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Film Features Film/TV

Music Video Monday: “This Bird” by Jeff Hulett

Jeff Hulett’s post-pandemic songwriting bounty continues to produce great songs. His latest, out as a single on Bandcamp, is “This Bird.” The lyrics, reminiscent of Laurie Anderson, describe a plane crash in progress, and the feelings that the passengers go through on the way down. It’s actually more hopeful and fun than it sounds. You can follow along for yourself with the lyric video for the song, which was created by Memphis expat artist Matt Fremstad.

Hulett will be the guest on J.D. Reager’s Back to the Light: Songs and Stories event at Crosstown Arts’ Green Room this Thursday, March 17. You can get your tickets here.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Cover Feature News

Give Memphis! Great Local Gift Ideas for the Holidays

Greg Cravens

If 2020 has proven anything, it’s that we need to come together to support our community — the health, happiness, and longevity of our fellow Memphians count on it now more than ever. While we may not be able to gather with friends and family for gift exchanges like we have in the past, we can still lift their spirits with thoughtful presents that help our local restaurants, retail outlets, and entrepreneurs keep doing what they do. Think local this season!

A Box of Magic

Have a giftee in your life who seeks to better understand their own power, to look within and outside for growth and restoration? Give them a box of magic, or as Sami Harvey, owner of Foxglove Pharm, calls it: a Coven Box.

“I’ve always been amazed by Mother Nature’s ability to heal, and I love finding new ways to use her ingredients to solve my problems,” Harvey says. “I started Foxglove Pharm in 2017 because I wanted to share some of those solutions with my community.”

Each subscription box ($40/month) includes a rotating variety of handcrafted herbal “remeteas” (About Last Night: Hangover Tea, Out of the Blue: Third Eye Tea, and others), scented oils, Resting Witch Face skincare products, rituals, and more special items that “honor the moon, the current astrological phase, and a featured plant.”

Sami Harvey

Each month, she partners with another local maker or small business to spotlight their wares. For her Foxglove offerings, Harvey is “the only witch in the kitchen,” so the products are small-batch and made with “ethically sourced, organic, sustainable ingredients.”

Regarding the rituals included in a box (or separately on the website), Harvey says, “These aren’t like supernatural spells that will destroy all your enemies and turn Michelle Obama into your BFF. But they’re ways to meditate and channel your energy into manifesting a better reality for yourself. The real magic ingredient is you and your intention.”

Visit foxglovepharm.com to order a Coven Box and shop products. — Shara Clark

Feed an Artist

The old cliché about “starving artists” has seldom been more true. Buying art is often the last thing folks are thinking about during tough times like these, but our Memphis painters and sculptors and photographers — and their galleries — have bills to pay, just like the rest of us. That’s why this might be a great year to put a new painting on your wall, or gift someone a work of art so they’ll be reminded of you every day.

Courtesy Jay Etkin Gallery

Untitled by John Ryan

There are many fine galleries in Memphis. Here are just a few: L Ross, David Lusk, Jay Etkin, Crosstown Arts, Orange Mound Gallery, Art Village, Cooper-Young Gallery, and B. Collective. Artists featured include Matthew Hasty, Jeanne Seagle, John Ryan, Mary Long, Roy Tamboli, Eunika Rogers, Cat Pena, Yancy Villa-Calvo, Hamlett Dobbins, Anne Siems, Tim Craddock, and many, many more. In addition, many galleries are featuring special holiday shows.

End what has been a nightmarish year on an upbeat note: Buy a piece of art. It’s good for your heart. — Bruce VanWyngarden

Let Them Eat Cake

I’d be happy to receive a Memphis Bourbon Caramel Cake from Sugar Avenue Bakery, either in or out of my stocking. This is the Sugar Avenue collaboration with Old Dominick Distillery.

Just listening to Sugar Avenue owner Ed Crenshaw describe the six-inch cake makes me crave a slice or three: “The cake is four layers. Each layer is literally soaked in a bourbon caramel sauce. And then our caramel icing, which we make from scratch.”

Courtesy Ben Fant

Sugar Avenue cake

Sugar Avenue worked with Old Dominick’s master distiller/senior vice president Alex Castle to come up with the perfect blend of cake and bourbon. Old Dominick’s Huling Station Straight Bourbon Whiskey was chosen for the cake, which has “a great hint of bourbon flavor,” Crenshaw says. “We add bourbon to the icing and ice the cake with it.”

To help you get even more into the holiday spirit, Sugar Avenue Bakery recently began adding two-ounce jars of extra caramel sauce with every bourbon-flavored cake.

Memphis Bourbon Caramel Cakes are $55 each, and they’re available at sugaravenue.com. — Michael Donahue

Accessorize in Style

When Memphians need to give the gift of stylish living, they turn to Cheryl Pesce, the jewelry and lifestyle store in Crosstown Concourse. The store takes its name from its owner, Cheryl Pesce, a jewelry maker, entrepreneur, and all-around style guru.

