Categories
Politics Politics Feature

Ready or Not …

To start with the most unexpected: By the time this hits print, former Shelby County mayor Bill Morris may have decided definitively for or against a reprise of his unsuccessful 1967 race (while serving as sheriff) for mayor of Memphis. (For the record, that race was won by the late Henry Loeb, whose ill-starred tenure coincided with the sanitation strike of 1968 and the assassination of Dr. Martin Luther King.)

Morris has told various intimates that he’s thinking about it, others that it’s not a serious possibility. Some bloggers are already positing the notion that he’s a stalking horse for the “establishment” in the event that, for whatever reason, incumbent Mayor Willie Herenton exits from the race.

Others see Morris as a means whereby the selfsame establishment could break up an anti-Herenton vote. Still others see him as the anti-establishment candidate.

Question: In the unlikely event of a Bill Morris candidacy, would the name “Bill Morris Parkway” constitute an unfair advantage requiring a (temporary) name change?

Such as: To Whom It May Concern Boulevard? Road of No Return?

• To nobody’s great surprise, John Willingham, former Shelby County commissioner and all-purpose watchdog of the public weal, announced again Saturday for Memphis mayor — an office he sought once before, in 2003. (He also ran for county mayor last year.)

Making his announcement Saturday in the friendly confines of the Dutch Treat Luncheon group in Southeast Memphis, Willingham noted the participation in his several past campaigns of many of those present — longtime conservatives, for the most part (though some of them, like Willingham himself, have a quirky populist streak that wanders over traditional dividing lines).

He spoke to the question that many no doubt want to ask him: “Why are you getting into this race and Carol Chumney‘s already in it, and that just goes to split the vote, and Willie’s going to win anyway?”

After acknowledging that, indeed, “Willie may win it,” Willingham basically called rank on City Council member Chumney. He reminded his listeners not only of his race against Herenton four years ago but of the fact that, unfazed by a fairly distant second-place finish, “I began this race last year, so I got a jump.”

Willingham’s platform was also familiar: term limits, limits on the city mayor’s contract authority, opposition to the sale of MLGW, to start with.

As Chumney had on Thursday, Willingham cited the $6 million parking-garage scandal at FedExForum (an issue he could legitimately claim to have been an early bird on) and the boondoggle aspects of Networx, a fiber-optic plan (“in the age of, what, wireless”) that MLGW had sunk $25 million into.

Apropos the garage deal, wherein some $6 million in federal funds had been misdirected into the construction of a for-profit parking garage “which you can’t even park in unless you have a season pass,” Willingham was emphatic: Doing that deal was a fraud and a felony and “somebody’s going to go to jail!”

• If there was any remaining suspense about Carol Chumney’s own mayoral intentions, it had been laid to rest at the University of Memphis-area Holiday Inn on Central Avenue Thursday evening.

Before an appreciative crowd of more than 100 well-wishers, the maverick first-term City Council member from Midtown declared loud and clear: “I want to be mayor!” Likening herself to the innovative Wilson, late co-founder of the world-famous hotel chain, Chumney promised to apply original thinking to the problems of Memphis — including crime, out-migration, and an up-and-down economy.

To accomplish her goals of civic regeneration, Chumney promised she would build a wide-ranging coalition. She also went out of her way to praise local media for its attentive coverage of her activities over the last few years.

Her announcement displayed the same combative spirit that has earned her something of a following citywide (while incurring a few cold shoulders within the ranks of city government itself). In the course of a single sentence, she condemned both the Forum garage deal and the ill-fated Networx investment initiative — the former mischance attributable to Herenton, the latter to former MLGW head Herman Morris, who himself seemed on the verge of announcing.

• Timing his own announcement for the same day as Chumney’s, lawyer Jim Strickland, the councilwoman’s opponent during her District 5 council race four years ago and a candidate for that seat again this year, held a well-attended fund-raiser a few blocks away at the East Memphis home of current city councilman Jack Sammons.

Strickland, who battled a name-recognition problem back then, starts out the favorite in this year’s race. He made his own semi-official announcement for the council race in a news release earlier Thursday and netted some $41,000 at Thursday night’s affair.

A likely opponent for Strickland is Denise Parkinson, who of late has been active in the campaign to save (or restore) an amusement park at the site of Libertyland.

• Shelby County Democrats, whose biannual reorganizations tend to be donnybrooks reflecting legitimate splits (or diversity) in the party’s local membership, are getting ready for another showdown — with preliminary party caucuses on March 3rd, followed by the decisive party convention on March 31st.

Chairman Matt Kuhn won’t be running again, but lawyer Jay Bailey, who made an abortive off-year attempt to unseat Kuhn last year, will be. Bailey has support ranging from blogger Thaddeus Matthews to longtime activist and pal David Upton to some of last year’s defeated Democratic countywide candidates whom he represented in legal appeals, and he says he’s been courting the party’s labor elements.

Two of the party’s de facto factional leaders, Shelby County commissioner Sidney Chism and Desi Franklin of Mid-South Democrats in Action (herself a possible candidate), are looking elsewhere, though, and some say Chism’s ally and fellow commissioner, Deidre Malone, is considering a run.

