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Taco Time! Eleven Memphians Share Their Favorite Local Tacos

Ah, tacos. Who doesn’t love ’em? A hard shell or a soft corn or flour tortilla can be the perfect, handheld vessel for any number of fillings. With the simplest of ingredients (black beans, lettuce, tomatoes) to the more unique (lamb, goat), local restaurants are making some damn-good, flavor-packed delights. We’ve asked a few folks to share their favorites. Read on, and you’ll see why every day can be Taco Tuesday in Memphis.

Fried Fish and Shrimp Tacos at Elena’s Taco Shop

Kim Vodicka — poet

This is tough because, though I love the tacos at pretty much any hole-in-the-wall restaurant or busted-ass taco truck on Summer Avenue, I wanna say Elena’s is my fave just because it stands out the most. It’s a totally different thing because it’s beach tacos, but like wow the fried fish and shrimp are excellent, especially if you get decadent and combine the two on one taco.

Jesse Davis

Their tacos remind me of the ones I had on tour in San Diego a few years ago, which were exceptional.

Maybe the best part of the whole thing is they have, like, 17,000 sauces to choose from. Pre-virus, they would set the sauces out on their own little buffet-like setup, and that’s really what made me fall madly in love. I am a fool for some sauce.

Elena’s Taco Shop is at 6105 Summer Avenue; 417-7915

Justin Fox Burks

Juan’s Tacos with Black Beans at Global Café

Justin Fox Burks — cookbook author, food blogger, photographer

There’s no magic tricks, no smoke, and no mirrors involved in this straightforward dish, and with just five ingredients, there’s nowhere to hide. Juan’s Tacos ($8.95 for four vegan tacos) feature perfectly seasoned vegan black beans inside a double layer of super-soft corn tortillas. These stellar tacos are topped with spicy house-made tomatillo salsa, red onion, and fresh cilantro. Ask them to add avocado because … avocado.

Don’t sleep on the fried plantains and a side of rice to round out your meal. If you want something “wow” to wash it all down, you can’t beat The Messy MangoRita (also a Juan specialty), which features a whole dang mango doused in hot sauce as a garnish. And hey, it’s all vegan, too!

I’m the Chubby Vegetarian, and I approve this taco.

Global Café is at 1350 Concourse Avenue, Suite 157; 512-6890

El Mero Taco/Facebook

Fried Chicken Taco at El Mero Taco

Cristina McCarter — owner, City Tasting Tours

My favorite taco is the fried chicken taco from El Mero Taco. It’s the combo of juicy fried chicken and that damn queso with that pop of fresh jalapeño pepper for me. It’s tacos like that that I will randomly crave. You know it’s good if you drive to the ‘Dova for it. But they are in my neighborhood a lot, too. So I’ll grab a six pack of beer while picking up my tacos and brisket quesadilla. Now I want a taco!

El Mero Taco is at 8100 Macon Station #102, Cordova, or elmerotaco.com/foodtruck; 308-1661

Enrique Reyes with the asada taco from La Guadalupana

Asada Taco at La Guadalupana

Enrique Reyes — Mexican wrestling promoter

The asada taco at La Guadalupana Mexican restaurant is Enrique Reyes’ favorite taco when he and his wife go out to eat.

“La Guadalapuna is my favorite restaurant,” says Reyes, who organizes La Lucha Libre wrestling matches in Memphis, as well as makes the colorful masks worn by wrestlers. “The food is so delicious there.”

He likes to eat at home. “My girl cooks for me, but when she doesn’t cook, I go straight to La Guadalupana … once a week, something like that.”

Carne asada, Mexican steak, is his favorite dish there, but if Reyes orders a taco, it’s the asada taco, which is “just steak and onions and cilantro.” He puts guacamole on top, “’cause that makes the difference in the flavor.”

Asked how many he eats at a time, Reyes says, “Really, only four. You order with guacamole, it makes it a little bigger. I don’t eat too much. I’m good with four tacos.”

