Italian barbecue pasta at Tamboli’s (Photo: Miles Tamboli)
Since May is the month of the big “B” in Memphis, more area chefs share their thoughts on barbecuing. After all, this is Memphis. Barbecuing is sort of second nature. Right?
Miles Tamboli, owner of Tamboli’s Pasta & Pizza: “I made a barbecue pasta sauce that I’m really proud of to this day. I broke down barbecue sauce to its basic flavors and recreated it from scratch using Italian ingredients. Tomato base, caramelized onions, garlic confit, red wine, balsamic vinegar, smoked paprika, anchovy, and some more stuff. Tasted just like barbecue sauce. We tossed bucatini in it and topped it with seared sous vide pork belly from Home Place Pastures and nasturtium micros. It was excellent.”
Karen Carrier, chef/owner of restaurants, including The Beauty Shop: “Applewood smoked barbecued char siu salmon with crystallized ginger, candied lemon zest, and an avocado, watermelon, radish, and orange supreme relish.”
Joseph Michael Garibaldi Jr., Garibaldi’s Pizza owner: “We use a combination of fine- and medium-chopped hickory smoked pork shoulder and combine it with just the right amount of our sweet and sour sauce for it to caramelize the brown sugar on top and keep the pork moist and tender. … Our fresh, hand-tossed crust, signature fresh-packed tomato pizza sauce, and shredded mozzarella cheese provide a perfect base for the perfect barbecue pizza.”
Andy Knight, chef at Fleming’s Prime Steakhouse & Wine Bar: “Opening Loflin Yard and Carolina Watershed — both on Carolina Avenue — I attempted Carolina barbecue with a Memphis twist. I would cook the butts Carolina style — vinegar-based — then lather them up later with a rich Memphis-style sauce. Both locations were successful, but could never beat Memphis-style. From vinegar-based pork butts to 12-hour smoked beef brisket, nothing beats the dry rub and a rich barbecue sauce of Memphis-style barbecue.”
Betty Joyce “B.J.” Chester-Tamayo, chef-owner of Alcenia’s: “Barbecued chicken. I bake it first if I’m doing it at the restaurant. Sometimes I marinate it overnight with my Italian dressing.”
She also uses her eight seasonings, including Italian dressing, fresh rosemary, and even some of her homemade apple butter. She adds her barbecue sauce when serving. “I take barbecue sauce from the store and add my own ingredients: lemon juice, ketchup, Lipton onion soup mix, and other seasonings.”
Jonathan Mah, chef/owner SideStreet Burgers in Olive Branch, Mississippi: “My signature is the Korean barbecue — Le Fat Panda. My favorite cut is the pork steak marinated in Korean flavors and grilled. It’s a soy-based marinade with honey and mirin, green onions, and sugar, as well as sesame oil. Red pepper flakes for a little spice. Chargrilling is my favorite so that you burn that sugar a little bit on the grill. That’s the best part, to me.”
Jeffrey Zepatos, owner of The Arcade Restaurant: “We used to do barbecue at the Arcade. And we had a barbecued grilled cheese sandwich. So, I’d stick to something along those lines. Smoked pulled pork barbecue on Texas toast with a smoked cheddar cheese to top it off. Now we obviously don’t have smokers at the Arcade, so I was buying a great pork shoulder from a local vendor that we could heat up on our griddle. I think that was fun because it added flavor from our griddle to the barbecue, which gave it a unique taste from all the bacon and sausage we cook on it.”
Mario Gagliano, Libro chef/owner: “I’m from Memphis and I only know pork ribs with that classic vinegary Memphis sauce. All I’d do is take some baby backs and massage them with a nice dry rub, lightly sear it on low heat so as not to burn the sugars in the rub. Flip them and render some of that flavor off the bone. Then halfway submerge the ribs in boiling pork stock. Cover in foil and cook in the oven for a couple hours on 400 degrees. Remove them, brush some Memphis barbecue sauce and broil for a few minutes. Essentially, braising the pork, but it falls off the bone, super tender and moist. And you can find it cooked just like this at Libro at Laurelwood all through the month of May, baby.”
Plenty of music venues that have reopened in recent months have done so with the caveat, “Masks are required.” But when Bar DKDC opens its doors again tomorrow night, they’ve added another condition: “Dancing is a must.” And that’s a given with their musical curator of the evening, DJ Matty from New Orleans, famous for his Mod Dance Parties in the Crescent City.
DJ Matty is especially appropriate to get the tiny venue hopping again, now that dancing is allowed, as owner Karen Carrier explains: “It’s funny, because Matty opened up DKDC’s first night in January of 2013. And now he’s reopening us after the pandemic.”
