweet for your honey this holiday season? Thistle & Bee has the gift that gives twice. A relaxing gift box contains raw Memphis honey, a milk and honey soap bar, and a pure beeswax candle ($20). Every item is handcrafted and directly supports women survivors to thrive through a journey of healing and hope.

Social enterprise director at Thistle & Bee, Ali Pap Chesney, drops a stinger: “We partner with other businesses, too. Feast & Graze uses our honey.”

Feast & Graze/Facebook

Feast & Graze

The cheese and charcuterie company Feast & Grace is co-owned by Cristina McCarter, who happens to co-own City Tasting Box. Boxes are filled with goodies promoting local Black-owned businesses like Pop’s Kernel and The Waffle Iron. An exclusive limited-quantity holiday gift box, Sugar and Spice, just rolled out for the season in two sizes — regular ($74.99) and ultimate ($124.99).

Memphis Gift Basket is owned by Jesse James, who says he is rolling out a new logo this week. Along with the new logo are new products for baskets ($55-$100) that focus on diversity by including more women- and minority-owned businesses, in addition to local items with iconic names like The Rendezvous and Memphis magazine. Guess what else you might find in a Memphis Gift Basket? Thistle & Bee honey.

Now that we’ve come full circle, check out these gift box and basket businesses, as well as partnering companies, for errbody on your holiday list — including that corporate gift list.

Visit thistleandbee.org, citytastingbox.com (use code SHIP100 for free shipping on orders over $100), and memphisgiftbasket.com for more. — Julie Ray

Lights, Camera, Action

A lot of businesses have been hard-hit during the pandemic, and movie theaters have been near the top of the list. With social distancing-limited theater capacity and Hollywood studios delaying major releases into next year in the hopes a vaccine will rekindle attendance, theater chains like Memphis-based Malco have been in dire straits. The exception has been drive-in theaters, like the Malco Summer Drive-In, which have seen a renaissance in 2020.

If you want to support this local institution and give a treat to the movie-lover in your life, you can buy them a Malco gift card. Available in any denomination from $10 to $500, the gift cards can be used for movie tickets and concessions for any film now or in the future. You can also enroll in the Malco Marquee Rewards program, which allows frequent moviegoers to earn points toward free tickets and concessions.

Greg Cravens

Malco has taken extraordinary steps to ensure the safety of its patrons, including mandatory masks, improved air filters, and non-contact payment options. And if you’re not comfortable sharing a theater with strangers right now, there’s a great option: The Malco Select program allows you to rent an entire theater for a screening of any film on the marquee — and that includes screenings in the massive IMAX theaters at the Paradiso. Prices start at $100, which works out pretty well if you want to watch Wonder Woman 1984 with your pod this holiday season. And if the person you’re buying for is a gamer, Malco has a brand-new option. With Malco Select Gaming, you can bring your system to the theater and play Call of Duty or The Last of Us on the biggest possible screen. — Chris McCoy

Categories
Art Exhibit M

Best Art Instagrams of the Week: Flyer Round-up

Wondering which Memphis-based (or Memphis-originated) artists to follow on Instagram? Allow us to help.

Filmmaker and sculptor Brian Pera (@brian__pera) is currently in production on a film project dubbed “Sorry Not Sorry”, featuring fellow artists Terri Phillips and Joel Parsons. 

Best Art Instagrams of the Week: Flyer Round-up

[jump]

Johnathan Robert Payne (@johnrobertpayne) and D’Angelo Lovell Williams (@limitedomnishit) collaborated on a series of photographs and drawings that were on view at First Congregational Church earlier this week. 

Thank you to everyone who came out tonight! It meant a lot to @limitedomnishit and I. #roomtolet

A photo posted by Johnathan Payne (@johnrobertpayne) on

Best Art Instagrams of the Week: Flyer Round-up (2)

Kong Wee Pang (@kongweepang) and Jay Crum (@crumjay) installed “Walking Eyes”, a collaborative series of works on paper and fabric, at Crosstown Arts. 

Best Art Instagrams of the Week: Flyer Round-up (3)

Memphis-bred cartoonist and illustrator Derrick Dent (@dentslashink) lives in New York now, but that hasn’t changed his quick draw style. 

Avoiding any copyright issues, I'll just call this People Folks of New York City Place.