Categories
News The Fly-By

Rogue Rules

Most local political aspirants hope to one day be elected mayor. But if they’re interested in power, maybe they should think about running for county sheriff.

Though funded by the county, the sheriff’s office has a great deal of autonomy. He (or she) is elected countywide, controls the jail and law enforcement in the unincorporated areas, and isn’t subject to oversight by the county mayor. And he gets to carry a gun and arrest people.

But because of a recent state Supreme Court ruling, the County Commission may look at bringing the sheriff’s office, as well as the county trustee, clerk, register, and assessor, more in-house.

In January, the court found that Knox County’s charter did not specifically establish the five offices. Instead, the elected positions were established by the state constitution, meaning their local authority is “de facto” or, if you like, “maverick” or “rogue.”

Based on the ruling, Shelby County attorney Brian Kuhn recommended changing the charter either by appointing or electing a charter commission or simply holding a countywide referendum to expressly establish the offices. The charter cannot be changed without a referendum, so it appears county voters will be voting on something come fall 2008. Exactly what, however, remains unclear.

And there could be massive governmental changes. At a recent committee meeting, Commissioner Mike Ritz proposed eliminating the sheriff’s office altogether in favor of a “metropolitan law enforcement” agency with the city.

Though the de-facto positions are mostly administrative in nature, most Tennessee counties have elected sheriffs and trustees, with the exception of Nashville’s Davidson County.

“This is an opportunity to look at what really makes sense from a county-management standpoint,” said Commissioner Deidre Malone. “This form of government … deals with so many elected officials.”

For a commission that jumped at the chance to add another judge to Juvenile Court, there’s no telling what may happen. An appointed or elected charter commission could look at all pieces of county government like the city’s current charter commission, not just the offices that need review.

“You could have a county manager and a board of alderman. You could choose from a variety of different forms of government,” said Kuhn.

I’m not sure we need an entirely new system of governance, but it might not be a bad idea to rein in some of the county’s free agents.

The people who are in those positions today might not abuse their authority. They might be model citizens. But it’s important to think about what could happen.

During former Sheriff A.C. Gilless’ tenure, the sheriff’s office was tainted by a badge-selling scandal, charges of sexual harassment, wrongful-termination lawsuits, allegations that used equipment was loaned inappropriately to an Arkansas county, and a federal court order to relieve overcrowding and violent conditions in the county jail.

But no matter how bad things seemed, the county mayor and the County Commission were powerless to remove Gilless. Unlike Memphis police director Larry Godwin, the sheriff doesn’t serve at the will and pleasure of the mayor.

Maybe he should.

The sheriff serves at the will and pleasure of the voters, and in the absence of term limits for that office, that can be a very long time.

But oversight isn’t the only problem with the de-facto offices. General confusion, especially over the powers of each position, can waste time and money.

The trustee’s office has fared better than that of the sheriff (although it’s hard not to when compared with sexual harassment and federal court orders). But Trustee Bob Patterson seems to revel in his office’s outsider status, contending that county purchasing and employment guidelines don’t apply. In 1991, he sued then-Mayor Bill Morris for control of county investments. (Three years later, he dropped the lawsuit.)

I don’t know if a more cohesive government would be better all around, but if branches are going to be suing each other, well, I have to say it’s worth a look.

It’s one thing to give someone a badge; it’s quite another to give them free rein.

Categories
Music Music Features

One-Man Bands

Recorded under the moniker Vending Machine, Robby Grant‘s latest, King Cobras Do, is scheduled for release this weekend. On Saturday, February 3rd, he’s having an album-release party at the Hi-Tone Café; the self-released CD is also available at Goner Records and Shangri-La Records.

With 12 songs and guests ranging from former Big Ass Truck bandmates Robert Barnett and Steve Selvidge to current Glitches bandmates Adam Woodard and Jared and Lori McStay, King Cobras Do runs the gamut from frenzied pop (“Babies,” the album’s opener) to blues rock (“44 Times”) and surreal space music (“Saturn National Anthem”).

The stylishly experimental, electronic-flavored music favored by artists such as Beck — and, closer to home, former Memphian Shelby Bryant — factors in on “Memories and Actions,” “Desert Sun Played,” and the aforementioned “Saturn National Anthem,” while “Yawp” shares the same sonic space as Santo & Johnny’s “Sleepwalk” transmogrified with, say, Southern Culture on the Skids’ “8 Piece Box.”

“Shelby has had a big effect on me,” Grant admits. “When Big Ass Truck was recording Kent at Ardent, he lived right across the street from the studio. Later, when I started doing a lot of four-track sessions at my house, he was the first person I collaborated with. Recently, we’ve been in touch, writing and collaborating on songs over the Internet.”

By now, Grant has bypassed the four-track machine for Sony Vegas, a program similar to ProTools — and on King Cobras Do, he partnered with an up-and-coming lyricist, his 7-year old son, Five.

“He does a lot of free association,” Grant says. “Sometimes I use his words as-is; other times, I’ll turn a phrase around or just build on something he said.

“Upstairs, in my home studio, I have a piano and an acoustic guitar. I’ll start with little ideas, just bits and pieces that I’ll build on until the songs become what they become. I go back, listen quite a bit, and do a lot of editing, then move onto the next song. It’s a constant revision,” he says, noting that the process to complete this album, his fourth CD in six years, took 28 months.

