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Art Art Feature

Not Fade Away: Lawrence Matthews III’s Art at the Dixon

Photographer, painter, and performer Lawrence Matthews III knows how to keep himself busy. Matthews recently completed a mural at Orange Mound Community Center as part of UrbanArt Commission’s District Mural Program. And in 2019, under his hip-hop moniker Don Lifted, Matthews took his Sub-Urban Tour to venues across the country. He’s an artist who understands the close link between medium and message, and that understanding is borne out in his photography exhibition “To Disappear Away (Places Soon to Be No More),” on view at the Dixon Gallery and Gardens through Sunday, April 5th.

“I went to school for studio arts,” says Matthews, who graduated from the University of Memphis. “I did sculpture. I did painting, photography.

Lawrence Matthews III

“Growing up, we did everything. We skated, we played basketball, we made music, we made art, we filmed the things we were doing,” Matthews explains. “I make different types of music, too. I make music under Don Lifted, and I make music under Lawrence Matthews.”

For “To Disappear Away,” Matthews uses his camera lens to draw attention to African-American spaces in the community. “I have these three or four themes: disappearance, nature, space, and abandonment,” Matthews says of his photography. These themes are nothing new to the prolific performer and artist — that hyphen in Don Lifted’s Sub-Urban Tour is no accident. “I made a film about gentrification before, but it was very specific and dug into the school systems, whereas this body of work was based around this surreal theme based around gentrification and displacement.”

Matthews’ work is made all the more compelling because nothing is staged. His photos capture real spaces in the world and force the viewer to ask questions about disparity. What happens when a community’s environment works against the people who inhabit it?

For Sale, part of “To Disappear Away (Places Soon to Be No More),” shows a hand-painted billboard advertising an unknown product.

The photos on view in “To Disappear Away” appear surreal — even more so when the World Health Organization has declared the coronavirus COVID-19 an international pandemic. But these mesmerizing photos of crumbling infrastructure, nature reclaiming furniture, and abandoned vehicles were taken months before COVID-19 traveled to American shores. They were simply taken in underserved neighborhoods.

“It became a thing and then became abandoned,” Lawrence says, pointing to a photo of the kids on bikes cruising through an empty parking lot. “Now it’s this open, sprawling space that people are inhabiting that isn’t natural, that doesn’t blend in with what they’re doing, that doesn’t serve them in any kind of way. People don’t dig up their parking lots and lay grass back.”

So how does Matthews intend to combat gentrification and change the trajectory of generational wealth? “By making beautiful, surreal, and fantastical photos.”

Lawrence Matthews’ “To Disappear Away (Places Soon to Be No More)” is on view at the Dixon Gallery and Gardens through Sunday, April 5th. As of press time, the Dixon will be closed, beginning Tuesday, March 17th, and through Monday, March 30th, at which time the museum’s leadership will re-evaluate the situation.

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Music Music Blog

Don Lifted Takes His Vision Coast To Coast in ‘Sub-Urban Tour’

In American culture, “urban” has long been a weird code word for African-American, but Lawrence Matthews, aka Don Lifted, has never been complacent about the traditional signifiers of race in this country. Gleefully drawing samples and inspiration from eclectic sources for his compositions, he mixes and matches as he sees fit to convey a wholly personal experience.

Thus, it makes perfect sense that now, as he takes it to the next level by hitting the road, he’s dubbed the series of shows his “Sub-urban Tour.” And in his promotional materials, he makes a point of noting that “sub” is a prefix “indicating that the element is secondary in rank, falling short of, less than or imperfect.” This is all in keeping with the niche he’s comfortably occupied for some years now, that of the outsider individualist living in a netherworld somewhere between hip hop and shoe-gaze rock.

Last year’s Contour confirmed that vision, and this year he’s taking it on the road — not just as a record, but as a “visual album,” compiling the videos produced for every track on Contour. Today, that visual album will be revealed in a big way. “I’ve been holding it pretty close to my chest,” he notes. “Last year we did a screening at the Malco Studio on the Square for the Contour Visual Album, and I didn’t talk about it anymore after that. We released ‘Poplar Pike’ and ‘Muirfield’ and ‘Pull Up (Duratec V6)’ as music videos from the album. But we actually made music videos for every single song on the album. Put together, that’s the Contour Visual Album. So nobody’s seen that but maybe 50 people who came to the screening last year. The new DVD also comes with the album in CD form. That’s eight or nine videos that Nubia Yasin, Kevin Brooks, my brother Martin Matthews, and myself all put together in 2018.”

Taken as a whole, the visual album promises a good deal of variety. “We shot every single video using a different technique,” he notes. “Like, ‘let’s use a cell phone for this video.’ ‘Poplar Pike’ has VHS combined with analog lenses. We’d take a lens converter from a film camera and put it on a digital whatever. So there’s a lot of freestyle experimentation using different video, different editing techniques, and different styles, all woven together.”

The tour, which includes dates as far flung as Brooklyn, Baltimore, San Francisco, Los Angeles, Jackson, Mississippi, and Memphis, will also mark the official release of the DVD over the coming weeks, as he brings physical copies to every performance. And it all starts here at home, with a unique performance in a private yard known as The Barton House (419 N. Willett Street) on Saturday, September 21 at 8:00 pm.  Fast on the heels of that will be his show for the River Series at the Harbor Town Amphitheater on October 6. And finally, he’ll play the Green Room at Crosstown Arts in November.

Lawrence Matthews, aka Don Lifted

Every one of the shows promises variety and not a few surprises. “I’ll use video like I’ve used in previous shows, with a whole bunch of footage of the neighborhoods where the stories take place,” he notes. “That footage will be playing in the background. Images of fields and trees and street signs and neighborhoods, layered and edited together. Every single show I do on the tour is gonna be different. I’ll constantly rearrange the set list and visual information. It’ll be like performance art, in a way, because everything will be site-specific. If a site has a giant wall to project on, we’ll use that. I want to make every single show different in some way.”

