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Idol Hands

Heinz Winckler (pictured at right) became a star in South Africa after winning that country’s version of American Idol. Over the past three years, he’s recorded multiplatinum singles and performed for massive audiences. And now he’s performing the leading role of Roger Davis in Rent, Jonathan Larson’s socially conscious update of Puccini’s La Bohème, which is opening at The Orpheum this week. The Flyer asked Heinz a few questions about Rent and his life as an “Idol.”

Memphis Flyer: What does the future hold? Concerts and solo recordings or more musical theater?

Heinz Winckler: At the moment, I’m open to the whole multimedia thing. I always liked musicals, but they weren’t my focus. Since I’ve been doing them, my love for acting has quickly developed.

Were you a fan of Rent before you auditioned?

When I auditioned for the part over two years ago, I didn’t even know what Rent was. But now I’m well aware of the genius of Jonathan Larson.

Idol contestants are a rapidly growing force in the entertainment world. It’s like the Mickey Mouse Club on steroids.

Idol really is a strong brand. Anwar [Robinson] and I are both in Rent. Fantasia is on Broadway in The Color Purple. But how much success you derive from being on Idol is really up to the individual. Winners may disappear, while runners-up go on to do very well for themselves.

“Rent,” The Orpheum on Friday, November 23rd, at 8 p.m. and Saturday, November 24th, at 2 and 8 p.m. $15-$55. For more information, call 525-3000 or go to orpheum-memphis.com.

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News The Fly-By

Q&A: Carissa Hussong

Who better to replace a founding director than another founding director?

In January, UrbanArt Commission head Carissa Hussong will replace Jim Wallace at the National Ornamental Metal Museum. Wallace, who led the Metal Museum for more than 25 years, will retire December 31st. Hussong has been with UrbanArt since its inception 10 years ago.

Wallace’s spot may be filled, but UrbanArt is still seeking someone to replace Hussong. Applications will be accepted through November 30th. — Mary Cashiola

Flyer: What was the best part of working with UrbanArt?

Hussong: When people don’t know that I have anything to do with UrbanArt and they tell me about a project that we did and how much they love it, then I feel I’ve accomplished something.

Is there a project that has been especially meaningful?

They have different meanings and there are different memories associated with each of them, so it’s hard to pick one.

The Cooper-Young trestle was early on. When I went into it, I felt certain I could find an example of another trestle somewhere.

I called all over the country and everyone said, “That’s a great idea. I can’t wait to see what happens.” There was nothing that showed this had been done anyplace else. I was thinking, I can’t believe I got myself into this. But it ended up being something the community really loved.

What are you eager to do at the metal museum?

I’m looking forward to getting back into the museum world — that’s where I started out — and focusing on the artistic side. So much of what I have been doing has been facilitating.

W>hat will be a challenge for you?

It’s hard to follow in a founding director’s footsteps. I’m not a blacksmith; I’m not an artist. I have to find a way to replace those skill sets.

People have a fear that the museum will change. Yes, we’re moving into the 21st century, but it has to be a balance between growing and preserving what the museum is. I don’t see myself going in there and drastically changing the museum.

W>hat is UrbanArt looking for in your replacement?

Everybody’s initial thought is we have to replace the director. The Metal Museum said we need to find somebody who is a blacksmith and an executive director. That’s a hard thing to find. I think I’m a little easier to replace.

They need somebody with an arts background. Being able to work with our various constituents is really important: the City Council, Memphis City Schools, community representatives. Whoever comes in has to be able to work with those various groups and really engage them in the process.

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Cover Feature News

Great Expectations

Here’s a dose of perspective on John Calipari as he opens his eighth season atop the University of Memphis basketball program. When he wins his 13th game, Calipari will have won more games at Memphis (194) than he did at the University of Massachusetts, where he became a national figure. When he wins his 19th game, he’ll join Larry Finch as the only other coach in Tiger history to win 200 games. As Calipari’s club starts a campaign that many fans and prognosticators say will end at the Final Four in San Antonio, the Flyer sat down with the coach to fill in a few blanks.

Flyer: This is your eighth season in Memphis. There were fans who said you’d be here no more than three or four years — that this was a stepping-stone to a better job.