Karen Carrier (photo by Michael Donahue)
But there will be some precautionary measures, above and beyond the official mandates. “Our thing is, you have to be masked up to be in there, but you can dance your ass off,” says Carrier. “Even when the mandate changes, when the City of Memphis lifts everything, I’m not going to lift the mask mandate. I just believe people need to be masked. ‘Cos I don’t know if you’re vaccinated. We’re still going to take temperatures to enter. We’re going to have security outside. So we’re going to try to do our own thing, even as we reopen DKDC.”
With the cozy club having been used as an annex of sorts for Carrier’s Beauty Shop restaurant through the months of quarantine, when more spread-out seating was required, this is a big moment for Carrier and the many music fans who hold her club dear. But it’s not exactly going full blast just yet. “We’re going to do this Saturday night as a one-off, then we’ll close down, and then we’re going to figure this whole thing out,” she says. “So we’re getting ready to blow open pretty soon. Probably by the first of June.”
There are already shows planned for next month, notably a two night residence on June 23 and 24 by a group that includes Memphis’ swamp soul queen, Marcella Simien. Known as Gumbo, Grits & Gravy, the trio also includes guitarist Guy Davis, son of civil rights activists/actors Ruby Dee & Ossie Davis, and violinist Anne Harris.
They have been gaining fans and acclaim internationally, with several European appearances planned for later this year.
Meanwhile, Bar DKDC staff and regulars are eagerly anticipating this weekend’s event, starting at 10:30 p.m. on Saturday. Carrier sees it as a therapeutic necessity. “We can only let so many people in,” she says, “but we’re going to shake your ass off for a while. I think people need to get out there and dance. And when Matty’s in the house, you can’t sit down, you know?”
After hearing about Memphis being recognized as the mashed potato capital of America by Idahoan Foods, I wondered how Memphis chefs used mashed potatoes at their restaurants. So, I asked around.
Kelly English, owner of Iris, The Second Line, and Fino’s from the Hill, says, “I love crawfish boil mashed potatoes — with everything you would get in a crawfish boil. Just fold some crawfish tails, crispy sautéed andouille, corn kernels, and roasted garlic into your potatoes and season with your favorite Creole seasoning. Saute a piece of fish from the Gulf and pour brown butter and lemon juice over the whole dish.”
Derk Meitzler, chef/owner of The Vault, Paramount, Backlot Sandwich Shop, and Earnestine & Hazel’s, says, “I’ve used leftover mashed potatoes to make loaded tater tots. Put the potatoes, egg, flour, shredded cheddar cheese, bacon, and chives into a bowl and mix together. Form into the shape of a tater tot and roll in panko bread crumbs. Then fry them golden brown.”
Acre Restaurant executive chef Andrew Adams (Photo: Michael Donahue)
Elwood’s Shack owner Tim Bednarski shared his warm German potato salad recipe. Boil two pounds of new potatoes cut into fourths in salted water until tender. Render four pieces of bacon. Drain the potatoes while warm. Combine one cup sliced green onions, one-half cup diced celery, one-half cup mayonnaise, one-half cup sour cream, two tablespoons Dijon mustard, one-fourth cup apple cider vinegar, one-half cup chopped parsley, one-fourth cup pimentos, salt and pepper to taste, and “hot sauce for a kick.” Give it “a light mash.”
Veteran Memphis chef Mac Edwards, hospitality director for The Paramount, makes Very Anglo Latkes: “To leftover mashed potatoes, add grated onion, eggs, a little flour, and baking soda. Press into a patty, pan fry in one-fourth inch of oil until crispy and brown. Drain on a paper towel and sprinkle with salt while hot. I make a horseradish applesauce to go with it.”
Karen Carrier, owner of The Beauty Shop Restaurant, Mollie Fontaine Lounge, and Another Roadside Attraction, prepares Green Herb Roasted Garlic Creamed Potatoes, made with Yukon golds and a parsley, mint, and tarragon puree, unsalted butter, roasted garlic, creme fraiche, and grana padano, with salt and pepper to taste.
Saito 2 chef Jimmy “Sushi Jimi” Sinh makes a sushi roll with mashed potatoes. “Inside would be a deep-fried panko chicken,” he says. The roll is “topped with mashed potatoes and thinly sliced avocado.”
Ben Smith, chef/owner of Tsunami, says, “Mashed potatoes don’t play a major role in my restaurant, even though it’s one of the most requested side items. They normally only accompany our grilled filet of beef, but some customers get creative. We frequently have people order our pork and lemongrass meatballs on top of mashed potatoes.
“I’ve also known people to order mashed potatoes with a side of soy beurre blanc, which is kind of overkill because our mashed potatoes are already loaded with butter and cream.”