And listeners can expect a good deal more than just the latest album. “I’m doing songs from Contour, songs from Alero, some covers, and some records that were released as singles. At the first show Saturday, I’m doing ‘Wolf River,’ but when I do the Harbor Town Amphitheater, I’ll do ‘Dexter Road.’ Switching things around.”

The experimentation developed on the tour will culminate in his homecoming gig at Crosstown Arts. “A lot of the dates will just be me and a laptop, but I’m putting together some other things. And then I have a Green Room show coming on November 16. I’m going to have a lot of assistance for that. I wanna beef it up, like with string sections. I’ll just leave it at that. I’m excited for it. We’re really gonna do some things with that space.” 

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Music Music Features

New African-American Art Space Opens in Orange Mound

Last Saturday, an unprecedented assembly of African-American artists gathered in Orange Mound. It was ostensibly for a photo shoot organized by the nonprofit known as the Collective, but it was obvious, as dozens of local black creatives socialized and networked all morning, that much more was going on. “It’s the first time so many of Memphis’ black artists have come together all at once,” said Collective program director Lawrence Matthews. “This represents millions of dollars worth of talent.”

In a sense, it was the unofficial grand opening of the nonprofit’s new space, the CMPLX, next to the Orange Mound Gallery (OMG) in an unassuming strip mall at Park and Airways. The official event takes place this Friday evening, with an impressive lineup of visual artists, musicians, and others. But on this crisp Saturday morning, the collection of talent showed how the Collective, aka the CLTV, represents a movement that goes far beyond its nominal membership. As Matthews explained, “We don’t want to just make it about black visual artists and black musicians, but black dancers, black writers, black filmmakers. Even black thinkers. If you’re an individual that loves creativity, you have a place and a safe space with us, to get paid and to create things.”

After working for four years without a headquarters, executive director Victoria Jones emphasizes the importance of having the CMPLX. “How do we create really strong black artists? Create space for them to actually exist. We’ll also promote professional and creative development opportunities, host critiques, round tables, and sharing work with peers.” She adds that the CLTV will also guide artists’ careers. “We’ve got funding from the Tennessee Arts Commission and ArtsMemphis to put together a professional development series, once we open the space. We’ll be talking about the business side of being an artist.”

Ziggy Mack

Rapper Great Dame throws down at the CLTV photo shoot

A dedicated space will improve the CLTV’s business as well. While institutions like Crosstown Arts or the Brooks Museum of Art have hosted their events, Jones points out that they have been the most poorly attended. In contrast, the opening of last summer’s “Thug” exhibit at the OMG was packed. Says Matthews of being hosted by other organizations, “It’s like, why should I come to this space? If I’m in Hickory Hill or whatever, why should I come to this space, which charges me whatever to come in here, and I get followed around? We spent a year trying to cultivate those relationships. At the end of it, I don’t know how much we took away from it, besides, okay, we should do this on our own.”

Friday’s grand opening will bring in a wealth of talent, including performances by NuJas, Erlee, Magnolia, AWFM, Cameron Bethany, Don Lifted, Ricky Davaine, Rudy Rhymer, and Cities Aviv, not to mention works by over a dozen visual artists. It foreshadows the relaunch of the CLTV’s monthly Decibel concert series in February, not to mention other, smaller performances in the large studio room in the back. “It’ll almost be like a Tiny Desk show,” says Jones, “because this room will indeed be used as an art studio. We won’t make people move their artwork. But we’ll have a photo backdrop so musicians’ whole setup will fit neatly into that.”

Jones hopes such events will attract other collectives to the area. “I don’t think it stops with us. We have partnered with other black arts organizations, like Unapologetic. Folks are ready to invest. We’re just the first domino.” And, she adds, the CLTV’s relationship with the neighborhood is reciprocal. “Orange Mound is already a very energized space. We’re just trying to find ways we can exist within that.” From the looks of it, the CLTV is in Orange Mound to stay.

The CMPLX grand opening takes place Friday, January 11th, 6:30-9:30 p.m., 2234 Lamar.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Top 10 Memphis Music Videos of 2018

Memphis music was vibrant as ever in 2018. Every week, the Memphis Flyer brings you the latest and best video collaborations between Bluff City filmmakers and musicians in our Music Video Monday series. To assemble this list, I rewatched all 34 videos that qualified for 2018’s best video and scored them according to song, concept, cinematography, direction and acting, and editing. Then I untangled as many ties as I could and made some arbitrary decisions. Everyone who made the list is #1 in my book!

10. Louise Page “Blue Romance”

Flowers cover everything in this drag-tastic pop gem, directed by Sam Leathers.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (13)


9. Harlan T. Bobo “Nadine” / Fuck “Facehole”

Our first tie of the list comes early. First is Harlan T. Bobo’s sizzling, intense “Nadine” clip, directed by James Sposto.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (11)

I used science to determine that Fuck’s Memphis Flyer name drop is equal to “Nadine”.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (12)

8. Aaron James “Kauri Woods”

The smokey climax of this video by Graham Uhelski is one of the more visually stunning things you’ll see this year.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (10)


7. Daz Rinko “New Whip, Who Dis?”

Whaddup to rapper Daz Rinko who dropped three videos on MVM this year. This was the best one, thanks to an absolute banger of a track.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (9)


6. (tie) McKenna Bray “The Way I Loved You” / Lisa Mac “Change Your Mind”

I couldn’t make up my mind between this balletic video from co-directors Kim Lloyd and Susan Marshall…

Music Video Monday: Top 10 Memphis Music Videos of 2018 (7)