This month, Pesce opened a second store in the Laurelwood Shopping Center, giving Bluff City-area shoppers double the chances to find — and give — stylish accoutrements. “I’m banking on Memphis,” Pesce explains. And Memphis seems ready to support Pesce. “We had a grand open house, social distancing into the parking lot, and it went well.”

Courtesy Cheryl Pesce

Handmade jewelry from Cheryl Pesce

The store opening story is just the tip of the breaking-news iceberg, though. Pesce tells me excitedly that she’s been in touch with fashion designer Patrick Henry, aka Richfresh, about his newly designed Henry Mask. “I spoke with him today and — drumroll — we will now be carrying his masks in my Laurelwood store.”

But wait! That’s still not all. The ink is still fresh on a deal for Pesce to carry Germantown-produced Leovard skincare products. “I will be his only brick-and-mortar store in the country,” Pesce says. “So there are a lot of cool things happening, most of them local.”

In the smaller store in Crosstown, Pesce sells hand-sewn baby items, masks, Christmas ornaments, and anything with the Crosstown logo — she’s the official source for Crosstown-brand goods. Laurelwood is larger and a little more deluxe. “One of the focuses for that store is local and regional artisans,” Pesce says. She carries Mo’s Bows, Paul Edelstein paintings, and, of course, hand-crafted jewelry. “That’s really my wheelhouse.

“My studio is at Laurelwood,” Pesce says, “so not only is it made in Memphis, made by me, but it’s all under one roof now. The store, the studio. You can literally come pick out your own pearls — ‘I want this pearl on that earring’ — and then I craft it for you right there.”

Cheryl Pesce is located at 1350 Concourse Avenue, Suite 125, and at 374 Grove Park Road South, Suite 104. Find out more at (901) 308-6017 or at cherylpesce.com. — Jesse Davis

Good Reads

There’s something that comes from holding the edges of a book and being taken to a distant land or wondrous world. Whether it’s due to happenstance or the crazy and confusing world in which we find ourselves now, I have been reading more and more as the months drag on. To fuel my ever-growing hunger for words and phrases completed on the page, Novel has been my go-to place.

Novel is proof that when you are doing something you love, the results will follow. The bookstore, founded in 2017, is the go-to for other local book enthusiasts, too — and with good reason. Their staff will go to the moon and back to help you find the book that fits you just right, and if you’re looking for something specific, chances are they will be just as excited about it as you are.

Matthew J. Harris

of what gift to give this season.

Many of their aisles have felt like a second home to me the past few months. And with books in every genre, it is often easier to ask them what they don’t have, rather than what they do. Personally, I love their new-this-year home delivery option, which offers a safe way to give the gift of literature this holiday season. — Matthew J. Harris

Hit the Boards

This year has given us plenty of time to learn new skills. And what better way to get your mind pumping in both a constructive and competitive fashion than with a game of chess?

The Memphis Chess Club recently opened its new café/headquarters Downtown at 195 Madison Avenue, and the three levels of annual memberships make for a great gift, whether someone is looking to seriously pursue an interest in the game or just learn a few tips and tricks.

Samuel X. Cicci

A Memphis Chess Club membership isn’t as risky a move as the Queen’s Gambit.

The social membership ($50) allows members to play chess in the café area at any time, with tables, pieces, and clocks all provided. The full membership ($100), meanwhile, affords all of the social perks but provides unlimited and free access to all classes and tournaments, which are held at the club weekly. It also offers discounts on merchandise, and members are able to check out materials from the club’s chess library, which contains old magazines and strategy books.

For whole families looking to kickstart an interest in the game? The family membership ($150) contains all full membership benefits and includes two adults and all the children in a household.

And, hey, if chess isn’t your thing, the spacious café is a great space to just hang out or study while sipping on some brewed-in-house coffee or munching on one of chef Grier Cosby’s specialty pizzas.

Visit memphischessclub.com/join for more information. — Samuel X. Cicci

The Gift of Grub

Food is fun and helps define Memphis culture. Those who make that food and fun are in trouble.

Restaurants have maybe suffered more than any small business during this pandemic. Restrictions on them have come and gone and may come again soon. Memphis restaurateurs have shown amazing resilience in these ups and downs. They’ve shifted business models, adapted to the latest health directives, and adjusted staff levels (laying off workers and hiring them back) to match it all.

Memphis Restaurant Association/Facebook

Support local restaurants — so they can stick around.

However, we forever lost some Memphis favorites, like Lucky Cat and Grove Grill. The National Restaurant Association said nearly 100,000 restaurants across the country closed either permanently or for the long-term six months into the pandemic. Nearly 3 million employees have lost their jobs. Help restaurants out and have food fun, too. This holiday season, buy gift cards from our local restaurants.