Calipari: I wanted my daughters to graduate [from high school here], both of them. I’ve also said, the entire time, that if the school stays committed to winning a national championship, I’ll stay. I have not changed what I’ve said since day one. The minute that waivers, I’m gone, because I’m not the kind of coach you want for a program winning 18 or 19 games. People will go crazy. I’d go crazy. People look at the way I do business, they’re waiting in the weeds, and they take shots. They go crazy.

My second daughter graduates from Briarcrest this year. The university waivered on a commitment — to my staff, not to me — when I almost went to N.C. State [in 2006]. They had other commitments. We came together, though, and it worked out.

What about Memphis — basketball-related or otherwise — has surprised you?

It’s not the basketball town everybody says it is. If it were, all our games would be packed, not just all the tickets sold. It’s a sports town, but it’s not the basketball town everyone portrays it to be.

I hope that the way we’ve elevated the program here has elevated high school programs in the area. Kids here are now looking at winning national championships in college, so the level of play is more well-rounded, and their idea is bigger than just playing for Memphis. They want to compete with any school in the country. We’re on national television more than those other programs are.

But I can’t recruit a player who won’t help me win a national championship. I always said that half of my team would be players from Memphis, and the other half would come from elsewhere. That hasn’t changed.

Do you hear gripes about not suiting up enough Memphis kids?

Sometimes. It bothers me when I see someone make a decision, then there’s an outcry from the public and they waiver. Either what you thought was not thought out enough, or your convictions aren’t what they should be. But if you make a decision, and it’s well thought out and for the right reasons — even if there’s a public outcry — you gotta stick to your guns, or you shouldn’t have made the decision in the first place.

I’m making decisions that affect young people. [When it comes to discipline], I’ve always asked, if it was your son, what would you do? How would you want me to deal with it? Throw him under the bus? Or would you like me to be very firm, fair, show some compassion, and love him like you love him? If he changes, give him another chance. Now, if he doesn’t change, you’re not doing us any favors.

Looking at the season ahead, have you ever gone through training camp with such an abundance of talent?

I’ve had teams like this. But what we’ve done here is, we’ve held them accountable, on and off the court. We had that curfew. They acted like they were 12 years old, so I treated them like they were 12. With abuse comes restrictions.

I was waiting for someone to break curfew. Now, I’m saying if you’re of age, go out but don’t be out after midnight. My job isn’t to police them to the point they can’t make a decision on their own.

How do you incorporate all the Final Four talk — even talk of a number-one ranking — in your daily approach?

First of all, we tell them to think in the moment. If you start thinking about March now, there’s too much anxiety, too many things can happen. What if we have five injuries? Let’s live in this moment, get better today. We’re trying to get individual players better — and they are — and we’re trying to get our team better. And let’s all get closer, have more respect and affection for each other. I want all their emotion and passion to be within, not shown to the crowd.

As the coach, I have to not get too excited — because I easily could, like everyone else. They’re really good. I have to be methodical. I keep looking at areas where we need to get better.

Their feel for defense is not where it should be. All it takes is for one guy to break down on defense. So it has to be five guys together, always, and we’re not close to that yet. Offensively, the pace of the game isn’t where it needs to be. The execution, the screening, the cutting.

But I won’t do tomorrow’s work today. It has to be methodical.

Larry Kuzniewski

There’s considerable irony in a two-time Elite Eight team returning virtually every player, but a freshman is getting the most national attention. Is Derrick Rose that good?

We were 33-4 two years ago, and the team that came back lost three starters and 50 percent of its scoring. We came back and had to have players move from support roles to starring roles. We developed that, along with having a freshman point guard, and we went 33-4 again.

Now, we lost a little of our grit and toughness in Jeremy Hunt. But we’re bringing in three young players who add to our team. This year it’s two freshmen [Rose and Jeff Robinson] and a big man who had to sit out last year [transfer Shawn Taggart]. So how do you incorporate the new players?

Much of it is the kind of kid you bring in. Both [Willie Kemp and Rose] are great as teammates. Both are conscientious and responsible. When I ask for five guys up, Derrick will always defer to Willie. And most of the time Willie will say, no, you go. Willie’s comfortable in his own skin. He knows he’s going to play the same amount of minutes, but he’s going to be so much better. He’s been the biggest surprise for anyone who walks into our gym.

I’ve compared Derrick to Marvin Williams, the kid who went to North Carolina a few years ago [as a freshman star] and became their sixth man. [Derrick] thought that would be great. When someone else on the team does something fabulous, Derrick is ecstatic, and so is Willie.

What kind of player is Rose?