…and this dark, twisted soundstage fantasy from director Morgan Jon Fox.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (8)

5. Brennan Villines “Better Than We’ve Ever Been”

Andrew Trent Fleming got a great performance out of Brennan Villines in this bloody excellent clip.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (6)


4. (tie) Nick Black “One Night Love” / Summer Avenue “Cut It Close”

Nick Black is many things, but as this video by Gabriel DeCarlo proves, a hooper ain’t one of ’em.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (4)

The kids in Summer Avenue enlisted Laura Jean Hocking for their debut video.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (5)

3. Cedric Burnside “Wash My Hands”

Beale Street Caravan’s I Listen To Memphis series produced a whole flood of great music videos from director Christian Walker and producer Waheed Al Qawasmi. I could have filled out the top ten with these videos alone, but consider this smoking clip of Cedric Burnside laying down the law representative of them all.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (3)

2. Don Lifted “Poplar Pike”

I could have filled out the top five with work from Memphis video auteur Don Lifted, aka Lawrence Matthews, who put three videos on MVM this year. To give everybody else a chance, I picked the transcendent clip for “Poplar Pike” created by Mattews, Kevin Brooks, and Nubia Yasin.

Music Video Monday: Top 10 Memphis Music Videos of 2018

1. Lucero “Long Way Back Home”

Sorry, everybody, but you already knew who was going to be number one this year. It’s this mini-movie created by director Jeff Nichols, brother of Lucero frontman Ben Nichols. Starring genuine movie star (and guy who has played Elvis) Michael Shannon, “Long Way Back Home” is the best Memphis music video of 2018 by a country mile.

Music Video Monday: Top 10 Memphis Music Videos of 2018 (2)

Thanks to everyone who submitted videos to Music Video Monday in 2018. If you’d like to see your music video appear on Music Video Monday in 2019, email cmccoy@memphisflyer.com. 

Categories
Music Music Features

Don Lifted’s Contour: “Positive Obsessions”

It’s telling that the first track of Don Lifted’s new album, Contour, is a cover of a song by electronica/low-fi/shoegaze phenom Alicks. That’s because the album’s tone is one of a deep, dark look inward — pioneering what may be considered a kind of hip-hop emo. Granted, not many emo records have lyrics like “Take pride in being a slave … paid less ‘cos I’m a n*gga,” but such social commentary serves largely to set the stage for what is, at heart, an intensely personal work, evoking both the ennui of suburban life and the joys of a new romance.

The producer and composer, who uses his given name, Lawrence Matthews, when exhibiting his visual art, has always been intensely autobiographical. Those who witnessed his performance last year with the Blueshift Ensemble mostly saw his silhouette against a backdrop of home movies from his childhood. But the new album goes even deeper into his psyche.

Bailey Smith

Contour is very much about a positive love and the beginnings of things,” says Matthews. “Being out of high school and not knowing what the future is and having this youthful arrogance about a lot of things, love included. And obsession. [Previous album] Alero is about negative obsession. Contour is about positive obsession. Positive beliefs, and ideas about love and life, what things will be and what they can become.”

Built largely on moody, ambient samples, punctuated with sparse, original guitar chords, the obsession conveyed is a particularly euphoric one, ostensibly focused on Matthews’ girlfriend at the time. But it also captures the retrospective obsession one can feel for such happy episodes when those days are lost to the past.

“The album is a loop,” Matthews explains. “There was a time period when I was really going through some stuff. I wasn’t in a happy place. And I thought, if I could choose what heaven would be like, what time would it be? And it would be the time period of this album. You’re falling in love for the first time, and it’s perfect. You’re graduating from high school. You’re becoming an adult, but you don’t have any of those adult responsibilities yet. You’re just a kid, but you have a car and money in your pocket. There’s this bliss to it.”

Yet the true depth of the work stems from its exploration of how one hangs on to such blissful moments as life rolls on. Covering “The Open” by Alicks was deliberate because it “talks about being stuck and always being in that place, and telling another person, ‘No matter what goes on, I’m gonna be here. I’ll be in this place. Come and get me.’ That’s why I was drawn to that song and wanted to cover it. It opens up and ends the album in the same way. It loops into infinity, because this is not real life, this is art.”

Recreating that place meant revisiting the physical geography of his past, to the point where some titles, like “5150 Goodman Rd.,” simply evoke an address. “It’s so place driven,” he says. “Because I’m seeing streets and street lights and street names and people and places. I can go there and feel the same way I did in 2008 or 2009.”

It’s a hunt that continues to offer unexpected treasures. “I’m releasing a song with ThankGod4Cody on October 26th. Cody is a platinum-selling, Grammy-nominated artist and producer known for his production on SZA’s Ctrl. And this is the first of a few extra singles that still exist in the same universe and time period as Contour.”

But Matthews emphasizes that his ultimate goal is to move beyond that universe. “I use my past to inspire my future. Instead of letting this make me a bitter person, I explore the good and bad of it. And that allows me to close the door on something. Now that this album is released and done, I can move on to where my life is.”

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Film/TV Film/TV/Etc. Blog

This Week At The Cinema: Memphis Masterpieces

Memphis filmmakers take charge this week.

Tommy Foster and friends in his short film ‘This Must Be My Lucky Day’

Tonight, Indie Memphis presents the 15th anniversary screening of Morgan Jon Fox’s debut film, Blue Citrus Hearts. You can read all about the history of one of the most significant indie films ever made in Memphis here, in my film feature for this week’s Flyer.

In a late add to the program, Fox’s film with be proceeded by a rarely seen short masterpiece by Tommy Foster. “This Must Be My Lucky Day” was a rare detour into video art for the beloved Memphis artist, who passed away earlier this year.

