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Music Video Monday: “Love Has Gone Away” by Switchblade Kid

Ahh, Valentine’s Day, that Hallmark holiday which celebrates love by rubbing it in singles’ faces. Midtown gloom-meister Harry Koniditsiotis understands your pain, and wants to help you. His new single with gothsemble Switchblade Kid is “more of an acceptance of a relationship’s end and moving on to better things.”

“Love Has Gone Away” boasts a subtly bumping beat to help you cry it out on the dance floor. “The video was filmed way back during lockdown as the album was being recorded,” says Koniditsiotis. “Surrounded by piles of dead leaves and flashing lights, the band looks like they are having a backyard Lynchian seance calling Laura Palmer in the Black Lodge”

If you’re over your heartbreak by April, Koniditsiotis invites you to Midtown Con, the annual comic/toy/record convention he throws, happening this year on April 27th at Black Lodge. “The Memphis one, not the one in Twin Peaks, sadly.”

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Film Features Film/TV

Music Video Monday: “Shot” by Switchblade Kid

Harry Koniditsiotis’s Memphis goth rock supergroup Switchblade Kid has a new full-length record, 3. How does Koniditsiotis, the entrepreneur behind 901 Toys and Midtown Con, the producer and engineer at 5 & Dime Recording, and frequent DJ, find time to continue to make great tunes himself?

He’s got help from bandmates Bryan Jet, Tim Kitchens, Tony Luttrell and Julia Mulherin. Koniditsiotis says “Shot,” the first single from 3, is “a post punk rockabilly stomper full of dreamy reverb and feedback guitars, perfect for your upcoming Goth beach party or late-night fast driving.”

The video, Koniditsiotis says, is inspired by Tim Broad’s classic clip for “Girlfriend in a Coma.” The layered video images are the visual equivalent of the layered guitars and synths which are Koniditsiotis’ trademark as a producer. Take a look, and a listen.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Music Blog

Switchblade Kid: Soundtrack for a Scary Saturday Night

October 30th is Devil’s Night, at least according to some traditions. It’s a night for mischief, making it a fitting warmup for Halloween. That also makes it the ideal setting for a rock-and-roll show, such as when The Glory Holes and Switchblade Kid share the bill at the Hi Tone this Saturday. In advance of the concert, I spoke with Harry Koniditsiotis of Switchblade Kid about frightening films, the power of a producer, and how he’s stayed busy (very busy) during the pandemic.

Memphis Flyer: The last time we spoke, it was for a Christmas-themed concert at Two Rivers Bookstore. Do you have a particular fondness for holiday concerts?

Harry Koniditsiotis: I do. I love all the lights, decorations and especially vintage plastic blow molds.  I covered Two Rivers in Christmas lights and blow molds. It was so dreamy. Holidays always seem like a great time to throw a party. This Halloween show will have plenty of spooky decor, gloomy lighting and smoke.

Is this a Switchblade Kid (the band) concert, or will you be flying solo?
This will be the full band. We’ll be playing material from a new album that I hope to have out next year and some old favorites.

We will also be brushing up on a few Angel Sluts tunes in preparation for the upcoming  reunion show for The Angel Sluts Live at the Buccaneer album. That will be in January. And probably throw in a few Turn It Offs songs just to keep things interesting. 

I’ve been working with a new label out of Los Angeles called Thanks I Hate It Records. They will be putting out both albums and rereleasing the first album of my old ’90s New Orleans goth band, Falling Janus, The Trinity Site. The first track “Empty Shoulders” was recently picked up to use in an upcoming New Orleans-based horror movie called Tad Caldwell and the Monster Kid

The show is at the newly relocated Hi Tone. What do you think of the new space?
I think it’s a great spot. This will be my first time playing at the new location so I’m looking forward to it. 

What can we expect from this concert — any spooky songs?
I think all my songs have a bit of a spooky vibe. That might be the New Orleans thing. 

Speaking of spookiness, where do you fall on the horror spectrum? Switchblade Kid music has always struck me as somewhat ominous, but I don’t think of the project as really horror-themed.
I think it’s more of a Twilight Zone, Twin Peaks, silent film vibe than anything. Music for flickering 8mm projectors. 

Okay, quick Halloween horror rundown. What’s your favorite scary franchise?
I’ve been on a mummy kick this season and am currently watching 1981’s Dawn of the Mummy. But I did  just finish a Godzilla marathon.