And Reyes doesn’t use any utensils when he eats tacos. “Just pick it up like a real Mexican. You never eat tacos with a fork.” — Michael Donahue

La Guadalupana is at 4818 Summer Avenue; 685-6857

Colin Butler

Al Pastor Taco at Picosos

Colin Butler — DJ for Big Ass Truck, radio DJ on WYXR at Crosstown Concourse

I’m partial to the tacos al pastor at Picosos. Pastor, I think it means “shepherd’s style.” Basically, they grill that pork on a spit, like gyro meat, and they slice it off. It’s based on lamb shawarma brought by Lebanese immigrants to Mexico. So some of the spices used in al pastor include coriander, hot pepper corns, cumin, chiles, garlic. They marinate the meat in that and then they pile it up on a spit and it rotates and cooks.

They hand-make their own corn tortillas there. And they use double tortillas. They stuff that full of meat, and then use chopped onion, cilantro, and jalapeño, which is typical for street tacos.

Between the homemade tortillas, doubled, the flavor of the meat, and the fresh toppings, to me, they’re the best tacos in town. It comes with your typical red salsa, a badass salsa verde, and more of a smoky, kind of chili-based sauce. They’ll give you all three if you ask for them.

It’s super simple. They’ll give you a small bowl of limes, too. And I always ask for crema, like sour cream but different. I like the way the sour cream contrasts with the more acidic stuff.

Picosos is at 3937 Summer Avenue; 323-7003

Katrina Coleman

Chorizo Taco at Tacos El Gordo

Katrina Coleman — comedian

I haven’t left my house much, lately. Working from home, I depend on my husband to bring treasures from the Outside. One day, he came home with five street tacos from Tacos El Gordo. The beef and chicken were good, but Memphis, THE CHORIZO.

On Madison, the lot of the Marathon has an orange box on wheels. I been sleepin’ on it.

Grilled corn tortillas filled with meat, onions, and cilantro. Served with cucumber and carrot slices that are pickled so lightly, it seems as if they heard of the concept once in a dream. The red chile sauce is good, but the green will light you up like Montag himself decided you were obscene. The sausage inside is perfectly seasoned. Tossed on the grill with the onions, the texture of the tortilla and minimal crisp of the meat makes such a delightful chewing experience that one might consider that no other food has ever been good.

If you haven’t been, I have to say: WAKE UP, SHEEPLE. Treat yourself to the only chorizo ever to be perfect.

Tacos El Gordo is at 1675 Madison Avenue; 801-0936

Bianca Phillips

Black Bean Tacos at Evelyn & Olive

Black Bean Tacos at Evelyn & Olive

Bianca Phillips — communications coordinator, Crosstown Arts

This year has been a wild one, and if there was ever a time to make sure you’re putting the cleanest, most wholesome food into your body, it’s now. Greasy comfort food may be calling, but whole-food, plant-based options will provide the nutrition you need to keep your immune system strong.

Lucky for you, the black bean tacos at Evelyn & Olive are both healthy and comforting. They’re like the taco equivalent of a grandma hug, which you can’t get right now thanks to social distancing, so accept a hug in the form of a vegan taco instead. Two crispy taco shells are generously stuffed with seasoned black beans, sautéed tofu, crunchy cabbage slaw, and sweet-and-tangy kiwi salsa. They’re served with sides of fluffy Jamaican rice and peas and cool, refreshing cucumber-tomato salad.

Evelyn & Olive is open for dine-in or takeout, and when you order to-go, they thoughtfully package all the taco components separately so you can avoid the dreaded soggy takeout taco. Build your own tacos at home, queue up Bob Marley’s “Three Little Birds,” and enjoy with a stiff Jamaican rum punch for maximum comfort effect.

Evelyn & Olive is at 630 Madison Avenue; 748-5422

Julie Ray

Goat Taco at La Guadalupana

Noelia Garcia — associate artistic director at New Ballet Ensemble and School

Happy goats perform dramatic joyous dances to the glee of onlookers — much like the fancy footwork of a Spanish dancer. Perhaps the secret to Noelia Garcia’s dance superpowers is the $2.75 goat taco at La Guadalupana.