At the pandemic’s beginning in March, we told you about a national push to buy “dining bonds” or “restaurant bonds.” Many Memphis restaurants jumped in — many selling gift cards at deep discounts. For restaurants, gift cards are quick infusions of cash, helpful in tough times.

So instead of that scarf you’re kind of on the fence about, spend the same amount on a restaurant they love. It’ll be unexpected and, yes, come with some delayed gratification — delicious delayed gratification. Present it not as a gift card but as that dish they love from that place they love.

Sing it with me: “Everybody knows, a burger and some mistletoe help to make the season bright. Memphis foodies, with their eyes all aglow, will find it hard to sleep tonight.”

Gift cards are available at almost every restaurant and for almost any amount. Check websites and socials for details. — Toby Sells

Music to Their Ears

Remember when giving music was a thing? Physical things like LPs, CDs, and cassettes could be wrapped. But now that everything’s ethereal, there’s still a way to give the gift that keeps on giving: Patreon. Musicians are embracing this platform more and more, and it’s working for them. A subscription to their accounts may just be the perfect gift for the superfan in your life who already has everything.

Mike Doughty (Soul Coughing, Ghost of Vroom) relies on his Patreon subscribers for both income and inspiration. As he told the Detroit Metro Times, “Doing a song a week is amazing, and that is really what, if I had my druthers, I’d do for the rest of my life.” Patrons can subscribe at different levels, each with premiums like CDs and T-shirts, but everyone paying at least $5 a month can access Doughty’s song-a-week and more.

Greg Cravens

Other Memphis-affiliated singer/songwriters like Eric Lewis, J.D. Reager, and (coming in December) Marcella and Her Lovers also have accounts. And last month, label and music retailer Goner Records began offering Patreon subscriptions that include access to the Goner archives and exclusive music and videos.

Patreon’s site notes that “there isn’t currently a way to gift patronage,” but if you get creative, you can search for an artist on patreon.com and buy a subscription in a friend’s or family member’s name — and they can thank you all through the year. — Alex Greene

Support Arts and Culture

“A plague on both your houses!” cried the dying Mercutio in Romeo and Juliet, and it seems the COVID-19 pandemic took that sentiment to heart, emptying out our theaters and concert halls and thinning out attendance at museums. But still they persisted. The organizations behind the arts we love are still at work online, virtually, distancing, and striving to keep the arts alive — especially in programs aimed at young people.

You can help the old-fashioned way by getting season subscriptions and memberships for whenever the lights come back on — and they could use that support right now. Or make a simple donation. Help keep Memphis culture alive by giving gifts on behalf of the following, but don’t be limited by this partial list — if you have other favorites, give them a cup o’ kindness as well.

Jon W. Sparks

Spring, Summer, Fall at the Brooks Museum by Wheeler Williams

Performing arts organizations:

• Playhouse on the Square (playhouseonthesquare.org)

• Theatre Memphis (theatrememphis.org)

• Opera Memphis (operamemphis.org)

• Ballet Memphis (balletmemphis.org)

• New Ballet Ensemble (newballet.org)

• Cazateatro (cazateatro.org)

• New Moon Theatre (newmoontheatre.org)

• Hattiloo Theatre (hattiloo.org)

• Tennessee Shakespeare Company (tnshakespeare.org)

• Memphis Black Arts Alliance (memphisblackarts.org)

• Emerald Theatre Company (etcmemphistheater.com)

Museums and galleries:

• Memphis Brooks Museum of Art (brooksmuseum.org)

• Dixon Gallery and Gardens (dixon.org)

• National Civil Rights Museum (civilrightsmuseum.org)

• Metal Museum (metalmuseum.org)

• Stax Museum of American Soul Music (staxmuseum.com)

• Pink Palace Museum (memphismuseums.org)

• Children’s Museum of Memphis (cmom.com)

• Fire Museum of Memphis (firemuseum.org) — Jon W. Sparks

Basket or Box It for a Gift That Rocks It

Need something sweet for your honey this holiday season? Thistle & Bee has the gift that gives twice. A relaxing gift box contains raw Memphis honey, a milk and honey soap bar, and a pure beeswax candle ($20). Every item is handcrafted and directly supports women survivors to thrive through a journey of healing and hope.

Social enterprise director at Thistle & Bee, Ali Pap Chesney, drops a stinger: “We partner with other businesses, too. Feast & Graze uses our honey.”

Feast & Graze/Facebook

Feast & Graze

The cheese and charcuterie company Feast & Grace is co-owned by Cristina McCarter, who happens to co-own City Tasting Box. Boxes are filled with goodies promoting local Black-owned businesses like Pop’s Kernel and The Waffle Iron. An exclusive limited-quantity holiday gift box, Sugar and Spice, just rolled out for the season in two sizes — regular ($74.99) and ultimate ($124.99).

