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Food & Wine Food & Drink

IBIS Chef Jake Behnke Loves the Eclectic

Becoming executive chef of IBIS restaurant is the peak of Jake Behnke’s career.

It’s sort of like reaching the peak of Mt. Kilimanjaro.

Behnke did that, too.

His culinary climb began when he was 16. “Basically, I was fucking up real bad in high school,” says Behnke, 30. “My dad told me, ‘You’re going to learn to study, or you’re going to go to work.’”

Behnke chose work. He walked to the old The Grove Grill, where he met then-sous chef Ryan Trimm. “I told him I’d work for free and I’d learn the job.”

He dressed for success that day. “I was wearing khakis and a sweater. Loafers.”

Behnke got the job. The next week, he showed up to work wearing “ripped up shorts” and purple Converse high-tops. Trimm asked him, “What happened to the kid I hired?”

He began as a dishwasher, but he loved everything about the kitchen. “It was art and it was math and it was chemistry. It was all my favorite subjects rolled into one career.”

So, Behnke enrolled in the cooking course under Betty Hall at Kingsbury Career & Technology Center. The two-year course was part of the Future Business Leaders of America program. “I graduated at the top of my class.”

As a result of taking the course, Behnke got on the line at The Grove Grill and began his cooking career.

Behnke later worked at other restaurants, including Interim and the old Sweet Grass and Southward Fare & Libations, before leaving Memphis to study at Chef Academy in Terni, Italy. He discovered it “was cheaper to move to Italy and go to school” than to attend a culinary school in Memphis.

The course was in Italian, so Behnke took notes phonetically. He’d then “go home and type it into Google Translate.”

Italy was heaven. “I fell in love 10 times a day. With women, art, food. With the culture. Really and truly, Italy is a chef’s paradise. They source most things from the region they live in.”

Also, he learned, “In order to cook good food, don’t complicate it. You want to taste each ingredient in a dish. It just proved that good food is simple and it’s local.”

Returning to Memphis, Behnke worked at Acre, Restaurant Iris, and was the catering chef for Iris owner Kelly English. Behnke also was one of the chefs at an assisted living center. “We took the menu from frozen and canned to fresh.”

Behnke, who learned about IBIS from the restaurant’s operations manger Patrick Gilbert, describes the restaurant as “eclectic.” Which he likes. “It kind of gives me free rein to do whatever I want in the kitchen. And it definitely suits my personality type. I’m an eclectic person.”

His current menu includes Greek lamb meatballs and spicy chorizo stew. Future items could be “anything from a crawfish tartlet to ugali chicha — an African spinach, basically — and curry.”

Ugali chicha comes from his travels in Africa. “The church I go to does mission trips to Africa every other year.”

He was 22 when he first climbed Mt. Kilimanjaro. “When I reached the top of ‘Kily’ I was so emotionally destroyed already from just mustering up all I could to get to the top.”

Behnke continues to march to his own drum as far as kitchen attire. “I wear Dickies 874 pants. I wear New Balance black tube socks. And then I wear SAS Guardians, an orthopedic shoe.” But no chef jacket. “I prefer a black button-down prep shirt.”

And he sports a perfectly-curled handlebar mustache. “All my life I’ve been a baby face. Clean cut. Shaven. I kind of went mountain man. Part of it was when I was going to climb Mt. Kilimanjaro in Africa last year. It’s really fucking cold on that mountain. So, I thought, ‘I’ll put a little extra hair on my body.’”

IBIS is at 314 South Main St.

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News News Blog

Petition Seeks Change From “Main Street” to “Mane Street”

Gabbie Duffie

A new petition online seeks to change the name of “Main Street” to “Mane Street.”

Memphis artist James “IMAKEMADBEATS” Dukes posted the petition Tuesday. He is seeking 5,000 digital signatures to send the petition to city officials here. Dukes’ petition had 75 signatures Wednesday morning.

Here’s what Dukes said of the change on the petition site:

“Mane.