Garcia is the associate artistic director at New Ballet Ensemble and School who studied Spanish dance and flamenco at the Institut del Theatre i Dansa de Barcelona. She lived and worked in Spain, performed throughout Europe, in China, Israel, and the Philippines, and was a founding member of Barcelona’s Increpacion Danza company before landing in Memphis nearly 20 years ago. Her favorite taco is a heaping pile of perfectly seasoned goat meat on two soft corn tortillas topped with onions and cilantro. The meat of this beast has the tender juicy texture of a pot roast with a delightful tangy taste.

Try it. Ewe’ll like it. — Julie Ray

La Guadalupana is at 4818 Summer and 8075 Cordova Road; 685-6857

Laura Jean Hocking

Al Pastor Taco at El Burrito Express

Al Pastor Taco at El Burrito Express

Laura Jean Hocking — filmmaker

“For so long, I thought tacos only had hard shells, and had cheese and sour cream in them,” says filmmaker Laura Jean Hocking. “But a street taco, or a food truck taco, is all about the quality of the protein. It’s this little showcase for meat or chicken or fish with accents, instead of gloppy, Americanized crap all over it.”

Hocking’s favorite Memphis taco truck is El Burrito Express. Ubalto Guzman started the business six years ago. “I used to be a contractor,” he says. “We moved from California to Memphis to get into the food business. This is a family business. It’s me and my wife, son, and daughter.”

Laura Jean Hocking

An El Burrito Express taco plate includes five tacos with your choice of meat. Hocking’s favorite is al pastor, marinated pork said to descend from shawarma brought to Mexico by 19th century Lebanese immigrants.

“I like al pastor because I’m a big pineapple fan. I love the subtleness of the pineapple in pastor. It’s very savory and juicy. It’s a new discovery for me. I had never had pastor until we went to L.A. in September 2019. Generally, I’m a pescatarian, but when I run into meat products that are very good, like a Soul Burger or some Bar-B-Q Shop glazed ribs, I’ll have them. Now, pastor is on the list because life is short.” — Chris McCoy

El Burrito Express is at 1675 Madison Avenue; 428-9626

Samuel X. Cicci

Smoked Brisket Taco at Elwood’s Shack

Cara Greenstein — food and lifestyle blogger

Stretching or, as I would argue, elevating the definition of a “taco,” Elwood’s Shack delivers a singular sensation you simply can’t miss on its menu: the smoked brisket taco.

Upon placing in the pizza oven, a single flour tortilla puffs into a pillowy yet crispy foundation for an unconventional combination of delicate field greens (no shredded iceberg to be found here), sliced avocado, pico de gallo, shredded mozzarella, and creamy horseradish. A generous portion of smoked brisket, a perfected in-house recipe that takes center stage across Elwood’s menu, brings this open-faced phenomenon back to its barbecue Memphis roots.

If you ask how many tacos come in an order at the counter, don’t be underwhelmed when they tell you “one.” One taco from the Shack is just right.

Elwood’s Shack is at 4523 Summer Avenue; 761-9898

Jon W. Sparks

Barbacoa Lamb Taco at Tortilleria La Unica

The workers of R.E. Michel Company — HVAC distributors

Tortilleria La Unica recently moved across the street to its new home at 5015 Summer in a one-time Wendy’s. It still has the Mexican fare that made it popular, particularly among the working people out in that area. Among those is the crew at R.E. Michel Company, a distributor of HVAC equipment. One of the bunch is Dave Godbout, a self-described Destroyer of Tacos who is particularly fond of La Unica’s offerings. A recent lunch spread at the warehouse had half a dozen varieties from chicken to beef to lamb to pork.

“It’s a perfect combination of food,” Godbout says. “You’ve got salsa with tomatoes that has lycopene in it. You’ve got cilantro, which is good for detoxifying. You got a little bit of fat, a little bit of protein, a lot of carbs. It’s the perfect street food, and especially in our area, it’s the most readily available food you can get.”

