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Commercial Appeal Film Critic John Beifuss Honored at Indie Memphis Film Festival Awards Ceremony

Film critic John Beifuss was honored with the Indie Memphis Vision Award at the awards ceremony last Saturday night at Circuit Playhouse. The Vision Award is given to “someone who has made a lasting impact” on the Indie Memphis Film Festival and the Mid South cinema community as a whole. Presenter Ryan Watt, the festival’s executive director, presented the award, called Beifuss “Memphis’ pre-eminent film journalist and critic” and praising his “dedicated coverage of the film festival as well as independent film in general, giving the art of filmmaking and unwavering presence in the press due to his efforts.” The normally unflappable Beifuss’ voice cracked with emotion as he accepted the award. After the takeover of the Commercial Appeal by Gannett earlier this year, Beifuss was taken off the film criticism beat and reassigned as an entertainment reporter, leading to a letter writing campaign and social media protests from his readers.

Breezy Lucia

Film critic John Beifuss accepts his Vision Award at the Indie Memphis Film Festival’s awards ceremony on Saturday, November 5 2016 at the Circuit Playhouse.

Other awards at the 19th annual festival includes Deb Shoval’s AWOL receiving both the Best Narrative Feature and the Audience Award, Maise Crow’s Jackson receiving both the Best Documentary Feature and the Audience Award, and Ala Har’el’s LoveTrue receiving both the Best Departures and Audience Awards for experimental features. This is the first time in the history of the festival that three films have won both audience and jury awards.

The Hometowner Feature awards went to Madsen Minax’s Kairos Dirt and the Errant Vacuum and the Audience Award went to Kathy Lofton’s I Am A Caregiver. The jury awarded Best Hometowner Narrative Short award to Graham Uhleski and Daniel Ray Hamby’s “Doppleganger”, while Best Hometowner Documentary Short went to “A.J.” by Melissa Anderson Sweazy and Laura Jean Hocking. Hocking also won the Hometowner Narrative Short Audience Award for “How To Skin A Cat”, which she co-directed with C. Scott McCoy (which, full disclosure, is this columist’s filmmaking nom de guerre). The winner of the Hometowner Narrative Short Audience Award was “The Rugby Boys of Venice” by Jared Biunno. Special Jury Prizes when to Kevin Brooks for his skateboarding short “Keep Pushing” and actress Gabrielle Gobel for her role in “Teeth”.

The Indie Award went to Sarah Fleming for her roles as first assistant director and cinematographer on multiple productions in the festival, although the presenter did single her out for serving on the crew of Free In Deed while both six months pregnant with her first child and sporting a broken foot.

Early estimates suggest a record turnout for Indie Memphis 2016, which spanned seven days and screened films at downtown’s Halloran Centre, Overton Square’s Circuit Playhouse, the Malco Ridgeway Cinema, and Collierville. For more information on Indie Memphis’ year-round programming schedule and a complete list of the winners, visit the Indie Memphis website.

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Film/TV Film/TV/Etc. Blog

Strong Local Offerings Lead Indie Memphis Lineup

Indie Memphis announced its full lineup for the 2016 festival at a bustling preview party at the Rec Room last night. 

Bad, Bad Men,

The most striking feature of the 150-film collection is the strongest presence by local filmmakers since the early-2000s heyday of DIY movies. The Hometowner Competition boasts six feature films, including Old School Pictures’ Bad, Bad Men, a wild comedy of kidnapping and petty revenge by directors Brad Ellis and Allen Gardner, who have racked up several past Indie Memphis wins. Bluff City indie film pioneer Mike McCarthy will debut his first feature-length documentary Destroy Memphis, a strikingly heartfelt film about the fight to save Libertyland and the Zippin Pippen rollercoaster. Four first-time entrants round out the Hometowner competition: Lakethen Mason’s contemporary Memphis music documentary Verge, Kathy Lofton’s healthcare documentary I Am A Caregiver, Flo Gibs look at lesbian and trangender identity Mentality: Girls Like Us, and Madsen Minax’s magical realist tale of lunch ladies and gender confusion Kairos Dirt and the Errant Vacuum. 

‘Silver Elves’


Usually, Hometowner short films comprise a single, popular, programming block; This year, there are enough qualified films to fill four blocks. Sharing the opening night of the festival with the previously announced Memphis documentary The Invaders is a collection of short films produced by recipients of the Indie Grant program, including G.B. Shannon’s family dramedy “Broke Dick Dog”, Sara Fleming’s whimsical tour of Memphis “Carbike”, Morgan Jon Fox’s impressionistic dramatization of the 1998 disappearance of Rhodes student Matthew Pendergrast “Silver Elves”; Indie Grant patron Mark Jones’ “Death$ In A Small Town”, actor/director Joseph Carr’s “Returns”, experimental wizard Ben Siler (working under the name JEBA)’ “On The Sufferings Of The World”, and “How To Skin A Cat”, a road trip comedy by Laura Jean Hocking and yours truly. 

Other standouts in the Hometowner Shorts category include three offerings from Melissa Sweazy: the fairy tale gone dark “Teeth”; “A.J”, a documentary about a teenage boy dealing with grief after a tragic accident, co-directed with Laura Jean Hocking; and “Rundown: The Fight Against Blight In Memphis. Edward Valibus’ soulful dark comedy “Calls From The Unknown”, Nathan Ross Murphy’s “Bluff”, and Kevin Brooks’ “Marcus”, all of which recently competed for the Louisiana Film Prize, will be at the festival, as will Memphis Film Prize winner McGehee Montheith’s “He Coulda Gone Pro”. 

The revived Music Video category features videos from Marco Pave, Star & Micey, Preauxx, The Bo-Keys, Vending Machine, Nots, Caleb Sweazy, Faith Evans Ruch, Marcella & Her Lovers, John Kilzer & Kirk Whalum, Alex duPonte, Alexis Grace, and Zigadoo Moneyclips. 

Internationally acclaimed films on offer include legendary director Jim Jarmusch’s Paterson, starring Adam Driver; Manchester By The Sea from Kenneth Lonergan; and Indie Memphis alum Sophia Takal’s Always Shine. Documentary cinematographer Kirsten Johnson’s spectacular, world-spanning Cameraperson, assembled over the course of her 25 year career, promises to be a big highlight.

Michelle Williams and Casey Affleck in Manchester By The Sea

The full schedule, as well as tickets to individual movies and two levels of festival passes, can be found at the Indie Memphis web site.