Cabinet of Dr. Caligari might be my favorite horror movie of all time. Two years ago I made a cut with an all Bauhaus soundtrack and showed it at Black Lodge. I love the classic Universal horror monsters and B-movie giant spiders-type stuff. 

You’re from New Orleans and you live in Memphis, two cities that definitely have associations with being haunted. Do you think that’s a factor in your aesthetic?
There’s such a natural death culture in New Orleans. It’s like breathing. You grow up around all these monuments to the dead and somewhat carry on the tradition, knowingly or not. I’ll play a friend something I wrote and they’ll say “Wow, that’s spooky as hell,” and I’m like, “Oh really? I thought it was pretty sunshine happy.” 

How have you kept yourself busy during the pandemic?
I gotta say I stayed busy as hell. I would actually love another shutdown so I could get more done.  I recorded a new Switchblade Kid album, discovered the Live at the Buccaneer recording that Joe Holland did back in 2005 and got that record rolling. I started writing a comic book called Day Labor, so that was a whole new thing for me. The best was cutting a cover of “Memphis Tennessee” with the one and only Ross Johnson, who oddly enough knew my next door neighbor from the house I grew up in. He actually stayed next door for a week back in the ’80s. If only I had met Ross when I was 10! I also did a set for the Shangri-La Records podcast. That was a lot of fun. 

Tell me a little bit about the porch shows you’ve put on. The neighbors don’t mind?
The neighborhood actually loved it! I thought the neighbors would be annoyed but I kept having random people approach me on the street and ask when the next one was. I think the shows brought a lot of joy to people in Cooper-Young who were dealing with the isolation of lockdown. I basically had bands play in the driveway of my studio 5 & Dime Recording. 

Do you like hosting other bands, or working with them in the studio? How is that different from working on your own songs?
I love being a producer. I always liked the George Martin/Martin Hannett aspect of working with bands. I can’t be in a million bands but it’s fun to be a part of so many even if it’s just for a short time period.

Have you got anything else in the works our readers should know about?
I’ll be releasing my New Orleans comic book documentary Who the Hell is Alfred Medley?! in May 2022 so I’m super excited about getting that out there and hitting the film fest and comic con circuit.

Pre-orders are up for The Angel Sluts Live at the Buccaneer on yellow vinyl at ThanksIHateItRecords.com. 

Switchblade Kid, The Gloryholes will perform at Hi Tone on Saturday, October 30th, 9 p.m. $5

In advance of a Saturday-night gig with The Glory Holes, Harry Koniditsiotis of Switchblade Kid talks
Harry Koniditsiotis of Switchblade Kid (Courtesy Harry Koniditsiotis)
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Music Video Monday: Switchblade Kid

Music Video Monday gets goth-y.

Harry Koniditsiotis jokes that he may be “the gothest motherfucker in town.” This is his time of year. The proprietor of 5 and Dime Recording knows how to create a spooky sound. The proof is in the blood pudding with his band Switchblade Kid, who tap the vein of classic death rockers like The Jesus and Mary Chain and Bauhaus. For his latest song “The Young Don’t Cry,” Koniditsiotis says the discovery of a forgotten film reel led to the creation of a supernatural music video. “My friend Parker Hays goes to estate sales and usually gives me all the 8mm stuff he can’t sell. It’s always old home movies and various film releases. I joke to him that one day I’m going to find stag films or something scandalous in the lot. This time I did find something interesting on an unmarked 3.5 min reel — Hammer Films’ ‘The Vampire of Marrakesh.’”

Hammer was the British film company who produced a string of classic horror films from 1955-1975. Productions like The Curse of Frankenstein and The Mummy, with their spooky, atmospheric production design and straight-faced camp portrayals of monsters and maidens, made stars out of Christopher Lee and Peter Cushing. ‘The Vampire of Marrakesh’ is a rare short film that was produced as part of a serial called Tom Terriss the Vagabond Adventurer — Quest of the Perfect Woman. “Basically, the plot is, a douche British guy travels to exotic lands to scam on chicks,” says Koniditsiotis.

The serial predates the founding of Hammer in 1935, but the fledgling company is believed to have purchased the rights to the film from a defunct production company and released as a stand-alone short. “Memphis film scholar Matt Martin of Black Lodge believes the film has never been released on VHS or DVD,” says Koniditsiotis. “Oddly enough, ‘The Vampire of Marrakesh’ does have an IMDB review: ‘Incredibly awful film is something that I’d highly recommend to those who love bad movies. So incredibly awful it’s worth watching.’”

