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Music Music Features

Dope Lyfestyle

When I reach David Parks, cofounder of Lyfe Is Dope, he’s just finished a sound check at the Hard Rock Cafe in Miami, a venue he’ll perform at later that night with platinum-selling artist Jason Derulo.

“I’m in Los Angeles about six months out of the year, on tour for about three months, and then back in Memphis for about three months,” Parks explains, while he tries to find a quiet place in the club to talk.

When he’s in Memphis, Parks and longtime friend Damien Woods curate Lyfe Is Dope, a production/clothing company that’s grown from a small block party-type event to an anticipated annual gathering, hosting artists and socialites like Drumma Boy, Bruno Mars member Kameron Whalum, Shanell, and K97’s Devin Steel. Parks and Woods first met while working at Club 152 on Beale, and quickly decided to join forces.

“We had started putting our ideas together, and around that time I was doing a lot of touring and going to a lot of live events, so I just started taking notes,” Parks says.

“I would go to happening shows in L.A. and New York, and I noticed that there was just a huge void in the Memphis hip-hop community. At the time, most of the hip-hop shows in Memphis weren’t well planned out, and the sound was almost always bad.”

After settling on the name —Woods had a production company named “Nice Life,” and Parks had a company called “Rated D for Dope”— Lyfe Is Dope was born. With the notion that this wasn’t going to be just another hip-hop show, Parks and Woods started to come up with the ideas that are now staples at every Lyfe Is Dope event: a live band backing a rapper or artist who normally wouldn’t perform with one, visual artists, projection screens throughout the venue, merch stations, body paint booths, and even a live chef.

The first Lyfe Is Dope events were held at 409 S. Main, but the packed shows quickly outgrew that space, leaving Parks wondering what the budding production company’s next move would be.

“It grew beyond South Main, and I started thinking about trying to move the event to Midtown to bring in as many people as possible. If you’re going to go to a big show, you’re going to go to Minglewood Hall, and so that was just the obvious choice.”

On Wednesday, November 25th, at Lyfe Is Dope Volume 6, Memphis legend Project Pat will perform with backing band Trump Tight for the first time, along with Lord T & Eloise and DJ Dnyce. Parks says that there will also be a jookin’ contest, in addition to shoe painting stations where attendees can customize whatever kicks they bring to the show. If you were holding out to find out who the live chef is going to be, you’ll be happy to know Chef Kenna — an upcoming contestant on the television show Hell’s Kitchen — will be in the house.

“You won’t see Project Pat with a live band anywhere else,” Parks says.

“It’s very important to include the live band aspect, because that is what Memphis is known for. We don’t want it to be an average show; it has to be a next-level experience every time. My band will be behind Project Pat, and I’ll be serving as the music director, taking all the skills and knowledge I’ve gained over the past five years playing with some of the biggest artists in the world.”

Still, the idea of Project Pat performing songs with a full band off his club-ready albums Ghetty Green or Mista Don’t Play seems a little bit weird, but Parks insists the crowd will like what they hear.

“The misconception is that rap music would be easy to play, but you have to lock in to all those grooves and hooks to make it feel right. There’s a lot more going on than what people think,” Parks says.

“We approach the artist ahead of time and make sure it works for both parties, but I think Project Pat already knew about Lyfe Is Dope because of his relationship to Damien. The band [Trump Tight] will normally spend about a week practicing the set, and then the artist will normally come in and do a couple of days of practice before the show. I’ve noticed that when you get to a certain level of musicianship, it’s not that hard to pull off. Everyone involved just has to do their homework.”

As for Park’s intense touring schedule, he sees the experience as a way to make Lyfe Is Dope one of the best hip-hop events in the country.

“I had to turn down an Australia run to do this show,” Parks says.

“But this is my dream. This is something I believe in. This goes further than me just being a side man for someone else. You’ve gotta sacrifice, and the band isn’t gonna miss me for too long. Right after Lyfe Is Dope, I go to Angola, then I come back to L.A., and then I go to the U.K. in December.”

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Calling the Bluff Music

Hip-Hop Soul: Soulman Snipes Brings A New Sound To The Game

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Decades before Steven “Soulman” Snipes entered the world, legendary label Stax Records was born in Memphis and became responsible for introducing some of soul music’s most impactful artists. Years later, many of those same artists are who Snipes, an up-and-coming rapper, uses as inspiration and incorporates samples of into his music.

