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The Bird’s the Word

Over the weekend, a man was arrested for stabbing a gas station worker over “bad chicken.” Now we’re not ones to condone violence —no stabbing! — but people around these parts have certain expectations that their chicken is going to be good.

This issue is all about good chicken. Plenty of words have been written about Gus’s and Uncle Lou’s, so we decided to explore Memphis’ other chicken avenues. We guarantee that you’ll be hungry after reading this.

The Smoked Chicken Debris PoBoy
@ The Dirty Crow Inn

If heaven ain’t a lot like The Dirty Crow Inn, I don’t want to go. (I checked, and it’s fine to rip off Bocephus when you’re talking chicken. “He wouldn’t mind,” is what the rule book says.)

I’d heard tell of a chicken Philly sandwich at the Inn. It’s a special sometimes, the bar man told me, but not part of the regular menu. At that low moment, a ray of hope cut those rainy clouds — the word “debris.”

The Inn keepers have called it the “Chicken Debris PoBoy” online, but the Dirty Crow menu said, “smoked chicken debris” sandwich. To me, debris is debris any way you cut it (or don’t, I guess). And I’ve seen it swimming in the serving pan at Mother’s, the famed New Orleans restaurant that invented debris (the term anyway).

My sandwich at the Dirty Crow was every bit a po’boy, beautifully smoked chicken bathed in an earthy brown gravy riding two light (and lightly toasted) pieces of French bread from Gambino’s, that fine and famed New Orleans bakery.

Sometimes “smoked” menu items, even in Memphis, don’t taste that way. The Crow’s chicken debris sandwich does not leave you guessing. Its smoke flavor is present but delicate, the way it ought to be. It blends seamlessly with that gravy and a nice dose of melted cheese that pulls away in a pizza-commercial string as you pull the sandwich from your mouth.

The place is heaven for dive-bar aficionados (like me). The food makes it a before-you-die destination for all Memphians. — Toby Sells

Dirty Crow Inn, 855 Kentucky, 207-5111, facebook.com/thedirtycrowinn

Fried Chicken @ Cash Saver

Sometimes, you just gotta have fried chicken. Last week, I was so desperate I went to the KFC drive-thru and ordered a box. “Thlbetwtyminawtfcxx” came back over the microphone.

“What?”

“Thlbetwtyminawtfcxx”

“What?”

After several attempts, the fellow managed to get the message to me: “There will be a 20-minute wait for chicken.” Right. At a chicken restaurant. So …

I’ve been hearing about Cash Saver’s fried chicken for more than a year now. Midtowners who I know and trust have said to me, “That fried chicken is the real deal. And cheap!” Some said it was the best in town. I don’t know about that, but I’m here to tell you, they were right about it being very good. And very cheap.

Fried Chicken at Cash Saver

I ordered two breasts and two thighs. Total cost? $5.19.

The pieces were very large, crispy on the outside and perfectly moist on the inside. The flavor of the skin was savory, lightly seasoned but with a little bite. In short, great fried chicken — the real deal. Highly recommended. I’ll be back for more. — Bruce VanWyngarden

Cash Saver, 1620 Madison, 272-0171, memphiscashsaver.com

Romaine Salad with Chicken Skins @ Hog & Hominy

Anytime I see someone slip off and discard the skin from an otherwise perfect piece of fried or baked chicken (but especially fried), I inwardly pray for their poor soul and wonder who it was that set you down a path of self-deprivation.

It’s not only that they are missing out on some heart-healthy unsaturated fats, it’s that they might still fall victim to this woefully false myth that this is something you have to do to make your chicken healthy enough to consume (spoiler, it’s not).

Well, someone at Hog & Hominy decided, “Screw that, we’re devoting a dish solely to chicken skins.” And just to round it out, lest the consumer grew up under the anti-skin mythology, that someone decided to build their chicken dermis homage on a bed of Romaine lettuce.

The result is an unexpectedly cohesive salad, misleadingly and simply titled, “Romaine.” The chicken skins used are more akin to a pork rind rather than the double-breaded crunchiness of most fried chicken pieces. These puffy morsels are strewn atop a decent portion of lettuce, which is in turn covered in snowy Parmesan and drizzled with pecorino vinaigrette.

Justin Fox Burks

Romaine Salad with Chicken Skins at Hog & Hominy

The skins are lightly seasoned so the vinaigrette can come in and work its magic by introducing a low level of spice and tang, two flavors that pair surprisingly well with the fried fat essence of the skins. The Romaine lettuce does what Romaine was put on this earth to do, namely, trick us into thinking we’re consuming something mega-healthy when we are not. And, of course, it’s the perfect semi-crunchy vehicle that supports the crispiness of the skins.

Be warned, though, this is not the type of salad loaded down with auxiliary vegetables and croutons. It’s not going to fill you up. But it will deliver piquancy worthy of what I have determined to be the greatest part of the chicken.

Micaela Watts

Hog & Hominy, 707 W. Brookhaven,
207-7396, hogandhominy.com

Chicken Tamales from Tacqueria La Guadalupana food truck

Tamales were among the earliest food imports from south of the border to make it onto Norde Americano menus, and they remain a staple, whether in supermarket cans or on restaurant tables. Something of a debate rages as to whether the meat base in those wraparound masa cylinders should be beef or pork, but there is a third possibility — chicken — and a good place to sample it is from the Tacqueria La Guadalupana food truck that sets up daily on the north side of the shopping-center lot where Cordova Road intersects with Germantown Parkway — in an area that is more multi-ethnic than you might imagine. (The internationally focused Cordova Farmers Market is the big-box anchor on the lot.)

The La Guadalupana truck offers numerous cooked-while-you-wait specialties, several involving chicken. Order tamales, and what you get, for a mere $7.99, is three YUGE tamales, each with a generous and succulently breaded tortilla coating, within which is packed none of that minced mystery-meat filling you get at so many places, but steamed and tender morsels of freshly carved, fresh-off-the-bone-looking chicken meat. Two sauces are available as condiments, the green one appears to mix guacamole with chili; the red one (maybe laced with habanero) is scalding hot.