First of all, he’s a great teammate. The guys love him. He’s physicaly and athletically off the charts. Skillwise, he’s one of the best layup shooters I’ve seen in all my time in basketball. In this offense, that’s paramount: making tough layups with big people flying at you. His other skills are improving. He gets really frustrated when he doesn’t know something. He’s very quiet, very reserved. His family hasn’t let anyone into his circle, except his teammates or his teachers from high school.

I said to his mom, “Your son is the nicest star player I’ve ever seen. What did you do?”

She said, “I told him you’re no different from anyone else, and treat people like you want to be treated.”

I talked to Derrick Rose twice by phone [in recruiting him]. That’s all. His mom told me, “My son doesn’t speak. When he came back from your campus, he talked for an hour and wouldn’t stop.”

It came down to who’s going to prepare him best? Who’s gonna help prepare him to be an NBA player and, truthfully, the quickest?

What does Joey Dorsey need to do this season to finish his career the right way?

Act right. Mature. Grow up. He’s two semesters and summer school away from graduating, which is another great story.

Larry Kuzniewski

I tell these kids, when you have children, you want them to grow up and not have to depend on anybody. You don’t want them looking at you when you tell them to get their education and saying, “Well, you don’t have yours.” But if you have your degree, you can tell them where you came from and how you did it.

A lot of these kids are first-generation college-educated, like I was. My grandparents came through Ellis Island. My parents are high-school educated. So I have some compassion for how hard it is for those children to get to the point where they’re thinking about education. It’s easy if your parents are doctors or lawyers.

Our mission is to get people the opportunity to be educated. A few of my players may be a doctor or lawyer, not many. But my hope is that their children all have the ability to be lawyers or doctors or whatever they choose. That’s my hope for a guy like Joey, for Antonio Burks, Andre Allen, Jeremy Hunt.

When you stir your mind, you’re going to be a better basketball player. If you’re lazy and you don’t want to read to stir your mind, how are you going to play the way we do?

Chris Douglas-Roberts is probably the least flashy Tiger star in 20 years. What separates him in your eyes?

When I recruit, I don’t care about polls, stats, or numbers. We flew to Augusta, Georgia, to watch a player from Detroit (he’s now at an SEC school, good player). But as I watched the game, I saw Chris. I liked him better. He played herky-jerky, really didn’t guard anybody. But he showed signs of being unbelievable. His [Amateur Athletic Union] coach said, “You’re picking the right one.”

I just needed to get him to play hard and compete. Obviously, we picked the right kid. Same thing happened with Robert Dozier. At the time I first saw him, he was being recruited by Georgia State. That’s it. He didn’t start as a junior in high school.

Is anything short of a Final Four appearance going to be a disappointment for this team?

I can’t say, because I don’t know what’s going to happen throughout the year.

Here’s an example: We have an injury or two, and we go on the road to Marshall, or Rice, and we get beat — just one game. And there’s a reason behind it. But we’re not going to be a number-one seed now. One game. Now we’re going to be a four or five seed. The most important thing for advancing in the NCAA tournament is getting a high seed. If you get a seventh seed, you’re lucky to win one game.

It’s like golfing. You win or lose on the first tee. How many strokes did you give that guy? What did you give him? You lost before you teed off!

Where are we seeded and why? Now, if we’re a one-seed, it’ll be a disappointment if we don’t get to the Final Four. I say that, and then we end up playing UCLA in California in front of 17,000 fans. Then they’ll say, “Well, Cal, that was a tough one.”

But the last three years, are we up at bat, playing for a Final Four? Yeah. And that’s what we want.

What do you enjoy most about your job today?

When you see that you’re creating hope, not only for these kids but for their families, and when you see they’re responding and they trust what you’re saying to them, it’s heavy, because it’s on you. To see a kid who, a year after I meet him, he looks you in the eye and he’s got a smile on his face. The respect has turned into some affection. To create that hope and see it on the basketball court year after year, that’s what I enjoy most about this. The games are a chess match to me, but I enjoy practices most.

Larry Kuzniewski

Tell us about your relationship with Chinese coaches.

This is a significant moment in my basketball life. Where it’s going to go and what we’re trying to do with it, I don’t think anyone in college basketball has seen. When you’re a top-five program, and you’re not Duke, North Carolina, Kentucky, Kansas, UCLA … when we’re ranked higher than those guys for two straight years, how do we stay there? And what has separated us?