Acre Restaurant executive chef Andrew Adams says, “When I worked in a restaurant in New Jersey, I would make mashed potato sandwiches at the end of the night when leftovers were mashed potatoes and sourdough bread. I’ve been told that I break some sort of healthy eating rule by eating carbs on carbs. Lately, I’ve been doing the same with leftover cornbread.”
Peggy Brown, chef/owner of Peggy’s Healthy Home Cooking, cooks homestyle mashed potatoes: “We use Irish potatoes. Peel, wash, slice them up, put them in a pot with chicken broth, and boil until they get completely done. I also put salt in my pot while they’re cooking. Mash them with a potato masher and put in real butter and black pepper. Sometimes we put a little cream in them.”
If you still don’t have enough mashed potatoes in your life, try making some of these dishes.
Former Memphis chef Spencer McMillin, “traveling chef” and author of The Caritas Cookbook: A Year in the Life with Recipes, knows his mashed potatoes. “I’ve been making smoked mashed potatoes since 1995,” says McMillin, now executive chef at Ciao Trattoria and Wine Bar in Durham, New Hampshire. “Wash Idaho russets, peel them, simmer — always starting in cold water — drain, smoke with any wood but mesquite, fortify with unholy amounts of hot cream and cold butter, season — kosher salt only, pepper and garlic fight with the smoke — and serve them napalm hot. If the roof of your mouth wasn’t singed with the first bite, they’re too cold. Smoked mash is the one side dish of mine that has been remembered, sought after, stolen, and stood the test of time.
“In the restaurants, I always make way too much and find myself trying to merchandise them in other dishes or turning them into new ‘brilliant’ preparations. A kicky shepherd’s pie, creative duchess croquette, savory pancake — so good with braised pork shoulder — or cheddar-laced fritters.”
But, he says, “None of those dishes were as tasty and as simple to whip together during a mad rush as smoked potato bisque. Sweat out some leek and onion in butter, add chicken stock — not that crap in the aseptic box at the grocery store, make fresh — maybe add a bay leaf or two, bring to a simmer, whisk in an appropriate amount of day-old smoked mash — they’re better in this soup — a touch of cream and bam!”
In addition to his sandwiches, Acre Restaurant executive chef Andrew Adams uses mashed potatoes in dishes served at the restaurant.
“I like to make the super smooth extremely rich Robuchon style mashed potatoes or potato puree,” Adams says. “Five large russet potatoes, one pound butter, salt, and a small amount of hot milk. I treat the process like any emulsion, similar to a béarnaise, by slowly adding the butter and then refinishing with milk.”
Mashed potato concoctions don’t need fancy equipment, Adams says. “Years ago, I was eating at a Michelin three-star restaurant in New York City. After dinner, I was having a drink with the chefs who worked there. I was complimenting their truffle potato foam — when that was still popular — on a seafood dish. The sous chef said he spent weeks with aerators, stabilizers, and other high-tech equipment only for the chef to walk by one day and simply toss a spoonful of mashed potatoes into a white wine sauce and blend. The texture ended up so airy and balanced. Fifteen years later, I tried that. I made a simple sauce with white wine, shallots, milk. Then I added saved mashed potatoes slowly until thickened. To this, I added a little brown butter. And that was it. Last year, this made it to our menu. Now I smoke the potatoes. The final smoked potato sauce goes with our potato gnocchi and short rib dish. The gnocchi with ‘smoked mashed potato’ sauce has been a hit. It’s not listed on the menu that way.”
And, Adams says, “If I have leftover chunky mashed potatoes or some with less butter and other liquids, I will use those sometimes to mix with duck confit or duck breast ‘pastrami’ to make potato-duck croquettes. I just mix duck, mashed potatoes, and egg. That gets molded and breaded, fried.
“On days when we make potato rosemary bread, I’ll ask the crew to save the potatoes for the next day. The potatoes get mixed into the dough. The bread is usually used as the base of our country pork pate.”
Justin Fox Burks and his wife, Amy Lawrence of The Chubby Vegetarian blog and cookbooks, shared their Mashed Potato Dumplings recipe:
2 cups peeled, cubed potatoes
1 tablespoon water
2 medium eggs (beaten)
1 cup semolina flour
one half teaspoon kosher salt
“Place potatoes and water in a microwave-safe bowl with a lid or a plate to cover. Microwave on high for eight minutes and then allow potatoes to rest, covered, for another eight minutes in the microwave. Mash potatoes with a potato masher and add the eggs, four, and salt. Mix with your hands until just mixed. Pat dough out to about one half inch thickness on a floured surface. Using a pastry cutter or knife, cut dough into roughly one half inch rectangles. Bring a large pot of salted water to a boil. Cook gnocchi for two to three minutes. When they are ready, they will float. Use a strainer to remove them from the water.
For extra credit, extra flavor, and extra texture, sear the drained gnocchi in olive oil in a skillet on high heat before tossing them with your choice of sauce.”