Memphis Gift Basket is owned by Jesse James, who says he is rolling out a new logo this week. Along with the new logo are new products for baskets ($55-$100) that focus on diversity by including more women- and minority-owned businesses, in addition to local items with iconic names like The Rendezvous and Memphis magazine. Guess what else you might find in a Memphis Gift Basket? Thistle & Bee honey.

Now that we’ve come full circle, check out these gift box and basket businesses, as well as partnering companies, for errbody on your holiday list — including that corporate gift list.

Visit thistleandbee.org, citytastingbox.com (use code SHIP100 for free shipping on orders over $100), and memphisgiftbasket.com for more. — Julie Ray

Lights, Camera, Action

A lot of businesses have been hard-hit during the pandemic, and movie theaters have been near the top of the list. With social distancing-limited theater capacity and Hollywood studios delaying major releases into next year in the hopes a vaccine will rekindle attendance, theater chains like Memphis-based Malco have been in dire straits. The exception has been drive-in theaters, like the Malco Summer Drive-In, which have seen a renaissance in 2020.

If you want to support this local institution and give a treat to the movie-lover in your life, you can buy them a Malco gift card. Available in any denomination from $10 to $500, the gift cards can be used for movie tickets and concessions for any film now or in the future. You can also enroll in the Malco Marquee Rewards program, which allows frequent moviegoers to earn points toward free tickets and concessions.

Greg Cravens

Malco has taken extraordinary steps to ensure the safety of its patrons, including mandatory masks, improved air filters, and non-contact payment options. And if you’re not comfortable sharing a theater with strangers right now, there’s a great option: The Malco Select program allows you to rent an entire theater for a screening of any film on the marquee — and that includes screenings in the massive IMAX theaters at the Paradiso. Prices start at $100, which works out pretty well if you want to watch Wonder Woman 1984 with your pod this holiday season. And if the person you’re buying for is a gamer, Malco has a brand-new option. With Malco Select Gaming, you can bring your system to the theater and play Call of Duty or The Last of Us on the biggest possible screen. — Chris McCoy

Categories
Music Music Features

J.D. Reager: Tales of Two Cities

J.D. Reager, who has written extensively for the Memphis Flyer, has been making things happen in the Memphis music scene for most of his life. The founder of the Rock for Love benefit concerts for the Church Health Center over a decade ago and a key player in the Makeshift Music collective and label, he’s been an often-underrecognized presence on the scene.

But if you think that ended when he moved to Chicago in 2017, think again. Though he is fully owning his new adopted home as never before, he continues to fuel the flames of the Memphis-Chicago connection. When Chicago music fans look across the landscape for inspiration, Memphis looms large on their horizon. It’s something Reager is aware of now more than ever.

Jennifer Brown Reager

Back to the Light host J.D. Reager

“I noticed when I moved up here, a lot of my Memphis ‘credits’ that didn’t mean shit in Memphis at all, to anybody, suddenly meant something to somebody,” he notes. “One of my managers at Reckless Records told me the Pezz record I played on was one of his all-time top five favorite records. When I tell folks that I know Jeremy Scott, they think that shit’s a big deal. And most of the bands I’ve played in have had better shows in Chicago than in other places. I can’t explain the connection, but it’s definitely there.”

Reager himself is helping stoke continued interest in Memphis music through his Back to the Light podcast, produced from his Chicago basement. Scanning through the list of interviewees reads like a who’s who of Memphis music. Local stalwarts such as Graham Burks, Joshua Cosby of Star & Micey, Oxford/Memphis phenom Ben Ricketts, and Music Export Memphis founder Elizabeth Cawein are just a few examples.

“That’s who my friends are, that’s where I’m from,” explains Reager. “And that’s gonna continue. My next interview will be with Ross Johnson. Even some of my outside interviews have Memphis connections. Like Ken Stringfellow [the Posies founder who joined the latter-day Big Star]. Dave Catching [Eagles of Death Metal, Queens of the Stone Age], who played with [legendary ’80s rockers] the Modifiers, has Memphis connections. Everything I do comes from Memphis. It’s still in my heart, even though I’m not there. I feel, in a weird way, more connected to it now than I did when I was living there.”

But Back to the Light isn’t the only expression of Reager’s deep roots here. It’s not even the only podcast. “Back to the Light is not just gonna be a show. We’re gonna have a podcast network, with three shows: Back to the Light, The Jack Alberson SongStory podcast, and, starting in September, we’ll have the first episode of a monthly Shangri-La Records podcast.” Beyond that, his Back to the Light record label will be launching a new series of releases in November. “I need to make a list of everything I have going on,” he says, “because it’s a lot.”

