Categories
We Recommend We Saw You

Elvis is Everywhere!

Amanda Smith

I kicked off Elvis Week by eating a Doughburger and sitting in the ‘Elvis’ booth at Johnnie’s Drive-In in Tupelo. The restaurant, apparently, was one of the King’s haunts.

My first 45 rpm record was “Don’t Be Cruel” by Elvis. I got it when it came out in 1956. I saw his first movie, Love Me Tender on the big screen when it was released the same year. I saw Elvis in 1957 on stage at Russwood Park.

But I never ate at Johnnie’s Drive-In in Tupelo until a few days ago.

Johnnie’s, apparently, was one of Elvis’s haunts. A photograph of the King in one of Johnnie’s wooden booths hangs above a booth, which, supposedly, is the one Elvis was photographed in.

Christi Wade’s parents – Don and Barbara Knight – bought Johnnie’s in 1981, she says. “I’m just managing,” she says. “Whenever they retire, I’m buying it from them.”

John and Margaret Chism were the original owners of Johnnie’s, which opened October 17, 1945, White says. It’s billed as “Tupelo’s Oldest Restaurant.”

I overheard a customer order the “Johnnie Burger.” He told me it was the Doughburger, which White says is their best seller. Doughburgers “started during the Depression when they added flour into the meat because meat was being rationed. To make it go further. Oh, my gosh. We cook so many of those a day. That’s one of our most popular items.”

It’s especially popular during Elvis tributes, she says. “The week of his birth and the week Tupelo does its Elvis festival in June and in August when people are making a pilgrimage to Tupelo and back to Memphis to commemorate his death.”

People want to eat Doughburgers because Elvis supposedly ate them, White says. “We have to rely on what we are told from his friends that are still with us.”

Paul Cramer, who was a traveling salesman, took the photo in the mid 1950s. According to his account, Cramer heard a teenager scream, “Elvis is next door!” He didn’t know who Elvis was, but he found the King at Johnnie’s and asked if he could take his photo. Cramer didn’t think any more about the photo until he discovered it in a photo album in 1997.

White and her family also have to rely on Elvis’ friends, who told them the booth in the photo is the same booth beneath the photograph, she says. “We just have to go by what we’re told. We don’t really have 100 percent proof.”

People like to have their photograph taken in the “Elvis” booth.

Johnnie’s was packed the week I visited the restaurant with my sister. People kept walking through the door. When we left, we saw a long line of people who traveled by bus waiting to get in. “It’s a crazy week, but we love it,” White says.

And Johnnie’s is an actual drive-in; you can order from a carhop. “We try our best to stay a lot like we were in 1945.”

They added items to the menu, but, White says, “We don’t accept credit cards or debit cards. Cash only.”

They like to “stay with the feel of old school” at Johnnie’s, White says.

The prices seem old school, too. The Doughburger sells for $1.35. You also can get an “All-Meat Burger” for just $2.50.

MIchael Donahue

Kelly Laing, Pat Kerr Tigrett, and T. G. Sheppard at ‘Moonshine at Sunset.’

Pat Kerr Tigrett helped kick off Elvis Week with her “Moonshine at Sunset” soiree, which was held August 9th at her downtown penthouse.

The party celebrated T. G. Sheppard’s birthday. He and his wife, Kelly Laing, were among the star-studded group who attended.

Sheppard and Laing performed at the “George Klein Tribute Show,” which was held August 11th at Lafayette’s Music Room. Merrilee Rush and William Bell, who performed at the show, were among the guests at Tigrett’s party.

Jerry Williams, who attended with Cindy Bailey, put the Klein show together. Williams and Klein were friends for 71 years.

Days later, Williams shared his thoughts about the tribute show, which also featured Carla Thomas, Joyce Cobb, Wendy Moten, Ronnie McDowell, Jason D. Williams, and the Royal Blues Band. “The Sunday show probably is one of those shows that Memphis won’t see again for a long, long time,” he says.

Ten performers “all appearing and all doing what they felt for George. It was incredible.”

The show was sold out, Williams says. “Then we had Lafayette’s decide to do a standing room only. It was jam packed. People were standing outside in a line. Everybody who came had to love George.”

What struck him the most were “the people who came to Memphis to perform for George and the love they all showed for him.”

And, he says, “Those 10 acts that were there, those were the people George would have called. He had a history of love and affection for every one of them. He was integral to everyone of them early in their careers.”