Burks and Lawrence serve their gnocchi with “a garlicky parsley and walnut pesto or paired with a regular jar of tomato sauce and heaps of grated Romano cheese.”
The Beauty Shop Restaurant will reopen for lunch 11 a.m. to 2 p.m. Mondays through Fridays beginning February 8th.
“We haven’t been open for lunch since last March,” says owner Karen Carrier.
Fare from Hazel’s Lucky Dice, the delicatessen Carrier launched during the pandemic, will be part of the Beauty Shop menu. “Instead of being to-go, now it’s going to be inside the Beauty Shop. You can still order online, but you can also dine inside the Beauty Shop.”
The Beauty Shop Restaurant at 966 South Cooper Street will continue to be open between 11 a.m. and 2 p.m. for Saturday brunch and 10 a.m. to 3 p.m. for Sunday brunch.
Seeing the doors open at the Beauty Shop restaurant is a beautiful sight for hungry patrons of the Cooper-Young restaurant.
“We’re ready,” says chef/owner Karen Carrier. “We opened up Sunday. It was wild. Monday night we had a great night. A lot of reservations tonight. I’m shocked.”
Some of the staff “are just coming back. They haven’t been in the kitchen for three months. They’re acclimating. They’re doing great.”
Carrier closed the dining room, but she never closed her business when the pandemic hit. She’s been doing takeout and delivery.
When Mayor Jim Strickland announced businesses had to close, Carrier went to work. “I started a GoFundMe page for all my employees. That was the night I started it because I knew what was coming down the pike. That night I also called a meeting for Friday.”
Sixty-five employees — from all Carrier’s restaurants and Another Roadside Attraction catering company — came in, she says. “I had two computers set up at the bar. We basically made sure everybody applied for unemployment first right then and there. At that time, there was no stimulus. I wanted to make sure everybody was going to get unemployment. Some people didn’t have computers.”
She and chef Shay Widmer then were “the only ones cooking in the restaurant.”
And, she says, “We didn’t let anybody in.”
Shea Grauer and Scott Taylor did the curbside and deliveries. Dana Baldwin eventually went to work in the kitchen.
Those were the only staff members allowed in the restaurant for three months, Carrier says.
She didn’t rush into opening the dining room. “I didn’t want to open for the first phase ‘cause I didn’t think the city was ready. I wanted to wait for the second phase.”
They opened with Sunday brunch on June 7th. “The last week we decided not to do any to-go orders so we could get the restaurant open Sunday.”
Being closed “was insane is what it was,” Carrier says. “We did everything. We cleaned. We washed. I had a company come in and completely tear that kitchen apart. When we came back, it was like we had a new kitchen.”
Karen Carrier
They now are open for dinner Monday through Saturday with brunch on Saturday and Sunday.
Carrier isn’t ready to serve lunch. “I’ll open for lunch whenever I feel that everybody is back to some sort of normal. I don’t know what that means.”
She’s utilizing all of her space. She’s serving the Beauty Shop menu at the Beauty Shop as well as Bar DKDC, the Back Do at Mi Yard patio behind the Beauty Shop, and on the front patio. “That way, we can spread out and seat approximately what we could basically seat in the Beauty Shop if we didn’t have social distancing. It works out really well.”
They have a stand outside with an umbrella over it. “I have a thermal thermometer. I take everybody’s temperature. And we have X’s all the way down the sidewalk in yellow day-glow tape showing where everyone should stand apart.”
The dining rooms have been adapted. “We have on masks and gloves. We bring everything on trays. We don’t put anything on the table with our hands. All our silverware is in paper containers. They’re taped.”
Customers pick up their own plates from the trays. And they have “yellow tape on the communal table that shows six feet, yellow tape on the bar. People sit on the two ends of the bar.”
As to what it’s like to be a restaurateur during a pandemic, Carrier, who has been in the restaurant business since 1980 in New York, says, “I think you have to be resilient. And I think you have no other choice but to roll with the punches, unless you choose to say, ‘I don’t want to do this anymore.’ My thing was I could have closed down and not dealt with anything, but I wanted to, first of all, keep cooking so people could come and get the Beauty Shop food. And I thought it also kept the Beauty Shop alive. I wanted to save my business the best I could.”
It was mandatory that all employees had to be tested before they came back to work, Carrier says, “I feel like if I wear my mask and my gloves and change them and be diligent, I’m doing the best I can.”
And, she says, “I respect everybody’s wishes. Everybody has to live their life the way they want to live it. I had to keep working ’cause I have to keep [the restaurant] for my staff. That’s all I know. That’s what I do. So they’d have a job to come back to.”
