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Opinion The Last Word

The Rant (January 8, 2015)

Sigh, sigh, SIGH. I remember writing on this page not so long ago that I usually handle another person’s death pretty stoically, knowing that it’s just a natural part of life and that it’s going to happen to us all eventually. I was having a tough time reconciling the passing of Memphis singer and my much-loved friend Di Anne Price, because I knew the world would never be the same without her. It was really an odd and painful feeling.

And now, a few weeks after the passing of Ardent Studios founder John Fry, it’s a testament to him that so many others around the world still can’t seem to accept the loss. So much has been written about John in the past few weeks and shared on social media, and so many beautiful memories and thoughts about him have been included in donations made to organizations in his memory. The themes are universal: John was kind, talented, humble, the voice of reason, and, more than anything, someone who was always giving to others, sharing his knowledge and time, and always giving others credit and encouragement. All of that couldn’t be truer. 

Courtesy of Stax Museum

Huey Lewis with John Fry of Ardent Studios

I don’t know that I can add much more than what has already been expressed, except that John was a dear friend and a massive supporter of the Soulsville Foundation (where I work) and a member of our board of directors. For those who don’t know, the Soulsville Foundation is the nonprofit organization that operates the Stax Museum of American Soul Music, Stax Music Academy, and the Soulsville Charter School. His past relationship with Stax Records is well documented, and John’s Ardent Studios was a sister studio of sorts to Stax back in its heyday, with many of the Stax artists recording at Ardent when the Stax studios were booked up, and for other reasons. And John loved the Stax Museum and loved bringing musicians, and producers, and others there to give them his unique tour.

Soulsville Foundation CEO Calvin Stovall said, “John served on our board of directors for many years and played an integral role in the Soulsville Foundation. He was emphatically committed to everything Stax — the music, the kids, and the Memphis community. His presence and contributions to our organization will be sorely missed. A couple of weeks ago, I had the fortunate opportunity to have John himself give me a tour of Ardent Studios. It was truly one of the most memorable learning experiences I’ve ever had. I’ll never forget it.”

Stax Museum Director Lisa Allen added: “I can’t imagine that anyone else has given a personal tour of the museum more times than John Fry. He was passionate about sharing the history of our music and making sure that current musicians from around the world experienced Soulsville. John became more than a music icon and board member to me; he transformed into a friend. He understood both my professional and personal struggles. Often he would email me with simple words of encouragement that meant more to me than I could ever express.”

But as much as he loved the museum, John probably loved our young people more than anything. It didn’t matter if it was Huey Lewis, or other high-profile artists recording at Ardent, or an up-and-coming young band from Belgium he brought for a tour, he didn’t bring anyone into the museum until he explained what goes on with the young people at the Stax Music Academy and the Soulsville Charter School. He would proudly reel off details about the students’ rate of improvement in mathematics and explain how studying music helped them achieve that. And this started long before he joined our board of directors. 

Another thing I loved about John was his very dry sense of humor and how hilariously cantankerous he could be at times. One of his pet peeves was getting caught up in an email thread about something usually pretty mundane, like a meeting date and time, and everyone chiming in by replying to all in the thread, thereby leaving dozens of messages in his email inbox. Drove him nuts. I laughed out loud at my desk so many times when he finally couldn’t take it anymore and relayed his feeling about that to everyone. In one of the last such threads, which involved lots of people congratulating each other on something that had gone really well, he finally conceded and wrote, “Okay, if everyone is going to keep ‘replying all’ in this, then Bravo Zulu! If you know what that means you’re way cool. If not, search it on Google.”

Bravo Zulu is, of course, an old navy signal for “job well done.” Bravo Zulu, John. You’ll be missed.

Categories
Music Music Features

Ardent Revival

Anyone who’s even slightly plugged-in to the Memphis music scene knows what a landmark we have in the somewhat inconspicuous building located at 2000 Madison, just a block or so west of Overton Square. Founded in 1959 by recording engineer and producer John Fry, Ardent Studios has gained a national reputation by recording albums by the likes of ZZ Top, Sam and Dave, R.E.M., the Afghan Whigs, the Replacements, Isaac Hayes, and countless others.

Ardent has seen its share of successes as a record label as well, most notably with local power-pop pioneers Big Star, but also with Big Star frontmen Alex Chilton and Chris Bell, the Eric Gales Band, and Jolene. In 1995, Ardent Records reinvented itself as a contemporary Christian label, more or less putting secular music to the side, and again scored big with artists such as Big Tent Revival, Skillet, Smalltown Poets, and Todd Agnew.

“We have never really been out of it,” Fry says, referring to secular music. “Whether as a studio, or working with our catalog which goes back to the first Ardent 45 in ’59. There is no requirement to be a Christian to work here or be on our label.”

Nonetheless, Ardent recently unveiled a plan to launch a new and separate secular imprint dubbed Ardent Music. (Ardent Records will continue to focus on Christian artists.) The first Ardent Music release will be the debut of local blue-eyed soul outfit Jump Back Jake, which features members of Memphis indie-rock mainstays Snowglobe and the Third Man, fronted by New York transplant Jake Rabinbach. The band’s album, titled Brooklyn Hustle Memphis Muscle, will be released digitally in November, with physical CDs and limited-edition vinyl copies following in early December. Three of the tracks are currently available for preview on Jump Back Jake’s Myspace and Facebook pages.

For Rabinbach, the decision to sign with Ardent was an easy one.

“Everything from the early garage-rock stuff to Big Star to the Staple Singers are a huge influence on Jump Back Jake,” Rabinbach says, “so it’s an honor for us to be associated with Ardent. They embraced us and treated us like family. Very few artists today get this kind of opportunity, and I can’t say enough good things about Ardent.”

Helping to launch the imprint are several key players in the Memphis music scene, including Fry, Big Star drummer and longtime Ardent fixture Jody Stephens, local music blogger Rachel Hurley (best known for creating the music website Rachelandthecity.com and several popular programs available on Breakthru Radio, including “The Ardent Sessions”), and emerging music marketing ace Joseph Davis.

Davis, whose family connections with Ardent history run deep indeed (his grandfather was a session horn player at Ardent in the ’60s and ’70s, and his aunt was half of the inspiration behind Big Star’s classic tune “September Gurls”) saw the opportunity to reinsert the Ardent label into mainstream music as too good to pass up.

Jody Stephens and John Fry are helping to launch a new label, Ardent Music, with the debut release of Jump Back Jake.

“I was working quite successfully in the traditional marketing world, but always felt the music business was where I wanted to be,” Davis says. “John and Jody are still standing and doing it after all these years, so I’m very honored and inspired to be working for them. The influx of new media has leveled the playing field for independent artist and labels, so it’s an exciting time to be doing something like this.”

Ardent Music currently is looking at several other local, regional, and national acts to add to its roster, though nothing is official at this point.

“From anywhere is fine, but I’m very Memphocentric at heart,” Fry says. “It seems to me that there are a lot of artists who could use some help from a small, new-model record label which intends to use the new media opportunities now available to build a foundation for their success.”

Stephens agrees. “As music taste turns back toward performance-driven players, I think studios like Ardent will benefit,” he says. “Finding the right artist that connects with us, makes economic sense, and most of all, connects with enough people so that we all can continue doing this is challenging. We will see how our taste lines up with that of the public.”

The label’s website, ardentmusic.com, will launch soon. To sample Jump Back Jake’s music, go to MySpace.com/JumpBackJake.