“On ‘Saturn National Anthem,’ I had the song and the lyrics, but I felt like it needed something else,” Grant explains. “I extended the first part of the song, but it still needed a solo, and it popped into my head that Steve [Selvidge] could do a spacey, wicked guitar part. I gave him the files, and he recorded it. In the case of Robert [Barnett], a lot of times I have ideas in my head that I can’t play. He’s such a creative drummer, and I’m a more keep-the-beat kind of guy.”

When Vending Machine plays at the Hi-Tone this Saturday night, the band will be a five-piece, with Grant’s brother Grayson Grant on bass, guitarist Quinn Powers, and two drummers, Barnett and John Argroves. For more information, visit Vending Machine’s Web site at ChocolateGuitars.com.

Johnny Lowebow, the alter ego of Xanadu Music owner John Lowe, will also be celebrating with a CD-release party this weekend. His latest album, the nine-song Gonerfest III, was cut by Kyle Johnson and Robin Pack, the duo behind Rocket Science Productions, at The Buccaneer last fall; now Lowe’s returning to the Midtown bar for a performance Friday, February 2nd.

The night will be a veritable one-man-band festival, as Lowe, Florida musician Ben Prestage (who got his start on Beale Street), and Oregonian Rollie Tussing channel their inner Hasil Adkins on homemade cigar-box guitars.

“Ben and Rollie are both coming in for the International Blues Challenge,” Lowe explains. “There’s gonna be a bunch of talent in town, so I’m trying to give the one-man bands a showcase. It’s not at all a contest — it’s more like a cigar-box festival, which is usually just bonded by the instrument, with music coming from all different genres.”

Other highlights of the IBC weekend: the Friday and Saturday night Wordie Perkins Blues Jam at Orange Mound juke joint The Blue Worm and a rare local appearance from Grammy Award winner Alvin Youngblood Hart and his group Muscle Theory, slated to play the Buccaneer on Sunday, February 4th.

Categories
Opinion

Conflicts and Common Sense

Who needs tedious lectures about ethics and hair-splitting discussions about whether or not it is okay to take a trip, a shrimp appetizer, a $50 meal, a $7 drink, or a $20,000 job from someone who might want your influence? Experience is the best teacher. Here is a summary of strategies employed so far by Memphis and Shelby County elected and appointed officials to deal with the ticklish issue of conflicts of interest.

Hope-You-Don’t-Get-Caught Strategy. For those with the gift of deception, the beauty of this strategy is simplicity. Former Shelby County commissioner Michael Hooks took bribes for years and got away with it until he was finally caught on tape in Tennessee Waltz. Once he was busted, Hooks offered no excuse, threw himself on the mercy of the court, and got a 26-month prison sentence.

Code-and-Bathroom Strategy. Crude and ineffective, especially if one is being secretly taped. City councilman Rickey Peete called payments “movies” and wrote short notes to lobbyist Joe Cooper to negotiate the amounts to leave in the bathroom. Cooper was secretly working with the FBI. Result: Peete was indicted and is awaiting trial.

Teach-and-Recuse Strategy. City Council chairman Tom Marshall is going to hold sessions on ethics for council members, assuming they can keep a straight face. Marshall, an architect, has a multimillion-dollar contract with the Memphis City Schools. City councilman Dedrick Brittenum, a lawyer, also does business with MCS. Their considerable expertise was all for naught when they recused themselves on annexation votes last year, turning an important issue into a non-issue for lack of leadership. They disenfranchised their constituents and abandoned their colleagues.

Immunization Strategy. When former Shelby County commissioner Bruce Thompson had a potential conflict of interest, he sought a shot of advice from Doctor … whoops, make that county attorney Brian Kuhn. Thompson was helping a Jackson, Tennessee, building contractor get some Memphis school business. Should he or shouldn’t he? Kuhn gave him a clean bill of health but now says he didn’t have all the facts. Thompson subsequently decided not to run for reelection. Which brings us to our next strategy …

Retirement Strategy. Tre Hargett of Bartlett was a rising star in the Tennessee General Assembly and House minority leader for the Republicans. Then his name came up in secret tapes in Operation Tennessee Waltz. An undercover FBI agent posing as an E-Cycle Management executive said, “We did something for Tre,” and a crooked school board member from Chattanooga said Hargett “has got a sweetheart deal with Shelby County.” Hargett works for Rural Metro, a company that provides ambulance service to more than 80 Tennessee municipalities. Hargett said he did nothing wrong. Like Thompson, he suddenly decided to get out of politics. Now Germantown and other suburbs want out of Rural Metro’s deal with Shelby County.

Public-Relations Strategy. Shelby County commissioner Deidre Malone has her own public-relations company. One of her clients was the Jackson contractor who got the Memphis schools contract, thanks in part to her efforts. She did event planning and public relations for $5,000 a month for four months. She too made a visit to Dr. Kuhn for a pre-employment check-up and immunization. Result: a personal PR crisis.

