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Music Music Blog

Joyce Cobb Kicks Off Sunset Jazz at Court Square

Sure, most Memphians have heard of the Sunset Symphony. There will likely be a big turnout for this year’s iteration of the traditional spring concert, centered on the Memphis Symphony Orchestra’s “MSO Big Band,” playing everything from swing to samba. That alone shows there’s a growing audience here that’s hungry for jazz. But not as many music fans know of that other great outdoor experience, Sunset Jazz.

Starting as a pop-up concert in 2018 in that historical downtown gem, Court Square Park, it had become an annual event by the next year at the request of Downtown Memphis, with series curator Deborah Swiney receiving a Downtown Memphis Vision Award that year.

This weekend, the annual free series is upon us once more, and there’s no better artist to champion the city’s jazz heritage than Joyce Cobb, who’ll perform with her band from 6-8 p.m., Sunday, May 14th, as the sun sinks in the west.

Those who attended the Stax Museum of American Soul Music’s Night Train gala on April 29th were treated to a performance by Cobb, and it revealed how her truly eclectic and passionate approach remains firmly rooted in jazz. Indeed, between songs she reeled off a list of the jazz greats who’ve emerged from Memphis — Jimmie Lunceford, George Coleman, Phineas Newborn, Jr., Charles Lloyd, etc. — by way of calling out the need for a Memphis Jazz Museum.

Yet despite her mastery of both the history and the artistry of jazz, she remains as stylistically diverse as ever. That’s only fitting for a singer who first came to Memphis from Nashville in the mid-seventies to record country music for Stax Records. After that fell through amid the label’s financial demise, she stayed here, becoming a Memphis institution in her own right. And she finally did get a Top 40 single, 1979’s “Dig the Gold” on Cream Records, a politically charged jam that borders on Afro-Pop, recorded at the now-legendary Shoe Productions Studio.

Joyce Cobb and band at the Stax Museum of American Soul Music’s Night Train gala (Credit: Michael Donahue)

The same venturesome spirit that led to her genre hopping in the ’70s persists today, as was well in evidence during her Night Train set. Calling out the Miles Davis classic “All Blues,” she gave us a heads up to listen to some lyrics she was adding to the typically instrumental piece. But we had to wait for that, as she proceeded to wail beautifully on the blues harp. Anyone who thought of Cobb as only a singer should certainly take note of this performance. And if you thought of her as strictly a jazz artist, listen to the lyrics that follow.

As an encore, Cobb took to the harp again, this time letting her ace band’s funky flag fly high. Expect more of this vibe, or vibes — from classic jazz to who knows what? — this coming Sunday evening at Court Square Park.

Sunset Jazz at Court Square takes place the second Sunday of each month, May through October, 6-8 p.m. Free.

May 14:  Joyce Cobb
June 11:  Gary Topper
July 9:  Deborah Swiney
August 13:  Paul McKinney
September 10:  Cequita Monique
October 8: Southern Comfort Band  (Univ. of Memphis)

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: FreeWorld and Friends

Music Video Monday is bringing you all the colors of the rainbow.

Memphis jam band monarchs FreeWorld have been around long enough to know nearly everyone in the Bluff City music scene. The Beale Street stalwarts have spent their pandemic-enforced time off the stage in the studio, says bassist Richard Cushing. “We’ve been in Cotton Row Studio for the past several months working on this amazing project, and we’re all extremely proud of the way it turned out! The end result of all our dedicated work is a city-wide, multi-genre, multi-racial, multi-cultural music video meant to celebrate and exemplify Memphis’ (and the whole world’s, for that matter) diversity, and was created purely as a way to showcase the concept, the lyrics, the voices, the faces, and the overarching idea of diversity as an essential quality of life!”

When I say FreeWorld knows everyone, I mean it. “D-UP (Here’s to Diversity)” boasts a whopping 23 vocalists and 15-member band, including Al Kapone, Hope Clayburn, Marcella Simien, Luther Dickinson, and Blind Mississippi Morris.

Cushing says “D-UP” was originally a FreeWorld tune that the band decided to rework to reflect the lyric’s ideals and celebrate the struggling Memphis music scene. “The song, with lyrics written by David Skypeck and accompanying video produced by Justin Jaggers, came bursting forth with new life through the amazing production talents of Niko Lyras, along with the instrumental and vocal contributions of over three dozen established entertainers, talented newcomers, and legacy artists (see below), who all came together and donated their time and talents to create a work of art that celebrates and exemplifies the musical, cultural, emotional, intellectual, and spiritual unity and diversity inherent in our city and the world beyond.”