She eventually will open Mollie Fontaine Lounge, but for now she’s concentrating on the Beauty Shop. “I’m trying to get back on our feet.”
People will know where to find her, Carrier says. “I’m here every night. I’m not leaving. And we’re just going to make it work.”
The Beauty Shop is at 966 Cooper Street, (901) 272-7111.
Jimmy Smits, the guy on the left, was one of the ‘Bluff City Law’ cast members who attended recent parties in Memphis.
Bluff City Law cast members mingled with Bluff City party-goers at recent events.
Guests chatted and took photos with Jimmy Smits at the October 18th grand opening of Back Dó at Mi Yard, Karen Carrier’s new open air restaurant behind The Beauty Shop Restaurant.
Smits, who plays “Elijah Strait” on the show filmed in Memphis, entered through the back gate around 8:30ish. Wearing a cap, he still was recognizable. And he was friendly and accessible to guests who wanted their photos taken with him. It was great to see Smits just standing around at a party with people strolling up to him and carrying on a conversation.
Josh Kelly, who plays “Robbie,” was easy to spot in a white turtleneck and a colorful jacket.
The party turned into something of a cast-and-crew party for the show. Camera people and others involved with the TV series seemed to enjoy themselves at Carrier’s new restaurant, which has all the signs of being a new hot spot. Movies also are shown on a wall at Back Dó at Mi Yard. Mystery Train played during the party.
Carrier was pleased with the event. “It was so fun, man,” she says. “It was like the perfect storm. Everything came together. I couldn’t believe it.”
Guests dined on samples of the rotisserie meats she will be serving at Back Dó at Mi Yard. They were served in little bamboo containers with the nut dusts and salsas that will go with the meat and fish.
The event was supposed to end at 8 p.m., but Carrier kept it going until 10 p.m. “Some of my staff are working on the movie. They thought they were going to be off work at 6:30, but they pushed it to 8. They said, ‘Can you please leave it open?’ They ended up coming about 8:30. And it was great.”
Carrier made food for a scene in the pilot for Bluff City Law. “I did a big spread a scene before they picked it up on NBC.”
She made “probably 25 dishes. So much food on that show. It was a funeral scene. A wake.”
They made tenderloin, deviled eggs, and shrimp, she says.
During the party, Smits told Carrier he remembered her making all that food for the show. “It was pretty cute,” she says.
Back Dó at Mi Yard will open to the public at 5 p.m. October 23rd.
More Bluff City Law cast members showed up at Art on Fire, which was held Oct. 19th at Dixon Gallery and Gardens. The annual outdoor event featured fire dancers, food from area restaurants, a bonfire, and live entertainment.
Caitlyn McGee, wearing a long skirt, black jacket, and white high-top Chuck Taylors, posed for photos and talked with guests. McGee plays “Sydney Strait.”
Jayne Atkinson, who plays “Della Bedford,” also was affable. She attended with her husband, Michel Gill.
MaameYaa Boafo, who plays “Briana Johnson,”and Michael Luwoye, who plays “Anthony Little,” were among the guests.
Art on Fire celebrated its 10th anniversary this year. The fire dancing was provided by the Memphis Fire Tribe. Grace Askew and the Mighty Souls Brass Band took care of the musical entertainment. Also included were a silent auction and a Hot Off the Wall art sale.
Proceeds from the event directly support Dixon’s education outreach programs.
Michael Donahue
Caitlin McGee posed for a photo with Parker and Perry Patterson at Art on Fire at Dixon Gallery and Gardens.
Michael Donahue
Jenna Williams and Dee Yoakum chatted with Jayne Atkinson and Michael Gill at Art on Fire.
Michael Luwoye and MaameYaa Boafo were at Art on Fire.
Make no mistake, Memphis is a town of vinyl lovers, as was evidenced by the fine new and vintage music being played between bands at Gonerfest 16. It turns out that many who thrive in our local DJ scene go on to make a name for themselves elsewhere. Case in point: Alix Brown, who lived here for three years over a decade ago. She’s now established herself as a top-tier DJ in New York, with her eclectic tastes helping her build followings in many international venues. But Brown still holds Memphis close to her heart and can still be heard DJing here, holding court at Bar DKDC or other local dance floors.
“I try to come to Memphis once or twice a year,” Brown told me when I caught up with her in New York’s Tompkins Square Park this summer. “I usually drive down with my mom. She loves Gus’s Fried Chicken, and she loves Karen Carrier. We always stay with her.” Indeed, Carrier was a major influence on Brown when the music-obsessed Atlanta native began living here. “I was working at the Beauty Shop and Dó restaurant with Karen, and we got along so well. I loved hanging out there. That felt like my home. I waited tables. I loved getting dressed up. And that was the first time I’d ever gone blonde, like the Brigitte Bardot look.”
