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Music Music Blog

KATIEE and Man Control at Amurica Studio

New York City musician KATIEE plays Amurica Studio tonight.

KATIEE is the new project of Katie Eastern, formerly of the experimental rock trio Young People. Eastern is releasing her debut 7″, PASSERSBY, via Selfish Agenda on August 7th, and tonight at Amurica she’ll be performing with a full band that includes Jim McHugh on bass, Jeff Tobias on saxophone & synth, and Jason Robira on drums.

PASSERSBY, KATIEE’s debut on Selfish Agenda, recasts the expansive clang and clatter of her musical past. Katie was vocalist, percussionist and songwriter for the Los Angeles-based experimental rock trio Young People, who toured for five years and released records on 5RC, Too Pure and Dim Mak. Kill Rock Stars also released her DVD, Starter Set: New Dance and Music for the Camera, featuring her original music and choreography. Locals >ManControl< open the show, so if experimental music is your thing, get to Amurica by 8 p.m. tonight with $5 in your hand. 

KATIEE and Man Control at Amurica Studio

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Music Music Blog

Bomb Shelter Radio at Amurica

Amurica.com

Joshua Short and his Bomb Shelter Radio.

San Francisco artist Joshua Short will activate a pirate radio station in Memphis, Tennessee tonight at Amurica. Short built a make-shift van topper out of found materials and cardboard to house his “radio station,” and local bands that are set to perform include Small Fires, Grave Pioneer, ManControl, Quintron, Richard James, and Jessie Davis. “Bomb Shelter Radio: Memphis” is the third incarnation of an ongoing project for Short, and the station will be active until June 12th. Check out a video from one of Short’s other projects below, and be sure to stop by Amurica at least once over the next week. 

Bonagraph #1

Bomb Shelter Radio at Amurica

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Music Music Blog

Mid Week Music: Dick Dale Canceled, Man Control, John Paul Keith

The trifecta of Marilyn Manson, Dick Dale and Bob Dylan all performing in Memphis on the same night was to good to be true. Sadly, the Hi-Tone recently announced that their Thursday night bill featuring Dick Dale has officially been canceled. But don’t let that news ruin your Wednesday, because there are still plenty of other shows worth checking out. Here are a few:

Wednesday, April 29th.
The Local Saints, 8 p.m. at Lafayette’s.

Mid Week Music: Dick Dale Canceled, Man Control, John Paul Keith

John Paul Keith, 9 p.m. at Bar DKDC, $5.00.

Mid Week Music: Dick Dale Canceled, Man Control, John Paul Keith (2)

The Donkeys featuring Steve Selvidge and Robby Grant, 9 p.m. at The Hi-Tone, $8.00.

Thursday, April 30th. 
Marilyn Manson, Knee High Fox, 8 p.m.. at Minglewood Hall, SOLD OUT.

Nots, Mancontrol, 8 p.m. at Rocket Science Audio, free with limited seating.

Bob Dylan, 8 p.m. at The Orpheum, $62.00 – $92.00.

Mid Week Music: Dick Dale Canceled, Man Control, John Paul Keith (3)

Neutral Milk Hotel, 7 p.m. at the Lyric in Oxford, $35.00.

Mid Week Music: Dick Dale Canceled, Man Control, John Paul Keith (4)

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Music Music Features

Rocket Science Audio Lives On

There are people involved in the Memphis music scene who do things simply because they need to be done. Robin Pack and Kyle Johnson are those types of people. No one asked them to start live streaming and archiving concerts in Memphis, but you’d be hard-pressed to attend a big local show in Memphis and not see Kyle, Robin, and their dedicated crew running sound, streaming the concert, or both.

Since starting their variety show two years ago, some of the biggest names in local music have played their studio (the Oblivians, Grifters, Gringos), with each iconic performance streamed live and then archived for music fans across the globe to enjoy. We caught up with Rocket Science Audio co-founder Robin Pack to get a little bit of the backstory of his company and to learn more about what the Midtown recording studio has planned for its 20th episode.

Chris Shaw

Rocket Science Audio headquarters on Madison Avenue

Flyer: First off, can you talk about how the variety show has evolved since it started two years ago?

Robin Pack: When we first started the variety show we didn’t have any pre-recorded segments or skits. The idea was to just have live music and that’s it. When we started introducing the skits and different pre-recorded segments, people didn’t really know how to respond to it, I guess because they were under the impression that they were only going to be seeing live music. It got to be so awkward that we decided to cut down on the comedian segments and focus more on the music. But since we needed to fill up time, we started making our own clips and segments to throw in there too. It’s a variety show, so we try to include everything from puppet shows to magicians, and the segments have evolved into people talking about there jobs, which is very similar to the kind of small talk that goes on at local shows.

So the segments are almost like
an extension of meeting people at a local show?

Yeah, exactly. I mean, inevitably everyone ends up talking about work when you are at a show and waiting for the next band to play. The idea for those segments is just to give someone a few beers and let them talk, and we usually get some pretty good footage out of it.

You guys have been on a short break after doing the variety show almost every month for the past two years. What do you have planned for your 20th episode?

We are constantly trying to do new stuff with the show, and having Mancontrol here will be really fun because we’ve never had a band like them play our space. It’s basically become ADD theater at this point, and we are still trying to book bands that would otherwise never play together. The goal moving forward is to expose every part of the Memphis music scene fairly, even if a band isn’t our particular cup of tea. Everyone making music in Memphis deserves to be put out there. We’ve been talking about trying to have a one-man band show, and instead of having the traditional two bands we’d have four or five one-man bands. We also want to bring more out-of-town bands in. We’ve done that a little bit, but I would like to get a lot more touring bands through.