The label will be similarly Memphis-centric, beginning with older recordings Reager made with his Memphis band, Two Way Radio. “We were in $5 Cover, the Craig Brewer show. And we made a record with Scott Bomar. That was 10 years ago. It never came out, but it’s coming out in November.” Look for records by Alyssa Moore and Reager himself next year on the Back to the Light label.

A life centered on Memphis music comes naturally to Reager. He sees it as having been inevitable. “My late father, John Paul Reager, was one of the many bass players of the Modifiers, and was also the soundman at the Antenna Club in the ’80s and early ’90s. He was better known as the guitar player in the Blues Alley Orchestra. He played with B.B. King and Rufus Thomas and every famous blues musician who came through Memphis in the ’80s. There was a John Paul Reager day in the city of Memphis in, like, 1984. I probably had no choice in the matter. I’m not built for much else.

“But,” adds the lifelong fan of the Modifiers, “I think of [Modifiers founder] Bob Holmes as my true spiritual father. I feel like I’m carrying on his legacy, not my dad’s.” Since Holmes’ death last fall, “something has awakened inside of me that’s been closed off for a long time. It’s lessons learned from Bob, honestly. Time’s too short. We need to get this shit out while we’re still alive.”

Visit backtothelight.net for more information and J.D. Reager’s Patreon page to contribute.

Categories
Music Music Blog

Memphis Punk Godfathers The Modifiers Honored With Memorial Show at The Hi Tone on Saturday

The Modifiers’ Bob Holmes (lower left), Milford Thompson (center), and Dave Catching (upper right) circa 1983.

Ask anyone on the scene in the early 1980s, and they will tell you The Modifiers was the best Memphis punk band you’ve never heard of. Founded by Bob Holmes and Milford Thompson, their shows at the Antenna club were unpredictable, and awesome. They were live legends, but despite flirting with numerous record labels, their pioneering punk music never got the national recognition it deserved.

Front man Milford Thompson died of a heart attack in the 1990s, and guitarist Dave Catching went on to be a founding member of Queens of the Stone Age and Eagles of Death Metal. Co-founder Bob Holmes, who was one of the greatest guitarists this city ever produced, returned to Memphis and lived here in obscurity until passing away from cancer just days after the Antenna historical marker was unveiled on Madison Avenue in October, 2019.

J.D. Reager, whose father John Paul Reager was The Modifiers on again, off again bassist, has organized a tribute show in honor of the legendary band for Saturday, March 7th at the Hi Tone. Among the performers will be Panther Burns drummer and noted raconteur Ross Johnson playing with Richard James; Billie Dove, featuring Memphis guitarist Jim Duckworth, who was also a Modifier (there were a lot of people in the Modifiers over the years); The River City Tanlines; Tape Deck; a Modifiers tribute set; and finally J.D. Reager and the Cold Blooded Three.

In 2012, the documentary I directed about the Antenna club and the vibrant music scene which sprang up around it premiered at the Indie Memphis Film Festival. It had a successful festival run, but a commercial release of Antenna has been repeatedly delayed by music rights issues. With the help of J.D. Reager, we managed to convince Bob Holmes, who had become something of a recluse, to do an interview for the film. For three hours, he regaled us with some of the wildest Memphis music stories I have ever had the good fortune to hear. In order to honor the passing of a Memphis musical genius, I have uploaded the Modifiers segments from Antenna to YouTube and present it here for the first time since 2012.

Memphis Punk Godfathers The Modifiers Honored With Memorial Show at The Hi Tone on Saturday

Categories
Music Record Reviews

Jack Alberson Makes the Grade on Trials

Jack Alberson, the Memphis songwriter and multi-instrumentalist who has released a series of tight singles and EPs over recent years, now offers up a full-length, Trials. The record release show on April 14 was at Move the Air Audio, and the cozy studio made the perfect home for a night of synthesizers, stacked loops, and guitar wizardry — just a few of the flavors on display on Trials.

The album’s arrangements are lush, with layers of beats and drum loops, synthesizers, guitars, and drums. The guitars alternately crunch and drone, and the synths and drum loops provide a recurring aural motif that ties the whole production together. Each song assembles itself measure by measure, a fully realized little micro-verse that becomes clearer with each listen. The warmth of the arrangements — and Alberson’s sense of humor and straightforward delivery — lends an air of whimsy to the recordings. It keeps the songs from sinking into melancholy, even as Alberson sings, with an air of resignation, of “life in his leaky lifeboat.” His lyrics offer comfort and encouragement but no easy answers or sugarcoating, accepting that life’s trials give its triumphs definition and contrast.

