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Lil’ Wayne at the Landers Center

Lil Wayne returns to the Mid-South when he plays the Landers Center (formerly known as the DeSoto Civic Center) this Thursday with Rae Sremmurd. Lil Wayne has been a rapper since the age of 9, signing to Cash Money Records before forming the group Hot Boys in 1996 with the likes of Juvenile, B.G., and Young Turk. Among other hits, the group was responsible for a song you may have heard called “Bling Bling.” While other members of the Hot Boys, especially Terius Gray, aka Juvenile, experienced a fair amount of success over the last 20 years, Lil Wayne was no doubt the star in the group, and the rapper has the Grammys and the platinum-selling albums to prove it. Lil Wayne has released some questionable albums during his impressive career (see 2010’s strange rock album Rebirth), but his status as one of the most popular figures in pop music is undeniable. He’s sold over 100 million albums worldwide and surpassed Elvis Presley as the most successful male artist of all time on the Billboard Hot 100 chart. Also on Thursday’s bill is Rae Sremmurd, the Tupelo, Mississippi, hip-hop duo most known for their songs “No Flex Zone” and “No Type.” Tupelo, Mississippi, hasn’t really been considered a Southern hip-hop hot spot, but that didn’t stop Khalif “Swae Lee” Brown and Aaquil “Slim Jimmy” Brown from creating some of the most popular club jams in recent memory with “No Type” and “Throw Some Mo.”

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Music Record Reviews

Tha Carter III–Lil Wayne

Lil Wayne may well be the “greatest rapper alive,” but he’s never made a wholly undeniable album, and that includes this 77-minute career-best. Wayne’s records are short on the kind of idea-man concepts that have animated some of hip-hop’s best album artists from Run-DMC and Public Enemy to Outkast and Kanye West. He’s in the pure MC tradition of Rakim and Jay-Z, and his daring stream-of-consciousness flow is rhyme-for-rhyme’s sake, full of playful vocal detours, jokes, and unexpected juxtapositions. Vocally, Wayne is Al Green to Jay-Z’s Sinatra, a contrast that comes through sharply when the two heavyweights pair up on “Mr. Carter.” Jay-Z is strong, supple, confidant. Wayne is idiosyncratic, obscure, versatile.

But just because his oddball rhymes don’t always cohere into focused songs doesn’t mean Wayne has nothing to say or that his force of personality doesn’t shine through: The object of his sexual fantasies is a female cop) not because he’s got kinky tastes but because it allows him to make a Geto Boys reference while dropping a “fuck the police” joke. He practices laconic, sarcastic surgery on sucker MCs, and his Katrina verse (on “Tie My Hands”) is both funny and righteous. (“Mr. Carter,” “Tie My Hands,” “Mrs. Officer,” “Let That Beat Build”) — CH

Grade: A-