Jackson Baker

Taqueria La Guadalupana at the corner of Cordova Road and Germantown Parkway

Wood Roasted Half Chicken @
The Kitchen Bistro

Served in a round ceramic casserole the color of red clay, the Kitchen’s wood-roasted chicken earns it $29 price tag with looks, smarts, and personality. First, cornbread panzanella sets the dish with a seasonal cacophony of tomatoes, onions, and olives. Next comes the chicken, brined, flattened, and wood-roasted to a deep and rustic char. And what swirls on top with magical brushstrokes of taste and color? The dressing, a pesto of sorts made with garlic, olive oil, lemon, and anchovies. “You don’t want to eat the chicken and think the chicken tastes like fish,” explains head Chef Dennis Phelps. “You want to eat the chicken and think the chicken tastes delicious.” — Pamela Denney

Justin Fox Burks

Wood Roasted Half Chicken at the Kitchen Bistro

The Kitchen Bistro, 415 Great View Drive East, 729-9009, thekitchen.com

General Tso’s Chicken @ Mulan

It’s a conundrum every office has had to face as they order takeout lunch: What’s the deal with General Tso’s Chicken? Who was the eponymous military man? What’s his connection with poultry? How do you even pronounce it?

If these questions have ever prompted debate at your workplace, take heart. The answers are out there, in the form of Ian Cheney and Jennifer Lee’s 2014 documentary The Search for General Tso. It’s a fascinating look into the ways immigrant communities adapt to American life that also tells you everything you need to know about the sweet and spicy Hunan-style dish which, it turns out, is virtually unknown in China.

The first two things I noticed about the General Tso’s Chicken at Mulan is that the garnish contained a glowing LED and a dearth of broccoli on the plate. Many Chinese restaurants include plentiful broccoli with the stir-fried dark meat, and the florets come in handy for sopping up the sauce that gives the dish its deep red color. But once I bit into the succulent chunks of chicken, I realized the vegetable would have been a distraction from the main show. Each morsel was just a little crispy on the outside, tender on the inside. It was outstanding. I got the standard spice level for scientific purposes, so the sweetness and heat were finely balanced. But if you like it spicy, they’ll be more than happy to oblige.

Chris McCoy

Mulan General Tso’s Chicken

For the record, the Chinese character transliterated as “Tso” or “Zho” means “left.” It’s a syllable that English does not contain, but it is roughly pronounced as “jowh.” However, to avoid confusion with your server, you should probably just go with “so.” — Chris McCoy

Mulan, 2149 Young, 347-3965 mulanmidtown.net

Chicken and waffles @
The HM Dessert Lounge

I’m aware of no other restaurant in Memphis where one can dine surrounded by paintings of the late, great Prince hung on purple walls. I discovered the promised land, and it’s named HM Dessert Lounge. The restaurant’s focus is in its name, with one exception: chicken and waffles.

The chicken is dipped in double honey hot sauce, Jamaican jerk sauce, or spicy peach glaze. It’s then paired with a regular, cornbread, honey butter biscuit, blueberry, sweet potato, or a maple bacon waffle. Options, indeed.

Justin Fox Burks

Chicken and waffles at The HM Dessert Lounge

I settled on four chicken breasts bathed in double hot honey sauce and coupled with a maple bacon encrusted waffle — $12 well spent. Sticky as it is, the hot honey sauce slides from the chicken and blends with the maple syrup, creating a sweet and spicy combination that brings magic to a dish which otherwise would have been too obvious. The chicken isn’t flaky but smooth, and each piece shines beneath the sauce. Slice the waffle, cut the chicken, and fork ’em together. Sauce and syrup united, the waffle coats the chicken, and bacon bits provide a necessary crunch.— Joshua Cannon

The HM Dessert Lounge,

1586 Madison, 290-2099,

facebook.com/fashionablysweetlounge

Smoke Chicken @ Picosos

There are fewer words in the English language sadder than, “Sorry, not today.” Especially if those words are spoken with genuine disappointment in a Mexican accent at Picosos, a terrific little south-of-the-border diner on Summer Avenue. The restaurant’s “Smoke Chicken” is an old-Memphis-meets-old-Mexico delicacy that sells fast, is only available on the weekends, and so succulent and good it’s worth heading out early to get your order in before the Saturday lunch crowd arrives. Served with rice and refried beans and topped with a handful of french fries, the meal is exactly what it sounds like — a quarter, half, or whole chicken covered with a heady-not-hot spice rub that’s a little on the salty side and slow-smoked to barbecue-lover’s perfection. It’s tempting to just wolf the whole thing down, but advisable to savor every spicy, smoky, chickeny bite. — Chris Davis

Smoke Chicken at Picosos

Picosos, 3937 Summer, 323-7003

The Family Chicken Dinner @ SuperLo

It was a snobby Midtowner’s dilemma.

Our Target basket was full. The kids were getting pissy. We were all hungry, but the grown-ups didn’t want to make lunch.

“But there’s nothing to eat in East Memphis,” we whined without saying a word.

Wheeling through the parking lot, my wife caught a scent on the wind. “Oh my god, somebody’s fried chicken smells GOOD!” she said. We both whirled, like castaways searching the skies for a rescue plane.

The only thing that made sense was the deli counter of the Target-adjacent SuperLo. We’d been there infrequently, but I thought I remembered a big deli case. I remembered correctly.

The star of the SuperLo show was a fried chicken dinner, perfect for a Sunday lunch. Plenty of dark-brown-fried breasts and thighs lined a warming tray. But we wanted the eight-piece meal and the case offerings would not do for our wonderful deli helper.

“Nuh-uh. Give me two minutes, baby,” the woman said to my wife. “I’m going to make you up some fresh.”

Two minutes later, she filled a white, cardboard service box with two breasts, two thighs, two drummies, and two wings, like a Memphis-style Noah’s Ark. That Ark came with big-ole sides of green beans, mashed potatoes, and four King’s Hawaiian rolls. (They even added two cookies for my son. No charge.)

The chicken was crunchy-crispy on the outside, fork-tender and moist on the inside, warmly spiced, but not too spicy. It was that eye-rolling, soul-feeding, conversation-stopping, back-home-style kind of good. And all of it for about $14.