Music Video Monday: FreeWorld and Friends

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
Music Music Features

WEVL Turns 40

In its 40-year history, Memphis’ longstanding community radio station WEVL FM 90 (technically, 89.9 on the dial) has transformed fxrom a tiny operation very few people could even pick up outside of Midtown, to an over 50-mile coverage radius reaching three states, in addition to streaming worldwide online at wevl.org. The station’s popularity has also grown accordingly, thanks both to the stronger signal and a widely diverse schedule of programming, offering everything from underground rock to bluegrass to world music.

WEVL was founded in 1976 by a social worker and event promoter named Dennis Batson, who would also go on to be a founding member of the North American Folk Music and Dance Alliance. Batson shepherded WEVL through its shaky first few years and, obviously, played a crucial role in the station’s history.

“I never knew him,” says Brian Craig, a WEVL volunteer since 1981 and its program director since 1992. “But I’m told he listened to a few community stations in other cities and really liked what he heard. He got inspired to create something like that for Memphis.”

WEVL’s upward trajectory truly began to take shape in 1986, when the signal strength was increased dramatically and Judy Dorsey was given the title of station manager, a position she holds to this day. Under Dorsey’s leadership, the station has taken great strides in terms of fund-raising, promotion, and maintaining the growing core of station members and volunteers. WEVL is now funded entirely by its membership drives and other fund-raising efforts, such as the annual Blues on the Bluff concert.

To commemorate its 40th year, the station tapped a dedicated trio of volunteer DJs — Amanda Dent, Kelly Kraisinger, and Amy Schaftlein — to create an event to serve as both a benefit concert and a celebration. That event is the WEVL 40 Fest, which takes place on Saturday, October 8th, 3-10 p.m. at Loflin Yard.

“When I think about how important this station has been to so many people over the past 40 years, it really hits me what an honor it is to be organizing this with Amy and Kelly,” says Dent, who has been hosting her Monday afternoon show Lost in the Shuffle on WEVL for roughly eight years.

What Dent, Kraisinger, and Schaftlein have put together is an all-day music festival boasting a tremendous lineup of Memphis music talent, combining established mainstays MouseRocket, the Mighty Souls Brass Band, and DJs Andrew McCalla and Eric Hermeyer (formerly known as Buck Wilders and the Hook-Up) with rising stars like Chickasaw Mound and sensation Julien Baker. But the main attraction on the bill might be the WEVLs, a local supergroup featuring well-known local players Mark Edgar Stuart, Steve Selvidge, Terrence Bishop, and Graham Winchester, plus special guests who were assembled just for this particular show. “Our motto throughout has been ‘it doesn’t hurt to ask,'” Dent says. “And I’ve really been in awe of how so many people are not just willing but also eager to help us with this. “I called Terrence Bishop and asked what he thought about putting together a group of really great Memphis musicians for a one-time show. I’d been corresponding with Steve Selvidge about him playing the festival and threw the idea out to him as well. They jumped on board immediately. On the fly, Terrence named the band the WEVLs. He also recruited Mark Edgar Stuart and Graham Winchester for the core band with several special guests in the works.”

And if the personnel of the WEVLs wasn’t enticing enough, the idea behind the band makes it a must-see.

“They will be performing some of WEVL DJs’ favorite tunes that they’ve played on their shows,” Dent says. “So we’ll be hearing versions of songs from shows like Joyce Cobb’s Voices, Pajama Party, Sho-Nuff Country, and other shows we love on WEVL.” With the schedule of bands set and the show date rapidly approaching, both Dent and Craig are confident that WEVL 40 Fest will be a fitting tribute to a cornerstone of Memphis music and radio. “People like us because we have passionate, knowledgeable DJs — real people who love music and put their hearts into it,” says Craig. “And that’s what Amanda, Kelly and Amy have done with the festival.” “I can’t imagine a station like WEVL being any place but Memphis,” Dent says. “At the very least, it feels like home — like these are friends playing incredible music for you from the vastest and most diverse record collection ever. Because, really, that’s what it is. Just a bunch of schmoes like me with regular jobs, bad habits, and an undying love for music. ”Excluding Joyce Cobb from the schmoes comment, obviously.” WEVL 40 Fest, Saturday, October 8th at Loflin Yard, 3-10 p.m. Prices vary.

Categories
Letter From The Editor Opinion

The Heart and Soul of Memphis

Portland, Brooklyn, Nashville, and Memphis. Those aren’t four cities you typically see referenced in the same sentence, but last week a Wall Street Journal story cited a Cushman & Wakefield national real estate report that lumped Memphis in with those three hipster-friendly cities as one of the country’s top four markets offering “the right live/work/play environment for millennials.”

It was a pleasant surprise to see it in print, but the WSJ story just validates what anyone who’s been living in Midtown or downtown in the past few years has seen firsthand: Craft beer breweries popping up like March daffodils, bike paths proliferating, residential and retail developments in Overton Square, Crosstown, South Main, downtown, the Edge District, Cooper-Young, and on Broad Avenue — all signaling a serious revitalization of the city’s core.

