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Checking In: Displaced Actor Finds Work, Purpose Serving the Underserved

Jackie Murray/Facebook

Murray as Tubman, left, and in a promo photo, right.

They probably don’t know they’re talking with Harriet Tubman.

When some Memphis Housing Authority (MHA) residents get a check-in call from the city of Memphis, they will hear the clear, energetic voice of Jackie Murray. They may not know, however, that she honed that voice on the stage.

Before the virus hit, Murray had come back to Memphis, singing and acting at theaters around town. She’s been performing her one-woman show “Harriet Tubman: One Woman’s Journey,” which Murray wrote, across the Mid-South since 2012.

Right up until stay-at-home orders came down, Murray had been hosting African-American tours of Memphis for A Tour of Possibilities. Even though tourists kept signing up for the tours (one couple from New York came to Memphis just for the tour and ended up spreading coronavirus all over the country, she said), Murray eventually found herself out of work.

Murray’s boss shot her an article about job opportunities with the city of Memphis, a partnership with Vaco. The consulting and staffing firm quickly organized a remote call center in Memphis staffed primarily from workers in the hospitality and restaurant sector, said Kirk Johnson, managing partner of Vaco in Memphis.

The effort is funded by a grant through the Community Foundation of Greater Memphis and targets MHA residents, a typically underserved and unemployed segment of the Memphis population.

Murray passed the screening and started work with the call center. On the job, she calls these residents, asks them how they’re doing, probes them for any COVID-19 symptoms, reminds them to take preventive measures, and tells them what resources are available to them.

When Murray calls these residents, they may not know her famous stage voice. But, she says, they always appreciate her lending an ear. — Toby Sells

Memphis Flyer: Sounds like the program came along at just the right time for you.

Jackie Murray: It’s been very helpful, especially now. You know, I have to pay my rent and I have to eat. Even though it’s not a lot of money nor is it a lot of hours, at least it’s something, and I appreciate that.

I also appreciate the fact that I’m helping others through this. One of my mottos with my art and my artistic abilities is that I want to make a difference through the arts. That means I love to help people. I love to be out in the community. I volunteer often and I just try to make a positive difference, spread good vibes.

MF: Yes, and you’re serving a population that can really use it right now.

JM: I can reach out to some of the residents, some that are a little underserved at this time and give them at least a little information.

Sometimes during these calls, some people want to open up and talk about what they’re going through. A lot of people are alone right now, like myself. I’m single. I live alone. So, it gives them an ear. Even if it is for a couple of minutes, they get to vent a little bit about what they’re going through.

Luckily, with the folks that I’ve been speaking with, nobody had any symptoms of COVID-19, which is great.

MF: Before we go, do you have any idea when we may see Harriet Tubman back on stage?

JM: I have been getting a few requests to do a live stream. My biggest hurdle for that is finding a space where I can do it, someplace big enough to do it.

I am proud to set up a camera and all of that, but I don’t want to do it at home. I want to be able to give people that experience. But I don’t want it to look like, you know, let me go over here and sit on my couch.

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Art Art Feature

Jackie Murray Honors Harriet Tubman in One-Woman Show

The 2019 film Harriet is the most recent major artistic interpretation of the life of the abolitionist/activist/spy Harriet Tubman. The American heroine has long been celebrated in theater, opera, literature, postage stamps, and fine arts.

Jackie Murray knows all about that. Since 2012, the Memphis actor/singer has been performing a one-woman show of Tubman’s life to audiences around the region. There is a certain inevitability in how it came about. A few years before she embarked on her Tubman crusade, Murray was sick in a hospital in Washington, D.C. And she was frightened. She remembers it as something of a Danny Thomas moment before he made the big-time in entertainment and was inspired to create St. Jude Children’s Research Hospital: “I said, God, if you let me out of this situation, I will go back to Memphis, and I’m going to sing and act and do what you put me on this earth to do.”

Harriet Tubman (left) comes to life in Jackie Murray’s one-woman show.

She got out of the hospital and headed back to Memphis. “As soon as I put my car in park, my phone rang and it was one of the local theaters asking, ‘Are you back? Do you want to do a show?’ I was like, well look at that!”

Murray got into productions at Playhouse on the Square and other theaters around town. She became a member of the company at Hattiloo Theatre. And soon enough, she felt the need to write a play. The Imperial Dinner Theatre in Pocahontas, Arkansas, encouraged her, and she determined she’d do a biographical play.

Tubman kept coming to the fore. “The more that I did my research, the more her personality started to shine,” Murray says. “I also read that she had a one-woman show after the Civil War. She needed a way to make money, and one of her gigs was to go around and tell about the atrocities of slavery through her performance. So I was like, well that’s it.”

The next performance of Murray’s Tubman tribute — Harriet Tubman: One Woman’s Journey — is at 7 p.m. on Thursday, February 20th, at Elmwood Cemetery (elmwoodcemetery.org).

She’s done dozens of performances in the Mid-South since the first one at Hattiloo in 2012. “It’s said that Harriet had a beautiful singing voice,” Murray says, “even though it was raspy because of what she had gone through as a child when she got really sick.

“I envisioned her standing on the bank of the river, speaking and singing to these folks, those enslaved Africans, and letting them know, okay, this is what’s up and this is what we needed to do,” Murray says. “So that’s how the whole premise of how I was going to present it happened — I turn the audience into the runaways, and we’re taking this trip together.”

She booked the show in Arkansas mostly, then into Mississippi and Tennessee. She became a teaching artist with the Tennessee Arts Commission, and that expanded the performances of Tubman’s life around the state, particularly in schools.