Kristin Gallegos
Alix Brown
That was significant on multiple levels, for this music lover also happens to be glamorous: She’s now a featured model in a Maybelline campaign that can be seen in drugstores nationwide. “I was never that girly until then; I kinda morphed into this ’60s character in Memphis. That’s when Jay said I changed.”
“Jay” would be the late Jay Reatard, who was the whole reason Brown moved to Memphis, back in the day. “I met Jay in Memphis because I was on tour with the Black Lips. I was 18 at the time. Jay and I were kind of flirting, and the guys in the Black Lips were very protective of me. I was like the little sister and kind of a tomboy. But later, when we got home, Jay left me a message and said he needed a break from Memphis. He wanted to come and check out Atlanta. And I was like, ‘Okay, cool.'”
Ultimately, Reatard would single-handedly record one of his greatest albums, Blood Visions, in Brown’s Atlanta apartment. “I used to have his rough demos for Blood Visions on a cassette,” she recalls. “He just knew how to record himself. It was amazing watching him work. He was like, ‘Always record drums on tape. You can do everything else digitally.’ So he went to a studio and cut all the drums. Then he’d take those tracks home and add layers of guitars. And I’m actually the only musician credited on Blood Visions. I played bass on one song, and I sang. And Jay played everything else.”
Even as she and Jay Reatard moved here, then broke up, Brown was cultivating a new look and sharpening her skills as a DJ. “I never took it seriously. Then I came up to New York, and I was working at a record store. Little by little, I started getting more DJ gigs. And then I met Tennessee. Her dad is Pete Thomas, the drummer for Elvis Costello. She’s actually named Tennessee because he loves Tennessee so much. She was DJing for several hotels. The Soho Grand, and what’s now the Roxy Hotel, which used to be the Tribeca Grand.”
That’s now where Brown can be heard most any weekend in New York. “I do all their music. I make all the playlists, I book bands and all the other DJs, and do their social media.” Beyond that, Brown is now expanding into music supervision for film soundtracks.
While she caught a rising wave in the Big Apple, Memphis holds a special place in her heart. “I don’t think I really appreciated Memphis until I moved away. When I moved there for Jay, I really wanted to move to New Orleans. That was literally two weeks before Hurricane Katrina. But that’s life, right? You never realize how cool something is when it’s happening.”
Hear Alix Brown DJ at Bar DKDC on October 10, after the Lorette Velvette Band.
Karen Carrier is ready to open her back door to an oasis where movie lovers and lovers of her signature cuisine can enjoy themselves in an outdoor Jamaican-style paradise filled with palms and bamboo in the heart of Cooper-Young.
She’s opening a new space, Back Dó at Mi Yard, sometime in October.
And it’s literally in her backyard. It’s behind her restaurant, The Beauty Shop Restaurant, at 966 Cooper.
“It’s a hidden Oasis in Midtown behind The Beauty Shop,” says Carrier, a veteran restaurateur who also owns Mollie Fontaine Lounge, Bar DKDC, and Another Roadside Attraction caterers.
And, like her other restaurants, it’s something completely different.
“I get bored every six or seven years,” Carrier says. “I want to create something. I was painting for so long. I like creating little places.”
She came up with the idea 10 years ago. “I wanted to open a place called ‘Back Do’ and it would be a place outside. We’d show movies and have food and have a bar.”
“Mi yard” means “my home” in “patois,” which is Jamaican slang. Carrier is saying, “Meet me at my back door at my home.”
She discussed her idea with her long-time friend, the late Ron Shapiro, who owned the legendary Hoka theater in Oxford. “I told him I wanted to show movies every night. But Ron was going to be a big part of it. He was the movie guy. We talked about all these movies we were going to show. Then he got sick and passed away. It’s an homage to him as well.”
Musician Harlan T. Bobo built most of the deck before he moved back to France, Carrier says. A neighbor named “Cowboy” then offered to help her finish it. “Man, he has helped me build all this stuff. It’s unbelievable.”
Artist Wayne Edge put wood from a mill Carrier found in Eads, Tenn. over the cinder block building, where Carrier keeps her walk-in cooler.
Allison Furr-Lawyer helped paint the black-and-white checkered deck as well as the planters and some of the chairs.
They transformed the area. “This place was just a hole. It was where we hung out. It used to fill up with water. And it was a problem. We put in all this gravel and sand.”
They put up a fence and a gate so people can enter “Back Dó” from Young.
“I just kept coming up with ideas. I wanted it to be like a Moroccan jungle. My son, Austin, went to Morocco and kept sending me photos. I was like, ‘Oh, my god. This is what I want.’ I went to Millstone Nursery. They had all these amazing tropical plants. Everything. We planted tons of bamboo, palm trees. All kinds. It’s like a jungle.”