Such paradoxes color much of Trials, which seemingly crafts a harmonious whole by combining tropes from various genres (think world music, French pop, post-rock, new wave, and the kind of ’60s balladry reminiscent of Van Morrison’s Them). Alberson’s honest lyrics are done justice by his strong vocals, and he is backed up to good effect by the talented Kathryn Brawley Suda and Cat Hall on tracks “And Rainy Days” and “Television Quicksand,” respectively. 

Jack Alberson

Alberson’s bell-like vocals recall Ben Folds crooning over a particularly rich arrangement by The Cure. Talking Heads and Pixies seem to make their (welcome) influence felt at times as well. It’s difficult to pin down any sound for too long, as the atmosphere shifts and morphs throughout each listen. As a result, Trials‘ most human quality is its ability to try on different moods. This is an album with a lot of personality. The end result is layered and catchy with a hint of darkness. And the lyrics are easy to pick out as Alberson throws out lines like “television quicksand swallows you whole.”

Must-listen tracks include album opener “Motivational,” “Let Me Be Right,” and “Television Quicksand.” The album was produced and recorded by Alberson and J.D. Reager, with additional recording by Josh Stevens and Eric Wilson at “various homes using a Tascam 24-track digital recorder.” The last words on the back cover of Trials are advice to be heeded: “No peak limiting — play it loud.”

Categories
Music Music Features

Movin’ On Up

Church Health is unique among Memphis institutions. It was founded three decades ago by Scott Morris as a place to provide help for the working poor who fall through the cracks of our broken health insurance system. Some of those people are Memphis musicians.

“A lot of musicians and artists don’t have access to health care,” says Church Health Communications Director Marvin Stockwell. “This is the music scene itself backing a cause that helps so many of them. That’s been the message of the show for 11 years.”

Stockwell, a founding member of the legendary Memphis punk band Pezz, was one of the driving forces behind starting the Rock for Love benefit concerts. The annual weekend of live music has raised tens of thousands of dollars to help pay for the care of poor Memphians. Three months ago, Church Health moved to an expanded new home in the Crosstown Concourse building.

Stockwell says scheduling Rock for Love for the same weekend as the Concourse’s gala grand opening was a no-brainer. “Why take a weekend-long event, built over a decade, and have it come three weeks after the big hurrah? This is the inaugural, celebratory moment of our brand-new home. It made every sense in the world.”

Near Reaches

This year’s event comes with an added bonus. In the early 2000s, Makeshift Records regularly showcased new Memphis music with a series of sprawling compilation albums. Earlier this year, Memphis musician Crockett Hall found a copy of one of the Makeshift compilations in a used bin at a record store. When he asked his friends on Facebook about it, a discussion ensued in which people told fond stories of the acts they had discovered from Makeshift.

J.D. Reager, an organizer of Rock for Love (and a Flyer contributor) had been involved in the grassroots label. Since a Rock for Love compilation album had been successful a couple of years ago, and since the last Makeshift compilation release had coincided with the first Rock for Love, maybe it would be a good idea to, as Stockwell says, “gin up the old machine.”

The new Makeshift 6 compilation includes 34 songs by contemporary Memphis artists, ranging from Mark Edgar Stuart’s tight singer/songwriter compositions to Glorious Abhor’s noise punk. Select-O-Hits donated their services, helping make the album a reality, and all of the artists donated tracks to the compilation. “When I listen to this broad swath of Memphis music, I think of how proud I am to be a part of this Memphis music scene,” says Stockwell.

The album will get its official release this Friday, August 18th, the first night of Rock for Love. Artists include Jack Oblivian, Cassette Set, Yesse Yavis, Moon Glimmers, Sweaters Together, the Rough Hearts, and Indeed, We Digress. Al Kapone will be deejaying between sets. “Friday is the Makeshift release show,” says Stockwell, “so we wanted to have as many of those bands as humanly possible.”

Saturday, August 19th, amid all of the other Crosstown opening festivities, Rock for Love acts will be providing music all across the site. The main stage is one of the most diverse lineups in recent memory, beginning with beatbox soulsters Artistik Approach, the Rising Star Drum and Fife Band, Latin big band Melina Almodavar, singer Susan Marshall, and finally Memphis hip-hop superstars 8-Ball and MJG, backed up by Winchester and the Ammunition. Reager says drummer and bandleader Graham Winchester is “very excited about backing up both 8-Ball and Susan Marshall.”

In the atrium at Crosstown will be quieter, acoustic sets, led by Reager and featuring Crockett Hall, Juju Bushman, Mystic Light Casino, and Faith Evans Ruch, among others. That night, the party moves back to the Hi-Tone where Chinese Connection Dub Embassy leads an all-star jam party including Kapone, Tonya Dyson, and Lisa Mac.

Stockwell says the new Church Health facility has energized the whole staff. “There’s so much potential here that we have only started to scratch the surface of.”

