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Music Video Monday: “Skin Deep” by Idi X Teco

Memphis hip hop duo Idi x Teco are joined by NicoTheGoddess and producer Qemist for their brand new jam “Skin Deep.” Filmmaker Jordan Danelz, who previously collaborated with Idi x Teco for the killer “Buzzsaw Kick” video, and Malik the Martian created some incredible lighting design for this clip. The duo unleashes their formitable stage skills while Nico holds effortlessly holds down the hooks. Take a look:

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Queen Rising

Madison (April Hale) has had a hard life. When she was young, her father (Henry E. Reaves III) was a political activist. “I can’t believe we still have to deal with racism in America! It’s the 1990s!” her mother Gina (Rekeitha Morris) exclaims at the dinner table when her younger daughter Brooke (played as a child by twins Candice and Taylor Bradburn) tells the family one of the boys at school called her the n-word. Their father is more direct. If anyone hurls slurs at his kids, he instructs them to respond immediately, with force.

But before the two sisters can grow up, their father dies under mysterious circumstances. Gina quickly remarries, but her new husband doesn’t live up to the high standards her former husband set. He’s abusive and violent, and before long, the two girls are on their own.

April Hale

Madison, now an adult, struggles to keep the family home that is the girls’ only legacy from their parents. She’s gainfully employed as a beloved, but no-nonsense elementary school teacher. But with Brooke (played as a college-age student by Jessie Reeder) in school, it’s hard to make ends meet. “I just wish they would pay teachers what we’re worth!” she says to her new friend Greg (Xamon Glasper).

Don’t we all, Madison.

Greg has a potential solution to Madison’s money problems. Turns out he’s a writer with big connections. His boss Mr. Laurent (Phil Darius Wallace) runs a publishing house which specializes in true crime novels. Madison had revealed to Ben that, when she was a student at Bluff City College, she was a witness to the infamous College Town Slayings. In fact, her former beaux Ben (Dash Kennedy Williams) had been the prime suspect in the killings that took the lives of five of her classmates.

Madison has never opened up to anyone but the police about her awful college experiences. She’s had more than enough trauma for one lifetime, and she’s not too keen on dredging up bad memories for fun and profit. But then Mr. Laurent reveals exactly how much profit is on the table — it’s more than enough to save the house and ensure Brooke can finish her studies. Soon, Madison finds herself in Greg’s home office, where a sign on the wall says, “Do something today that your future self with thank you for.” Whether her future self will thank her for the tour of bad relationships, enduring mysteries, and PTSD that live in her damaged psyche is very much up in the air.

Queen Rising is an independent production made in Memphis by mostly homegrown talent. Director Princeton James is well-known on the film scene here for acting roles in Bluff City Law and short films by Mark Jones and Noah Glenn. His feature directing debut is blessed with a sizable budget (by indie world standards, anyway) and a crackerjack crew. Cinematographer Jordan Danelz makes his presence felt with impeccable lighting choices and some truly lovely frames. From the rich hues of Madison and Brooke’s Midtown bungalow to the beautiful exteriors shot at Rhodes College, this is a gorgeous film.

It certainly helps that the cast is incredibly good-looking. But Hale is more than a pretty face. She’s a prolific actor who got her start in the Indie Memphis scene with the late director Rod Pitts’ cult classic rom com What Goes Around… Hale holds down the demanding lead role with confidence, and subtly. You can always sense that her Madison knows a lot more than she’s telling, and that she’s learned to keep her mouth shut through hard experience. (I will also put in a good word for Miguela Gary, a young actor of great poise who plays Madison as a child.) Reaves, who co-wrote the screenplay with producer Allison Chaney, nails his big speech as Madison and Brooke’s father. The great Memphis actor Phil Darius Wallace slays as the mysterious publishing magnate who will either help Madison’s dreams come true or make her life a living nightmare — possibly both! James knows that all you need to do is point a camera at Wallace and he’ll take care of the rest.

Queen Rising’s ambitious script rushes some beats, and details vital to the twisty plot breeze by very fast. But there’s no question that this entertaining work shows James’ and the rest of the team’s great potential. This is a Memphis film that punches way above its weight.

Queen Rising
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Music Video Monday: Porcelan

Today’s Music Video Monday is for all you folks out there who are keeping it together.

Porcelan has been performing most of her young life. She recently signed with Memphis music legend David Porter’s Made In Memphis Entertainment, catapulting her to the largest stages of her career. The theme of love and strength overcoming fear is prominent in her first video, “Real Thing Don’t Change”.

The video was produced by Hotkey Studios and Pigeon Roost Collaborative: Directed by Blake Heimbach, shot by John Paul Clark, with assistance from Jordan Danelz, Morgan Jon Fox, Aaron Baggett, and others. The result is one of the best looking videos we’ve had on MVM this year. Take a look:

Real Thing Don’t Change by Porcelan on VEVO.

Music Video Monday: Porcelan

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

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Memphis Film Prize Draws Bluff City Talent

Gregory Kallenberg wanted to create a different sort of film festival when he founded the Louisiana Film Prize in 2012. After filming in Shreveport, he fell in love with the town and relocated from Austin, Texas, and brought a more competitive model to the festival world — along with a $50,000 prize.