They also have a thatched roof bar.
As for the food, Carrier says, “it’s all done on a rotisserie. That’s what’s really fun.”
The menu will consist of grilled meats, which will be served sliced on platters with different nut dusts, salsas, and “a different bread every week. You can slather up those hot meats coming off the rotisserie. A couple of fresh crudos. Really simple and really good.”
Austin got her an outdoor projector. Carrier also got waterproof speakers. She hasn’t decided on the first movie to show.
Customers will be able to enter from Young or from inside the Beauty Shop.
Carrier isn’t sure what she’ll do if it rains. As for winter weather, she says, “I’m going to get a fire pit. I’m doing all this shooting from the hip.”
Back Dó at Mi Yard probably will be open Wednesdays through Saturdays. When it does open, Carrier plans a big blowout. “I don’t do soft openings,” she says.
A trip to New Orleans is a regular pilgrimage for many Memphians in search of novel music, cuisine, and culture. Visiting the Big Easy scratches an itch that can’t be satisfied elsewhere. But it’s rare that we get a slice of New Orleans coming up our way. This Saturday, July 15th, will be a notable exception, when the Wild Magnolias bring Mardi Gras to Cooper-Young to cap off the Beauty Shop’s 15-Year Anniversary Party. As one of the premiere African-American “tribes” that emerge in full-feathered glory at Carnival time every year, the Wild Magnolias bring a long tradition of deep funk and street marching with them.
Karen Carrier, the Beauty Shop’s owner, has always drawn on Crescent City culture for inspiration, and music has always been central to her experience. It was at the 1976 New Orleans Jazz and Heritage Festival that she met her future partners in the original Automatic Slim’s eatery in Manhattan, and she has attended dozens of Jazz Fests since. During one of these visits, she befriended Bo Dollis Sr., the Wild Magnolias’ Big Chief from 1964 until just before his death in 2015. Now his son, Bo Dollis Jr., leads the group. “We played when she first opened her restaurant,” he recalls. “I was young at the time, but I still remember it.”
That, of course, was before Hurricane Katrina devastated New Orleans and scattered most members of the Mardi Gras tribes. It took little time for them to regroup. “Me and my tribe, we came right back the same year as Katrina. That was the hardest Mardi Gras ever. You saw more people crying because they thought this or that person was dead.” It was also a challenge, says Dollis, because tribes typically work for a full year readying themselves for Mardi Gras, and months had been lost. Now, with the tribes in full swing again, such preparations still preoccupy him. “Everybody’s sewing right now, trying to get ready for Mardi Gras,” he notes. “These suits take a long time. It takes all year to get these suits together. Right now in New Orleans, it’s sewing season.”
The tribe’s handiwork will be on full display this Saturday night: a five-piece band accompanied by two “Indians” in all their feathered splendor. At 6:30 p.m., they will lead a second line parade on Cooper, followed by a performance later that night at the Beauty Shop’s sister venue, Bar DKDC.
While the group naturally performs Mardi Gras parade music, they have been associated with more eclectic sounds for decades. The first Wild Magnolias album, released in 1974, was a clarion call for Crescent City funk, with the band, known as the New Orleans Project, led by the legendary Willie Tee. The sounds of percussive clavinet and metallic vocoder vocals gave a near-disco quality to their biggest hit from that era, “Smoke My Peace Pipe (Smoke it Right).”
Their releases since then have been few and far between, but 2013’s New Kind of Funk showed that the spirit of experimentalism was alive and well. By then the group was led by Bo Dollis Jr., but, as he recalls, “That last album was dedicated to my dad. Some of the songs are his that I just revamped. Some of it’s hip-hop, some of it’s country, some of it is just straight Mardi Gras Indian. There were two originals that were mine, and the rest, like ‘Coconut Milk’ or ‘New Kind of Funk,’ were songs he did a long time ago, and I just revamped them.” Unpredictable synthesizer and guitar textures abound, though all are grounded with powerful live drumming.
Dollis says the group is now working on a new album. “For the next album, it’ll be straight Mardi Gras and Mardi Gras Indian. We’re just getting in the studio. It’s been like a month now that we’ve just started working on it. I’m looking at probably Mardi Gras time that we’ll release it, so probably around January; if not that, then maybe Jazz Fest time.”
And as for this week’s performance? “It ain’t just Mardi Gras, because I put some funk into it. I might put some oldies-but-goodies into it. It’s just a big party. So I tell anybody who comes to my show, don’t never come dressed up, because you gonna be dancing. My Indians gonna make you dance. I’m gonna make you dance. I might even get in the crowd with you and dance. It’s just a big, fun type of party, but at the same time it’s the New Orleans beat behind it.” Dollis’ parting words of advice: “Let ’em know to come comfortable, because you gonna get a workout.”