Who says there’s nothing to eat in East Memphis? — Toby Sells

SuperLo, 4744 Spottswood, 683-6861, superlofoods.com

Fried Buffalo Chicken Slider (add peanut butter) @ The Slider Inn

The first thing you need to know about Slider Inn’s Buffalo Chicken Slider is that you should order it fried. They’ll serve it grilled, but that’s your loss. As is, the sandwich comes with a palm-sized chicken breast drenched in buffalo wing sauce and topped with American cheese, lettuce, tomato, and ranch.

Here’s the second thing you need to know — hidden off the menu, secret but paramount. Ask for peanut butter, and the sandwich will come with a layer of crunchy goodness spread across the bottom bun. The ranch, buffalo sauce, and peanut butter assemble in your mouth upon first bite. It’s manna on the tongue.

For all its glory, there’s no way around it, you’ll smack your way through this mess of a meal. The peanut butter serves as a medium between the milky ranch and hot and tangy buffalo sauce, softening the spice to let the flavors shine.

Joshua Cannon

The Slider Inn, 2117 Peabody, 725-1155, facebook.com/sliderinn

Chefs Speak Out

It’s not easy to eat your way through Memphis, one piece of chicken at a time, especially if you’re trying to go veg (I’m at about a week this go around). That’s why I asked some of my favorite chefs in town to serve as my chicken-chowing proxy and name the chicken dishes they go for when they get a break from the grind.

Chef Kelly English, who can do things with chicken that grant him James Beard Semifinalist awards and spots on television and in Bon Appetit, can’t say enough nice things about the magic that happens in the kitchens of Memphis visionary chef Karen Carrier. “I just had my favorite chicken dish ever at the Beauty Shop — Karen’s smoked chicken dish,” English says. He’s referring to the Hickory Grilled Chicken, which comes in a Thai green curry broth with candied garlic chips, pickled red onion, watermelon, Thai basil, mint, cilantro, and corn fritter. “It was fan-frickin’-tastic. It is my favorite chicken dish I’ve ever had at a restaurant.” He may or may not have posted on Facebook that “Karen Carrier is the coolest kid in school.”

Justin Fox Burks

Gary Williams

Chef Gary Williams, of DeJaVu legendari-ness, has done his share of traveling and sharing his New Orleans recipes with A-listers, and points to several restaurants who serve up chicken goodness in Memphis, including Cozy Corner’s Cornish Hen, Uncle Lou’s honey chicken, and HM Dessert Lounge’s ability to take chicken and waffles to the nth degree. “I’m a chicken connoisseur,” he says. But there’s one spot in particular that has his heart. “There’s this little spot called Pho Binh on Madison, and they do this chicken dish that has pineapple and is a little spicy, served over rice. That is one of my favorite places. It’s a gem,” Williams says. — Lesley Young

Being Pirtle

So what’s it like being a Pirtle? It’s good, say Cordell and Tawanda Pirtle. And as they go over the past, present, and future of Pirtle’s Fried Chicken, a couple approaches and asks for a picture. As they move on, the woman exclaims in a whisper, “Oh my goodness!” “Happens all the time,” Tawanda says.

Cordell is the only child of Jack Pirtle, the founder, with his wife Orva, and the force behind Jack Pirtle’s. Cordell describes his father as an outgoing man, a doer and a creator. Jack opened his first restaurant near the Firestone plant in the 1940s and then hooked up with Colonel Harland Sanders of Kentucky Fried Chicken. Jack sold Kentucky Fried Chicken using Sanders’ special seasoning, alongside Pirtle’s burgers and hotdogs.

Cordell says the first contract with Sanders was a single page, double-spaced. Later, when KFC sought a more formalized agreement, Jack decided to move on, eventually phasing out the KFC part of the business.

Justin Fox Burks

Cordell and Tawanda Pirtle

“He couldn’t use the same cooking equipment because it was part of the process for KFC. He built his own cooking equipment, pressurized cookers, and then my mother had a degree from the University of Tennessee in home economics, so she and he together tried different formulas. They went through a lot of different formulas and came up with this and varied it some for the first year as they saw how it did. That started in 1964,” says Cordell.

Pirtle’s seasoning was originally mixed in a device Jack built that looked like a concrete mixer. The recipe is top secret. “That’s what Pirtle’s is known for, that taste that we have,” Tawanda says. “It’s the same seasoning that the gravy is made out of. It’s a huge deal for us. And the spices have to be mixed up for a period of time for all of them to combine correctly.”

Cordell, who started working at Pirtle’s at 13, took over the business in 1979. “It was doing well. We had six stores at the time. When I took it over, I had been a store manager for 17 years. So I had pretty much been there/done that on almost everything,” Cordell says. “When I took it over it was almost more of an organizational change.”

“Your daddy thought you were going to go broke,” Tawanda interjects.

“Precisely,” Cordell agrees, noting his father’s concern over the purchase of expensive cash registers and a centralized warehouse.

Pirtle’s didn’t go broke. There are now eight stores. They get approached a lot about franchising — about three times a week, says Tawanda.

They’ve resisted franchising, as they want to work out the best deal for them and the franchisee. While none of their kids (he’s got three, she’s got two) have shown any interest in the business, they’re hoping that one of their grandkids or great-grandchildren will sign on and take on franchising.

As for the future, they’re considering more stores. They’ve thought about opening a Jack Pirtle’s Cafe.

Cordell is 72 and retired. Sort of.

“I tell everybody they’ve got the tired part right,” he says, laughing. “But, no, as far as being totally retired, when you’re involved in a business your entire life and you’ve grown up in it and you know all the people, you really can’t just simply say, I’m done. It’s always there. It’s always on your mind.” — Susan Ellis

Chicken

Playlist

Oblivians — “Call the Police”

We’ll kick this thing off with an instant classic from the Oblivians. This track was on the band’s last album Desperation. Listen close for the chicken reference.

The Meters — “Chicken Strut”

One of the best Meters songs happens to have some squawking in it, but I would include this in any playlist because the Meters rule, plain and simple.

Those Darlins — “The Whole Damn Thing”

Before Those Darlins went all Fleetwood Mac on us, this was arguably their most popular song. This simple tune about eating a whole chicken was catchy enough to get the band some notoriety and is worth revisiting while raiding the fridge.