“I love tacos, Americanized, authentic, it doesn’t matter,” says manager James Hoffman. “I didn’t even like cilantro until I got older and now I love it more and more. And we do a lot of business in the Hispanic community and they send us tacos from their local taco truck all the time. Man, this lamb taco is really good!” — Jon W. Sparks

Tortilleria La Unica is at 5015 Summer Avenue; 685-0097

Categories
Film/TV Film/TV/Etc. Blog

Never Seen It: Watching Casablanca with Poet Kim Vodicka

Humphrey Bogart as Rick and Ingrid Bergman as Ilsa in Casablanca

Kim Vodicka released her third book of poetry, The Elvis Machine, earlier this year. Her sharp verses veer between the cynical and romantic, dissecting love in the connected age. She had never seen Casablanca, the 1942 film considered to be one of the greatest romances of all time. Our conversation has been edited for length and clarity.

Chris McCoy: So what do you know about Casablanca?

Kim Vodicka: So, black and white, 1940’s, Lauren Bacall, Humphrey Bogart. “Here’s looking at you, kid.” I don’t know the context of that line. I assume it’s Bogey talking to Bacall, hitting on her or flirting with her, but I really, I have no idea.

Chris: It’s Ingrid Bergman, not Lauren Bacall.

Kim: Okay. So yeah, I really know a surprising amount of nothing about this movie.

Never Seen It: Watching Casablanca with Poet Kim Vodicka (2)

102 minutes later…

Chris: Kim Vodicka, you are now a person who has seen Casablanca. What did you think?

Kim: I liked it. It was somewhat difficult to follow, maybe at first. I’m kind of bad with history stuff. The love story…I think my impression of it going into it was that it was going to be more powerful. It didn’t move me as much as I thought it would. However, I LOVE the end! I was basically on Team Laszlo the whole time. It seems just a little unbelievable that she would consider staying with this dude that she just had kind of a fling with in Paris, really. But there’s also a suggestion that maybe her claiming to still be in love with him was a sham the whole time. Not in Paris, but in Casablanca, when they reunite. But I guess the deal is that they actually were in love. I feel like they kind of leave it somewhat open to interpretation there, but the commonly accepted thing, I guess, is probably that they were still in love.

Chris: Casablanca was shot in the fall of 1942. America had been in the war for less than a year at that point. All the people who are in Ricks, the refugees, many of them were actually refugees. That’s why all the bit parts are so good, because those people were European movie stars who had fled Nazi Germany. Conrad Veidt, who plays Major Strasser, was a big star in Germany. Peter Lorrie, who was Ugarte, was the murderer in M, one of the masterpieces of German expressionist cinema. And a lot of those people would go on to have huge careers because of Casablanca.

Peter Lorre (right) as Ugarte, the ill-fated human trafficker.

Kim: I feel like I was expecting like a tear jerker, but it wasn’t really pulling my heart strings really in that way. But it definitely gave me chills, like in a lot of different places, for reasons that are difficult to explain, but not just because of the story. For whatever reason, the love story felt somewhat…it’s not like it was implausible, but the fact that they admit that they didn’t really know anything about each other, yet were so in love. I just feel like I don’t relate to that.

Chris: I think one of the things that made it hit so hard at the time is that there were people in this situation. This was not an implausible story. I mean, it’s contrived—it’s Hollywood, you know? But there literally were a lot of couples who’d been separated by the war. And then at the end, when, when he sends her off on the plane…well, there were a lot of people sending their boyfriends and girlfriends off on planes, you know? There were a lot of situations where people had like brief, but intense, flings, because it was like, “This is the end of the fucking world.”

Kim: Well, I kept thinking about it in terms of now, and I was like, wow.

Chris: It was a moment when democracy was in crisis, when the democracies of Western Europe had fallen. I don’t know if you caught the Vichy thing, but when the Germans occupied France, the capital was no longer Paris—it was Vichy. That’s why Captain Renault was like, “I blow with the wind, and right now, the wind blows from Vichy.” And then at the end, when Renault has the Vichy water, which is Vichy’s famous product, sparkling water. He looks at the, at the label, he’s like, oh, it’s from Vichy. And he throws it in the trash can.