A photo posted by Derrick Dent (@dentslashink) on

Best Art Instagrams of the Week: Flyer Round-up (4)

Another Memphis trained artist-to-watch: Rhodes grad Esther Ruiz, whose glow-y neon sculptures are making waves in NYC. 

i've been in here 13 hours, last one

A photo posted by @esther___ruiz on

Best Art Instagrams of the Week: Flyer Round-up (5)

Hamlett Dobbins (@hamlettdobbins) is making colorful and wonderful summer drawings. 

Summer drawing 2015.

A photo posted by Hamlett Dobbins (@hamlettdobbins) on

Best Art Instagrams of the Week: Flyer Round-up (6)

Think your Instagram should be featured on our weekly art round-up? Let me know: eileen@contemporary-media.com. 

Categories
Art Art Feature

“Born to Hula” at Glitch.

Over the course of the past five months, artists Tad Lauritzen Wright and Hamlett Dobbins have painted about 50 heads. The heads, which currently animate the walls of Lauritzen Wright’s Midtown garage/studio, are made from neon-colored paper and googly eyes. They are not accompanied by bodies. They are heads in the same way that Muppets are animals, which is to say that they are more head-like than they are like anything else, but you couldn’t exactly call them naturalistic.

These recent works from Lauritzen Wright and Dobbins are only the latest effort in the artists’ longtime collaborations. This Friday, Glitch will host the fifth show of the friends’ work together — an exhibition they titled “Born to Hula” after a beloved Queens of the Stone Age anthem. The paintings in “Born to Hula” are a departure from the artists’ earlier collaborations because, where past works have been compiled over long periods via mail, Lauritzen Wright and Dobbins made these pieces working together in the same room, one morning per week.

“I drop my kids off and he drops his kid off and we work,” Lauritzen Wright told me when I visited his studio to see Dobbins’ and his preparations for the show. “One of the titles we were thinking about for the show was ‘Daddy Daycare.'”

What transpires at Daddy Daycare, according to Dobbins, is a kind of “nonverbal conversation.” Paintings are passed back and forth, metal albums are played, pieces are added to or reduced to parts for other paintings. “We come in,” says Dobbins, “and we make these marks and we make these moves and maybe at the end of the day, we will talk about it. It is this nice kind of way of thinking about things.”

The garage studio where Lauritzen Wright and Dobbins work is crowded with liquid acrylics and dirty brushes, torn or otherwise dissembled sheets of paper, half-formed drawings, and glittery material tests. There are also several works attributable to Lauritzen-Wright’s 6-year-old daughter, who the artist cites as one of his major current influences.

“I have a 6 year old and I put a lot of stuff up of hers and she plays out here a lot … but that is kind of where my aesthetic falls at the same time,” says Lauritzen Wright. “I knew my aesthetic was child-like,” he laughs, “but I didn’t know what exact age it was like until my daughter got to be 5 or 6.”

The aesthetic in “Born to Hula” is child-like: monstrous and colorful and plasticky like recycled toys. The “dopey and fun” paintings (as Dobbins calls them) champion a kind of infinitely bright 1970s boyhood held in infinite backyards. But there is also a twist of jaded junkiness in the yet-untitled works, such as the one they describe as “the mush painting with a see-through rainbow on it.” In the paintings’ dark moments, we are reminded that even pristine pre-fab swingsets must one day rust.

The artists often work at a large scale and quickly, without preciousness about past creations. “I make these big oval-shaped paintings and drawings,” Dobbins says. “Sometimes those don’t work, though, and when those don’t work, I just sort of grab four of them and stitch them together. We realized that it would be better if we cut it out and there was this kind of X shape … I have been piling colors on.”

Lauritzen Wright says, “I kind of dig the heads out of abstractions, and then [Hamlett] is digging them out through cutting. Most recently, on some of the larger ones, Hamlett had some really simple linework, and then I went in and kind of accentuated his line. We were really happy with those. It pushes and pulls in both places.”

It will be interesting to see Dobbins’ and Lauritzen Wright’s work at Glitch, Adam Farmer’s house gallery that has, over the course of the past year, hosted Memphis’ most dynamic collaborative shows. Farmer’s space is also casually nostalgic, though for a caffeinated ’90s (Air Bud! Tim Allen!) rather than Dobbins and Lauritzen Wright’s open-hearted ’70s.