Hasil Adkins —
“Chicken Walk”

If you haven’t heard Hasil Adkins before, do yourself a HUGE favor and track down the album Out to Hunch.

Charles Mingus —
“Eat That Chicken”

A classic from jazz legend Charles Mingus.

Project Pat — “Chicken Head”

Hell yeah I included this song in this playlist. Project Pat for life.

Billy Swan — “I Can Help”

By now you’re going to need some help getting out of that chicken coma. Let this classic from Billy Swan get you moving again.

Rufus Thomas —
“Do the Funky Chicken”

A classic from Rufus Thomas. The live footage on YouTube of his performing this song is amazing and should be played on a big screen at every chicken restaurant from now on.

Patrick Hernandez —
“Born to Be Alive”

We’ll close this thing out with a toast to any vegetarians or vegans who picked up the Chicken Issue. If you believe that all animals are born to be alive, dance around with your fake chicken nuggets to this obscure ’70s classic.

— Chris Shaw

Categories
Food & Wine Food & Drink

The Moscow Mule: Freeze, Copper!

Around midnight one recent Saturday, I found myself standing in line for a drink at Cooper-Young’s DKDC, waiting for the bartender’s attention so that I could order a Moscow Mule. I gave up most vodka-based cocktails after a high school bonding experience that involved sipping the clear liquor from a hairspray bottle. Yet here I was nearly three decades later, so sweaty that I eschewed my normal gin and tonic to cup my hands around a cold copper mug and let the vodka, ginger beer, and lime juice — the main ingredients in a Mule — course through my small intestine. Never mind that alcohol is a diuretic that actually heats up the body instead of cooling it down — the combination of the cold liquids, aromatic mint, and the insulating effect of the chilly copper mug felt instantly refreshing.

The cocktail, invented 75 years ago by ginger beer purveyor Jack Morgan and Smirnoff distributor John G. Martin, was birthed in Manhattan’s Chatham Hotel but found its sea legs at Morgan’s Cock ‘n Bull restaurant in Los Angeles. Served over cracked ice, the Moscow Mule combined two poor sellers (and utilized an overstock of Russian copper mugs) to create an instant hit at the Cock ‘n Bull, which was a celebrity-heavy establishment on the Sunset Strip. Despite a Cold War boycott led by a group of patriotic New York bartenders, the American-born Moscow Mule survived. And in recent years, as ginger beer has benefitted from the resurgence of the craft beer and cider markets, the drink has once again become a mainstay on bar menus.

Annapustynnikova | Dreamstime.com

Locally, you can find the Moscow Mule on menus all over town, from Beale Street to Overton Square to Collierville. South of Beale makes theirs with Tito’s vodka; the varietal Orange Mule at Bar Louie features Absolut Mandarin; while at the Cove, bartenders use vodka, crème de cassis, lime, and soda water to make a Memphis Mule, served in a copper mug for $8.

Karen Carrier, the restaurateur behind DKDC, the Beauty Shop, Mollie Fontaine Lounge, and Another Roadside Attraction catering, says that the popularity of the Moscow Mule, a traditional blend of Tito’s, Gosling’s Ginger Beer, lime, and mint, has stayed strong over the past few summers.

DKDC bartender Christine Farris says, “When it’s 100 degrees outside, and I can drink something that tastes this refreshing, I’d drink it.” She attributes the ascendance of the Moscow Mule on Carrier’s menus to her boss’ acumen when it comes to quality ingredients.

“Karen is always a step ahead of the game. We use good liquors, fresh herbs, and fresh-squeezed juices,” Farris says. “Whether you’re making one at home or drinking at a bar, the biggest thing that will make a Mule taste better is using fresh-squeezed fruit. Rose’s Sweetened Lime Juice makes the drink taste too sweet, which actually reduces the freshness. You also want to use a ginger beer that’s very gingery, without too much high fructose corn syrup.”

Gosling’s ginger beer ranked third out of four on Bon Appétit‘s rankings, below competitors Barritt’s and Fever-Tree. Cock ‘n Bull brand ginger beer, which is available at selected Kroger stores and via Amazon.com, didn’t make the list. At home last week, I made a Hendrick’s Summer Mule, which consists of gin, lime juice, elderflower cordial, muddled cucumber, and ginger beer, garnished with fresh mint.

The botanical flavors of gin add substantially to the taste of a Mule, although, truth be told, this variation had more in common with a Pimm’s Cup than a Mule. The cucumber slice added to the after-effects of sipping it. The Summer Mule goes down like a soothing digestive, concocted specifically for Memphians trying to make it through August.

That said, make mine a traditional Moscow. Maybe it’s just the mental association, but any cocktail named for a city that fluctuates between 50 and 70 degrees Fahrenheit this month conjures up cooler days ahead.

Categories
Cover Feature News

25 Who Shaped Memphis: 1989-2014

Picking 25 people who had a major impact on the life and times of Memphis over the past 25 years is easy. In fact, you can easily pick 50. Narrowing the list down to 25 is the hard part. We made our final choices keeping in mind several areas of influence: politics, government, entertainment, sports, etc. We tried to pick folks whose contributions have stood the test of time or were responsible for a major shifts in attitude or direction.

It is by no means a perfect list, as these things are by necessity subjective. But it’s our list — and it’s a good one. — BV

Laura Adams

Laura Adams

Adams lives and breathes Shelby Farms Park. She was appointed as the conservancy head in 2010, but long before that, Adams advocated for increased use of the city’s largest urban park through Friends of Shelby Farms Park. Since she’s been in the lead role of the nonprofit conservancy, Adams has overseen the addition of the seven-mile Shelby Farms Greenline, a new foot bridge over the Wolf River, the state-of-the-art Woodland Discovery Playground, and new festivals and attractions, and soon, work will begin on expanding Patriot Lake.

Craig Brewer

Over the past 25 years, Hollywood has come to Memphis to shoot several high-profile movies, including The Firm, 21 Grams, and Walk the Line. But there’s only one local filmmaker who took Memphis to Hollywood: Craig Brewer.