Shot by Brandon Hutchinson, who co-founded the Digital Media Co-Op along with Fox, the deceptively simple film is a visually distinct and beautiful example of the experimentalist mindset that dominated the early years of Indie Memphis.

I found it on YouTube in its entirety. You can watch a little bit of it to get the flavor or consume the whole thing. Either way I promise you’ll want to watch it again on the big screen tonight at Studio on the Square, beginning at 7 PM. 

This Week At The Cinema: Memphis Masterpieces

On Wednesday, a sneak preview of the directing debut of Lawrence Matthews, aka Don Lifted. The Other Side of Broad is a documentary about the intersection between the charter school movement and racial discrimination and economic gentrification.

Matthews and his team, Nubia Yasin and Justin Thompson, captured the stories of Binghampton families who are being displaced in the aftermath of the 2016 transformation of Lester Middle School and East High School into charter and STEM schools. Matthews says that what was being sold as a way to improve inefficient public schools has instead turned out to be a way for real estate developers to exert pressure on residents of a community who have been deemed undesirable.

The Other Side Of Broad will screen at the newly renovated Caritas Village on Wednesday, August 29th at 7 p.m., proceeded by a photography exhibit and reception beginning at 6 p.m. Tickets are available at the Indie Memphis website.

The Other Side Of Broad

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Don Lifted

Skate into the week with Music Video Monday.

Don Lifted is back with the third single from his upcoming record Contour, which was recently mastered by Mike Bozzi (Too Pimp a Butterfly, Damn, Ctrl, Flower Boy) of Bernie Grundman Mastering in Hollywood, Calif.

Each of the album’s songs will come with a video, which means you’re going to be seeing a lot of Don Lifted around these parts in the coming months.

“Pull Up (Duratec V6)” was shot by Nubia Yasin, Kevin Brooks, Bailey Smith, and Martin Matthews. The skaters in the video are Kirkwood Vangeli of Fluxus Skateboard Co., Indigo, and Chuck Craig. Don Lifted, aka Lawrence Matthews, directed, edited, and also skateboarded for the video.

Music Video Monday: Don Lifted

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Don Lifted

A world premiere from Don Lifted makes for a glorious Music Video Monday!

Artist, musician, and filmmaker Lawrence Matthews, aka Don Lifted, produced our top music video of 2016. His new video, “Poplar Pike”, begins his most ambitious work yet. “‘Poplar Pike’ is the first single of my coming album Contour, set to release this September. It is also one of eight videos created for the album by a collaborative group of filmmakers and writers including Nubia Yasin, Kevin Brooks, Martin Matthews, and myself,” he says. “The story of Contour takes place my senior year in high school through my freshman year in college. For this video, I intended to have a back yard bonfire party with a bunch of different people trying to create a fictional high school reality, one where I was cool and popular, and people came to my house in groups, and we road bikes and drove cars and danced around the fire, like how they do in high school movies. During the planning I told everyone wouldn’t it be sad if nobody showed up to the shoot… and on the two shoot days, exactly that happened. I took it as some ironic moment of art imitating my true high school experience.”

Don Lifted will debut some songs from Contour at MCA this Friday, March 23 at 8 PM. Here’s “Poplar Pike”:

Music Video Monday: Don Lifted

If you would like to see your music video on Music Video Monday, please email cmccoy@memphisflyer.com

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Cover Feature News

Memphis Flyer 20<30: The Class of 2018

Every year, the Flyer devotes an issue to honoring the best and brightest Memphians under 30. This year, our readers nominated more than 50 exceptional young people from all walks of life. Whittling the list down to 20 was a difficult — and inspiring — job. There is so much talent here.

As always, 20<30 is about what these young people are doing, but it’s mostly about the future. These are some of the young leaders who will shape tomorrow’s Memphis, and we’re giving you a preview of what that city might look like. Short version: We’re in very good hands, indeed.

Jessica Beasley

Jessica Beasley

When we say the 20<30 will build the future of Memphis, in Jessica Beasley’s case, we mean that literally. Beasley is a structural engineer and designer for Varco Pruden Buildings. In a typical day, she says, “I’m told about a project that needs to be built, and I’m either given some architectural plans, or we have to use our imagination.”

Beasley then creates the buildings virtually to estimate the cost of the materials and labor that will be used to build them. “Starting from nothing and creating something is pretty awesome!”

Originally from Nashville, Beasley was inspired to become an engineer by the Architecture, Construction, and Engineering mentor program. Beasley is paying it forward with the National Society of Black Engineers (NSBE) Junior program. “The kids in that program are so passionate about learning and knowing. It’s just crazy where Memphis is about to go, and it starts with the youth.”

She’s also taken a much more direct route to influencing the future: Jessica and her husband Quincy have just welcomed a new son, Nathan Kingston Beasley, into the world.

Jared Bulluck

Jared Bulluck

What does Jared Bulluck, Senior Director of Community and Alumni Engagement for Leadership Memphis, like about the Bluff City? “The potential it has to be great,” he says. “Any time there’s something new and exciting happening, I like to be a part of that. I feel like, with the work I do today, I’m attuned to those situations and to the individuals doing great things in Memphis.”

What has his time at an organization devoted to preparing and mobilizing leaders taught him? “A good leader is charismatic, enthusiastic, and passionate about the work they do,” he says. “To be a good leader, you have to have a good team around you. The only way for you to succeed is for everyone else around you to succeed.”

Bulluck says increased diversity is the only way forward for Memphis. “The nature of my work, and why I was so attracted to being here at Leadership Memphis, is because we continue to bring people from all across the city, all across the socioeconomic spectrum together, to make these connections and make themselves better.”

Corbin I. Carpenter

Corbin I. Carpenter

Forty years ago, Charles Carpenter founded a law firm in Memphis. “He’s been around so long, there are attorneys who are now judges, and he trained them.” says Corbin I. Carpenter, who now practices with his father at the firm.