Categories
Music Music Features

Graham Winchester and the Ammunition Return with New Record

Graham Winchester may be the purest embodiment of what it means to be a Memphis musician. Hardworking (he currently plays anywhere from three to eight gigs a week with upwards of nine different bands) and immensely talented, Winchester has carved out a niche for himself in several corners of the city’s often fragmented music scene through both relentless determination and his ability to charm almost anyone.

Though he’s primarily known as a drummer with well-known local acts like the Shieks, Devil Train, and Jack Oblivian, Winchester is a capable multi-instrumentalist, proficient on at least 10 different instruments, and also something of an emerging presence as a singer-songwriter.

The success of his 2014 solo debut Graham Winchester and the relatively rapid ascent of his namesake group Winchester & the Ammunition are testaments to his sharp skills as both a songwriter and bandleader. Now he and the band are gearing up for the release of a follow-up (though technically the first using the Ammunition moniker) called Until the End, which is being released in digital formats this week by the label American Grapefruit. To celebrate, Winchester & the Ammunition will play a show Friday at 9:30 p.m. at Young Avenue Deli, along with guests Jana Misener and Victor Sawyer.

Flyer: What was your process for recording Until the End?

Winchester: I started at High/Low Recording in the summer of 2015 for this album. Toby Vest and Pete Matthews engineered it, and we were all a production team together. 

The two of them helped this record breathe and find itself. They helped sculpt every song. They are also amazingly aware of space. If you invite them into the production world of the songs, they will undoubtedly help in the best way.

How do you compare Until the End to your debut?

It’s a little bit darker. The first album was more traditional, instrumentation-wise. Until the End uses more keyboards, especially synths. The lyrics ring in a little more personally. I don’t know which album is better, but I know the second one feels better to play live in rehearsals.

You can and do play many of the instruments on your albums yourself; where does the band fit in?

The guys contributed so much — not only in terms of the playing and singing, but also in helping shape sonic landscapes on specific songs.

Is it ever difficult for you to make time for so many projects?

It can be strenuous, but I try to balance time with different bands and keep it all to a strict calendar. I like to explore different musical worlds, so that’s the fulfilling reward of a tedious and busy schedule involving lots of different musicians.

Has starting a family affected your focus or availability for playing music?

I see making music as a natural act and one so important to my life. It’s been really inspiring. Erica [Winchester’s wife] and my son Everlee both love music, so we naturally have a lot of it in the house. I feel like I’ve slowed down my live shows maybe one gear lately to spend more time with family.

In recent years, you’ve become sort of famous for putting together lots of tribute and benefit shows around town.

I really enjoy putting together tribute and benefit shows and kind of just being a show booker of sorts. I breathed a huge sigh of relief that we successfully did a Talking Heads tribute when nobody had passed away. That’s the plan from now on — try and [pay tribute to] people who are alive. Of course, if and when a true legend passes away, an honorable tribute is always a worthy remembrance.

To what do you attribute your ability to move within so many different sects of the local music scene? I just enjoy playing lots of types of music. Too much of anything gets boring to me. A lot of my close musician friends agree, and that’s why we get along so well. I’m just happy musicians from a few different genres will put up with me!

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Music Music Features

WEVL Turns 40

In its 40-year history, Memphis’ longstanding community radio station WEVL FM 90 (technically, 89.9 on the dial) has transformed fxrom a tiny operation very few people could even pick up outside of Midtown, to an over 50-mile coverage radius reaching three states, in addition to streaming worldwide online at wevl.org. The station’s popularity has also grown accordingly, thanks both to the stronger signal and a widely diverse schedule of programming, offering everything from underground rock to bluegrass to world music.

WEVL was founded in 1976 by a social worker and event promoter named Dennis Batson, who would also go on to be a founding member of the North American Folk Music and Dance Alliance. Batson shepherded WEVL through its shaky first few years and, obviously, played a crucial role in the station’s history.

“I never knew him,” says Brian Craig, a WEVL volunteer since 1981 and its program director since 1992. “But I’m told he listened to a few community stations in other cities and really liked what he heard. He got inspired to create something like that for Memphis.”

WEVL’s upward trajectory truly began to take shape in 1986, when the signal strength was increased dramatically and Judy Dorsey was given the title of station manager, a position she holds to this day. Under Dorsey’s leadership, the station has taken great strides in terms of fund-raising, promotion, and maintaining the growing core of station members and volunteers. WEVL is now funded entirely by its membership drives and other fund-raising efforts, such as the annual Blues on the Bluff concert.

To commemorate its 40th year, the station tapped a dedicated trio of volunteer DJs — Amanda Dent, Kelly Kraisinger, and Amy Schaftlein — to create an event to serve as both a benefit concert and a celebration. That event is the WEVL 40 Fest, which takes place on Saturday, October 8th, 3-10 p.m. at Loflin Yard.