Consulting Strategy. Former state senator John Ford patented this lucrative strategy, earning hundreds of thousands of dollars from health-care companies that did business with the state of Tennessee’s TennCare program. His success inspired a flock of less-accomplished disciples, including former senator Roscoe Dixon. The Consulting Strategy has fallen out of favor since Ford was indicted and Dixon was convicted.

TCB Strategy. Former Shelby County Commission chief administrator Calvin Williams said he was just taking care of business when he set up shop at the 100 North Main Building with partner Tim Willis. Commissioners and jurors disagreed.

Wink-Wink Strategy. Full-time public employees aren’t supposed to use their positions for political purposes. Democratic Party activist Gale Jones Carson went from executive assistant to Mayor Willie Herenton to corporate spokesman for Memphis Light, Gas & Water for $126,000 a year. Media attention has focused on her pension, but the challenge for Carson will be staying out of politics while she’s on the job at MLGW during a city election year. In the age of cell phones and e-mails, that’s impossible.

Categories
Music Music Features

From Beale to Sundance

Beale Street Caravan, the locally produced radio program which draws an estimated 2.5 million listeners each week, brought a few hundred Memphians to the New Daisy Theatre on Wednesday, January 17th, to celebrate its 10th anniversary at a three-hour filmed concert.

Jim, Luther, and Cody Dickinson‘s set included two takes of “Nighttime,” Big Star‘s stirring, stripped-down homage to Midtown life, which singer Alex Chilton recorded with Jim Dickinson three-and-a-half decades ago. Afterwards, Stax alumnus William Bell strutted his stuff with The Bo-Keys, singing hits such as “You Don’t Miss Your Water” as guitarist Skip Pitts, clad in jeans and a Hustle & Flow T-shirt, nodded and grooved behind him.

Sporting a velvet blazer and a U of M Tigers cap, rapper Al Kapone appeared next. “I come from the hip-hop side of the map,” he informed the audience before bringing the Bo-Keys back onstage and name-checking B.B. King, WDIA, and songwriting team Porter and Hayes on “What About the Music,” the ideal closer for a perfect night of Memphis music.

Now, Bo-Keys bassist Scott Bomar is headed to Park City, Utah, for the Sundance Film Festival, where Black Snake Moan premieres on Wednesday, January 24th. Bomar served as music supervisor for the film, written and directed by Craig Brewer, and at Sundance, he’ll oversee performances by Bobby Rush, Kenny Brown, and Cedric Burnside, who will be playing a post-screening party at the Celsius Lounge.

“Al Kapone performed at Sundance for the Hustle & Flow premiere, and it was one of the wildest parties I’ve ever been to,” Bomar recalls. “Even the Los Angeles premiere wasn’t like that. [West Coast audiences] aren’t exposed to much Memphis music. They’d never seen a rap show like Al’s, and they’ve probably never seen a real blues show. Having Bobby Rush and Kenny and Cedric there is gonna add so much flavor to the party. It’s like taking a piece of the South to Sundance.”

“Forget the budget. The reason I don’t shoot in Los Angeles or Canada or wherever is because I don’t think anyone from central casting is gonna understand grooving to that beat the way we do in the South,” says Brewer. “I can’t help but want to create here.”

Two days ago, the Black Snake Moan soundtrack, released by New West, hit store shelves. Laden with cuts from The Black Keys, Precious Bryant, and Jessie Mae Hemphill, plus recordings made expressly for the film (with star Samuel L. Jackson singing and backed by the likes of Brown and Burnside, Jason Freeman, Alvin Youngblood Hart, and Big Jack Johnson) and samples of the score, as performed by Bomar, the Dickinson trio, and Charlie Musselwhite, it’s a must-hear for fans of the Memphis and North Mississippi hill-country region.

This Friday, forgo the happy-hour drinking and head to Shangri-la Records at 1916 Madison. Last November, the record store inaugurated its indoor performance space with a free set by soul star Howard Tate, followed by The Wallendas, Harlan T. Bobo, Robby Grant & Alicja Trout, and Brooklyn UK.

“We’ve talked about it for a long time,” says store owner Jared McStay, who inherited a long tradition of free outdoor concerts by the likes of Beat Happening, Guitar Wolf, and The Smugglers when he took over the business from Sherman Willmott in 1999.

“We do so many shows on the porch,” McStay says, “and we wanted to do ’em without worrying about the weather.”

Citing an unlikely windfall that came when Tower Records shut its doors and Nostalgia World deleted its vinyl stock, he says, “We got a lot of new racks, and at the same time, we expanded inventory to our back room, which made space for a stage.”

McStay’s running a 20 percent-off sale every Friday from 5 to 7 p.m., while the free music (this week, Monsieur Jeffrey Evans and Ross Johnson are playing) starts around 6 p.m. For more information, call 274-1916 or go to www.shangri.com.

Local rappers take note: The Southern Entertainment Awards are scheduled for the Grand Casino in Tunica this weekend. On Friday, January 26th, and Saturday, January 27th, there are several free components leading up to the main event. Don’t miss the panel discussions, organized by Rap Coalition head — and former Memphian — Wendy Day, which will feature wisdom from locals such as MemphisRap.com proprietorM Town Luv, industry consultant Nam Moses, and K-97 DJs Lil Larry and Devin Steele. For more details, check out www.SEAPanels.com.