If that’s not a ringing endorsement, I don’t know what is. Koniditsiotis edited the surviving scenes from the 8mm reel together to create a suitably seasonal video for “The Young Don’t Cry.” Switchblade Kid will be hosting a Halloween Death Rock Party at 5 & Dime Studio on October 31st. It will be socially distanced to emphasize the gothic alienation and existential horror of the pandemic holiday. Take a look at the video — if you dare!
  

Music Video Monday: Switchblade Kid

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

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Music Music Features

Self HEELP: HEELS Release Motivational EPs

Have you entertained fantasies of sleeping with a rock star? Have you ever lowered your standards considerably and fantasized about sleeping with a grimy star of the underground music scene? Well, dreams do come true because now listeners can Sleep with HEELS — and Wake Up with them, too. Rather, fans can listen to a pair of day- and night-themed self-help EPs by Memphis-based punks HEELS.

Last year, the band released Good People Even Do Bad Things via Altercation Records, but the move to release motivational music as a followup is somehow an unsurprising one.

The duo, with Brennan Whalen on guitar and vocals and Joshua McLane on drums and vocals, has made a habit of being unconventional. Last Christmas, HEELS hosted a holiday-themed variety show, and their live performances have always toed the line between concert and comedy.

Holly Jee

HEELS are Brennan Whalen (left) and Joshua McLane.

“When we started, I think a lot of people took from a lot of the Goner bands that nobody was talking [between songs on stage]. There was no banter anymore, it was just ‘Let’s get just up there and blow our rock down your face and kick ya in the teeth and be done with it,’ which is a great thing,” McLane says of HEELS’ transformation into a part-band, part-comedy-duo musical amalgamation. “I’ve been doing stand-up forever, and Brennan’s adorable and really funny and nobody knows about it. So we made a rule that you’re not allowed to talk on stage unless it’s into the microphone.”

That comedic banter, though, has primarily been an aspect of HEELS’ live performances. Whalen and McLane may be funny when they play their songs, but the songs themselves aren’t novelty. That is, until the duo set up at 5 and Dime Recording with producer/engineer Harry Koniditsiotis to record their pair of motivational self-help EPs, Wake Up with HEELS and Sleep with HEELS.

“Brennan and I have been looking for new ideas and concepts to keep us from getting bored,” McLane says, “and we liked the self-help angle of helping someone start or end the day. It was important to us to do it in earnest but make it just a joke. We hope it’s funny but also actually useful.

“Harry at 5 and Dime was down to help us get what we wanted done and done fast.”

“When they approached me with the concept, I thought it was a hilarious idea,” says Koniditsiotis. “I’m not sure music critics will get it. Is this a band? A comedy album? ASMR?”

In this music critic’s humble opinion, Sleep and Wake Up borrow from all three categories. While much of HEELS’ work finds Whalen and McLane enjoying or lamenting their self-destructive tendencies, the dual EPs are essentially self-help for aging punks. The tinge of humor is a balm to help the usually apathetic typical HEELS fan stomach the relentless positivity characteristic of self-help.

“Josh and Brennan did the spoken word parts all the way through in one take,” Koniditsiotis says. “They have this great Johnny Carson/Ed McMahon-type banter, so it was really about riling them up and capturing the spontaneity.”

That spontaneity is where the EPs shine. Sometimes one of the pair will surprise the other, with the resulting chuckle lending the enterprise an indisputable air of authenticity. McLane and Whalen may sound absurd at times, as they list breakfast possibilities or alternatives to sheep-counting, but they’re sincere in their desire to help listeners navigate through the day.

“Hey, it’s your boy, HEELS,” McLane says animatedly. “And guess what, dude? It’s time to wake up!”

“I know it sucks, buddy, but we gotta do it,” Whalen chimes in. “Life is a nightmare, but we’re gonna get through it.”

“The first rule of waking up — stay off social media!” McLane says. “It’s just gonna bum you out.”

“Later in the day. That’s a lunchtime thing,” Whalen suggests.

McLane and Whalen banter over backing tracks in a major key. The band walks the listener through waking up and gives hints to meet the day — avoid fast food breakfast, call your parents, change the car oil, and “throw some air in the back right tire.”