“We do corporate and municipal finance. That’s heavy transactional work,” he says. “Public work projects, big revenue bonds, single- and multi-family housing. That’s what I like. In my job, we are able to help the masses. Low-income, impoverished people deserve to have quality housing.”

Carpenter also serves as the chairman of the board of STS Enterprises, a mentoring and service program that helps shape the future of young, at-risk men and women. “We talk about grooming, we talk about sex, we talk about manhood, the importance of respecting your brother, the importance of giving back and financial literacy. We teach them everything from A to Z to give them the tools they need to go toward college, to go toward the workforce, to go toward service. It’s up to people who have it or know how to get it to go and uplift the unempowered and impoverished people.”

Nathan Crumley

Nathan Crumley

“My stepdad was in an accident around the time I graduated high school,” Nathan Crumley recalls. “He was burned pretty significantly. So I spent a lot of the summer between high school and college in a burn unit in North Carolina.”

That experience put Crumley on a path to a nursing degree at University of Tennessee Health Sciences Center. His last few years have been spent working in the burn unit at Regional One Health. “I’ve dealt with a lot of people with life-altering injuries. People are a lot stronger than they give themselves credit for. They dig down deep into their reserves and find some really inspiring strength.”

(Crumley’s tips on how to avoid ending up in the burn ward: Don’t cook meth, don’t burn trash or leaves in your back yard, and never, ever throw gasoline on a bonfire. “That’s a good way to mess yourself up real quick,” he says.)

Crumley has recently taken a new position in the St. Jude pediatric ICU. “My path is guided from my experiences,” he says. “As an infant, I spent time as a patient in the pediatric ICU. I’m hoping I can make kids’ experience, and the experience of their parents, the best it can be.”

Victoria Honnell

Victoria Honnell

When Victoria Honnell came to Memphis as a Rhodes College freshman, she knew no one in Memphis. “I have no family within 1,000 miles of the South,” says the native of New Mexico. “I wanted my own little adventure, to try something new.”

Honnell’s grandfather was a physicist at Los Alamos National Laboratory, where her father is a chemical engineer, and her mother a laboratory assistant. “I was destined to be some kind of scientist, but I’m the first biologist in the family,” she says.

She majored in neuroscience, and with her hard-science degree, Honnell could have gone anywhere after undergrad, but she decided to stay. “Memphis was my home; it was comfortable. I really enjoyed the neighborhood. And I liked seeing how Memphis has grown since I came here in 2011. I love this city.”

Along with 11 others, Honnell was accepted into the inaugural class of St. Jude’s new Ph.D program, where she is studying to be a developmental neurobiologist. “I know we’re the guinea pigs, but St. Jude is known for exceptional work, and I don’t think their Ph.D program is going to be any different.”

Honnell also trains as a long distance runner, and recently competed in the St. Jude marathon. But science and research are her abiding passion. “Advancing cures for different diseases and improving human life. That’s my drive.”

Lawrence Matthews

Lawrence Matthews

Lawrence Matthews is a painter, photographer, and multi-media artist. As “Don Lifted,” he is one of Memphis’ most innovative popular hip-hop musicians. And now, inspired by the music videos he has done with Kevin Brooks and the work he has done with Northwest Prep School, Crosstown Arts, and Binghampton’s Carpenter Art Garden, he is moving into filmmaking. “I don’t think about anything as not connected. I make stuff. I’m just a creator, just an artist. My gift is the gift of creation. That’s what I’m noticing as I get older. It’s not ‘I can paint’ or ‘I can rap’ or ‘I can sing.’ I can create things. I wish I had understood that when I was in high school and college. Now I see that I can do whatever I choose to do.”

Don Lifted is planning a full schedule of singles and music videos ahead of the September release of his second album Contour. Matthews is also working on his first full-length documentary, which will address gentrification and its impact on the lives of Memphis’ vulnerable youth. “These choices that the overarching powers are making are ruining the lives of young black kids,” he says. “I want to tell their story with the platform I have. The future will have more of that from me — using my platform to educate and try to change things.”

Brandon Ramey

Brandon Ramey

How did Brandon Ramey get into ballet? “It happened by chance,” he says. “It was a school trip to the see the Boston Ballet’s Nutcracker. I was seven years old, and I thought it was the coolest thing in the world.”

In 2009, Ramey was attending the San Francisco Ballet School when he auditioned for Ballet Memphis’ Dorothy Gunther Pugh. “Within a couple of days, she had a contract in the mail for me,” he says. “When I first showed up in Memphis, it was culture shock for sure. I thought Memphis was a pyramid and Graceland and blues music. But it’s been so much more than that.”

For Ballet Memphis, the 6’5” Ramey has been the lead dancer in Swan Lake, Cinderella, The Darting Eyes, and Water of the Flowery Mill. In 2011, he was paired with Virginia Pilgrim in The Nutcracker. “She was the sugarplum fairy, and I was the cavalier. It was that fairytale story. We stared working together, then dancing together, and there was some chemistry there that was just a little bit deeper than all that, and we fell in love.”

Now married, the couple recently got a new house in Cooper-Young and teach together at the new Ballet Memphis school. “When I moved here, Overton Square was boarded up. The French Quarter Inn looked like a haunted hotel. Just seeing what Memphis has done over the past nine years has been incredible.”

Rehana Rashid

Rehana Rashid

Rehana Rashid came to Memphis after getting a degree in marketing from the University of Alabama. She thought she would be getting into advertising, “but it took a turn into holistic well-being and wellness,” she says. “I grew up dancing and doing ballet, classical dance. I then started getting into fitness when I came to Memphis. I developed a Barre program that went back to the fundamental techniques in ballet, and put that into a community center setting.”