Even without the liberal use of googly eyes, Lauritzen Wright and Dobbins collaboration would feel not-too-serious and warm. “Hamlett is the best painter I have ever known,” says Lauritzen Wright, “and the way he goes about using paints has been really interesting. There has been a lot of attention paid to how things look on the surface.”

Categories
Art Art Feature

Something Old, Something New

Adolph Gottlieb: Early Prints,” the current exhibition at the Art Museum of the University of Memphis, chronicles a pivotal moment in the history of art. The prints’ titles (Pictograph, Hieroglyph, Omen, Voyage, Aura) tell the story. From 1933 to 1948, the time frame during which these works were created, Gottlieb printed and painted his way through other artists’ styles and the motifs of other cultures and, with the help of surrealism, recorded images from his own dreams and personal visions.

In the 1945 etching Untitled (E # E), two necks grow from each side of an upside-down face whose features have been rearranged by cubist distortion. Whorls morph into waves into phalluses into snakes into fingers. One of these fingers presses into the body of a large fish-like creature whose mouth opens wide with surprise.

In this and many of the other prints in the show, Gottlieb develops an increasingly original, gestural, nonrepresentational style that foreshadows the work of the abstract expressionists (Pollock, de Kooning, and Kline et al.), artists who changed the face of art in this country and around the world.

At AMUM through October 20th

You’ll find the most unsettling, show-stopping symbolism at L Ross Gallery in Margaret Munz-Losch’s exhibition, “Damnatio Memoriae.” An armadillo sits inside a rotting cypress stump in Munz-Losch’s primordial six-foot-tall painting Lullaby: Madonna of the Moss. Instead of her own litter of pups, the armadillo holds an armless human baby whose left eye is milky white. Fire ants march around the infant’s forehead like a crown of thorns.

Adolph Gottlieb image: Adolph and Estther Gottlieb Foundation/Licensed by Vaga, NY, NY, AEGF #4682P

The armadillo is either cradling or consuming the infant. Both readings are possible in a world where life, death, and decay are inseparable. Saplings grow out of rotting logs; cypress knees thrive in fetid, microbe-rich waters. This work’s subverted religious symbols, swampy environment, and green vines wrapped around cars and a school bus suggest that the lullaby the Madonna/armadillo croons to the infant goes something like this: Neither textbooks nor creeds nor motorized vehicles can deliver us from nature which, ultimately, reclaims everything. The more we try to insulate ourselves inside our books, inside our minds, inside our cars — the more we miss out on life’s raw beauty and power.

At L Ross Gallery through October 27th

Using skills and sensibilities learned from Chinese landscapists and sculptors of miniature stone mountains, Michael Costantini casts lean weathered bronzes whose irregular surfaces look architectural, organic, and geologic. In Perry Nicole Fine Art’s current exhibition, “Michael Costantini,” these evocative totems look like beams of a skyscraper excavated in some distant future, 200-year-old saguaro cacti whose wounds have been faithfully recorded, and/or vertical rock faces blanketed with moss and lichen.

Costantini’s acrylic paintings are also composed of rough-edged, irregular geometries. Scumbled and overlapping blue, beige, and indigo rectangles in The Outer Banks hover and shift like the seas/sands/storms of the coastal community in North Carolina where Costantini lives.

At Perry Nicole through October 29th

Hamlett Dobbins’ abstract paintings are visual shorthands for patterns as simple as the shape of a friend’s head and for processes as complex as the evolution of friendship. In his David Lusk Gallery exhibition, “Every One, Every Day,” Dobbins digs deep into mind and matter and paints what look like shadows moving across mental and physical landscapes, moisture oozing through cellular membranes, the centrifugal force of orbiting planets, and worm holes in facets of light.

Two of the show’s most understated works clearly demonstrate Dobbins’ mastery of color and light and, like much of Dobbins’ art, evoke a synesthetic response. A 3 o’clock sun blazes at the bottom of Untitled (for L.T./G.M.). Alternating layers of transparent yellows and greens turn the canvas into a meadow shot through with light. What looks like a piece of fabric, stained green and gold, billows at the top of the painting. Stand in front of this work, and you’ll feel sun on your body, breezes in your hair.