What would Klein have thought about the show? “He would have turned his head and probably cried. He was so humble. It would be hard for him to grasp that these people were there for him.”


Michael Donahue

William Bell and Lawrence ‘Boo’ Mitchell at ‘Moonshine at Sunset.’

Michael Donahue

Cindy Bailey, Jerry Williams, Larry Moss. and Merrilee Rush at ‘Moonshine at Sunset.’

                                       WE SAW YOU AROUND TOWN

MIchael Donahue

Mary Pat Van Epps. Lydia Cox, and Gina Dear at Gibson’s Donuts.

Michael Donahue

Eldrick Wilkins, Moriah Oliver, and Nature Hendricks at Crosstown Concourse.

Michael Donahue

Darnell Henderson and Cameron Bethany at Blind Bear


Categories
Music Music Blog

“The George Klein Tribute Show” to be Held August 11th

Jerry Williams and George Klein

George Klein will be honored at “The George Klein Tribute Show” on August 11th at 4 p.m. at Lafayette’s Music Room.

It’s fitting that Klein will be honored during “Elvis Week.” He and The King were close friends from the 1950s until Elvis’ death in 1977.

Klein, who died February 5th at the age of 83, was a radio and TV personality. He was a deejay, had his own TV shows, made personal appearances seemingly everywhere, and was in Elvis movies, including “Jailhouse Rock.”

Jerry Williams, a friend of Klein’s for 71 years, put the show together. “He’s a Memphis icon,” Williams says. “He deserves it.”

The lineup includes Carla Thomas, Joyce Cobb, Merrilee Rush, T. G. Sheppard, Ronnie McDowell, Kelly Laing, Wendy Moten, William Bell, Royal Blues Band, and Jason D. Williams. “I didn’t get one ‘no.’ When I would call them, literally every one of them had their stories about George and what he meant to their career – from playing their first record to putting them on the TV show. No conversation was without tears.”

Williams says he could have had 100 people perform, but he stopped at 10.

He specifically picked the date for the show. “It’s on August 11th, the first Sunday of Elvis Week. And, you remember, George always had his events on the first Sunday of Elvis Week. That was sort of George’s day.”

Klein did 37 “George Klein and the Elvis Mafia” shows and 42 “George Klein Christmas Charity Shows,” Williams says.

Williams met Klein in the spring of 1948 “because of the Memphis Chicks baseball team.”

Klein was 11 and Williams was 8. “When the Chicks would start spring practice for the season, we would make 30, 35 cents a day. We would shag balls. We were batboys. We got to know all the guys.”

Their friendship continued after Williams moved to California in 1964 to manage Paul Revere & the Raiders.

And it continued after Williams returned to Memphis. “I came back in ‘69 and built Trans Maximus (TMI) Studios. And from that we had TMI Records.”

TMI was a success. “We stayed on charts at TMI for seven years without coming off. Steve Cropper was in charge of production.”

They cut records for Poco and Charlie Rich, among others. They also cut Jeff Beck’s Going Down album, which was Beck’s signature album with the title song written by Don Nix.

Klein played those albums on his radio show, Williams said. “Absolutely. He played every one of them. George was fabulous about playing anybody local. Anything recorded by local artists and by international artists who recorded in Memphis.”

He and Klein would talk daily after Williams permanently moved back to Memphis in 1971, Williams says.

“Somebody asked me, ‘What do you miss most about George Klein?’ I said, ‘George Klein.’ The reason is very simple. He was always a what-you-see-what-you-get kind of guy. No airs to George Klein.”

Klein “didn’t really know he was important to the world-wide music industry. Did you know he was the first person with a live broadcast show to put an African-American on live in Memphis? Fats Domino.”

He also invited African-American couples to dance along with the white couples on his TV show, Williams says.

“George Klein was a special guy because he did things he thought were right at the time that the world thought was wrong. And he went across the grain.”

Williams will host the “The George Klein Tribute Show,” which will be a first for him. “This is not a wailing wall kind of thing. This is entertainment.”

And, he says, “This is not a sad occasion. This is 10 acts who loved George.”

Tickets to “The George Klein Tribute Show” are $50. VIP tickets, which includes a “swag bag,” are $100. Tickets may be purchased at Lafayette’s Music Room. For more information, call (901) 207-5097 or go to lafayettes.com/mwmphs/event-tickets/