First of all, we’re getting good players, and those players are getting better. But it comes back to the offense. If we’re getting these players because of our offense, what are you going to do if you’re another coach? You’re gonna copy the offense. And there are schools in [Bowl Championship Series] conferences who are going to copy us, because [our offense] recruits. It’s where the game is going.

We’re left with a non-BCS program, a good school — but not an elite school — in a good city, but not an elite city. What do we do? Well, I read an article in The New York Times about basketball in China. That was it … we’ve got to do this. But how do I do this? It’s a communist government. Who do I call?

I spoke with [Dallas Mavericks assistant coach] Del Harris. He told me the Chinese national team was going to be in Dallas in five days. I got on the next plane, went down there, met all the right people, and we put it together.

Can you envision a Chinese student-athlete playing for you here at Memphis?

Yes. I don’t know when, but that would be a dream. But first, we’d like to have a sister-city in China, so the communities are connected. We’d like to get a large contingent of Chinese undergraduate students. This would build an Asian base and draw Asian-Americans to this university. The educational capital from that group would take this university to another level.

Now, if we had a Chinese player, our team would be huge in L.A., San Francisco, Chicago, New York. And then there’s TV. If we’re on national TV here, there may be 1.5 million people watching, and we’re ecstatic. Over there, if we’re on TV: 400 million. We can’t fathom that.

This is your 19th year as a head basketball coach. How does the dynamic change between coaching as a 29-year-old and now as a 48-year-old?

It’s less about you and more about them the older you get. When you’re trying to establish yourself, it’ll come above the team. But as you get older, there’s only one thing that matters: a national championship. It’s about us.

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News The Fly-By

Q&A: Jerry Collins

Willie W. Herenton kicked off his fifth term as mayor with a surprise, announcing his decision to forego a national search for a new Memphis Light, Gas, and Water division president and to nominate interim MLGW head and director of public works Jerry Collins instead. The City Council approved Collins, 53, a longtime city employee, November 6th.

Collins was born and raised in Memphis, graduating from White Station High School and the University of Memphis. An engineer by training, Collins began his service to the city 28 years ago.

At the time, the city’s “two wastewater treatment plants were fairly new,” Collins says, “but on many days, the effluent leaving the plants was dirtier than the influent coming into the plants. EPA was having a fit. They threatened to put Mayor Wyeth Chandler in jail.” Public works hired the then-25-year-old Collins to run the facilities.

— Preston Lauterbach

Flyer: Do you see similarities between your start at public works and at mlgw?

Jerry Collins: The public perception [of the utility company] may not be what we want it to be. Finishing last or next to last in the J.D. Power [2007 electric utility residential customer satisfaction] poll is not good. In a sense, there may be a parallel.

How do you restore public confidence in MLGW?

We have to take care of problems on the first call. We have to make sure that MLGW is not the subject of headlines and TV news pieces. We’re preaching that we want to be dull and boring. If we’re doing what we’re supposed to be doing, there’s no reason that MLGW should be in the limelight.

What have you learned in going from public works to MLGW?

It’s more similar than you might think. The same factors that affect wastewater rates affect electric rates, gas rates, and water rates. … They’re all basic public services that rely on a web of in-place infrastructure and charge a dedicated fee for those services.

What lessons can you take from your predecessors?

We want to enlarge our role in the community, and build our relationship with the union that represents MLGW employees, which Joseph Lee did. Cost control was important during Herman Morris’ tenure, and cost control is something I value at public works and will continue to value at MLGW.

Will you maintain a VIP list?

There is no list. I have no intention for there to be a list. Every customer is of equal value to MLGW.

One last thing: knowing what you know, would you purchase gas or electric appliances for your home?

I would probably purchase electric. It’s more likely that, long-term, the price of gas will escalate faster than the price of electricity.

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Music Music Features

R.I.P. Punk

For the last several years, Los Angeles-based photographer Theresa Kereakes has focused her lens on Memphis garage-rock icons such as Monsieur Jeffrey Evans, Jack Yarber, and Harlan T. Bobo, adding their images to her already vast musical pantheon.

Late last month, as part of a continental “tour” that includes stops in Atlanta, Toronto, Houston, and Oxford, Mississippi, Kereakes returned to Memphis — not to shoot more photos, but to begin installing an exhibit of her work, which goes on display at Goner Records Thursday, November 1st.