Snipes labels the unique fusion “hip-hop soul,” a subgenre of hip-hop. And anyone unfamiliar with the sound can check out his latest installment, The Classic Soul Project, to get more in tune. On the six-song EP, he incorporates profanity-free lyrics mixed with vintage soul samples over hard-hitting production provided by Memphis beatsmith Kingpin da’ Composa

Rather than showcase extreme lyricism, Snipes was more determined to fill the project with meaningful songs that conveyed a sense of motivation and encouragement.

“I wanted you to be able to feel good after you listened to every song on this album,” said the 28-year-old artist. “If you pop this CD in on your way to work, even if you hate your job, on the way there, at least you can get some piece of mind before you go in. And once you leave out, on your way home, you can pop this in and say, ‘This is some motivation. I can go another day.’ It’ll change your way of thinking if you listen to it long enough.”

The Classic Soul Project wasn’t inspired simply by soul legends or Snipes’ will to inspire others. There’s another piece to the puzzle: popular nightclub Classic Soulz. Located on Brooks Road in the Whitehaven community (also the area where Snipes grew up), the venue is popular for playing a wide array of music and attracting a variety of people.

“If you know anything about Classic Soulz, you know it’s a very diverse club,” Snipes said. “You can go from Marvin Gaye and Teddy Pendergrass in the beginning of the night, and by the end of the night they’re playing Young Dolph and Yo Gotti. I love the feeling and the environment of the club. It’s great memories.”

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Classic Soulz holds a special spot in Snipes’ heart. He’s enjoyed countless nights of partying there, holds a friendship with the owner, Larry Williams, and worked as a security guard for the venue in the past. With the EP, he wanted to show his appreciation for the club with hope of attracting new business to Classic Soulz.

The Classic Soul Project will be released exclusively during the third annual “Lyfe Is Dope” event, an outlet for Mid-South artists, musicians, dancers, DJs, and supporters, to congregate and enjoy good music from up-and-coming talent. Participants will be exposed to various independent and major record labels and local radio stations. It will take place Friday, March 28th, from 7 to 11 p.m. at 409 S. Main St.

“Lyfe Is Dope is a very unique opportunity, and it has potential, I believe, to revolutionize the culture at-large,” Snipes said. “How South by Southwest is in Austin, I believe Lyfe Is Dope could be the springboard for a similar type of situation coming out of Memphis.”

Before Snipes tried his hand at music, he was just another kid coming up in Memphis. He’s the son of a soft-spoken, candid, Christian mother and wise, alcoholic father, who’s also a former Green Beret. The couple divorced when he was a toddler and didn’t resume communication until several years later. Growing up, he spent time between Whitehaven and South Memphis.

As a kid, he was immersed in soul music rather than hip-hop, and took a strong liking to the genre. He cites some of his favorites as Isaac Hayes, Al Green, Isley Brothers, Bill Withers, Curtis Mayfield, Marvin Gaye, and Barry White.

His love for the soul music, which meshes elements of R&B, gospel, and jazz, is heavily present in his projects.

“[There is] absolutely no way to get the same feeling that you get from soul music anywhere else. It’s not possible,” Snipes said. “The whole reason I wanted do music is because it made me feel something. There was literally a physical reaction when I heard it. [There is] something about music that can affect your state of mind, that can affect your mood, and soul music does that for me.”

Aside from rap, Snipes is a husband and father to a 4-year-old son. He attended Austin Peay State University for a brief stint before enlisting in the U.S. Air Force where he stayed for six years. He and his family currently resides in Nashville, but still consider Memphis home.

He’s released two albums thus far on his label Overwater Entertainment and has traveled throughout the region. His latest project may potentially catapult his career to new heights, due to its originality and marketability. But if nothing else, he’s thankful that people can get an earful of his life and have the opportunity to take something from it.

“Music has given me more than I could ever dream,” Snipes said. “[There have] been times where I literally was depressed, no money in my pocket, didn’t know how I was gonna get none. And I listened to a song that gave me a spark of motivation to say, ‘Okay, I’m [going to] try one more thing,’ and that thing ended up working for me. The only way I’ve been able to pay my bills is because of my music. And it’s not just regular music. Because it does have feeling, because it does have substance, I believe that’s why people are beginning to pay attention and say, ‘Hey, that brother might be talking about something. Let’s give him a shot.’ That’s why I incorporate soul music into what I do.”

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