On the strength of his first film, 2000’s The Poor & Hungry, Brewer got Hollywood backing for the movie that put Memphis Indie filmmaking on the map: 2005’s Hustle & Flow. The flick won Sundance, got a major theatrical release, and was nominated for two Academy Awards, winning one for “It’s Hard Out Here for a Pimp” by Three 6 Mafia and Frayser Boy.

Brewer followed it up with another Memphis-made film, Black Snake Moan, and then his biggest yet, a remake of Footloose. Nowadays, Brewer divides his time between Memphis and L.A., but make no mistake: There is no bigger or more powerful advocate for the Bluff City film community.

John Calipari

John Calipari

Let’s get one thing straight: Before John Calipari, there was great Memphis Tigers basketball. He did not make the program — but he did make it relevant again when college basketball was no longer essential for players to make it in the NBA. Calipari arrived in Memphis in 2000, licking his wounds after a failed stint in the professional league. He was greeted by some here as a savior (U of M basketball was on the ropes following the Tic Price scandal) and by some as a slick operator (Calipari’s previous college employer, UMass, had to vacate a Final Four because of NCAA violations while he was in charge). But when Calipari’s teams began winning big here, the coach went from someone Memphians hated to love to someone we loved to love. And, when he left for a job at the University of Kentucky — taking some big-time recruits with him — he turned instant villain, someone we loved to hate. Even now, five years after he’s gone, not many a day goes by where his name isn’t uttered on local sports talk.

Karen Carrier

Karen Carrier

Anybody with taste buds in this town should be grateful that Karen Carrier is the restless type. In 1991, she opened Automatic Slim’s Tonga Club on Second Street across from the Peabody. When not a lot was happening in that area, this restaurant’s cool décor and innovative fare inspired by “sun-drenched” locales offered a chic downtown oasis. In 1996, Carrier proved pioneer again when she converted her own home in Victorian Village to pretty, white-tableclothed Cielo. Later, she dumped that concept and made the space into the fashionable Mollie Fontaine Lounge, and then there’s the Beauty Shop, Do, and Bar DKDC. Basically, Carrier is the pied piper of happening restaurants and one of Memphis’ true culinary pioneers.

Steve Cohen

Steve Cohen

The congressman from Memphis’ 9th Congressional District since his first election in 2006, Cohen is still goin,’ running for a fifth term in 2014. Though his first win was via a plurality against a dozen-plus opponents in the predominantly African-American district, Cohen has since won one-on-one contests against name primary challengers with margins ranging from 4-to-1 to 8-to-1.

Cohen’s political durability, first evinced during a 26-year run as a Tennessee state senator, owes much to hard work and tenacity, both in office and on the campaign trail. His most important legacy as a state legislator was his sponsorship of a state lottery and the Hope Scholarship program, which it funds. He’s a vigorous supporter of women’s rights and programs benefiting health care and the arts. Among his contributions in Congress, where he serves on the House Judiciary Committee, are his successful sponsorship of a resolution formally apologizing for the country’s history of slavery.

Margaret Craddock

Margaret Craddock

When Margaret Craddock took the helm of the Metropolitan Inner-Faith Association (MIFA), she not only held the organization on course but also led it into new waters.

Craddock began working at MIFA part-time in 1982 and then full-time in 1988. Spurred by her experiences there, she earned degrees in urban anthropology and law from the University of Memphis. Craddock was entrenched at MIFA and continued to rise to prominence there. 

As associate director, she was instrumental in developing one of MIFA’s most noted programs. The agency decided to build five three-bedroom homes for emergency housing in 1989. Now, that program, implemented in MIFA’s Estival Place communities — gives homeless families a place to live for two years while they take life-skills classes. 

In 1997, Craddock became the first woman to hold MIFA’s top job. At one time, she oversaw an $11 million budget, 160 employees, and more than 4,000 volunteers, and she actively worked to forge outside community partnerships.

Craddock focused MIFA’s mission, built on the agency’s inner-faith heritage by including more clergy on its board of directors, developed more community partners, and improved and modernized MIFA’s inner workings. Craddock retired in 2011.

DJ Paul & Juicy J

DJ Paul and Juicy J

DJ Paul and Juicy J collectively helped globalize the Memphis rap scene when they formed the label Hypnotize Minds in the early 1990s. Under the duo’s leadership, local acts, including Three 6 Mafia, Project Pat, and a magnitude of other artists were introduced to the world. Several Gold and Platinum records have been won by the label, and the first Memphis-based rap movie, Choices, was filmed under their auspices.

In 2006, they became the first hip-hop artists to win an Academy Award for Best Original Song, “It’s Hard Out Here for a Pimp,” and were showcased on the MTV reality sitcom “Adventures In Hollyhood.”

Although they’ve taken a hiatus as a collective, both artists continue to prosper. Juicy J is enjoying the spoils of a fruitful solo career while DJ Paul has reestablished Three 6 Mafia as Da Mafia 6ix.

John Elkington

John Elkington

To understand the impact John Elkington has had on downtown Memphis, consider Beale Street before he began to manage it in 1983: blocks of abandoned and boarded-up buildings, trash littering otherwise empty streets.

As the developer and manager of modern Beale Street, Elkington transformed it into Memphis’ premier entertainment district and one of the top tourist destinations in the U.S.

The relationship between Elkington and city government ended in 2010. Following the announcement, Memphis mayor A C Wharton said, “Pioneers always get bloodied. [Elkington] went in when others did not go in, and this community owes him a debt of gratitude.” 

Despite the public break-up, Elkington will leave one very important fingerprint on the future of the street he helped create. A 2011 study of Beale Street said thanks to Elkington “the district’s uniqueness and special personality have been largely protected and maintained.”

Harold Ford Sr. / Harold Ford Jr.

Harold Ford Sr. /Harold Ford Jr.

This father/son combination held the Memphis congressional district (first designated Tennessee’s 8th, later the 9th) from 1974 until 2006, beginning when Democrat Ford Sr., then a state representative, won in an upset over the Republican incumbent, becoming the state’s first elected black Congress member.