Two golden diamonds overlap and fill Untitled (for L.T./J.V.T.). At each of the diamond’s tips are small portholes. Like the view through a keyhole in a Dutch masterwork, you’ll see detailed worlds through these portals. Complex patterns of cumulus clouds float through 10 different shades of blue above forested hillsides, crows on pitted stone walls, and meadows covered with grains and grasses.

These small, surprisingly complex scenes demonstrate Dobbins’ skill at landscape as well as abstraction and prove him to be a magician whose sleights of hand and mastery of materials teach us to look, really look, at each scintilla of shape, color, and light.

At David Lusk through October 27th

Categories
News News Feature

In the Paint

More than a decade ago, Elliot Perry — then a point guard for the Phoenix Suns — was sharing a flight to Japan with fellow NBA’ers Charles Barkley and Darrel Walker when the conversation turned to art.

“I had no interest in it at the time,” Perry, a University of Memphis alum who earned a record-breaking 2,200-plus points for the Tigers before graduating in 1991, quickly confesses, “but Darrel showed me books and catalogs and some things from his collection.”

He was immediately hooked.

Talk to Perry for five minutes, and he’ll discuss the merits of Mississippi-born painter William Tolliver and dissect the life and work of the 20th-century African-American master Jacob Lawrence before making predictions about his beloved Tigers’ upcoming season.

Today, his zeal is reflected in his collection, which includes hundreds of pieces in mediums that range from photography and painting to drawing, sculpture, and video.

For the next month, 15 choice works are on display at Rhodes College’s Clough-Hanson Gallery. The selection includes pivotal pieces such as Glenn Ligon’s neon sculpture Untitled (Negro Sunshine), Renee Cox’ portrait American Beaute, and Wardell Milan’s Cibachrome collage of lush greenery, dinosaurs, and African figures.

“Most African-American people don’t grow up appreciating art,” Perry says. “They’ll like a cotton-picking scene or a portrait of a mother and child — something figural we can all relate to. For me, it’s been a growing process. In the beginning, I couldn’t appreciate abstraction or anything conceptual.

“Over the last four years, I’ve made a 360 on the work I collect and began moving toward young contemporary artists, artists of my time. I read about when [noted African-American art collector Dr. Walter Evans] started collecting in the ’70s and how he built friendships and working relationships with artists. I thought, Hey, I can do the same thing. So I started getting in touch with young contemporary artists.”

Clough-Hanson’s director, Hamlett Dobbins, says, “It’s one thing to buy something, and another thing to build that relationship. And in that way, Elliot is like a patron, someone who is aware of how important his support can be to a young artist.”

After crossing paths at a Brooks Museum exhibit that featured work on loan from Perry’s collection, Dobbins began laying the groundwork for “Taking Aim: Selections from the Elliot L. Perry Collection,” which will be on display at Clough-Hanson through October 11th.

Dobbins and Perry handpicked the pieces from 15 different artists, including hoop-dreams-themed works like photographer Hank Willis Thomas’ luminously deceiving Basketball and Chain, Michael Ray Charles’ Untitled (an arresting, nearly 5-foot tall painting which features a cartoonish figure stuffed into a fishbowl, while a carrot, a basketball, and words like “prosperity” and “influence” dangle above him), and Robert Pruitt’s ominous Sandinista, a drawing that depicts a figure dressed in half-bushman, half-NBA attire, a fatigue-styled cap on his head and a pistol at his feet.

The oldest pieces in the show, mixed-media work such as Kerry James Marshall’s The Face of Nat Turner Appeared in a Water Stain and Radcliff Bailey’s Untitled, date back to the ’90s; everything else is 21st century and as breathtakingly contemporary from a socio-political standpoint as they are on a purely artistic level.

“People paint what they know,” Perry says. “This collection tackles so many different issues. It shows the rich heritage of African-American people in so many diverse ways.

“Since I began collecting, I’ve always wanted to share art with other people,” he continues. “For me, it’s an inspiration. People think of it as a rich person’s game, but I know guys who have built significant collections by paying out a little bit at a time, doing their homework, and going out there and being a part of the scene.”

Now, Perry, a part owner in the Memphis Grizzlies, sees his collection as much more than a monetary investment.

“Being a collector has broadened my horizons,” he says. “I’ve gained an appreciation not just for visual art but for music, from opera to classical. Dance and performance art too — the whole nine yards. Wherever I go, whether it’s basketball season or not, I’m always talking to people and always collecting.”