Sleep is the soothing complement to the get-up-and-go of Wake Up. The vocals are delivered in hushed tones over Santo & Johnny-style guitar-and-drums tracks. “Aren’t you glad you changed your sheets this morning?” McLane asks in a callback to the morning-themed EP. (In Wake Up with HEELS, the band first chides the listener about making the bed, and then applauds the now-motivated early riser for going one step further and changing the sheets.)

Talk of counting sheep leads to reminiscence about watching herds of cattle while on tour. “God, I love seeing cows on the road,” Whalen muses quietly. “That’s why we go to Texas so often.”

“Every single thing that happened to you today is drifting away,” McLane intones over tremolo guitar. Silliness aside, there is something indisputably soothing about having two tattooed, bearded men sing you to sleep. And don’t worry, they’ll be there in the morning when it’s time to Wake Up, too.

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Music Music Blog

The Switchblade Kid’s Very Dreamy Christmas

Andy Torres

Harry Koniditsiotis

“So have I got a holiday music story for you,” Harry Koniditsiotis tells me excitedly. The singer and sometimes-guitarist for Memphis mainstays, post-punk and noise-pop purveyors The Switchblade Kid, then pitches me a story about his upcoming concert at Two Rivers Bookstore. Halfway into the pitch, Koniditsiotis has already mentioned Edward Scissorhands, Twin Peaks, and old-school Christmas decorations — lots of them. For anyone wondering what the connection is (as I was), well, Koniditsiotis is turning the Cooper-Young-area bookstore into a winter wonderland for a one-off noise-rock concert on Sunday, December 1st.

Besides collecting comic books, toys, records, and music gear, Koniditsiotis is also an avid collector of vintage Christmas blow molds. “I love the ’60s and ’70s Christmas blow molds,” Koniditsiotis says. “The big plastic statues of Christmas characters. And I love all the dreaminess and pretty lights of Christmas.

“There is just something so dreamy about Christmas lights that I’ve loved since I was a child,” Koniditsiotis continues. “When I was in my 20s, I would drive through the Christmas areas of New Orleans listening to the Twin Peaks soundtrack,” Koniditsiotis recollects. “I’m sure David Lynch loves Christmas just because of the lights.”

Andy Torres

Harry Koniditsiotis

And what setting could be better for the dreamy concert than a science-fiction and fantasy bookstore, where Koniditsiotis vintage decorations will cozy up with out-of-print book covers featuring elves and magical animals? “I thought that since Two Rivers has been having a lot of noise shows, it would be a great environment to bring all that stuff out and give it that holiday look,” Koniditsiotis says. “You know, give it that dreamy/dreary thing Christmas has going on. Also I wanted to do it before I put all the stuff up at my house because I didn’t want to have to put it all up and take it down again.”

Joining Koniditsiotis at the show will be current Switchblade Kid drummer Patrick Mulhearn and longtime friend Tim Kitchens from the Angel Sluts and Hardaway. “We are going to do actual [Switchblade Kid] songs,” Koniditsiotis says. Still, though The Switchblade Kid’s ouvre will make up the bulk of the concert’s material, Koniditsiotis and his crew plan to experiment with improvisation, creating warm soundscapes with feedback and noise, not unlike the warm, warbly fog a rum-and-Cognac-spiked eggnog might produce. “I love the challenge of playing with other people and throwing them into the deep end. At this point, I feel like pretty much everything I do is billed as a Switchblade Kid show, whether it’s just me or there’s a backing band,” Koniditsiotis says. “I love the element of surprise, and lately, the solo shows have gone so well, this is kind of an extension of the solo shows.”

[pullquote-1] Koniditsiotis says he has experimented with incorporating holiday lights into live shows before, but previous attempts were full-band endeavors. This time, the singer aims to capture the chaos of the holidays with a more stripped-down lineup, many more lights and Christmas characters, and improvised noise-rock elements. “I’m looking at it more like an art piece show rather than just a regular rock show,” Koniditsiotis says.

The singer remembers seeing Edward Scissorhands for the first time and being taken with Kim’s father, a man obsessed with decorating for the holidays. “The first time I saw that, I was like, ‘Wow, I want to be that guy!’ I want to be the guy on the roof stapling fake snow and singing,” Koniditsiotis says. “And I want to put that to music.”