Categories
Music Music Features

Round-Up

It’s only January, but it’s already shaping up to be a busy, busy year for Memphis music.

On Thursday, January 18th, the Memphis chapter of The Recording Academy kicks off its 2007 Indie Impact workshop series with a bang: an “up close and personal” interview with Big Jon Platt, one of the biggest movers and shakers in the urban-music industry today. A veteran of EMI’s music publishing division, Platt serves as senior vice president of Virgin Records and as senior vice president (creative) of EMI Publishing. He also helms his own Virgin imprint, Montbello Records.

The onetime Colorado club DJ, who inked lucrative publishing deals with Usher and Jay-Z for EMI, will be appearing at The Stax Museum of American Soul Music at 7 p.m. Thursday, offering his words of wisdom to Memphis’ next generation of songwriters. Admission for the event is $20 (NARAS members get in free), but as anyone who’s attended the last few Indie Impact workshops can attest, the information offered is priceless. For more information, call 525-1340.

The 50th anniversary of Stax Records is already picking up steam: Last month, the Recording Academy announced that Booker T & the MGs and the late Estelle Axton, co-founder of the label, are recipients of a 2007 Grammy Lifetime Achievement Award and a 2007 Grammy Trustee Award, respectively. Concord Music Group, which will relaunch Stax this year, just announced that Isaac Hayes has signed with the label. They’ve also staked out a slot for an all-Stax showcase at the South By Southwest Music Festival in Austin, Texas, in March.

Roots-music fans have plenty of live concerts to choose from this month, ranging from a pair of Memphis Acoustic Music Association concerts slated for Otherlands Coffee Bar to the opening night of the Coffee House Concert Series, held at the Church of the Holy Communion in East Memphis.

Local fave Keith Sykes will

Keith Sykes

deliver an unplugged set at Otherlands on Saturday, January 20th, while British-born picker Clive Carroll will roll into the popular Cooper Street hangout on Saturday, February 3rd. Both shows start at 8 p.m.; for more info, visit MAMAMusic.org. And on Sunday, January 28th, the Coffee House Concert Series kicks off its third season with a return performance by Lucy Kaplansky. Blair Combest, making his Coffee House debut, opens the show, which begins at 7 p.m. For more info, go to CoffeeHouseConcerts.org.

Meanwhile, onetime Sykes protégé John Kilzer is playing MO’s Memphis Originals, at 3521 Walker, every Tuesday this month. Kilzer, who played forward for the University of Memphis basketball team during the late ’70s, recently contributed a cut, “Further Along,” to Eye of a Tiger: A Tribute to Larry Finch. At MO’s, Kilzer gets the party started by 9 p.m.; admission is just $3. For details, visit www.MemphisOriginals.com.

Preacher’s Kids frontman Tyler Keith is laying down his electric guitar — temporarily, at least — to do a series of one-man acoustic shows in Memphis, which he kicked off at Murphy’s on Wednesday, January 17th. Performing as “Kid Twist,” the Oxford, Mississippi, rocker plays again on Wednesday, January 24th. “It’s not like getting up there and telling stories or like playing in a one-man band,” Keith says. “It’ll hopefully be an acoustic show that rocks.”

The 23rd International Blues Challenge (IBC), presented by The Blues Foundation, is scheduled for the first weekend in February. More than merely “the world’s largest gathering of blues bands,” the IBC also affords 21st-century bluesmen opportunities to attend panel discussions, participate in workshops, and network with managers, booking agents, and talent scouts, before getting down to the musical nitty-gritty for Saturday night’s IBC finals on Beale Street. For ticket information and a complete schedule, visit www.Blues.org.

It’s bookended by the 2007 International Folk Alliance Conference, which will be held at the Cook Convention Center the last weekend in February. Native American activist/performer Buffy Sainte-Marie and U.S. congressman John Hall, better known as the bare-chested former frontman for the group Orleans, will be keynote speakers at the conference. For more information, go to FolkAlliance.org.

Categories
Music Music Features

King Louie’s New Band

Were he born a century ago, King Louie Bankston would’ve dominated New Orleans’ Storyville district as a pimp, a player, and a master musician. His character is one-of-a-kind, his street savvy and his musical chops inimitable, and his ability to fall into absurd situations truly unrivaled. He’s also a walking contradiction, able to look dapper after days in the same plaid wool suit or even when wearing a “bedazzled” denim vest and a pair of worn jeans. He’s able to shape-shift, emerging at times as chubby as a Chinese Buddha or as lean as Marlon Brando’s Stanley Kowalski. His music, too, ranges from noisy punk to rangy, country-inflected rock. He plays drums and guitar, and, in his one-man band, he plays both instruments at the same time.

Black Rose Band

I’ve known Louie for the past 15 years and have seen him onstage in dozens of bands — The Royal Pendletons, Persuaders, Loose Diamonds, Kajun SS, Kondor, and others. I’ve watched Louie change his name numerous times — Harrahan Fats and Louie the Punk were two of his most apt monikers. I’ve witnessed him dominating one-man-band competitions and seen him eat enough pickles to kill mere mortals. I’ve heard him tell tales about con men and cops, and I was one of the first to see him resurface in Memphis after swimming his way to a dry rooftop — with girlfriend Rebecca Frost and pit bull in tow — when Hurricane Katrina flooded out their Pearl River safe house.

