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Food & Drink Food Reviews

Big Beer Is Back

As anyone who is likely to be reading this knows, the craft beer industry has been on one of the greatest underdog winning streaks in the history of corporate capitalism. Way back in 2010, craft brewers were hoping against hope to take — on some far off sunny day — a 20 percent cut of the domestic beer market. Most industry experts thought the craft brewers might have done a little too much product sampling before setting that goal.

Yet, craft beer continued to boom, growing year over year: 18 percent in 2014, 15 percent in 2015. Last year, the numbers got a little more sobering with 6 percent growth. But the stats can be misleading. According to the Brewers Association, craft brewers churned out 24.6 million barrels of beer in 2016, that’s up 1.4 million from the year before. This figure is around 22 percent of the beer market. So, naysayers vanquished; mission accomplished.

What this figure doesn’t include is that 1.2 million barrels that were considered craft beer in 2015 were not considered as such in 2016. That number represents the small brewers who sold out to Big Beer. The Brewers Association defines a craft brewery as producing less than 6 million barrels a year and no more than a 25 percent ownership by a non-craft brewer. So, those flattening craft beer numbers have more to do with ownership than production or sales.

Bart Watson, the Brewers Association’s chief economist, said, “As the overall beer market remains static and large global brewers lose volume, their strategy has been to focus on acquiring craft brewers.”

As a business tactic, buying up successful rivals certainly makes more sense than Budweiser’s awkward attempt to remarket itself as a Macro beer. If Anheuser-Busch InBev was trying to make me nostalgic for college, it worked. Not in the blissful cheap-domestic-beer-at-a-lake-party memories, so much as flashbacks to an economics class that was the academic equivalent of waterboarding.

So which of your craft brews are no longer craft? You might be surprised. Through a company called Craft Brew Alliance, InBev owns a 32 percent stake in Widmer, Kona, and Redhook. Heineken owns 50 percent of Lagunitas, and one of my personal favorites, Founders, is 30 percent owned by Spanish brewer Mahou San Miguel.

Purists argue that the quality can’t be maintained if the owners aren’t the brewers. There may be something to that, but it’s a slippery charge. The more concrete issues aren’t in the barrel, but the ongoing, behind-the-scenes battles that small brewers, no matter how great their product, are ill-equipped to fight. Before the buying spree, the big four brewers caught a lot of blowback for trying to strong-arm beer distributors into dropping small brewers from their product lists. They are still trying to muscle the little guy off the shelf, but because they’re doing it with a lineup of craft beers, it’s not so obvious. Using massive economies of scale everywhere from ingredient sourcing to distribution, huge brewers can offer their “craft” selections at lower prices to edge out the small brewers in shelf space and on the tap line.

In short, by simply brewing a better product, the craft brewers have been a victim of their own success.

Or have they? One of the founders of Birmingham’s Good People Brewing told me that he couldn’t afford to drink his own beer. In the tech sector, a huge buyout from corporate America is, more or less, the accepted endgame for most start-ups. Users don’t care who owns Snapchat, but the good people of Richmond, Virginia, were miffed when local Devil’s Backbone sold out to InBev. The owners, I understand, were delighted. If their goal was to make great beer on a national scale and ultimately make a lot of money, then they aren’t a victim of anything.

It’s just really hard to win and remain the underdog.

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Food & Drink Hungry Memphis

Live on the Scene at the First Annual Taste the Flavors Brew Festival

John Klyce Minervini

On Saturday, the Sickle Cell Foundation of Tennessee hosted the first annual Taste the Flavors Brew Festival.

Last year, Ghost River Brewing co-founder Chuck Skypeck raised a few eyebrows when he suggested, in an interview with the Commercial Appeal, that Memphis might not be able to sustain its new crop of craft breweries.

His reason? Black people don’t drink craft beer.

“There are about a million people in the Memphis area, Skypeck began. More than 60 percent of them are African-Americans who…largely prefer higher-end alcohol (if any alcohol at all) to beer.”

Oh really?

I decided to run that comment by Trevor Thompson. Besides being black and loving craft beer, Thompson is the CEO of the Sickle Cell Foundation of Tennessee. On Saturday night, his organization hosted their first annual Taste the Flavors Brew Festival. Held at Just For Lunch, the event gave Memphians a chance to sample delicious local brews while raising money for those who suffer from Sickle Cell Anemia.

John Klyce Minervini

From left: Steven Whitney and Trevor Thompson

“Really, it all goes back to exposure,” said Thompson, sipping from a glass of High Cotton ESB. “I think it’s true that African Americans have historically participated in the craft beer movement at lower rates. But already tonight, I’ve had two people come up to me and tell me how much they love this beer or that beer.”

For those who don’t know, Sickle Cell Anemia is an inherited blood disease that primarily affects people of African and Caribbean descent. One out of every 350 Memphians has sickle cell, and the crowd at the event—which numbered about 150—was equal parts black and white.

When I caught up with Claire Gentry, she was enjoying a cup of Ghost River’s Honey Wheat Reserve.

“I’m usually a light beer kind of person,” confessed Gentry. “You know, Bud Light, Miller Lite, Michelob. But I liked it! It wasn’t heavy at all, and it was kind of sweet.”

Taste the Flavors featured three Memphis breweries—Ghost River, High Cotton, and Memphis Made—plus a few beers from farther afield—notably Schlafly and Lagunitas. And hey, what’s beer without some food to wash it down? Texas de Brazil was serving steak, and Aldo’s Pizza Pies brought some of their addictive garlic knots with vodka cream sauce.

The event was conceived and chaired by Steven Whitney, an enterprising 23-year-old at the University of Memphis. Whitney, who works with sickle cell patients at St. Jude, says he has always had a passion for craft beer. Combining those interests gave him an opportunity to help introduce craft beer to Memphis’s black community and while helping sickle cell patients in the process.

“Craft beer is blowing up here in Memphis,” says Whitney. “So I figure, let’s knock down the walls and bring everybody in. I mean, why not? It’s a huge untapped market.”

John Klyce Minervini

The event gave Memphians a chance to sample delicious local brews while raising money for those who suffer from Sickle Cell Anemia.