A member of an upwardly mobile black family invested in the funeral home business, Harold Ford Sr. became the patriarch of an extended-family political dynasty, which has consistently held positions in state and local government ever since. Wielder of the “Ford ballot,” an endorsement list of candidates in each successive election, Ford Sr. became influential in Congress as well but was ensnared in a Reagan-era Department of Justice prosecution for alleged bank fraud that, after one mistrial, would end with Ford’s exoneration in a 1993 retrial.

In 1996, the senior Ford stepped aside, backing his son Harold Ford Jr., who won election that year and four more times. Uninterested in the kind of local political organization overseen by his father, and more conservative politically, Ford Jr. directed his ambitions toward national power instead and was widely considered a prospect to become the nation’s first African-American major-party nominee for president. Beaten to the U.S. Senate by Illinois’ Barack Obama in 2004, Democrat Ford made his own try for the Senate in 2006, narrowly losing to Republican Bob Corker. He subsequently married and moved to New York, where he works on Wall Street. He is still considered to be a political prospect, with a rumored Senate run in the Empire State.

Larry Godwin

Larry Godwin

The former Memphis Police Department (MPD) chief spent 37 years tenured with the MPD. Beginning as an undercover narcotics officer in 1973, Godwin later was a homicide investigator and commander of the crime response/bomb unit before being named police director in 2004.

Godwin helped restructure the department’s method of operation, adding new crime prevention programs, such as Blue CRUSH; established a $3.5 million technology hub, Real Time Crime Center; and increased the number of police on the streets. Under his leadership, the percentage of violent crimes dropped significantly, and numerous undercover investigations targeting narcotics sales were successfully executed.

Following his retirement in 2011, Godwin became the deputy commissioner of the Tennessee Department of Safety and Homeland Security.

Pat Halloran

Pat Halloran

Halloran moved to the city in 1969 and was elected to the Memphis City Council within five years. With the Memphis Development Foundation (MDF), he saved the Orpheum from the wrecking ball. The theater reopened in 1984 and has set records for booking touring Broadway shows. Halloran has earned three Tony Awards, notably for the musical Memphis. In March 2014, the MDF began construction on the The Orpheum Centre for Performing Arts & Education, a 40,000-square-foot facility featuring theater space, classrooms, an audio-visuals arts lab, and event rental space. Without Halloran’s ongoing vision for the Orpheum through the years, Memphis would be an infinitely less interesting city.

Michael Heisley

Michael Heisley

For decades, Memphis had pursued an NFL team, but the city’s hopes were dashed in 1993, when the league opted against awarding Memphis a team. The NFL settled in Nashville, leaving a bitter taste in Memphians’ mouths. It seemed a pro sports team would never move here. That changed in 2001, when Michael Heisley, billionaire owner of the NBA’s Vancouver Grizzlies, decided to relocate his team to Memphis. It was a shocking move at the time and is still shocking in retrospect. Local power players were crucial in making the city attractive to Heisley, securing financing for FedExForum, but it was Heisley’s call. His decision radically affected downtown Memphis, the entertainment industry, sports business, sports talk, and even the city’s psyche.

The outspoken owner had his ups and downs in the public eye over the years, but he did right by Memphis. He eventually sold the team in 2012 and passed away earlier this year. Never forget: Before there was grit and grind, there was Michael Heisley.

Willie Herenton

Willie Herenton

Herenton was born to a single mother on Memphis’ south side. She lived to see her son become the city’s first African-American school superintendent and later witnessed his five separate inaugurations as Memphis’ mayor, after becoming the first black person ever elected to that position, in 1991.

A Booker T. Washington High School graduate, Herenton was an amateur boxing champion as a youth. Pursuing education as a career, he earned a Ph.D. and worked his way up rapidly in the Memphis City Schools system, becoming its superintendent in 1978. An educational innovator with magnet schools and other new options, he resigned reluctantly in the wake of negative publicity about a sexual liaison with a teacher and a modest administrative scandal.

He landed on his feet, becoming almost instantly a consensus black candidate for mayor in 1991. Considered a strong chief executive, he eventually lost interest in the job and resigned in 2009. He made an unsuccessful challenge to incumbent 9th District Congressman Steve Cohen in 2010 and has spent the time since attempting to develop a chain of local charter schools. He now runs a charter school program.

Benjamin L. Hooks

Rev. Benjamin L. Hooks

A native Memphian, Hooks was largely known as a seminal civil rights activist. A Baptist minister and attorney, he was the first African-American Criminal Court judge in the South since the Reconstruction Era, and the first African-American appointee for the Federal Communications Commission.

During the civil rights movement, Hooks helped orchestrate protests and sit-ins, and promoted the importance of education. He led the National Association for the Advancement of Colored People (NAACP) for 15 years.

Hooks was a strong advocate for racial, social, and economic justice. The civil rights icon died in 2010, but his legacy lives on through the Benjamin L. Hooks Institute for Social Change, Benjamin L. Hooks Central Library, and the Benjamin L. Hooks Job Corps Center.

Carissa Hussong

Carissa Hussong

That cool Greely Myatt piece you have on your wall, the one that looks like nails…that is art with a capital “A.” It does not match your couch. Other than family and friends, about half-a-million Memphians will never see that piece. But all of us can check out Myatt’s Quiltsurround, a metalwork quilt used to cover up City Hall’s air units. That work and nearly every piece of Memphis’ public art created in the past 17 years — from the murals in Soulsville and Binghampton to the menagerie of art at the Benjamin L. Hooks Central Library — traces its lineage to the UrbanArt Commission and its founding executive director, Carissa Hussong.

Hussong left the commission to become the executive director of the Metal Museum in 2008. Under her lead, the museum has introduced its “Tributaries” series, featuring the work of emerging metal artists.

J.R. “Pitt” Hyde

Hyde grew up watching his grandfather and father turn Malone & Hyde into one of the country’s largest food wholesalers.

“They took risks that many people considered unwise — and succeeded, despite the odds,” Hyde says. “I believe my exposure to this type of ‘pioneering’ mindset gave me the drive to try new, unproven ventures.”

Those ventures include being the founder of auto parts giant AutoZone, chair of biopharmaceutical startup GTx Inc., co-founder of the private equity firm MB Ventures, the impetus (along with his wife, Barbara) behind the $69 million Hyde Family Foundation, and scion of several other highly placed and deep-pocketed endeavors rooted in Memphis — most notably the National Civil Rights Museum and Ballet Memphis.