King Louie Bankston

Today, Louie and Rebecca are cruising around New Orleans, a giant cup of change in hand, searching for a working CoinStar machine. “Every week, I save all my money, put it in this cup, and go to CoinStar,” he explains. “It’s my big thrill of the week and part of my plan for world domination.

“I’m moving into this house that I’m gonna make the mothership,” he continues. “Write a bunch of songs, pickle some okra, and keep my music going.”

Before then — but after eating, say, a shelf full of pickles and cashing in loads of carefully collected pennies and nickels — he’ll head up I-55 for a record-release party starring his latest project, Black Rose Band.

“This is pretty much the only thing I’m doing right now,” Louie says.

“It’s my band, and it’s something I’ve been trying to do since the late ’90s — put together a New Orleans rock band with a Louisiana bayou sound. I spent a decade as a drummer, then I taught myself how to play guitar in my 20s, so it’s been a long time coming.”

Recruiting bassist Adam Waller, guitarist Julien Fried, and drummer Dustin Reynolds (who provided the Bonham-like backbeat for Kondor), Louie churned out enough material for the Black Rose Band to enter the recording studio and cut more than a dozen songs, including “Hot Box” and “Hoochie Poochie,” released as a seven-inch single on the Memphis-based Contaminated Records label last month.

“I always wanted to do something with Louie,” says Alicja Trout, who runs Contaminated from her Midtown home. “Anything he does — his songwriting especially — is always good. We talked about doing a Kajun SS release, and he sent me some Loose Diamonds stuff. It just took until now for him to feel like he has a real band.”

“First of all, Alicja really likes our band, and that’s important. Most of all, I trust her, and that’s the bottom line,” says Louie, who hopes that Trout will be able to ante up the funds for a Black Rose Band full-length later this year.

“I have a really good seven-inch market, but at this point, I don’t know how well I can sell an LP,” Trout says, “and I’m not sure if I can do with [the band’s] album what a [bigger] label can do. But something has clicked in Louie where he wants to be somewhere he’s happy.”

Black Rose Band

with the River City Tanlines

Saturday, January 13th

Murphy’s

For more information, go to www.ContaminatedRecords.com.

Categories
Editorial Opinion

A Standing Rebuke

Our first reaction to getting the news last week about the latest FBI sting exposing corruption in local officeholders was to say, “What, again?” — or words to that effect, accompanied by an expletive or two. Then we gave out a long collective sigh. And, to be frank, made a few jokes (thereby vindicating Freud’s suggestion that humor was, at least in part, a self-defense mechanism).

Then we began the process of serious analysis, wondering if perhaps this latest civic embarrassment didn’t amount to an overstatement. The terms employed by the FBI — “Operation Clean Sweep” and “Operation Main Street Sweeper” — seemed a little grandiose, frankly, as descriptions of processes whereby pol/lobbyist Joe Cooper and city councilman Rickey Peete, both previous offenders, were targeted and squeezed into incriminating themselves. A third figure caught up in the operation, Councilman Edmund Ford, was — to some, at least — a surprise of sorts.

Cooper, after all, had walked into a trap of his own making. Working as a Cadillac salesman, he had maximized his profits by some sleazy contract arrangements involving finding stand-ins (including his own wife) to sign for purchasers who lacked acceptable credit but had up-front money for down payments. Several of these buyers were drug dealers — one of whom presumed to stiff Cooper by withholding his off-the-ledger cash payments for several months. So what did old Joe do? He called the police, reporting a “stolen” car, which, when found at the address of the defaulting drug dealer, was discovered to contain marijuana and counterfeit money. One question led to another, and soon the dealer was wearing a wire and incriminating the not-too-clever Cooper, who revealed on a surveillance tape that he knew the cash payments he had been receiving came from illegal proceeds.

From that, it was evidently but a short step to turning Cooper, who was soon wearing a wire himself and helping catch Peete and Ford in the act of accepting bribes to vote for a zoning project Cooper was lobbying for.

Sordid business, and in one sense the feds had lucked into the collars. But the fact that such open graft could occur in the wake of the well-publicized Tennessee Waltz arrests and trials (and stiff sentences, for that matter) was truly staggering — a standing rebuke to the larger community, unless dealt with swiftly and decisively. For their deft no-nonsense action in this regard we are in debt to the FBI and to the office of U.S. attorney David Kustoff, who in his short tenure has managed to serve notice that governmental corruption and white-collar crime will not be tolerated.

We wish we could say something equally complimentary about the City Council, half of whose members on Tuesday employed disingenuous reasons to reject a request for resignation by the two accused councilmen. The vote was six to six. Peete was absent, but Ford (who, not surprisingly, voted nay) was not. Yes, both Peete and Ford are entitled to their day in court but not to even one more day as official representatives of the people whose trust they are accused of betraying.

We can only hope that justice will be administered both sternly and swiftly.

Categories
Opinion

Joe Cooper’s Revenge

Joe Cooper always wanted to be a major player in local politics. After 30 years, he finally got his wish.