Titled “Punk Rock Day of the Dead,” there’s not a Memphis musician in the bunch. Instead, Kereakes — who showed past work here as part of 2005’s Gonerfest 2 — turns a critical eye on “live fast, die young” L.A. musicians such as Germs frontman Darby Crash, who died of a drug overdose in 1980; AIDS casualties such as Black Randy (who founded West Coast art-punk group Metrosquad) and Lance Loud; Jeffrey Lee Pierce, who died of a brain hemorrhage at 37; and former Cramps guitarist Bryan Gregory, who dropped dead of a heart attack four years before his 50th birthday.

“Out of all the people I have pictures of, the ones who really resonate are the dead guys,” admits Kereakes, who, during punk’s heyday, also captured legends like Johnny Thunders, who died under mysterious circumstances in New Orleans when he was just 38, and Stiv Bators, the cocksure Dead Boys vocalist who died in his sleep after being struck down by a Paris taxi.

“One time, Stiv painted ‘R.I.P. Sid Vicious’ on a billboard for the movie Heaven Can Wait,” she recalls. “He called me up and said, ‘You know, Sid’s died. You’ve got to come see this billboard on Sunset [Boulevard].’ I shot a picture of it, which was used as the lead picture for Creem magazine’s obituary of Sid.

“Later on, when Stiv was touring with Lords of the New Church for the last time, he’d become such a monster. He was doing every kind of speed imaginable, which turned him into the biggest jackass. I’d still drive him around and take him places, but I was angry at him. Then someone called me from Paris and said Stiv was dead. I said, ‘Put him on the phone — now,’ because he was someone who’d fake death two or three times a week. But they said that he was really dead.”

Today, Kereakes considers herself a survivor of a scene where “even the ones who weren’t drug addicts, alcoholics, or complete fuck-ups” are lucky to be alive.

“We’d drive all night to concerts. I remember doing a five-hour drive in the rain to San Francisco to see the Sex Pistols. I’ve lived fast and hard, and somebody’s been watching over me. It puts a lot of things in perspective,” she says.

“Back in the day, during the first punk rock gestalt, I think we had the right degree of narcissism. We knew we were special. We were gonna take over the world,” says Kereakes, whose ’70s-era portraits of the Cramps, Avengers vocalist Penelope Houston, and the Velvet Underground‘s John Cale appear in Punk 365, Holly George-Warren‘s coffee-table tome on the musical genre, published by Abrams this month as part of the 30th anniversary of a revolution that began with the October ’77 release of Never Mind the Bollocks, Here’s the Sex Pistols.

“I couldn’t do this show in my hometown,” Kereakes declares of “Punk Rock Day of the Dead.” “In L.A., there’d be so many expectations. They knew all of these people already, and there’s so much information people would bring to the party — too much ‘I don’t like that guy.’

“Memphis is different,” she says. “It’s more fun, because people really like the music, and there’s no judgment about the musicians. I find this town so warm and welcoming. I’m a huge Oblivians fan and to be able to walk into a place and find people like Jack, Eric [Friedl, founder of the Goner Records label], and Jeff Evans, and document what they do seems so important.”

Surveying her work, which includes a portrait of an uncharacteristically fragile-looking Darby Crash holding an acoustic guitar and an action shot of Stiv Bators sharing the spotlight with Dee Dee Ramone, Kereakes says of her numerous friends who have crossed over from notoriety to immortality, “Unfortunately, dead, they’re worth a whole lot more.”

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Music Music Features

Not Gonna Fall Out

Fresh off a three-month American tour, an African video shoot, and last month’s MTV Video Music Awards (where the band won “Best Group”), Fall Out Boy could have taken a much-needed break.

But that would mean stopping the momentum. And after scoring multiple hit singles from their latest album, Infinity on High, and gaining jillions of MySpace friends, the Chicago-based emocore outfit has generated considerable energy.

So the quartet — Patrick Stump (vocals), Pete Wentz (bass), Joe Trohman (guitar), and Andy Hurley (drums) — have teamed up with the Plain White T’s, Gym Class Heroes, and Cute Is What We Aim For for yet another cross-country tour.

They’ll be playing Mud Island Amphitheatre on Saturday, October 27th. Hurley (pictured at far right) took a few minutes before a show in Columbus, Ohio, to catch up with Flyer.

Flyer: You guys started out modestly in Chicago’s hardcore scene. Now, you’re a rock star. Is it all it’s cracked up to be?