Hyde was instrumental in the founding of the Memphis Bioworks Foundation, Memphis Tomorrow, and the National Civil Rights Museum. He is a minority owner of the Memphis Grizzlies and helped bring the NBA team to Memphis.

Robert Lipscomb

Robert Lipscomb

For years, Lipscomb has been significantly involved in the restructuring of public housing in Memphis, as well as the redevelopment of its downtown and inner city communities. In 2009, he was appointed executive director of the Memphis Housing Authority and director of the city’s Division of Housing and Community Development.

Motivated by the desire to improve the city’s underprivileged living conditions, Lipscomb developed Memphis’ first strategic housing plan. Under his guidance, numerous run-down and crime-plagued housing projects have been replaced with modern developments.

Lipscomb is spearheading the $190 million project to redevelop The Pyramid into a Bass Pro Shops retail center. He’s also involved in the planned redevelopment of the Mid-South Fairgrounds.

A native Memphian, Lipscomb created the Down Payment Assistance Program, the Housing Trust Fund, the Housing Resource Center, and other housing initiatives.

Jackie Nichols

Jackie Nichols

Playhouse on the Square’s founding executive producer doesn’t just make theater. He makes community. And he makes sense. Loeb Properties may have ponied up the money to bring back Overton Square, but it was Jackie Nichols who literally set the stage for the area’s incredible turnaround. Nichols was still a teenage tap dancer when he realized that Memphis needed producers more than it needed performers.

In 1969, he launched Circuit Players. In 1975 he expanded, opening Playhouse on the Square on Madison Avenue. In 2010, Nichols, also instrumental in the founding of TheatreWorks, moved his operations from the old Memphian Theatre into a $12.5 million, custom-built performing arts facility at Cooper and Union. When Overton Square developer Robert Loeb asked Nichols what it would take to make Overton Square work as a theater district, Nichols answered, “More theaters,” paving the way for Ekundayo Bandele’s Hattiloo, which opens to the public in July.

The new Playhouse on the Square has allowed for collaborations with the Memphis Symphony Orchestra and created a Midtown home for arts institutions like Ballet Memphis and Opera Memphis. But Nichols’ legacy is best represented by Memphis’ thriving independent theater scene, made possible by the space, equipment, and support he’s created. His greatest contribution to the city may be in showing us that the arts really can be a sound investment.

David Pickler

David Pickler

Once considered the “president-for-life” of the old county-only Shelby County Schools (SCS) board, to which he was first elected in 1998 and led until that version of the board ceased to be with the SCS-Memphis City Schools (MCS) merger of 2011-13, Pickler continued to represent Germantown/Collierville on the first post-merger SCS board, pending the creation of new suburban school districts.

Many blame the surrender of the MCS charter and subsequent forced merger on Pickler’s decades-long vow to seek special-school-district status for the original SCS system, which was publicly renewed when a Republican majority — presumed to be suburb-friendly — took over the legislature in 2010. Pickler contends that then-MCS Board Chairman Martavius Jones, a prime mover in the charter surrender, already harbored merger plans.

In any case, Pickler, a lawyer who also operates Pickler Wealth Advisers, an investment/estate-management firm, continues his involvement with education matters as president of the National School Boards Association and is thought to harbor political ambitions.

Beverly Robertson

Beverly Robertson

Robertson has headed up the Civil Rights Museum since 1997, but perhaps her greatest achievement has been overseeing the museum’s recent $27.5 million renovation. The old Lorraine Motel, where Dr. Martin Luther King Jr. was shot in 1968, and the adjoining building have been remodeled with interactive touch-screen exhibits, a slave ship where visitors can crawl into the tiny space where slaves were held, and the recreated courtroom from Brown vs. Board of Education. Since Robertson took the helm, the museum has been identified as one of the nation’s top 10 attractions by National Geographic’s Young Explorers and as a “national treasure” by USA Today. Though she’s led the museum for 16 of its 22 years, Robertson has announced that she will retire next month.

Gayle Rose

Gayle S. Rose

We’ll bet that no other University of Northern Iowa (UNI) music student has ever been named by Business Tennessee magazine as one of our state’s “100 Most Powerful People.” But then, Gayle Rose isn’t like most people. After earning degrees in music and business from UNI, the accomplished clarinetist graduated from Harvard with a master’s in public administration. Rose spearheaded self-help guru Deepak Chopra’s international publishing and TV ventures.

She co-founded 10,000 Women for Herenton (later 10,000 Women for Change), co-founded the Women’s Foundation for a Greater Memphis, founded the Rose Family Foundation, and earned the national “Changing the Face of Philanthropy Award.” She also formed Max’s Team, a volunteer organization that honors the memory of her late son.

Rose is the principal owner and CEO of Electronic Vaulting Services (EVS) Corporation, a data protection company, headquartered in Memphis. Prior to joining EVS, Rose served as managing director of Heritage Capital Advisors, LLC, a private equity, corporate advisory, and asset firm with offices in Atlanta and Memphis.

Rose is perhaps best-known for leading the NBA “Pursuit Team,” which eventually attracted the Vancouver Grizzlies to Memphis in 2000.

Maxine Smith

Maxine Smith

In 1957, Memphis State University refused to admit Maxine Smith because she was black, and that inspired her to take on the South’s racist attitudes and fight for civil rights. Smith headed up the local NAACP and became one of few women leaders in the male-dominated local civil rights movement. She and her husband, Vasco Smith, protested segregation at the Memphis Zoo and the Memphis Public Library, and she fought to reorganize the city school board to allow black candidates a chance at winning city elections. Smith was elected to one of those school board seats in 1971, and afterward, she became a huge proponent for court-ordered busing, which she saw as a way to overcome city leaders’ attempts at only integrating a few schools for show. Smith sat on the board of the National Civil Rights Museum and received the museum’s National Freedom Award, along with former President Bill Clinton, in 2003.

Pat Kerr Tigrett

Pat Kerr Tigrett

This Memphis-based fashion designer got her start designing Vogue-worthy gowns for her paper dolls when she was just a kid living in Savannah, Tennessee. She later moved to Memphis for college, won Miss Tennessee Universe, and then bought the Tennessee Miss Universe franchise.