A county squire from 1972 to 1977 under the old system of county government, Cooper was convicted of bank fraud, went to prison for four months, and returned to the political arena as a frequent and unsuccessful candidate for various elected offices. He has worked at times as a restaurateur, an assistant to the late billboard magnate William B. Tanner, and a salesman at Bud Davis Cadillac. For several years, Cooper has also been a familiar figure at City Council meetings, where it was never clear whether he was watching or working as a lobbyist in his unique style.

Now a money-laundering rap has Cooper cooperating with the FBI to set up City Council members Rickey Peete and Edmund Ford on a bribery charge involving billboards and zoning. Cooper went undercover to secretly tape and record the councilmen as they allegedly took cash payments from him in their offices.

The investigation has further crippled a city council whose authority and prestige were already waning toward irrelevance. Quasi-public boards such as the Center City Commission, Riverfront Development Corporation, Industrial Development Board, and Sports Authority have the power to grant tax freezes and build signature projects. Peete is one of several members who used the council as a springboard to these and other boards. Other members, including Janet Hooks and TaJuan Stout Mitchell, have resigned to take full-time jobs with the city administration. Tom Marshall, the council’s senior member, exercises his greatest influence not as a council member but as head of Memphis City Schools’ long-range facilities planning committee. Recusals and absences often mean the council is voting with 10 or 11 members, as it did on an important annexation vote (now likely to be delayed indefinitely) in November, instead of 13.

When the Tennessee Waltz investigation broke, no council members were indicted. But there was a feeling that it was just a matter of time. Cooper is in a position to play a role similar to cooperating witnesses Tim Willis and Barry Myers in Tennessee Waltz. Cooper’s cooperation could lighten his sentence and appears to be key to removing Peete and Ford from office, and he may also have set up others on the council and County Commission.

“Joe Cooper is probably looking at more prison time than Rickey Peete just because of the dollars involved in the money-laundering case,” said former U.S. attorney Hickman Ewing Jr.

Joe Cooper’s client

The applicant for the billboards and zoning change was Memphis attorney William H. Thomas. Thomas did not return calls seeking comment. Councilmen said he is more of a land investor and billboard buyer than a practicing attorney. He developed apartments (and billboards) on Interstate 40 near Appling Road. He also proposed a warehouse project in the airport land-buyout area that was opposed by Whitehaven residents and rejected by the City Council in 2004. In 2005, he came before the state bar’s Board of Professional Responsibility on a complaint involving a billboard that he was ordered to remove but did not. Helen Chastain, spokeswoman for the BPR, said Thomas was held in contempt of court. Thomas is appealing, and the board is awaiting the results of the appeal before issuing a censure.

Thomas is not identified by name in the criminal complaint. He could have hired Cooper to lobby the council without giving him specific instructions or knowing what Cooper was going to do with any money he paid to him. Cooper knew the billboard business from working for Tanner, who was the local billboard king in the 1990s. But Cooper’s reputation and criminal history were also well known and might have concerned a client in the wake of the Tennessee Waltz investigation.

The city planning staff regarded Thomas’ proposed four-acre Steve Road Planned Development of mini-storage facilities as unsuitable for the neighborhood and mainly aimed at getting billboard permits. It unanimously recommended rejection even though Thomas’ planning firm was Fisher & Arnold, a well-regarded firm with former city planners on its staff. Thomas then took his plan to the Memphis City Council, a common practice even after plans get a negative recommendation. On October 3rd, the council voted 9-2 to approve it, with Scott McCormick and Carol Chumney voting no.

More significantly, the council overturned a billboard moratorium passed years ago under the leadership of former Councilman John Vergos, who made opposition to new billboards a personal crusade. Billboard magnates Tanner and Jerry Peck were major political contributors in the form of cash and campaign advertising. They had a falling-out over the division of their company, Tanner-Peck Outdoor Advertising, and the case went to Chancery Court. Chancellor Floyd Peete decided it in Tanner’s favor. Peete died shortly after that, but a 2005 indictment of Tanner alleged that Peete was on the take. Tanner died before that case could be resolved.

Cooper paid Rickey Peete at the councilman’s office on Beale Street, leaving “the paper” in the bathroom. Ford’s payments were made at his funeral home, according to the complaint. The affidavit says the FBI provided the $19,000 in cash. Ewing said that is standard practice in stings so that the serial numbers can be recorded and the money can be used as evidence.

Are indictments upcoming?

Yes, assuming Peete and Ford maintain their innocence. Ewing said the government will probably present the case to a federal grand jury for indictments within 30 days. The affidavits in the criminal complaints are long on detail to establish probable cause, but the indictments must rise to a higher standard.

“Typically, you go way beyond probable cause to sufficient evidence to obtain and sustain a conviction,” Ewing said.

He said it is unusual for a federal case to start with a complaint instead of an indictment. The advantage is speed — the arrest of the two council members froze everything and allowed their offices to be searched. The searches may produce new evidence for the indictment. The government says it has audio and videotapes of Peete and Ford taking money or discussing payoffs in veiled terms.

The tapes will have a big influence on both a future jury and, in the short run, public sentiment if Ford and Peete maintain their innocence. Tapes of John Ford taking money in Tennessee Waltz have been released although he has not been tried. Tapes of Roscoe Dixon taking money helped convict the former state senator and blunt criticism that the case amounted to entrapment.