After three successful years, the prize is branching out to create a feeder system of regional competitions, and Memphis was at the top of the list. They partnered with On Location: Memphis, and this weekend, the top 10 films from more than 50 local entries will screen at Studio on the Square. The winning film will receive $10,000 and a chance at the $50,000 Louisiana prize in September. I spoke with three of the nominated directors.

Ricky D. Smith in director Kevin Brooks’ street drama “Marcus”

“Marcus”

Dir. Kevin Brooks

Last year, the young filmmaker’s short, “Heat Vision,” earned him a slot in the Sundance Ignite program and a trip to Park City, where he was mentored by Nate Parker, director of the Grand Jury and Audience Award-winning Birth of a Nation. “I came back with a huge burst of energy!” he says. “I made ‘Marcus’ especially for the Film Prize.”

The film stars Ricky D. Smith, whom Brooks met while they attended University of Memphis together. “The movie tells the story of a young man who is struggling with the consequences of karma,” Brooks says. “It’s derived from the decisions he made to survive. I wanted to make it really realistic, and I wanted to talk to the issues that people of color face in these urban settings.”

Brooks’ goal, he says, is to return to the big leagues in Park City with a film of his own. “I have to stay focused and keep moving forward, because I want to be there someday.”

“Calls From the Unknown”

Dir. Edward Valibus

Edward Valibus, noted for his gonzo comedies with Corduroy Wednesday, wanted to tackle something a little more serious with “Calls From the Unknown.” “Our main character is a young woman. She’s a film student doing the usual documentary 101: interviewing her dad and hearing stories she’s never heard before,” he says.

His inspiration came from his experiences with his own father’s terminal illness. “I’ve been doing absurdist humor for so long, people who watch it have been calling it a dark comedy. People laugh, then they gasp, then they cry.”

Lead actress Lara Johnson directed the documentary “Geekland,” but Valibus says her comedic student films convinced him she could excel in the role. “A big philosophy behind doing this film was giving people chances to do something new.”

Jordan Danelz, normally a gaffer, was the cinematographer, and musician Michael Jasud, of Dead Soldiers, makes his acting debut. “All my gambles really paid off,” Valibus says.

The one sure thing was Mark Pergolizzi as Johnson’s father. “He’s my favorite actor to work with,” Valibus says. “I went through the entire thing with Mark, what I wanted out of her and what I wanted out of him. Then I sent them off together to work it out. I was trying to create a father-daughter bond. It worked out amazingly well; I just let the camera roll.”

“Teeth”

Dir. Melissa Anderson Sweazy

“Like a lot of my ideas, it came about through casual conversation with my daughter,” director Melissa Anderson Sweazy says. “She heard about the tooth fairy, and she was like, ‘Why? There’s a person coming to my house to get my teeth? Who is this person, and what are they doing with all those teeth?'”

Sweazy, whose previous works include the Indie Memphis-winning “John’s Farm” and “The Department of Signs and Magical Interventions” loves to work in fantastic realms. “I’m definitely drawn to stories about magic, either about the absence of magic in the world or the proof that it is there in reality. I like the world to look normal, except for a magical element at play.”

“Teeth” stars newcomer Gabriella Goble as the young child who wants to investigate the tooth fairy’s motives. Her father, Ryan, was the director of photography. “It was kind of a miraculous find. My day job is at a production company, so my entire crew was made up of co-workers who donated their time.”

Lindsey Roberts portrays the tooth fairy. “It’s going to be a take on the tooth fairy that you have never considered.”

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Music Video Monday: Light Beam Rider

This Music Video Monday invites you to an exclusive party. 

When Oxford/Nashville band Light Beam Rider wanted to film a video for their song “A Place To Sleep Among The Creeps”, they turned to their old friend Nathan Ross Murphy.

“I’ve actually known [singer/guitarist] Thomas [Swift] since we were kids, fresh on the high school scene in Collierville. So I guess you could say this collaboration was just a matter of time.” says Murphy. “When Thomas sent me the song the band wanted to put visuals to, I was ecstatic—not just because it’s a great song but because it took me on a journey. It’s exactly what I love about LBR. Their music is the kind you daydream to.”

Murphy, who can be seen in the upcoming Old School Pictures comedy Bad, Bad Men, says he based the video on a short film concept he had been developing. “I immediately began to see this story unfolding where this haunted, centuries-old party collects victims through temptations of grandeur. I imagined these poor souls whose selfish desires outweigh the thinness of the facade around them. It’s a trap. Inevitably, they become doomed to an eternity of fake smiles—condemned to welcome the next unsuspecting victim with a martini in hand, and all at the doing of one questionably villainous Doorman deity played by my friend and fellow actor Donald Meyers. The visual goal was to create a ghostly, Victorian atmosphere that appears to have swallowed a collection of guests spanning various decades. This was achieved by the superb talents and crew contributions of Ryan Earl Parker, Jordan Danelz, Mona Kaiserseder, Blake Heimbach, Lauren Cavanaugh, Stephanie Marie Green, and Trevor Finney as well as an amazing mixture of friends and strangers-turned-friends who lent their time and cooperation so that we could make some cool art.” Here’s the video, featuring actors Leah Beth Bolton-Wingfield, Jacob Wingfield, and Jesse Davis. 

Music Video Monday: Light Beam Rider

 If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.