As a beauty queen, Kerr Tigrett got a taste of philanthropy with fashion charity shows. She went on to launch the Memphis Charitable Foundation, host of the annual Blues Ball, which, since 1994, has raised loads of money for Porter-Leath Children’s Center, St. Jude Children’s Research Hospital, Le Bonheur Children’s Medical Center, Madonna Learning Center, and other local nonprofits. Kerr Tigrett is the widow of entrepreneur John Tigrett.

Henry Turley

Henry Turley

Some developers leave behind a footprint on their community. Behind Henry Turley will be an entire Memphis landscape. Turley’s brilliance was in recognizing — and acting upon — what now seems obvious: The most valuable real estate in the world is next to water. With downtown Memphis perched alongside the mightiest stream in North America, a breathtaking neighborhood (or more) awaited birth.

With Jack Belz, Turley, developed the upscale Harbor Town residential and commercial center on Mud Island, the low-income and middle-income Uptown residential development north of St. Jude Children’s Research Hospital, and South Bluffs, where he lives.

Stroll through Harbor Town or South Bluffs today, and you’d think the mighty homes and river views have been there a century when, in fact, most are barely 20 years old, the realization of Turley’s vision for making downtown more than a business center.

Turley is a board member of Contemporary Media, the parent company of Memphis magazine and the Memphis Flyer. A native of Memphis and graduate of the University of Tennessee, Turley is known for his plainspoken good humor, creativity, and unfailing belief in downtown and the restoration of public spaces in older neighborhoods.

AC Wharton

A C Wharton

A native of Middle Tennessee who grew up on country music and both graduated from and taught at the Ole Miss Law School, Wharton is the epitome of crossover and conciliation, and either of those “c” words could be his non-existent middle name. (“A” doesn’t stand for a name either.)

Wharton’s major contribution was to restore calm and a sense of unified purpose to the city after the contentious last years of his mayoral predecessor Willie Herenton’s lengthy tenure. Hard-working, eloquent, and good-natured, Wharton was Shelby County’s Public Defender for many years, then easily won two four-year terms as county mayor before winning a special election to succeed Herenton, who had resigned, in 2009. Reelected in 2011, he has had to grapple with dwindling revenue, a never-ending budget crisis, and attendant crises in public services.

Sherman Willmott

Sherman Willmott

The irascible Willmott has worked like a Tahiti-shirted puppet-master, shaping a lot of cool and important Memphis stuff over the past 25 years. In 1988, he and Eric Freidl opened Shangri-La Records on Madison Avenue, which became a center for the burgeoning alt-music scene. Soon they were mixed up in independent record distribution and releasing records by the Grifters that earned national accolades and a big record deal. Willmott kept the Stax flame lit during the dark ages and was instrumental in curating the Stax Museum. His work with master archivist Ron Hall formed the basis for the acclaimed wrestling movie, Memphis Heat, which is a great film and a better document of how hilariously weird Memphis really is.

Categories
Food & Wine Food & Drink

15 Years and Still Wacky

Automatic Slim’s Tonga Club celebrates its 15th anniversary this Friday with music by the Coolers, the restaurant’s former house band, with the Wild Magnolias as the opening act. Diners can order off the original menu and pay the prices from 1991, when dishes were in the $9 to $16 range and had peculiar names such as the Cowboy Travis Steak.

Although Automatic Slim’s actual anniversary date was on July 18th, owner Karen Carrier chose not to celebrate it then because she felt that too many people would be on summer vacation and thus wouldn’t get a chance to be part of the party. Then, just three weeks ago, it occurred to Carrier that many of those people would be in town for Thanksgiving, so the party was on.

What was Automatic Slim’s like 15 years ago? “Crazy. It was just crazy,” says Carrier. “People literally went nuts. The Coolers played every Saturday, and when they started playing, the restaurant transformed into a wild nightclub in a matter of minutes,” Carrier remembers. “The band had this thing they called the ‘love train.’ Everybody would jump up and start dancing, and people danced out the door up on Second, around the block, down on Union, and back to the restaurant — partying like that until 2 a.m.”

In 1991, you better believe that there was nothing like Slim’s downtown, much less Memphis. The menu reflected an eclectic mix of Southern, South of the Border, Asian, and Cajun/Caribbean cooking: a seemingly tame corn chowder served with grated cheese and roasted poblano peppers ($2); coconut mango shrimp that has since made its way from menu to menu to menu for 15 years and is still one of the restaurant’s top sellers ($6.75); the Caribbean Voodoo Stew, described as an island bouillabaisse ($13.95); and the Huachinanga, a whole crispy red snapper with marinated tomato, red onions, and jalapenos ($15.95).

The restaurant’s interior was recently revamped with a newly designed mezzanine by Wayne Edge, new seating (except for the oh-so-loved bar stools), lighting, and a stage for the bands (finally!).

Over the past 15 years, Automatic Slim’s has become a downtown institution, and Carrier has since put what a reviewer called her “ingenious, wacky, and very dedicated” mark on Cielo, the Beauty Shop, and DŌ. What patrons find at the restaurant could be described as wacky and eccentric, but Automatic Slim’s remained consistent in its eccentricity for 15 years. Now, if that isn’t a reason to celebrate …

Automatic Slim’s way back when

Automatic Slim’s Tonga Club’s 15th Birthday Party is Friday, November 24th. Dinner service starts at 5 p.m.; live music starts at 9:30 p.m. and continues, as Carrier puts it, “’til the cows come home.”

Automatic Slim’s Tonga Club,

83 S. Second (525-7948)

From an August 1991 Flyer review of Automatic Slim’s by Tim Sampson:

“This restaurant is like a cross between Pee Wee’s Playhouse and a chic island getaway where Truman Capote might have jotted cocktail-napkin notes for his Martinique-set story Music for Chameleons.

“As far as I’m concerned, the city can build all the Pyramids, trolley lines, and revamped Mid-America Malls it cares to, but it’s little, innovative, breath-of-fresh-air places like this that give Memphis some semblance of being the kind of cosmopolitan city it’s begging to be.”

siba@gmx.com