Rashid’s holistic wellness studies led her to Bali, where she trained at Awakened Life School of Yoga. “That was when I was going through a really bad divorce. It was a natural step for me and helped me heal myself. I think that’s the way God or the Universe works.”

Now, Rashid is the marketing director for the Kroc Center, where she also teaches multiple fitness and yoga classes. “The Kroc Center is a great place to be. It was developed to be a place that was strategic, serving both affluent and underprivileged neighborhoods.”

Rashid says she loves the Bluff City because it’s a place where she can make a difference. “I found faith and friends and what became a family. I’ve seen that change happen in my own personal life, and I’ve been humbled to see that change in others. There’s been a lot of pain in Memphis, but there’s a lot of healing as well.”

Emily Rooker

Emily Rooker

Music has always been a force in Emily Rooker’s life. Her father, who died when she was seven, was a singer and guitarist. She started piano lessons when she was 12, and vocal lessons when she was 14. In high school, she was into choir, community theater, and at age 16, recorded her first album. She left her native Michigan to attend Berklee College of Music in Boston, but once she came to Memphis, she fit right in. “I feel like the musicians here are so welcoming and encouraging. When I was living in Boston, there was a really high barrier for entry. You couldn’t jump on a bill with another local band. Here, people are more like, come on in, the water’s fine.”

Rooker is a project manager with the UrbanArt Commission. “I remember the first time I came to Memphis, I was driving through Cooper-Young and I loved that trestle piece, which was actually an UrbanArt Commission piece. It really drew me to living here. So the opportunity to come on at UAC was very appealing to me,” she says. “We’re trying to strategically reimagine what public art should look like and how people interact with it.”

Rooker is a core organizer with the Memphis Feminist Collective. Her band, Name and the Nouns, will release its first album early this year, and she recently got engaged to her long-time boyfriend. “Since I’ve been here, I’ve been able to plug in, meet fabulous people, and do creative projects. I think this is sort of the perfect place for me to spend my twenties. I’m not leaving anytime soon.”

Susanne Salehi

Susanne Salehi

Growing up in Memphis, Susanne Salehi says she felt like an outsider. “There was a sense of always being different. ‘Where are you from?’ Well, my dad is from Iran, if that’s what you’re asking. That’s why I look this way. I barely notice now, but when you’re a kid, you’re more sensitive to these things.”

This summer, Salehi will begin the MFA writing program at the University of the South in Sewanne. Her current emphasis is on creative nonfiction. “I’ve been exploring what it means to be the Other. I just came out as a lesbian three years ago. So I’m still trying to find my place with all that, especially in the South.”

Salehi is currently the Grants and Community Engagement Coordinator for the Southern College of Optometry. “I started wearing glasses in the first grade, so I know that wearing glasses can change a life. If you can’t see, it’s not just academics, it’s your shyness. Not to mention that 80 percent of your learning is done visually. So I’m huge on making sure that everyone, children especially, is able to access eye care.”

She is also passionate about her volunteer work, which includes mentoring at Youth Villages, and planning events for OUTMemphis. “That’s what I love about it here,” she says. “You can get involved and make a difference.”

Steven Sanders

Steven Sanders

Steven Sanders was a fixture on the football field at Whitehaven High School. “What drew me back every summer to the two-a-days was the guys in the trenches with me. That made it worthwhile to me. The biggest thing I took away from it was leadership. When I was named captain my senior year, they saw leadership qualities in me that I didn’t see in myself.”

After a year of playing college ball, Sanders returned to Memphis to pursue a marketing degree. “The business classes I took, most of them focused on FedEx — how FedEx got started, and what they did to be successful.”

Sanders now works for the Memphis-based logistics giant as a marketing specialist. “The biggest lesson I’ve taken away from working there is the emphasis FedEx places on its employees. At FedEx, we believe in living PSP — People, Service, Profit. That concept is all around. If you take care of the people, they’re going to perform well for your customers and drive them to provide great service, and that great service is going to turn into profits.”

Sanders is passionate about helping Memphis by volunteering as a mentor for at-risk youth, presenting a face of success many of his mentees never thought possible. “Once they see someone who looks like them, who has come from the same circumstances that they have come from and has made it out of that, for a lot of them, it is life-changing.”

Louisa Shepherd

Louisa Shepherd

Even though her current job description is Entrepreneurial Ecosystem Builder and Brain-Based Leadership Coach, Louisa Shepherd is a classically trained clarinetist. “When I was studying music, I was a really entrepreneurial person. I was coming up with ways to make money by selling musical equipment. I came up with innovative ways to issue musical equipment to people using barcodes. My teacher was like, ‘You’re really going places. But maybe not playing.'”

Shepherd is the Director of Collective Impact at Epicenter, Memphis, where she helps prepare people for tomorrow’s economy. “I believe the future of work is one that entrepreneurs will have an upper hand in,” she says. “When my parents were young, it was like, go to school, get a job, and they’ll take care of you forever. Now, that’s just not the case. People need to embrace that.”

Epicenter Memphis’ ambitious mission is to create 500 new companies and 1,000 new entrepreneurs in the Bluff City by 2025. “This place is really ripe with opportunity on the entrepreneurial level. I thought it was a really great place for me to pursue my business, coaching creative people, first-time executives, in career and business strategy. I want to help other people see this city like I see this city.”

J.B. Smiley

J.B. Smiley

J.B. Smiley was four years old when his parents divorced. “I spent the summers in South Memphis, and the school year I spent in East Memphis and Bartlett,” he recalls. “Definitely different perspectives. I go to one part of town, and people tell me I’m rich. I go to the other part of town, and I’m like, ‘Man, I’m poor!'”