Hurley: It’s a lot harder than I thought it would be when I was kid and dreaming of being in a band like Metallica. It’s a lot of work, but at the same time, I get to do what I love, and it’s my job. At the end of the day, it doesn’t really feel all that much like work.

Your breakthrough album, From Under the Corktree, scored double-platinum status. Was there pressure to create a bigger, better album with Infinity on High?

Not really. I think the pressure comes when a band isn’t writing the whole time they’re on tour. They go on tour for a year or two, and then they have to go into the studio after half-a-year off, and they don’t have anything.

In our case, Patrick had been writing a lot while on tour for Corktree. By the time we went in to the studio, we had so many songs, it was like, what songs do we want to use?

Are there any songs you’re sick of playing?

I’d say the songs we play the most. I still like “Sugar, We’re Goin’ Down,” but I’d say it’s “This Ain’t a Scene, It’s an Arms Race” that I’m the most sick of.

Is it a challenge being vegan on the road?

It was really hard when we were touring on a van, and we had to pay our own way. We didn’t have any money. Now I have a lot of stuff from Whole Foods stocked on the bus, so if there’s nowhere to eat, I have my own food to make. I think the hardest places to eat are overseas. It’s usually French fries, and that’s it.

Do you ever try to convert your band members?

No. At one point, everyone was vegan or vegetarian, but they went their own ways. I’m vegan because I think factory farming is horrible. I don’t personally think eating meat is wrong. I’m an anarcho-primitivist politically, which means I think humans are supposed to live the way we lived prior to 10,000 years ago. I think our relationship to what we eat is different than it was a long time ago.

You’re also the only straight-edge member of the band. As a rock star, drugs and alcohol probably surround you. How do you maintain such convictions?

At one point, everyone [in the band] was straight edge, and we all had each other to fall back on, but I’ve always had friends at home who drank or smoked pot or whatever. For me, it’s a political conviction where I’m just against what drugs and alcohol represent to the greater culture, so I never really find myself wanting to do them.

Fall Out Boy recently filmed the video for “I’m Like a Lawyer with the Way I’m Always Trying To Get You Off” in Uganda to raise awareness about the Invisible Children organization, which attempts to prevent children from being abducted to fight in the Lord’s Resistance Army. What inspired that?

That was Pete’s idea. Even though some of us stopped being vegetarian, we still have our same political ideals. He looked for an organization that he really believed in. A lot of charities don’t really help. But [Invisible Children] really puts money into the hands of the local communities.

The video shows a young Ugandan couple in love. But the guy is torn from his lover when he’s abducted for the army. It’s almost like a documentary.

Going there was one of the most life-changing things I’ve ever done. They’re not these separate people who aren’t humans. Seeing the kids on TV with the bloated stomachs makes them seem so distant. But when you know they still love and watch movies, hang out and play sports, it changes that. That’s why we did the video we did. I’m really, really proud of it.

After all this touring and video shooting, what’s next?

This is the last tour on this record. Then we might do some international stuff. But I think we’re going to take our first real break since we started. Then again, I know we already have a lot of new songs, and we always end up going in to record sooner than we think.

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News

Memphian Katori Hall’s Play to Open in New York

The New York Times has a nice story today on young Memphis playwright Katori Hall. An excerpt:

KATORI HALL’S earliest plays were a smash, keeping the audience rapt for hours. They were staged in a Fisher-Price dollhouse in Ms. Hall’s Memphis living room, and she was author, director, doll handler and the entire audience.

“That’s all I did was make up little plays and perform them for myself,” she said in a recent interview. “When I lost the Fisher-Price people, I snuck into my dad’s toolbox and got batteries to make into people, and I’d roll lint from under the couch into balls and make them the dogs.”

Ms. Hall, 26, is about to find a wider audience. Her first major production, “Hoodoo Love,” begins previews on Tuesday at the Cherry Lane Theater in the West Village and opens Nov. 1.

Read the Times story.

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Politics Politics Feature

Corker Says Constituents and “Common Sense” Come Before Political Loyalties

In a visit to Shelby County Wednesday, Bob Corker, the
Republican who was elected to the U.S. Senate last year over Democrat Harold
Ford Jr. in a tight race that drew ample national attention, made it clear that
partisan issues are the least of his concerns.