Conrad Veidt as Major Strasser and Claude Rains as Captain Louis Renault. Veidt, a refugee from Nazi Germany, made a Hollywood career out of playing villainous Nazis.

Kim: That was like one of my favorite parts! At the very end, the guy who’s playing both sides the whole time is like, yeah, I’m finally a good guy. I thought the love story, or the relationship, between Ilsa and Laszlo was totally fucking amazing and powerful. I just wasn’t buying the Paris fling was Bogey. It wasn’t registering emotionally with me.

Chris: The dig on Paul Henreid, who is Laszlo, is that he is kind of wooden and stiff.

Kim: I guess that says a lot about me.

Rick Blain (Humphrey Bogart), Captain Renault (Claude Rains), Victor Lazlo (Paul Henreid), and Ilsa Lund (Ingrid Bergma) meet in in Rick’s Café Américain.

Chris: No, it’s totally legit. I think it’s really interesting, because, from a societal point of view, she has to end up with him. Rick and Ilsa have an adulterous relationship, even though they didn’t know that it was, because she thought Laszlo was dead. The moral structure of it is that both of those relationships are legitimate relationships. But she has to go with Laszlo, because they’re married.

Kim: Why would she even consider leaving Laszlo? He’s like a total gangster.

Chris: He’s a journalist.

Paul Henreid as Victor Laszlo

Kim: I really, really enjoyed it. I feel like I need to watch it again. One of my favorite movies is Chinatown, which has a very convoluted plot. And that’s a movie where I’ve seen it so many times, but it’s almost like I see a new thing in it every time. This is maybe not quite that level of complexity, but I definitely need to watch it at least one more time, because it was moving quickly, and sometimes my brain just works a little differently.

Chris: It moves really quickly. And it’s still, to this day, a fast mover.

Kim: Especially when I’m not super brushed up on my history.

Chris: This would have been like making a movie about 9/11 in 2002, right before the Iraq War.

Rick waits for Ilsa.

Chris: Humphrey Bogart is one of the greats. He suffers better than anybody. Especially when he’s in the closed bar, waiting for Ilsa to show up.

Kim: And he’s like, “Play it, Sam. Play it!”

Chris: And Sam, of course, is the voice of reason throughout the entire thing. Everything Sam says is right. He’s like, “No, you should just let it go. Don’t get in the middle of this. She’s nothing but trouble for you.” Yeah. That’s exactly right. But then, Rick would never become a hero.

Dooley Wilson as Sam, the piano player at Rick’s Cafe Americain.

Kim: I love the part in the casino, at the roulette table, after the younger girl talks to him about wanting to leave with her lover and he’s basically like, trying talk her out of it. But then, all of the sudden, he goes and helps the dude win the money they need to get their visas. I thought that was cool.

Chris: So what’d you think about Ingrid Bergman?

Kim: One of the things I couldn’t stop thinking about is, she’s Isabella Rossellini’s mom, right?

Chirs: Yes.

Kim: I kept thinking about that so much throughout. I love Isabella Rossellini, and I’m a huge David Lynch fan. So I’ve seen Blue Velvet like 7,000 times. So I found myself fascinated by comparing like their facial features. And I find the way they, like, their elocution is strange and similar. But, yeah, she was great. Her eyes…those sparkling eyes!

Never Seen It: Watching Casablanca with Poet Kim Vodicka (4)

Kim: “Here’s looking at you kid,” that happens three times. I was surprised by that. I thought it was just like the one and done, but it’s like their thing.

Chris: It functions differently each time.

Kim: Yeah. Because at first, they don’t want to talk about their past. So he’s like, “Here’s looking at you!” And then the next time, she didn’t want to think about the present.

Chris: The last time is when he’s trying to convince her to go with Victor. It’s what puts her over the top, I think.

Kim: Yeah. The end is just so great.