Both Edward Scissorhands and Twin Peaks are fitting touchstones for Koniditsiotis’ plan to throw a holiday-themed concert in a bookstore specializing in genre fiction. Both Tim Burton’s film and David Lynch’s television series center around dreamlike, fairy-tale towns steeped in nostalgia, and in both Scissorhands and Twin Peaks, the nostalgia is underpinned by an element of danger, a manic happiness or coziness that threatens to unravel. Though Koniditsiotis’ concert (hopefully) won’t feature any knife-fingered people or murderers, the juxtaposition of improvised feedback loops with friendly holiday lights will hew true to the dangerously dreamy films that inspired a younger Koniditsiotis.

Andy Torres

Harry Koniditsiotis

“Whatever you celebrate or do, I think everyone just enjoys that pretty dreaminess, whether you say ‘Happy Holidays’ or ‘Merry Christmas’ or whatever,” Koniditsiotis says. “I don’t know if I’ll be singing ‘Rudolph the Red-Nosed Reindeer,’ but it’s entirely possible,” Koniditsiotis says. “If there’s one show you’re gonna drop acid at, this might be the one.”

The Switchblade Kid: All the Pretty Lights and Dreamy Sounds at Two Rivers Bookstore, Sunday, December 1st, 5 p.m. Free, but donations are accepted.

Andy Torres

Harry Koniditsiotis

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Film/TV Film/TV/Etc. Blog

Comic Book Documentary Who The Hell Is Alfred Medley? Holds Preview Fundraiser

Harry Koniditsiotis is most familiar to Memphians as a musician. He is the mastermind behind punk bands like Angel Sluts and Switchblade Kid, and the owner of Five and Dime Recording studio. Now, the pop culture officianado is expanding his creative streak into filmmaking.

Koniditsiotis has been working on a documentary about a mysterious figure in the world of comic book collecting. “In 1987 I bought a copy of the Avengers #1 for $62 from BSI Comics in New Orleans. I saw the name “Alfred Medley” stamped on the cover and asked grizzled, wheel-chaired store owner Carl Tupper “Who the Hell is Alfred Medley?” He grumbled/yelled “I don’t know…. Some guy!”

Medley had stamped his name on at least 900 valuable vintage comics, but no one seemed to have any idea who he was, so Koniditsiotis set out to track him down. In the process, he says he hopes to paint a portrait of the underworld of eccentric comic artists and collectors in the South. So far, his interviews have included the Hernandez Brothers, creators of the pioneering graphic novel Love and Rockets, Peter Bagge of Hate, and Kurt Amacker of Bloody October.

Tonight (Wednesday, Nov. 30), Koniditsiotis will host a preview party at 901 Comics to raise funds to finish the film. He will screen selections from the interviews and footage he has collected for the film. There will be a $5 suggested donation, and the party will include free beer and snacks, and a raffle prize. Festivities will continue from 7-10 PM.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Switchblade Kid

Are you goth enough for today’s Music Video Monday? 

You must be at least this goth to ride.

The answer is no, you are not goth enough for this double shot of The Switchblade Kid.
“The Other Voids/Kittens” is the latest from Midtown rocker Harry Koniditsiotis’ 80s fueled project. 

Yes.

Harry combined the two songs into one epic music video by cutting together some vintage footage from the London and New York goth scenes of the mid-80s. 

You do not know suffering like this goth knows suffering.

Is it just me, or are people unwilling work this hard to get a look any more? After you watch these folks getting down with the depressing reality of their inevitable mortality, you’re going to want to step up your game. 

Look at his eye makeup. Your gothiness is invalid.

One thing’s for sure: If these goths could have heard The Switchblade Kid back in the day, they would have danced to it!

  

Music Video Monday: Switchblade Kid

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Music Features

Down at Five and Dime

Local musician Harry Koniditsiotis has been a staple of the underground music scene in Memphis for more than 13 years, leading punk and post-punk influenced acts like the Angel Sluts, the Switchblade Kid, Twin Pilot and the Turn-It-Offs to both general and critical acclaim. But in between all that, he’s also been running a successful recording studio, 5 and Dime Recording, mostly on the strength of his clients’ recommendations.

“It’s always been word of mouth,” says Koniditsiotis. “A lot of the bands that record here have heard and like my records, or are in bands I’ve met on tour.”

Until recently, however, the studio has mostly taken a backseat to Koniditsiotis’ musical pursuits – chalk it up to an insanely busy touring and personal recording schedule. But for now, he’s putting the lion’s share of his energy into 5 and Dime.

“The summer is coming up and I hate the heat. I’m done with sweating my ass off playing,” Konidisiotis said.