Both in a luncheon address to Rotarians at the Germantown
Country Club and in remarks to reporters afterward, former Chattanooga mayor
Corker emphasized a “common sense” approach in which “I strive to make sure that
everybody in the state is proud of the way I conduct myself…to understand issues
as they really are, devoid of some of the rhetoric that surrounds these
issues…[and] the political whims of the day.”

Take his response when asked whether embattled GOP senator
Larry Craig, busted in the infamous “wide stance” airport-restroom case, should
resign for the good of the Republican Party:

Corker said Craig’s predicament was a matter for the
“people of Idaho” and the Senate Ethics Committee. “I don’t try to get into all
the political ramifications of this or that. The way to get a whole lot more
done is to focus on issues.” Somewhat disdainfully, he added, “There are all
these messaging amendments that we do, all about making one side look bad and
the other side look good. Democrats do it, and Republicans do it. It’s a total
waste of time.”

Helping The Med

As to how that even-handed outlook affected his stand on
issues, Corker was explicit. He talked of applying pressure on the
Administration, especially on recent health-care issues he considered urgent for
his constituents. “I know for a fact that I played a huge role in this [latest]
TennCare waiver thing. I have to say I had to put a hold on the Bush
nominations to make it happen. I thought it was important for our state.”

And there was his vote and enthusiastic support recently to expand SChip (the
federal State Children’s Health
Insurance Program) so as to increase funding for Tennessee by $30
million and to permit Medicaid payments for patients at The Med from Arkansas
and Mississippi. Both Corker and Tennessee GOP colleague Lamar Alexander
strongly supported the bill, which passed but was vetoed last week by President
Bush.

“I was glad to have worked out these issues
that have plagued the Med for so long. It’s ridiculous that people from Arkansas
and Mississippi have used the facility for so long and don’t pay for it. What’s
the logic in that?” Corker said, vowing to try to get the Med-friendly
provisions re-established in a veto-proof compromise measure yet to be
fashioned.

Corker made a pitch for the Every American Insured Health Act,
a bill he has sponsored that, he said, would modify the tax code so as to
guarantee universal access to private health insurance “but would not add a
penny to the national deficit.”

Contending that “what I’m trying to do is to add to
the equation a real debate, a real solution,” the senator said his proposal had been
“slammed” on the same day by both a conservative columnist and a liberal
columnist, leading him to conclude, “I’m pretty sure we got it just about
right.”

Corker said that executives of key national corporations,
saddled with large health-care costs for their employees, were “waling the halls
of Congress trying to get us to move to a government-run system so they can
alleviate. that expense which makes them non-competitive.” Without some
alternative form of universal access, he said, such a government-run system was
inevitable.

With 800,000 Tennesseans and 47 million Americans lacking
health-care coverage, there was also a “moral obligation” to make coverage universal,
Corker stressed.

Relations with Iran and Syria

As a member of both the Senate Foreign Affairs Committee
and the body’s Armed Services committee, Corker says he is focusing hard on
issues relating to war-torn Iraq, a country he has visited twice, and
neighboring Iran, subject of much speculation these days concerning possible
future hostilities between that country and the U.S.

Here again, the senator stressed his determination to
maintain independence of judgment. “I’ve had some very tense moments with this
administration – in the first two months I was up there [in Washington]
especially. There were some underwhelming meetings.”

Corker is dubious about the current political leadership of
Iraq {“things cannot go on as they are”) but supportive for the time being of
the current military strategy of General David Petraeus, with whom he stays in
contact.

On Iran, Corker said there was “some concern in the
Senate that the president might take action” and emphasized that “he [Bush]would have
to have Senate authority to do that.” Corker reminded reporters that after his
election he had said on CBS’ Face the Nation that diplomatic negotiations
with both Syria and Iran were necessary.

“We don’t want to overplay our hand in Iran,” he said.
“There’s a group of people there who want to be our friends. If we move into
Iran unilaterally others [in the region] will step back from being our friends.”

Corker, who was a construction executive before entering
politics, related the current diplomatic situation to his experience in
labor-management negotiations in Tennessee. “If you don’t talk with your enemies
they remain your enemies. There’s a lot to be learned just to be in somebody’s
presence,” he said.

Categories
Film Features Film/TV

Local filmmaker looks back.

Sometimes it’s difficult to know when Memphis filmmaker Geoffrey Brent Shrewsbury is being himself and when he is channeling one of his oddball characters.

“This is a celebration seven years in the making,” he says, referring to the DVD-release party for My Very First Retrospective. “I’ve been working 11 hours a day getting ready for this.”