Some folks still think Beauty Shop restaurant is a beauty salon.
“People call and ask if they can get an appointment,” says owner/chef Karen Carrier. “I say, ‘Do you want a reservation?’ And they go, ‘No. An appointment.’ And I go, ‘No, this isn’t a beauty shop.’ We should start calling our reservations ‘appointments.'”
Beauty Shop (with its slogan “Look Good/Eat Good”) at 966 Cooper will celebrate its 15th anniversary July 14th and 15th. For those two days, the dinner menu will be the same as the one when the restaurant opened in 2002. The Wild Magnolias from New Orleans will perform at 9:45 p.m. July 15th, following a second line from Beauty Shop down Cooper and back.
Carrier, who also owns Mollie Fontaine Lounge, Bar DKDC, and Another Roadside Attraction caterers, didn’t have a beauty shop theme in mind when she began looking for a space for a new restaurant. At the time, she owned Automatic Slim’s (which she sold in 2008) downtown and Cielo (which later became Mollie Fontaine) in Victorian Village. “I wanted to be in a neighborhood,” she says. “I wanted to get out of the touristy part of downtown. I’d done it for so long.”
And she says, “I get bored every six to seven years and re-invent myself.”
Karen Carrier’s Beauty Shop is celebrating 15 years in business.
While looking at another spot in Cooper-Young, Carrier discovered a “For Rent” sign on the space that once was the old Atkins Beauty and Barber Shop.
She “flipped out” when she walked inside and saw the big cone-shaped hair dryers, the mirrors, and the avocado green sinks in the old hair-styling areas that were separated from each other by glass bricks. “Everything was here,” she says. “And I was like, ‘Oh, my God.'”
Carrier went back to her phone and called the owner. “Her father had started Atkins Beauty Salon back in 1942.”
Carrier put down $1,000 as earnest money. “And that was it.”
She knew she could make a restaurant out of a beauty shop. “I can just walk into a place and have this weird feel if it will work or not.”
She visualized how it would look. Booths would be installed in the hair-styling areas. The green sinks would be moved behind the bar. “I saw the hair dryers becoming chairs where you can sit.”
Carrier removed the old drop ceiling to add more height. She had a double kitchen built. “Up front, we took that wall out and opened the whole bar up. I hung the curtains.”
Sculptor Wayne Edge made the bar and the wormwood tables. “He built a banquette, and I covered it with an old Turkish rug.”
She also rented the space next to the old beauty salon. “We had the ‘Beauty Shop General Store.’ We sold old Vespas. We sold refurbished bikes. We sold Dinstuhl’s chocolates. All kinds of cheeses. We sold prepared foods to-go from Roadside. We sold men’s and women’s Giraudon shoes from Italy, my favorite shoe shop in New York.”
Food at Beauty Shop was Americana Caribbean. “I love that spice, but not that heat. I like that flavor. The big, bold flavors. It’s very much influenced by that sun-drenched cuisine: Mexico, Jamaica, Israel, Louisiana.”
In keeping with the 1960s theme, Beauty Shop servers wore beehive wigs. “My friend, who was doing hair in the ’60s, had a place down on Perkins. So, she created 10 beehives in 10 different colors. The servers got to pick them and put them on their heads. It was hilarious.”
Beauty Shop’s opening night was a hit. “This place went nuts. It was just mobbed from the time we opened at lunch through the end of the night.”
Servers in beehives prepared guacamole tableside, Carrier says.
“Everybody wanted to sit in the booths. They wanted to sit under the dryers. I said, ‘Don’t pull it down!’ ‘Cause we had rigged lights in them so they would light up pink.”
Over the years, customers from Atkins Beauty and Barber Shop dined at Beauty Shop restaurant. “Do you know how many people have come in here and said, ‘I used to have my hair done here back in the ’50s’?”
Priscilla Presley was one of them. “She’d come here to get her beehive, her big hairdos, done at Atkins in the first booth. She came in one day, and she goes, ‘You know, that’s the booth where I used to get my hair done.'”
Changes have taken place over the years. Beauty Shop General Store closed and became Do Sushi. It’s now Bar DKDC (Don’t Know Don’t Care), a restaurant/bar/music venue featuring street food from around the world.
Menu items changed at Beauty Shop, but customers celebrating the restaurant’s anniversary can dine on original menu items, including Ying/Yang Carpaccio of Red and White Tuna, Tuna Pizzette, Bangkok Salad, and Crispy Salt and Szechuan Pepper Scrimps.
Servers stopped wearing beehives years ago. “The waitresses started bitching, ‘This is hot.'”
But they’ll wear beehives during the anniversary weekend, Carrier says.
And maybe longer. “I don’t know. That might stick. We might not let that go again.”