Last Sunday dawned bright and clear. The incessant rain had moved out and spring arrived, seemingly overnight, with temperatures in the 70s and a sky of porcelain blue. My daughter and her boyfriend and I decided to ride our bikes in search of a friendly patio for brunch. It proved to be a struggle.

We rolled down Peabody Avenue to the Slider Inn. Nope. Patio full. Sorry. So we pedaled our way north on Cooper to the Second Line. The front porch was full, meaning there would be a wait. So on we went to Overton Square, home to at least 10 patios. It was the same story there. Patio-mania had set in. Not a seat to be had outside. So we went to Boscos and resigned ourselves to sitting inside.

And it was a good thing. A great thing, actually.

For many years, Joyce Cobb and a crew of local musicians have played at Boscos’ Sunday brunch. It’s a wonderful gathering, where mimosas flow and you get to hear one of the city’s best singers doing jazz standards while you munch on your eggs Benedict. But this week, Joyce was singing while sitting down. Her voice was strong, but she is not these days, having gone through a number of chemo treatments in recent weeks.

The place was packed — with families, couples, black and white — all united in support of Joyce. When she sang “Danny Boy,” there were more than a few tears shed, despite the seeming incongruity of an African-American woman singing a sad Irish standard.

My daughter, who recently moved here from Austin, was impressed. “Look at this place,” she said. “In Austin, this room would be filled with hipsters. I love this town.” So do I.

After all, it’s one thing to have hipster cred. It’s quite another to have heart and soul.

Categories
Sing All Kinds We Recommend

Sound Advice: Memphis Music and Heritage Festival

Bobby Rush

  • Bobby Rush

The most diverse gathering of local music and culture every year, the Center for Southern Folklore’s annual Memphis Music & Heritage Festival will take over the area surrounding Main Street and Peabody Place this weekend, with live music running from late morning thru late night on five stages over two days.

On Saturday, August 31st, chitlin’-circuit soul legend Bobby Rush will headline the Tennessee Arts main stage at 10 p.m. while Memphis roots-punk/art-damage legend Tav Falco will direct his Panther Burns on the Greyhound Stage at 8:45 p.m.

Among many other potential highlights on Saturday are: Hip-hop/soul duo Artistik Approach (2:45 p.m.) and Beale blues stalwart Preston Shannon (4:45 p.m.) on the Tennessee Arts Stage. Indie rockers Mouserocket (3 p.m.) and the latin Aztec Dancers (6 p.m.) on the Greyhound Stage. An interview with local jazz great Joyce Cobb (2:15 p.m.) and a jazz/funk party from Hope Clayburn’s Soul Scrimmage (9:15 p.m.) on the Comcast Stage. A kids’ music performance from University of Memphis musicologist David Evans (1 p.m.) and the jug band Bluff City Backsliders (9 p.m.) on the Center for Southern Folklore Stage.

[jump]

Joyce Cobb

  • Joyce Cobb

On Sunday, September 1st, Joyce Cobb will close the festivities as the honored performer at 9:45 p.m. on the Tennessee Arts main stage, while The New Agrarians (songwriters Kate Campbell, Pierce Pettis, and Tom Kimmel) will play the Comcast Stage at 9 p.m.

Among many other potential highlights on Sunday are: Memphis blues/folk inheritors Sons of Mudboy (7:45 p.m.), first-generation rockabilly artist Sonny Burgess (6:45 p.m.) and latin singer Marcela Pinella (4:45 p.m.) on the Tennessee Arts Stage. Vocal gem Susan Marshall (4 p.m.) and Daddy Mack’s Blues Band (8:45 p.m.) on the Greyhound Stage. Opera great Kallen Esperian (3:15 p.m.) singing the blues on the Comcast Stage. Reggae group Chinese Connection Dub Embassy (6:30 p.m.) on the ArtsMemphis Stage.

The event, which includes many cultural and culinary activities beyond the music schedule, is free. You can find a full schedule and other information at southernfolklore.com.

Categories
Intermission Impossible Theater

A preview of Joyce Cobb singing “God Bless the Child” in Lady Day at Emerson’s Bar & Grill

I made a short video of Joyce Cobb as Billie Holiday in

Lady Day at Emerson’s Bar and Grill

at The Hattiloo Theatre. Enjoy.

Categories
Intermission Impossible Theater

Another look at what’s in store: Opus One and Joyce Cobb

Here’s another clip from the MSO’s ninja squad with Joyce Cobb. It essentially picks up where mine left off so you get to hear a lot more of “How High the Moon.” A good thing, in case you’re wondering.

And here are some more behind the scenes goodies from the MSO and Opus One.