My Very First Retrospective features music videos for Memphis bands the Lost Sounds, Vegas Thunder, and the Oblivians, as well as the short narrative films and slideshows Shrewsbury made from 1999 to 2005. “It’s a big deal,” he insists of the release party. “It’s an extravaganza. There will be guests. There will be talking.”

Shrewsbury says he will only do some of the talking, leaving the rest to comedian and frequent Flyer contributor Andrew Earles, who is hosting the event.

“Andy’s really going to be prepared,” Shrewsbury promises. “Or at least he’s going to be prepared to be prepared. We’re rehearsing.”

Although Shrewsbury won’t name all the special guests who’ll be on hand to meet people and answer questions, he does promise a visit from Dale and Skeener, the two beer-drinking, pill-popping, Lionel Richie-loving stars of his mockumentary Karaoke Contest.

“This is really going to be a show,” he says, adding that things will be even better if more than 50 people show up.

Shrewsbury only plays the fool for the camera. The NYU alum has an eye for eye-popping color, an ear for ridiculous dialogue, and deep affection for the fake mustache. For the past 10 years, he’s used his skills as a visual storyteller and quirky satirist to chronicle Memphis in its righteousness and its ruin.

“Right now, I’m more interested in people who live outside the loop,” Shrewsbury says, acknowledging that the pieces collected on My Very First Retrospective may show a bit of Midtown bias.

Midtown Groove, one of the videos to be shown, is a B-balling, blue-eyed riff on Memphis. It gives Ace Frehley’s “New York Groove” the Three 6 Mafia treatment, while capturing a moment in Memphis music history when you couldn’t attend a concert without seeing an armada of hot rock chicks doing extraordinary things with Hula Hoops.

In addition to selections from My Very First Retrospective, Shrewsbury will screen the trailer for Driving for Freedom, a short film about the special kind of love that can only exist between a Western superpower and fossil fuel.

The reception for Geoffrey Brent Shrewsbury’s very first retrospective starts at 6 p.m. on Saturday, October 13. The screenings begin at 7 p.m.

“We’re not going to let people come and go once the screenings start,” Shrewsbury says. “Well, I guess we have to let them go.”

My Very First Retrospective screening and
DVD-Release Party

Memphis College of Art

Saturday, October 13th, 6 p.m.

Categories
Letter From The Editor Opinion

Letter from the Editor: A Sobering Experience

“It was a sobering experience,” said Lindsay Lohan to OK! magazine upon leaving her rehab facility in Utah this week.

Yes, that’s an actual quote from LiLo (as we call her in the journo biz). Sometimes it’s just too easy, I tell you. These Hollywood people are comedy gold. Here are a few more I dug, er, made up.

“It was truly a revealing experience,” said Britney Spears, emerging from her SUV after a night of partying. “But I couldn’t bare it anymore.”

“I just wish people would stop needling me about my bad habits,” said singer Amy Winehouse, as she stumbled over her boyfriend’s limp body in the street.

“My marriage to Pamela Anderson was a bust,” said Kid Rock on the Letterman show, “though there are a couple of big things I’ll miss.”

And even politicians aren’t immune from such gaffes:

“It was a black day for Memphis,” said Carol Chumney, as she lamented her defeat in the Memphis mayoral race.

“I thought there was light at the end of the tunnel,” said third-place finisher and former MLGW chief Herman Morris, “but we just ran out of gas.”

“What a race!” said Mayor Herenton at his victory celebration. “We had to play every card in the deck.”

And on the national scene, things aren’t much different:

“I think we’ll win by a hair in Iowa,” said John Edwards.

“I’ll be boring into the issues soon,” said Fred Thompson. “In this game, if you snooze, you lose.”

“Bitch, bitch, bitch,” said Hillary Clinton. “Why can’t people understand that I wear the pants around here?”

“I’ve got a Big Love for this country,” said Mitt Romney. “Anything else you’ve heard is a bunch of old wives’ tales.”

“We’re starting this campaign at Ground Zero,” said Rudy Giuliani. “Then we’re going to scare up as many votes as we can.”

“I’m vetoing health-care for 10 million kids because to do otherwise will ruin this healthy economy,” said President George Bush. “Besides, our childrens do learn.”

I only wish I’d made up that last one.

Bruce VanWyngarden

brucev@memphisflyer.com