“When I think about how important this station has been to so many people over the past 40 years, it really hits me what an honor it is to be organizing this with Amy and Kelly,” says Dent, who has been hosting her Monday afternoon show Lost in the Shuffle on WEVL for roughly eight years.

What Dent, Kraisinger, and Schaftlein have put together is an all-day music festival boasting a tremendous lineup of Memphis music talent, combining established mainstays MouseRocket, the Mighty Souls Brass Band, and DJs Andrew McCalla and Eric Hermeyer (formerly known as Buck Wilders and the Hook-Up) with rising stars like Chickasaw Mound and sensation Julien Baker. But the main attraction on the bill might be the WEVLs, a local supergroup featuring well-known local players Mark Edgar Stuart, Steve Selvidge, Terrence Bishop, and Graham Winchester, plus special guests who were assembled just for this particular show. “Our motto throughout has been ‘it doesn’t hurt to ask,'” Dent says. “And I’ve really been in awe of how so many people are not just willing but also eager to help us with this. “I called Terrence Bishop and asked what he thought about putting together a group of really great Memphis musicians for a one-time show. I’d been corresponding with Steve Selvidge about him playing the festival and threw the idea out to him as well. They jumped on board immediately. On the fly, Terrence named the band the WEVLs. He also recruited Mark Edgar Stuart and Graham Winchester for the core band with several special guests in the works.”

And if the personnel of the WEVLs wasn’t enticing enough, the idea behind the band makes it a must-see.

“They will be performing some of WEVL DJs’ favorite tunes that they’ve played on their shows,” Dent says. “So we’ll be hearing versions of songs from shows like Joyce Cobb’s Voices, Pajama Party, Sho-Nuff Country, and other shows we love on WEVL.” With the schedule of bands set and the show date rapidly approaching, both Dent and Craig are confident that WEVL 40 Fest will be a fitting tribute to a cornerstone of Memphis music and radio. “People like us because we have passionate, knowledgeable DJs — real people who love music and put their hearts into it,” says Craig. “And that’s what Amanda, Kelly and Amy have done with the festival.” “I can’t imagine a station like WEVL being any place but Memphis,” Dent says. “At the very least, it feels like home — like these are friends playing incredible music for you from the vastest and most diverse record collection ever. Because, really, that’s what it is. Just a bunch of schmoes like me with regular jobs, bad habits, and an undying love for music. ”Excluding Joyce Cobb from the schmoes comment, obviously.” WEVL 40 Fest, Saturday, October 8th at Loflin Yard, 3-10 p.m. Prices vary.

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Music Music Blog

Weekend Roundup 14: Digital Leather, Sons of Mudboy, Memphis Dawls

Sons of Mudboy play the Beale Street Saturday Night release show on Sunday, April 19th at Shangri-La.

Outdoor shows are the place to be in the 14th edition of my weekend roundup. From block parties to shredding at the Cooper Young gazebo, here are ten shows worth checking out this weekend.

Friday, April 17th.
Digital Leather, Alicja Pop, Aquarian Blood, 9:00 p.m. at the Buccaneer, $5.00.

Weekend Roundup 14: Digital Leather, Sons of Mudboy, Memphis Dawls

Memphis Dawls, Belle Adair, Christian Lee Hutson, 9:00 p.m. at the Hi-Tone, $10.00.

Weekend Roundup 14: Digital Leather, Sons of Mudboy, Memphis Dawls (2)

The Rough Hearts, J.D. Reager and the CB3, Faith Evans Ruch, 9:00 p.m. at Murphy’s, $5.00.

Weekend Roundup 14: Digital Leather, Sons of Mudboy, Memphis Dawls (3)

Graham Winchester and the Ammunition, 10:00 p.m. at Bar DKDC, $5.00.

Saturday, April 18th (Record Store Day).
Lucero Family Picnic with North Mississippi Allstars, Clay Otis, Marcella & Her Lovers, Robby Grant, 2:00 p.m. at Minglewood Hall, $25-30.00.

Weekend Roundup 14: Digital Leather, Sons of Mudboy, Memphis Dawls (4)

Blackberries, Aquarian Blood, 1:00 p.m. at the Cooper Young Gazebo (for Record Store Day), free.

Zeke Johnson’s Jug Band, 8:00 p.m. at Otherlands, $7.00.

Lucero Family Picnic After Party, 9:00 p.m. at Murphy’s, Free.

Sunday, April 19th.
Sons of Mudboy, Luther Dickinson, 2:00 p.m. at Shangri-La Records, free.

Weekend Roundup 14: Digital Leather, Sons of Mudboy, Memphis Dawls (5)

Artistik Lounge featuring Dejanique, 8:00 p.m. at Minglewood Hall, $10.00.