Rickey Peete’s prospects are not good

Peete has been convicted once before of political corruption. While he was a member of the City Council in 1989, Peete extorted money from Hank Hill, a homebuilder cooperating with the FBI. Ewing, who was U.S. attorney in Memphis at the time, remembers the case well. The government held its cards close. The FBI had audiotapes of a meeting at a Shoney’s restaurant where Peete reached under a table and took $1,000 from Hill. There were no videotapes although there were two undercover federal agents sitting at a nearby table. The audiotape was played for the first time at trial, and Peete was convicted.

Peete served his prison sentence and was reelected in 1995. It says something about his resilience and Memphis political culture that Peete came back stronger than ever with constituents, colleagues, and the media and rose to leadership positions at the Beale Street Merchants Association, the Center City Commission, and the Riverfront Development Corporation.

Federal sentencing guidelines are no longer mandatory, but if Peete got three years before and Roscoe Dixon got five-and-a-half years earlier this year, Peete could get at least that much if convicted.


Who are the political winners and losers?

First Tennessee Waltz, now this. The pat response is that Memphis as a city and all Memphis City Council members are losers in the sense that this feeds the perception, fair or not, that Memphis politics is inherently corrupt. But it’s not

that simple. On Tuesday, the council voted 6-6 on a non-binding resolution asking Peete and Ford to voluntarily resign. Council members Ford, Mitchell, Joe Brown, Dedrick Brittenum, E.C.

Jones, and Barbara Swearengen Holt opposed the resolution. Peete was absent

In other words, half the members of the City Council think it is perfectly fine for members arrested for taking bribes in the course of their public duties to continue to serve as public officials. Next year is a city election year. Tuesday’s gut-check session began with Ford shaking hands and ended in a burst of tears, ovations, and Hallmark Card sentiments. But it is hard to imagine a city and a city council more seriously fractured than Memphis.

Categories
Music Music Features

Return Engagement

After a six-month hiatus, local rockers the Coach and Four are back. The band, which formed in 2002 and released a fine debut album, Unlimited Symmetry, on the Makeshift label in 2004, put things on hold last March when singer/guitarist Brad Stanfill went on a personal sabbatical to Hawaii.

According to Luke White, who shares songwriting and guitar duties with Stanfill, the band had always planned to push forward and began recording their second record, the seven-song, 27-minute The Great Escape, in the days before Stanfill’s departure.

“We did basic tracking and Brad’s parts before he left. He had his plane ticket and was on a deadline,” White says. “The plan was to finish the record and, when we got done, Brad would come back [and the band would move forward].”

Unfortunately for White and his bandmates, an unexpected delay occurred when the band’s studio, Unclaimed Recordings, was forced to move.

“Right after [Brad] left, Unclaimed moved. I had to wait four months to get into the studio to finish my stuff,” White says.

But now the record is done, and the Coach and Four will celebrate their rebirth this weekend with a record-release party at Young Avenue Deli.

When the band — which included Daniel Farris on drums, Tony Dixon on bass, and J.D. Lovelace on keyboards — emerged on the local rock scene a few years ago, they were a refreshing change of pace, their crisp, bracing, yet poppy guitar sound setting them apart from other local bands.

“We’d heard a lot of instrumental bands like Tristeza that would play these instrumentals that seemed boring to me,” White says of his band’s origins. “The songs didn’t seem like they went anywhere. We wrote our instrumentals as if they were pop songs. There had to be a melody there, and they were about three minutes long — just catchy, instrumental songs. On the first record, there were four songs Brad sang on, four I sang on, and four instrumentals. It had a good balance to it, and that’s become our sound, really.”

The Great Escape opens like old times, with Stanfill’s “Hello Destroyer,” White’s “Hearts & Arrows” (re-recorded after appearing on the Makeshift #4 sampler earlier this year), and the instrumental “Sleep Skirt” picking up where Unlimited Symmetry left off.

But the band also pushes in some new directions. The instrumental “HH” has a bluesy, Southern-rock feel. Another departure is White’s “Girl Arms Redux,” a remixed version of a techno-soul song that also appeared on Makeshift #4.

“I really had a good time doing that song,” White says of “Girl Arms,” with its programmed beats and falsetto soul undercurrents. “I bought a drum machine and was trying to figure out how to use it and was just messing around with it. I think I’d been listening to Prince or something. I got to try some stuff I hadn’t done before, like layering vocals.”

White credits his participation in the “supergroup” cover band the Pirates for encouraging him to try new things musically:

“In the Pirates, I learned a whole lot playing different kinds of music. It was the first band I’d ever been in where we played for three hours. We played country and soul music and kinds of music that really lend themselves to singing. The Coach and Four was the first band I’d ever sung in, so it was nice to have a way to practice that.

Though Unlimited Symmetry did well, selling through its initial run of 1,000 discs and getting picked up for shows on both XM and Sirius satellite radio, White thinks the band is in much better position to promote The Great Escape.

“We’re looking forward to playing shows and doing the kind of support we didn’t get to do with the other record,” White says.

With Robertson replacing Dixon on bass, the band recently returned from a two-week tour and hopes to head out again after their local release show.