Koniditsiotis first came to Memphis back in 2002. At the time, he was a New Orleans-expat looking to relocate to Chicago. But Koniditsiotis never got farther north than the Bluff City. He quickly found a job engineering at a local studio, Cotton Row Recording, and then formed the Angel Sluts. The band would play its first show the following year.

The Angel Sluts quickly attracted a loyal following on the strength of the band’s raucous live show and solid punk-pop hooks.

“We were very like-minded in wanting to do a rock-and-roll-type punk band,” Koniditsiotis says. “We thought a lot of bands were just boring live. The band really started because we realized we could get free bar tabs when we played and we would just let all our friends in for free to come party. So it was that kind of thinking.”

But Koniditsiotis wasn’t quite satisfied. From there, he branched out with more eclectic groups like Twin Pilot and the Turn-It-Offs and established himself as a versatile and dependable creative presence in Memphis music.

In 2004, Koniditsiotis purchased a house in the Cooper-Young neighborhood with a backyard garage and quickly decided it would be a suitable space for a recording studio. By 2006, he had grown weary of playing second banana at Cotton Row and wanted to launch his own endeavor; that endeavor would become 5 and Dime.

The studio started small – Koniditsiotis initially worked primarily on his own projects and those of his friends. But the positive word-of-mouth proved to be a strong endorsement, and he found himself attracting bands from around the country looking to record albums on a modest budget.

“Bands like coming to Memphis. We give them a place to stay,” Koniditsiotis says. “There’s kind of a B&B side to the studio. I’ve been told over and over by bands how it’s an incredibly relaxing recording environment. So that’s one of the attractive features for out-of-town groups. Bands generally like the gear that’s already in the studio so it makes everything super easy. Most of them will just bring in guitars and drum sticks.”

“The first word that comes to mind is comfortable,” says local singer-songwriter Tony Manard, who has recorded two albums at 5 and Dime. “It’s an eclectic mix of equipment and kitsch that’s a little worn around the edges and just feels right to me. 5 and Dime is a great room for recording a band together at once. There’s a collection of vintage tube amps and effects pedals. There’s also a nice drum kit, Hammond M3 and Fender Rhodes. The room is pretty live, and Harry knows where the sweet spots are.”

The year 2012 saw the demise of Koniditsiotis’ main project, the Angel Sluts (last week’s impromptu reunion show at the P&H notwithstanding), and he eventually decided to consolidate his various influences and inclinations into one unified project, the Switchblade Kid.

“The bad thing about being in the Angel Sluts was being stuck with the stigma. The joke of the name ran its course long ago and I was feeling very limited music-wise by it,” he says. “At the same time, I was playing in two other bands and after a while realized playing in three original bands at the same time was just stupid. I was running myself ragged and decided to combine the three.”

Not long thereafter, Koniditsiotis also married his longtime girlfriend and backing vocalist/percussionist in the Switchblade Kid, Jenny Hansom. Which brings us to the present, where the highly prolific Koniditsiotis is now “settled down” and focused on running 5 and Dime Recording as a fully fledged business.

“It’s nice to be focused on one person rather than a bunch of musicians. If anything, it’s made me realize the things I really want in life and for once it’s nice to have them,” Koniditsiotis says.

Koniditsiotis has registered the studio with the Cooper-Young Business Association and has taken out ads in numerous indie/punk music publications including Maximum Rock’n’Roll, Razorcake, and City Trash. He’s also made some improvements to the studio itself.

“There’s always trial and error with gear, but I think I’ve got a nice Barbarella/Warhol Factory vibe now,” Koniditsiotis says. “It went through a bunch of phases to get to this point though. I gutted it a few years ago and got more gear, so it’s just been an evolution. Most of the gear is from the ’60s and ’70s, but I record to Pro Tools. I like ribbon mics.

“One of the pluses is that [5 and Dime] also functions as my personal studio so everything is mic’d up and ready to go at a moment’s notice. Setup time is always a big killer for a band’s momentum so I try and keep it fast. I like to work quickly myself when I record so it’s easier to just leave everything set up and ready to go. There’s a convenience factor when you have a recording studio in your backyard that I love.”

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Music Music Features

Hard-Working Harry

“I know what it’s like to be on both sides, so I try not to overstep my bounds,” says musician/producer Harry Koniditsiotis, who has engineered sessions for Al Kapone, Lover!, True Sons of Thunder, and, most recently, Midtown groups Bloody Foot of Rock and The Devil’s Handshake at his 5 and Dime recording studio.