Chris: I’m glad that you like Chinatown. When you learn screenwriting, they teach both of those scripts. Because everything works within itself. You have little conflicts and emotional payoffs. And in every scene, there’s something that connects to the neighboring scenes, before it and after it, and then there’s something that connects with some other scene in the movie. There’s big structure, and there’s small structure. Everything that seems like a random detail in the first half turns out to be a setup for something in the second half.

Never Seen It: Watching Casablanca with Poet Kim Vodicka (5)

Chris: So what do you think it feels contemporary? Do you think that it has something to say for today?

Kim: I couldn’t help, but think of how politically scary things are now. Things are very different, but it’s been about 80 years since World War II or thereabout, and it’s just interesting to me how history repeats itself. It doesn’t even feel like something that happened so long ago, It isn’t the same, of course, even though it sort of is the same human behavior in action. It really feels like at any point now the world could start going in a similarly awful direction. I think a lot of people are feeling that, and I’m trying to talk about this without going into too much of an extremist version. But here’s a lot of panic and fear. I’m trying to avoid dialing into that here. However, I think that there are good reasons to be afraid, and I could not stop thinking about it while watching Casablanca.

Chris: The Nazi occupation seems a little bit more immediate now, I think, than it has ever has before. I totally got that this time. And the fascists, they always act the same. There are different languages and different faces on it, but they all act the same.

Kim: I loved when the Nazis are singing their national song, and they kind of take over the bar, and then Laszlo stands up and starts singing, uh…

Chris: “La Marseillaise”.

Kim: Yeah. And then everyone else starts singing along, and they drown out the Nazis.

Never Seen It: Watching Casablanca with Poet Kim Vodicka (3)

Chris: It’s like a rap battle. This movie is one dance number from being a musical. Did you notice that?

Kim: Yep. That would be interesting.

Chris: Especially at the beginning, when you’ve got so much Sam, who was played by Dooley Wilson. He was a musician. He had a career. People knew him. It would be like having Drake sing in your movie.

Kim: I got that impression, even though I did not personally recognize him. I got the sense that he must’ve been famous in the time.

Chris: So it’s like, here’s a song, and then here’s one of the most efficiently constructed scenes you’ve ever seen in your life. And then here’s another song. So there’s tension, and then you release it with a song. But that only happens in the beginning. As it goes on, towards the end, the music goes away. And that really ratchets up the tension.

Kim: There’s a lot of that kind of play with extremes. It was really interesting to see the flashback scene and how Bogey’s character is like a chiaroscuro, you know? Cause he’s this curmudgeonly, beleaguered, cynical dude, and then you see him how he was before. And it’s such a transition. It also shows his incredible range as an actor. Really, really cool.

Chris: It’s subtle. It’s not like he’s like jumping up and down and going, “I’m so happy with you, Ilsa!” He’s just a little looser in his body language.

Kim: Exactly.

Chris: And he smiles when he looks at her, too. He doesn’t smile at all through the rest of it. He suffers better than anybody.

Kim: He’s like, pulling some Hamlet shit.

Never Seen It: Watching Casablanca with Poet Kim Vodicka (6)

Chris: To show you how well constructed it is, there’s one major thing that absolutely falls apart if you think about it too hard: The letters of transit. Really, the Nazis could have just grabbed Ilsa and Laszlo at any time. They didn’t recognize laws if it they got in their way. And just because they have these letters of transit, it doesn’t mean they’re going to allowed to go on the plane. In fact, it takes Rick basically nuking his life to get them on the plane. But you don’t think about, because goes by so quick, and nobody questions it.

Kim: Right. I was actually starting to feel like something really bad was going to happen towards the end, which I guess they’re kind of setting you up for that. Like maybe their plane was going to get like shot down or something.

Chris: It says a lot that you were willing to go there in your mind, you know what I mean? There’s a lot of times when a movie would be like, “Oh, that’s the star. Nothing’s going to happen to them.” But by the time you get to the airport, you’re like, “Man, they could really kill Bogey.”