Smiley was a basketball star at Bolton High School, and went on to play college hoops at Tennessee Tech before transferring to the University of Pikeville in Kentucky, a move he credits with expanding his horizons. “I used to tell people that I wanted to be Michael Jordon and Johnny Cochran. Nobody told me I couldn’t be both things.”

Smiley got a law degree from the University of Arkansas, then practiced corporate law with a big firm. “Financially, it was very rewarding,” he says. “But something was missing.” So Smiley struck out on his own. “Now, I like to do the kind of law I like to do,” he says, “which is interacting with people — hearing their stories, trying to find solutions to their problems.”

Then he ran across a study revealing that people in the 38026 and 38126 zip codes have a life expectancy 13 years lower than the national average. Now, he is running for the District 8 seat on the Shelby County Commission. “I believe God puts you in certain positions so you can carry out his mission.”

Josh Steiner

Josh Steiner

For years, a progression of eateries came and went on the northeast corner of Cooper-Young. Then, Strano moved in and appears to have broken the curse. The Italian restaurant has amassed a loyal following and a solid reputation, thanks to chef and owner Josh Steiner.

Steiner grew up on a farm in the Germantown/Collierville area. His passion for cuisine came early. “When I was 13 or 14, I lied about my age on an application so I could go wash dishes at a restaurant in Collierville,” he says. “I was cooking food on the line before I could drive. I went to the University of Arizona to try to be a doctor like my dad, and that taught me the science behind cooking — denaturing alcohol, breaking down foods into chemical compounds, the physical properties of things.”

Steiner’s medical ambitions didn’t last long, but his side hustle of selling cheesecakes took off. “I built up enough money to fund an LLC before I was 20,” he says. He attended L’Ecole Culinaire in Memphis, and opened his first restaurant when he was 23.

Steiner says his cooking is inspired by his family’s heritage. “My cuisine is kind of a fusion: Old World, working with your hands, and Moroccan, working outside on a spit, and the Sicilian-Mediterranean world, working with fish. If you could create anything from scratch, you absolutely have to do it. That’s how my grandmothers taught me to cook.”

Miles Tamboli

Miles Tamboli

He grew up in Midtown, but Miles Tamboli found his passion on the farm. “It’s as natural as eating. You get the hang of it real fast. And it’s really calming to do that kind of work.”

Tamboli went to Tulane University, intending to study medicine. But as he learned more about the factors that go into health, he became more socially motivated. “I got more interested in the social and institutional factors that influence health. The solution to health inequality is to change the way we work as humans, to change the way we interact with each other, to change the job market, to change the way cities are laid out, to change the opportunities young people have.”

For the last three years, Tamboli has run the Girls, Inc. Youth Farm, in Frayser. Last year, he and his crew of 12 raised and distributed seven tons of food. “The girls who are part of the program really run the business. It’s a program for young women who want to do something different, something meaningful, and want to try out this farming thing.”

Tamboli served on Mayor Strickland’s transition team and the board of the Memphis Farmer’s Market. This year, he will start an Agri-STEM curriculum on Bolton High School’s 1,200 acres of land. “I think this is a really interesting time for Memphis. We’re seeing the impact of a lot of new investment, and a lot of growth in terms of the people who are staying here, and the people who are moving here. Growing up here, everyone wanted to leave. Now, I don’t see that so much.”

May Todd

May Todd

“I grew up interested in film,” says May Todd. “My dad and my grandpa used to show me old movies, and I really loved it. I didn’t know I could do it as a livelihood until I got to college.”

Todd was one of the first graduates of the film program at Ringling College of Art and Design in Sarasota, Florida. Her first real film was Paradise, Florida. “I’m really proud of it because we finished it! It’s on Amazon now.”

She served as a production coordinator on Tim Sutton’s exploration of the mass shooting phenomenon, Dark Night. “Here in Memphis, working on Silver Elves with Morgan Jon Fox gave me the same sense of camaraderie with a really small crew, working to get something that was creative, genuine, and compelling.”

In 2014, Todd met Ryan Watt of Indie Memphis and quickly got a job offer. “I loved Memphis, and I love movies, and I wanted to be a part of making Memphis proud of our movies.”

Indie Memphis has grown into one of the country’s most respected regional film festivals, and Todd has been instrumental in developing the successful Youth Film Festival. “I think it’s amazing to bring kids together who are making things in their back yard, or making films with their teachers’ help, to come together and find out that they’re not doing it alone — there’s a community there. We give them a theater experience, where they can invite their friends and say, ‘I’m not the nerd that missed that dance. I am a creative individual who made this movie!'”

Kirbi Tucker

Kirbi Tucker

For Kirbi Tucker, the University of Memphis is a family tradition. “My grandmother wanted to go to the University of Memphis, but was not allowed because blacks couldn’t attend.” But Tucker’s parents and her uncle got degrees from U of M. She remembers her mother taking her to the university when Tucker was seven. “We went to Richardson Towers, and my mom asked a young lady if we could see her dorm room. She told me, ‘This is where you’re going to go to school, and this is the dorm you’re going to stay in.'”

Today, Tucker is an admissions counselor, helping to recruit more than 5,000 students a year to the institution she loves — while also teaching courses on academic strategies and studying for her Ph.D in Education. “The students are concerned about whether or not they’re going to get a job once they graduate. But they’re also excited about doing great things in the community. A lot of my students want to help. They just need someone to help provide them with the information they need. What I tell my family friends is, if you have someone in your life who you can mentor, take that opportunity.”

Tucker says her number-one priority is decreasing income inequality. “I would really love to see the poverty rate in Memphis decrease. Right now, we’re at 27 percent, which is awful. I think about my ancestors, women who weren’t even allowed to read. That was the law! Now, me being able to go to any university I can get accepted to and to read and learn as much as possible in America, it’s inspiring to say the least.”