This month, Koniditsiotis is stepping away from the control board for a pair of high-profile gigs with his shoegazer-style pop group Twin Pilot, who, along with The Lights, open for Swervedriver‘s Adam Franklin at the Hi-Tone Café on Thursday, October 11th, then return to the Hi-Tone for an acoustic set opening for Concrete Blonde‘s Johnette Napolitano on October 29th.

“It’s funny. I almost feel like it’s ’90s revival month at the Hi-Tone,” Koniditsiotis says. “I’m a big Swervedriver fan. For me, Johnette’s like the Patti Smith of the ’90s, so I’m stoked we’ve been asked to play with people of this stature.”

On Saturday, October 13th, Koniditsiotis’ rock outfit The Turn It Offs will play Murphy’s with Oxford, Mississippi-based garage rockers The Black and Whites and Japanese punk band Gito Gito Hustler. It’s the first gig in months for the Turn It Offs, who were forced to take a hiatus after guitarist Bryan Leonard accidentally severed a finger last April.

Then on October 26th, Koniditsiotis’ band The Angel Sluts and Leonard’s group The Six String Jets will host a pre-Halloween party at Murphy’s.

Between all the live shows, Koniditsiotis is scrambling to finish a number of recording projects. “The other day, we finished the layout for a full-length the Angel Sluts have coming out on Wrecked ‘Em Records,” he says. “Twin Pilot’s also working on an album right now, although we hit a stopping point last spring and haven’t been able to finish it up. All these catastrophes keep happening, but right now, it looks like everything’s going really well.”

Acoustic music fans, rejoice: On Wednesday, October 17th, Colorado-based alt-rootsy quintet the Boulder Acoustic Society is presenting old-time banjo and Celtic music workshops, followed by a 7:30 p.m. concert at the Center for Southern Folklore‘s Folklore Store at 123 S. Main. To learn more, call 525-3655 or go to SouthernFolklore.com.

On October 19th, the Folk Alliance and the Coffee House Concert Series present four homegrown singer-songwriters — Keith Sykes, Jimmy Davis, Cory Branan, and Blair Combest — at the Church of the Holy Communion. Tickets for this sure-to-sell-out event are on sale at Fiddler’s Green Music Shop, Cat’s Music, and High Point Coffee. For more information, call 336-6275 or go to CoffeeHouseConcerts.org.

And the Memphis Acoustic Music Association will be celebrating its 10th anniversary with contemporary guitar master Richard Gilewitz, who will perform at Otherlands on November 10th. For more details, visit MamaMusic.org.

Blues news: Wander into B.B. King’s Blues Club to see Beale Street mainstays Blind Mississippi Morris or Preston Shannon, and you’ll hear one of the world’s best sound systems, newly installed by local companies Ninth Wave Audio/Visual Design and EgglestonWorks. Twenty custom speakers were designed for the nightclub and its elegant restaurant upstairs, Itta Bena, and installed last month, just in time for King himself — who is slated to appear November 8th and 9th — to test ’em out.

Clarksdale, Mississippi-based record label Cat Head Presents just released septuagenarian harmonica slinger Big George Brock‘s live debut, Live at Seventy-Five. Captured at Clarksdale’s Ground Zero Blues Club this past May, Brock ably demonstrates why interest in his career — he’s just returned from his third European jaunt this year — is at an all-time high. To learn more about the album, go to CatHead.biz.

Tickets for the Blues Foundation‘s 24th International Blues Challenge — scheduled for January 31st through February 2nd, 2008 — are already on sale via Blues.org. Last year, more than 150 amateur acts from 34 states and eight foreign countries dueled for top honors in a talent-filled competition that, says foundation executive director Jay Sieleman, is the world’s largest annual gathering of blues acts.

Hats off to Jim Dickinson: On November 1st, Dickinson will be presented with the Americana Music Association‘s Lifetime Achievement Award at Nashville’s Americana Honors & Awards show. The musician/producer will be honored for his work with artists such as Ry Cooder, the Rolling Stones, Big Star, and the Replacements, as well as his solo oeuvre, which ranges from his seminal 1972 Atlantic release Dixie Fried to last month’s Killers From Space (on Memphis International Records), an 11-song collection of obscure cover tunes paired with one deliciously irreverent original, “Morning After the Night Before.”