Kim: This is all the 2020 up in here. We’ve had movies like No Country for Old Men, where like, that’s like perhaps the most shocking death ever. Heroes can die. We’re in a completely jaded, cynical world at this point. So that’s the world that I’m living in, I guess.

Chris: Yeah, it is a cynical world, but one of the things this movie is about is overcoming cynicism. That’s Rick’s whole arc. He’s cynical and neutral, because he’s had his feelings hurt. He’s got to get where Laszlo is. “The problems of three little people ain’t worth a hill of beans in this world.” I think it still feels very relevant, because I think that’s what we need to do right now. It’s about overcoming cynicism and overcoming fear, too.

Kim: Yeah. There was a lot of hope, and there’s faith in the good of humanity that I was getting out of it out of watching the movie, which was nice to feel. We don’t get enough of that.

Never Seen It: Watching Casablanca with Poet Kim Vodicka

Categories
Book Features Books

Burnin’ Love: Kim Vodicka’s The Elvis Machine

Book cover art and design by Joel Amat Güell

The Elvis Machine

After a long incubation and a series of canceled and postponed pre-publication readings and panel talks (put on hold thanks to the coronavirus pandemic), Memphis poet Kim Vodicka’s The Elvis Machine (CLASH Books) is set to be released Tuesday, July 7th.

“All of Memphis is a Heartbreak Hotel,” Vodicka says to describe The Elvis Machine, which she started writing shortly after moving to Memphis from Louisiana in 2016. The collection, with its focus on the men, music, and mythology of Memphis, sparkles with the perspective of a transplant. Memphis is Vodicka’s adoptive home, and she embraces it — but she throws her heart-shaped rose-colored glasses over her shoulder first. Vodicka pulls no punches when she writes, “It’s so easy to be a groupie in this town, so hard to be a wife.”

Vodicka, author of 2018’s Psychic Privates, says that The Elvis Machine is more dangerous. “It’s a lot scarier,” Vodicka says of her new collection. “It’s a lot darker.” Her words ring true, as throughout the collection, Vodicka rages and repossesses the language of the patriarchy — or, more often, laughs gleefully as she recounts illicit encounters and risqué rendezvous.

“Because The One makes Kodak moments,” she writes. “Because rarely do us bitches make his story.” Vodicka’s seemingly casual use of patriarchist language makes clear that, in a world defined by the colonization of the male gaze, for a woman, self-love is by necessity an act of creation and destruction.

Kim McCarthy

Kim Vodicka

The through line, though, is the poet’s undeniable sense of humor. Vodicka bleeds on the page, but her bloodstained hieroglyphics spell out a dirty joke. She has an endless supply of memorable one liners, which she lobs at prudes and the endless parade of self-obsessed rocker guys. The Elvis Machine is like Dan Penn’s “Dark End of the Street” — but from the woman’s perspective. It’s an orgiastic exultation and an excoriation of mansplaining rock-and-roll heartthrob wannabes.

“This is the eternal return of the 1950s,” Vodicka writes in “Boy Boycott,” bemoaning a romantic partner whose … stamina leaves something to be desired. “Where insanity is going to the same sock hop, testing the same A-bomb, over and over again, and expecting something better than this.” Vodicka — or the personas she inhabits — breaks down barriers between socially acceptable feminine behavior. If she contradicts herself, it is to be expected; she contains multitudes. She’s a seductress, a valley girl, a witch, a so-called “tough woman,” a sexpot, a pop culture aficionado, and a keen observer of humanity and history. “This man is your man. This man is my man. This man was made for you. But, like, mostly just me.”

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“Babylon Fantasy” is one of the most open poems in the collection. Though the author doesn’t abandon poetic license or her beguiling knack for wordplay, she speaks more plainly, the rapid-fire machine gun ratta tatta of rhyme and pun slowing enough to let Vodicka’s word bombs find a direct route to the reader’s heart. There are echoes of both ancient sacred prostitution cults and of J. Robert Oppenheimer when the poet writes, “Now I am become the county whore, destroyer of monogamy and all sanctity.”