That eventually led to Murray being contacted by a booking agent who needed someone to play Tubman at an event in Nashville. “I was to be in character and walk around with other historical figures like Abraham Lincoln and Ulysses Grant,” she says. The event was sponsored by the A+E Networks, which includes the History Channel, Lifetime, FYI, and Biography, among others. And that gig led to her being asked to attend the upcoming A+E HISTORYCon the first week in April in Pasadena, California, where she’ll perform and be part of a panel discussion.

It just shows how busy Murray’s life has been. She’s been nominated as Best Actress by PLAY Enterprises, publisher of PLAY Magazine that covers urban theater. That event is the end of March in Las Vegas. Meanwhile, she’s working on another play, Aspire, about a young gifted girl who must, in adulthood, rediscover her inspiration.

And when she’s not doing all of this, she is a guide with A Tour of Possibilities that gives visitors a look at African-American history in Memphis. The tour goes from Downtown to Cotton Row to Slavehaven to the Mason Temple and the National Civil Rights Museum. She puts her all into conducting those tours, just as she does her Tubman performances and everything else she endeavors. “I give it some soul and bring the city to life to let people know there’s way more to Memphis than Elvis and barbecue.”

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We Recommend We Recommend

Judy Garland and Harriet Tubman this week in theater

If you thought Debbie Litch’s performance skills were limited to pre-show speeches about how great it is to buy a subscription to Theatre Memphis, it’s just not so. She’s a spitfire cabaret singer who hit the Lohrey Stage last season playing Judy Garland in Peter Allen’s musical biography, The Boy From Oz. That’s also the character she’s reprising in “Debbie Sings: Judy, Just for You” opening this week on Theatre Memphis’ NextStage.

“I love the happy songs like “Clang, Clang, Clang,” Litch says, listing selections from the MGM years all the way through the end of Garland’s storied career. The big emotional ballads are her favorites.

“Debbie Sings: Judy, Just for You”

“Debbie Sings: Judy, Just for You” was conceived by Theatre Memphis’ longtime customer and Judy Garland aficionado André Bruce Ward.

Litch isn’t the only Memphis solo performer wrestling with a legend this week. Memphis writer and actress Jackie Murray portrays the Underground Railroad’s most famous engineer, Harriet Tubman, in her original one-woman show, Harriet Tubman: One Woman’s Journey, at the Evergreen Theatre.

In a conversation about our changing relationship with history, Murray tells a story about how Tubman tried to buy herself out of slavery and failed.”I think she’d love being on the $20 bill,” says Murray, who started performing as Tubman four years ago.

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Letters To The Editor Opinion

What They Said…

Greg Cravens

About the Flyer editorial, “Tubman vs. Jackson: The Change Will Do Us Good” …

You could probably start a good business by withdrawing a load of the current $20 bills that you plan to turn around and sell for $25 a pop to the rednecks and racists of the world that don’t want to spend Tubman $20 bills.

GroveReb84

I dunno, my confederate dollars have gotten pretty dusty. But it’s worth a try.

Nick R.

I hope they use the photo of her smiling.

Smitty1961

About Toby Sells’ story, “Council Readies for Greensward Mediation Deadline” …

Life isn’t going back to normal for the Memphis Zoo after this. They have really pissed off people enough this time that they are going to have to actually solve the problem. Because, regardless of what the council does, there are people who are going to go after the zoo with legal action and boycotts of their donors. This isn’t going to get better if the council fails to do its job. It will get worse.

OakTree

About Sam Cicci’s story “Goal!” …

It’s a pity that no one remembers the very successful Memphis-based soccer teams: Memphis Express and Memphis Mercury. Both teams won their divisions, both played in the very competive PDL leagues, and both drew very large crowds when they played at Mike Rose Soccer Complex.

The Memphis City FC owners didn’t bother to consult with any of those former players, coaches and owners … some of whom still live here in Memphis. Food for thought!

Mark Franklin

About Jackson Baker’s story, “Can a Wild Card Trump the Opposition?” …

I was surprised to read Terry Roland’s claim that Steve Mulroy voted in 2011 to support the CCHC contract because Roland “called his priest,” who “came down in smoke” on the issue. This is not accurate.  Neither Commissioner Roland, nor anyone acting on his behalf, ever called me about that or any other issue. Steve made his decision independent of any pressure from me. And, as anyone who knows me can tell you, “coming down in smoke” is not my style. 

Fr. Jim Martell, Holy Rosary Catholic Church

About Old Navy’s ad …

I read where an ad run by Old Navy which featured an interracial family caused the company to see an explosion of racist trolls in their Twitter mentions. Old Navy was accused of promoting miscegenation, of ramming interracial marriages down people’s throats, of running a disgusting ad, and so forth. There was also calls for a boycott of Old Navy stores.

I cannot understand the hate of people who would condemn an ad that shows that love knows no color. Racism is clearly not dead, but I pray that the racists who made their hate-filled comments about a beautiful ad are from a group of citizens that is shrinking and that will one day disappear.

I will be shopping at Old Navy soon.

Philip Williams

Time for “Madam President?” …

America has had over 200 years of “Mr. President.” Isn’t it about time for “Madam President,” seeing that the population of America is 50 percent female? Let’s put biases and partisanship aside and look at what the country needs. 

First, Hillary Clinton is simply a better choice for president than Donald Trump. Clinton has experience and leadership skills developed over her years in federal and state positions. Making Trump president of the United States of America would be the same as giving him a powerful race car and saying he is competent to drive in a NASCAR contest.

This is not the time for divisive politics-as-usual; the economy is thriving, and returning to Republican supply-side economics would put a serious damper on the next four years. Not to mention, Trump would be leading the same gridlock-driven GOP legislators that have caused such havoc for the past seven years.

Chip Green