Who is on the 20th episode?

Nots is playing, and they are a band we’ve wanted to get on here for a long time. They’ve been touring so much lately that it’s been hard to get them nailed down. We were hoping to get them in last month but because of South By Southwest it just didn’t work out. They are a band that we’ve been excited about for a long time, so we are stoked that they are playing. We’ve done some stuff for them before like transferring stuff from a cassette tape and making tracks digital, but they put on an amazing performance that I think people will be excited to see.

I think this show also does a good job of showing how incestuous the Memphis music scene is, as well. Bill Curry [local drummer] has been on this show three times in three different bands, and Dave Shouse from Mancontrol has also played the show with his other band the Grifters. It’s also important to recognize the comedians that come through because they are really important to what we do here. The whole point of a variety show is to expose people to a bunch of different stuff, so I always tell people that if they don’t like something that’s on, just wait five minutes and something completely different will be on camera. Comedians have been assaulted by full beer cans here. They’ve had to put up with a lot, but it’s important for them to have another venue where they can come and perform.

How does Rocket Science Audio compare to local podcasts and streaming services that focus on Memphis music?

One of the comedians who will be coming on the 20th anniversary show is Gil Worth, who also runs the popular OAM podcasts. The only real difference I guess is that our stuff is always 100 percent live. We don’t go back and edit anything, and that gives you a very authentic feel. There are places that do live streaming like Ditty TV, but they aren’t a recording studio. We are trying to do something that hasn’t been done in Memphis, and that means there will be a lot of trial and error. We are always trying to do one more thing.

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Music Music Features

A New Path

Memphis musicians are often credited for a fiercely independent creative spirit that has been characterized at times with lofty platitudes such as “maverick” or “renegade.” While those adjectives ring true with several local acts, they are particularly apt when applied to the new local experimental/avant-garde duo known as >mancontrol<.

>mancontrol< is the latest project helmed by two of the Memphis rock scene’s most reliable and well-loved figures: Dave Shouse of the Grifters, Those Bastard Souls, and the Bloodthirsty Lovers, and Robby Grant of Big Ass Truck, Vending Machine, and Mouserocket. But this project is nothing like any of those rock/pop bands, as the “>mancontrol< manifesto” (a document composed by Shouse, who declined to be interviewed) explains:

>mancontrol< ([C14,  from New English, stem of  “manual control”] make music in the moment; experimental, improvisational music built from the most primitive of sounds: monophonic single waveforms. Arbitrary factors come into play with each new venue: the amount of ambient light, bodies in motion or curious light sources like swinging chandeliers and LED hula hoops. There is no stage at a >mancontol< show. We set up in a way that allows audiences the opportunity to affect our music. Anyone that makes light or interrupts it becomes a factor in the evolution of each song.

What this means, basically, is that Shouse and Grant manipulate simple synthesizer tones and encourage the crowd to participate by altering the light in the room, which changes the sound. In truth, the execution is likely as complicated as it seems it would be.

“Overall, the sound originates from a basic sine wave. Then it’s processed and built up using effect pedals and light,” Grant says. “We are both producing melody with our voices. We don’t have set ‘songs,’ but we do have goals for each performance. We know what we want to communicate and roughly how we will do it.”

The original idea for the band was conceived several years ago by Shouse but began to take shape in 2010 when he discussed the idea with longtime acquaintance Grant.

“When Dave invited me over to just play around, I wasn’t sure what was going to happen or if it would turn into anything. Heck, it took a year to solidify even what my instrument would be,” Grant says.

“When I first showed up, I brought a lot of pedals and stuff with me and made a lot of noise. Dave slowly suggested I simplify everything and create more space. Right now, we’re kinda like a two-person orchestra with Dave as the conductor.”

The newly christened >mancontrol< played a couple of low-key shows in town in 2011, aided by former third member (and New Mary Jane/John Paul Keith and the One Four Fives bassist) James Godwin, before paring the band down to two members and taking the show on the road. Earlier this year, they played highly successful shows in New York City (where the duo already has a booking agent) and Cincinnati.

“We were really surprised at the positive response to what we were doing,” Grant says.

With a few encouraging experiences now under their collective belt, Shouse and Grant finally feel ready to launch >mancontrol< as a full-fledged project in town. To that end, the group will be performing this Saturday, December 8th, at 8 p.m. at the Medicine Factory, an art space located at 85 Virginia Ave. West.

“This is our first show where we feel like we have evolved enough to promote it,” Grant says. “We did a video there [the Medicine Factory] a few months back and have stayed in touch. They asked us to play a December show, and we were happy to oblige.”

The show is not only a coming-out party for >mancontrol< but also features the debut of a mural by artist Gabe Martin and the unveiling of a musical innovation called the “eyelophone,” which was created by photographer/artist John Markham.

According to Grant, the gallery environment, among other locales, is more conducive to what >mancontrol< wants to achieve.

“We’re trying to find alternative spaces as much as possible,” he says. “We are totally self-contained, don’t need a soundman, and can play anywhere with power. The only place we don’t want to play is on a traditional rock-club stage — but in the corner or the bathroom is fine.”

facebook.com/mancontrol

medicinefactory.org

>mancontrol<

The Medicine Factory

8 S. Virginia Ave. West

Saturday, December 8th, 8 p.m.