The Elvis Machine is also available as a spoken-word EP with musical accompaniment by Memphis multi-instrumentalist Jack Alberson. The EP is available via Bandcamp, and it may serve fans as a substitute for Vodicka’s high-energy poetry tours, unfortunately placed on hold while the country struggles to combat the coronavirus. 

Kim Vodicka’s The Elvis Machine is to poetry collections what Tav Falco’s psychogeography of the Bluff City, Mondo Memphis, is to town histories. The Elvis Machine spits on pretensions and politeness as Vodicka revels in her humanity. She rages, rhymes, lusts, loves, mourns, and cackles like a mad scientist drunk on wordplay. Welcome to the machine; may your freak flag fly ever high.

The Elvis Machine is available via CLASH Books. The Elvis Machine EP is available at Bandcamp. Kim Vodicka can be found at kimvodicka.com.

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Pandemic Poetry: Kim Vodicka’s The Elvis Machine

Kim Vodicka is a poet with a penchant for the provocative, but even she won’t risk tangling with the novel coronavirus COVID-19. Though she was gearing up for a busy spring to promote her new poetry collection, The Elvis Machine (Clash Books), Vodicka read the signs correctly and changed her plans.

Vodicka, author of 2018’s Psychic Privates, was one of the first of a slew of Memphis writers, artists, and musicians to change travel and promotion plans when she canceled a stop at an Association of Writers and Writing Programs (AWP) conference in San Antonio, Texas. The conference was held on March 4th-7th, and though some events were canceled, it went ahead as planned — just before concern over the coronavirus meant a slew of cancelations, closures, and postponements across the country.

Kim McCarthy

Kim Vodicka

“I was aware of news about the virus even though it really hadn’t hit most of North America yet,” she says. “But by no means did I understand the gravity of it. The Monday before we were supposed to leave, AWP had an emergency meeting about plans.” Vodicka says the announcement of an emergency meeting kicked off “an entire day’s worth of tremendous confusion.”

“At that point, to my surprise, a lot of people were saying to go ahead and go but just take precautions,” Vodicka says. “It wasn’t sitting well with me so I decided not to go.”

The next week, coronavirus got very real for people, as schools began closing or extending their spring breaks, and businesses were forced to adapt in real-time.

“I was scheduled to go to the New Orleans Poetry Festival to be on a panel,” Vodicka says, adding that she had been looking forward to participating in the panel discussion about witchcraft in poetry. Vodicka says that while she does not practice traditional magic per se, the act of creation and all art-making have roots in magic. She is also scheduled to attend the Los Angeles Times Festival of Books, which has been postponed in light of the global pandemic.

“Fortunately I had not planned a full-on tour,” the writer muses. “I do have some events scheduled for May and June that have not been canceled yet, but we shall see.”

Vodicka’s tours are part poetry reading and part performance art, where she is often accompanied by a musician live-composing music to her readings. For a poetry reading, they are never short on spectacle — exactly what one would expect from a poet who sums up her work by saying, “The lines are zingers, and truth bombs are atomic.”

Book cover art and design by Joel Amat Güell

The Elvis Machine

“All of Memphis is a Heartbreak Hotel,” Vodicka says to describe The Elvis Machine, which she started writing shortly after moving to Memphis from Louisiana in 2016. She finished the collection in 2018, and it was submitted for publication in 2019.

“The official release date is July 7th, but the preorders ship in May,” Vodicka says, adding that pre-publication events, especially in the small press world, are of vital importance for a book’s success. Still, even though The Elvis Machine has been four years in the making and Vodicka is working to adapt to a coronavirus-shaped wrench in the works, she isn’t exactly checking into the Heartbreak Hotel over delays caused by pandemic panic. “I haven’t been moping about this or trying to make this all about me because I’m more concerned about humanity and society crumbling.” She promises that, though the collection promises not to skirt past the dirty or grisly aspects of relationships, “no names are named.”

Kim Vodicka’s new collection The Elvis Machine is scheduled to be released via Clash Books on July 7, 2020, and readers can preorder copies at this link. Stay up to date with Vodicka at kimvodicka.com.