Molly Wallace

Molly Wallace

Molly Wallace grew up in the Washington, D.C., area, the daughter of a pair of educators who taught at Gallaudet University. “That’s what got me into Teach For America,” she says. “I grew up in public schools. Some of them are the best-funded public schools, and some of them are the worst. There’s just a lot of systemic racism and inequality at work there.”

She taught English for two years in some of the poorest neighborhoods in Memphis in charter schools. “They’re so focused on closing the achievement gap in literacy and math that they don’t have extracurricular stuff or electives or sports programs. A lot of Teach For America teachers will get to Memphis, be assigned English as their teaching position, and then they get to a classroom and there’s nothing there. We end up calling back home to mom and dad and saying, ‘I need you to ship me all of my books from my childhood.’

“Do you think the teachers at Germantown High are shipping their childhood books to their classrooms? No! I think it’s absurd that the students who need it the most don’t get it. As an English teacher, I could affect maybe 100 students per year. But a librarian could effect a whole school.”

Wallace found a willing partner in KIPP Memphis Collegiate Schools. “In one semester, we raised enough money for a library, and I built it the next semester. Now I’ve built another one in a different KIPP school. My goal is to keep doing this in all the KIPP schools. It’s really worth it when it comes to investing in kids’ reading and helping them build a reading habit.”

Scovia Wilson

Scovia Wilson

Scovia Wilson was born in Sudan in 1994, in the midst of one of the worst humanitarian crises of the last 50 years. “My dad died in that war, and we had to leave and go to a refugee camp in Kenya. So my life started there.”

Wilson learned English at a British school in Uganda, and her family came to Memphis when she was nine. Wilson excelled at Snowden Elementary School, and went to ECS in the eighth grade. “I had never been in one spot with so many white people,” she says. “But the teachers were very welcoming. I played all the sports. I was in clubs. I dove into it. My first priority was education. So many people sacrificed for us to be in America and to have this education.”

Wilson obtained her American citizenship while a sophomore at the University of Memphis, where she majored in journalism and public relations. After college, she started the Behind Bluff City podcast with OEM Network. One of the people she interviewed was photographer Katie Barber, who had traveled to Sudan with Operation Broken Silence, the Memphis nonprofit advocacy group devoted to helping the desperate masses in the war-torn country. Soon afterward, Wilson signed on with the group as a fund-raiser and activist.

“The genocide is still going on. Sudan’s dictator has orchestrated the death of over 2,000,000 people,” she says. “In the Nuba mountains, we have a school in the refugee camp that is helping a thousand kids right now — but there are 25,000 kids there.”

Wilson finds the current immigration debate in the U.S. appalling. “As a Sudanese refugee, the fact that there are people out there who are afraid of me is so overwhelmingly sad. You think immigrants are terrorists because you have no idea. They’re another human being who comes from God. It’s heartbreaking that people who are coming here for safety don’t feel safe. How I see it, everyone is a refugee. We’re always running away from something.”

Stephen Whitney

Stephen Whitney

Stephen Whitney was a freshman in college when a deep fryer caught on fire, burning his arms, legs, and feet. “It was life-changing. It made me think, what do I truly enjoy? I asked, ‘What is my purpose, and how can I fulfill that purpose?'”

Through music, was the anwer he came up with. “Everyone and their brother in Memphis can play an instrument,” he says. “I realized that there’s nobody helping these musicians. Who is getting them gigs? I wanted to be the one making it happen.”

He co-founded Whitney Entertainment Brokers, which has put on more than 150 live events in the city, and in 2013, while still a student at University of Memphis, joined the Blues Foundation, where he works as the Membership, Sales, and Production Coordinator. He also founded the city’s first African-American craft brew festival, the Taste the Flavors Craft Brew Event, which benefits the Sickle Cell Foundation of Tennessee.

“Memphis’ strength is that we’re so rich in history — civil rights, music, and food. Another strength is, that we’re a diverse city. I want to connect the dots and help groups connect with each other.”

The Memphis Flyer would like to thank Ballet Memphis for the use of their beautiful new space located in Overton Square. For rental information, contact Allan Kerr at akerr@balletmemphis.org or 901-214-2425.

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Music Video Monday Special: Telisu, Don Lifted, soniamiki win at Indie Memphis

Music Video Monday salutes the winners of the Indie Memphis music video competition.

Last Friday night at the outdoor street party in Overton Square, 29 Hometowner videos and 18 videos from artists outside the Memphis area competed for trophies, prize money, and bragging rights. The winner of the national competition, announced at the awards show on Saturday night, was director Marcin Starzecki’s video for “BWA” by soniamiki.

Music Video Monday Special: Telisu, Don Lifted, soniamiki win at Indie Memphis (2)

The Hometowner music video award went to director Quintin Lamb’s “I’M A GOD” video for TELISU.

I’M A GOD (내가) by TELISU on VEVO.

Music Video Monday Special: Telisu, Don Lifted, soniamiki win at Indie Memphis

The music video jury awarded a special jury prize to Lawrence Matthews, aka Don Lifted, for “Harbor Hall”—which, not coincidentally, was also the 2016 Music Video Monday video of the year.

Music Video Monday Special: Telisu, Don Lifted, soniamiki win at Indie Memphis (3)

The Indie Memphis Film Festival concludes 6:00 PM tonight at the Orpheum Theatre’s Halloran Centre with a screening of short films made with funds from  the 2016 Grizz Grant competition. These works by Memphis filmmakers celebrate the Memphis Grizzlies’ female fan experience. The festival’s closing film is Tip of My Tongue by Lynne Sachs, a longtime favorite director at Indie Memphis. Sachs’ experimental documentary examines the nature of memory as a group of friends gather at her New York apartment to piece together the last five decades of their lives. For more information visit the Indie Memphis website.