Hello, I’m IMAKEMADBEATS. I’m an artist/producer/engineer from Orange Mound, Memphis, Tennessee, and founder of Unapologetic, a creative company.  thepetitionsite.com

If you’re from Memphis, you know the many ways the word ‘mane’ is used. It’s a part of our culture as Memphians. To be clear, I’m not talking about Southern culture. I’m talking about what is to be from and live in this unique space in the corner of Tennessee.

It’s a word we’re proud of… one that has made it’s way into movies about our culture… songs about our culture. It’s a word used by the old and the young, crossing all demographic divides.
[pullquote-1]

IMAKEMADBEATS

People from this city have become the culture shifters, celebrated around the world, and a lot of the time it seems the rest of the world celebrates, adopts, and makes more money off of our culture than we do. Our ideas in music have fueled other Southern cities’ identity in the music industry.

It’s time that Memphis did what was necessary to not only take ownership in who we are and what we are, but for the city officials to show the people of Memphis appreciation for being and creating this culture.

And ‘mane’ is a big part of our culture. So why is Main Street called Main Street again? Just because all cities have a Main Street?

Well, Memphis isn’t all cities. It’s a very different city, in an amazing way.

Make Main Street Mane Street. Let’s make sure we appreciate us.”

Check out IMAKEMADBEATS on Soundcloud:

Petition Seeks Change From ‘Main Street’ to ‘Mane Street’

Read all about Dukes and the Unapologetic collective in our cover story from last year.


(Clockwise from top) IMAKEMADBEATS, A Weirdo from Memphis, PreauXX, Aaron James, Quinn McGowan, Jr., Kid Maestro, Eric Stafford, C Major

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Special Sections

Mulford Jewelers

MulfordJewelers2.jpg

How many of my half-dozen readers remember Mulford Jewelers — a Memphis institution for more than half a century?

Well, I certainly do, because that’s where the Lauderdales purchased the gold, silver, and platinum baubles and beads that made the Mansion glitter like a comet flashing through the night. Of course, that sparkle lost most of its luster when the Lauderdale bankruptcy proceedings — which made front-page news in every newspaper in the northern hemisphere except South Dakota — took away just about everything but the tattered clothes on our backs.

But that wasn’t the fault of John N. Mulford (the dapper gentleman shown here), who owned and operated one of this city’s oldest and finest jewelry stores. Born in London, Mulford came to this country in the 1870s. He loved to hunt and fish and roamed America in search of a place where he could pursue those interests, eventually settling in Memphis. If he hadn’t done that, you wouldn’t be reading about him now. Not here, anyway.

In 1880, he opened Mulford Jewelers at 6 South Main Street in a building known as the Marble Block — possibly because it was made of marble, but maybe that was the owner’s name; I just don’t know. The store remained at that location until 1942, when it moved a few doors down, to 26 South Main. At least, I think it did. You have to remember that Memphis changed (and standardized) its street numbering system in the late 1800s, so it’s possible this was the same building, with a different address. See how complicated my job can be?

Anyway …

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Special Sections

Warner Theatre and Main Street at Night in 1961

South Main Street - 1961

  • South Main Street – 1961

I’ve written before about the grand old Warner Theatre. Erected on Main Street in 1921, and originally called the Pantages Theatre, this 1,900-seat showplace was one of the most popular movie palaces in town. It was demolished in 1968 to make way for NBC’s (and now SunTrust’s) Commerce Square.

This nighttime view of South Main Street — taken by an unknown photographer and discovered in a box of Kodachrome slides tucked away in the Lauderdale Library — shows the Warner Theatre in 1961. I know the date because that’s when the movie Parrish, promoted on the theatre’s stunning marquee, was showing. The drama starred Troy Donahue, Connie Stevens, and Claudette Colbert, and lobby cards proclaimed that it depicted “More Than a Boy … But Not Yet a Man!”

Oh, how many times that same phrase has been used to describe ME — usually by my team of psychiatrists. The pills they gave me just do no good at all.

There’s wasn’t much traffic on Main Street on this evening. Though the Warner is long gone, the old Lawrence Furniture building next door (originally constructed in the late 1800s as the Lemmon & Gale Building) is still standing on Main Street, as are many of the other structures dimly visible in the old photograph.