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Film Features Film/TV

Memphis Film Prize Draws Bluff City Talent

Gregory Kallenberg wanted to create a different sort of film festival when he founded the Louisiana Film Prize in 2012. After filming in Shreveport, he fell in love with the town and relocated from Austin, Texas, and brought a more competitive model to the festival world — along with a $50,000 prize.

After three successful years, the prize is branching out to create a feeder system of regional competitions, and Memphis was at the top of the list. They partnered with On Location: Memphis, and this weekend, the top 10 films from more than 50 local entries will screen at Studio on the Square. The winning film will receive $10,000 and a chance at the $50,000 Louisiana prize in September. I spoke with three of the nominated directors.

Ricky D. Smith in director Kevin Brooks’ street drama “Marcus”

“Marcus”

Dir. Kevin Brooks

Last year, the young filmmaker’s short, “Heat Vision,” earned him a slot in the Sundance Ignite program and a trip to Park City, where he was mentored by Nate Parker, director of the Grand Jury and Audience Award-winning Birth of a Nation. “I came back with a huge burst of energy!” he says. “I made ‘Marcus’ especially for the Film Prize.”

The film stars Ricky D. Smith, whom Brooks met while they attended University of Memphis together. “The movie tells the story of a young man who is struggling with the consequences of karma,” Brooks says. “It’s derived from the decisions he made to survive. I wanted to make it really realistic, and I wanted to talk to the issues that people of color face in these urban settings.”

Brooks’ goal, he says, is to return to the big leagues in Park City with a film of his own. “I have to stay focused and keep moving forward, because I want to be there someday.”

“Calls From the Unknown”

Dir. Edward Valibus

Edward Valibus, noted for his gonzo comedies with Corduroy Wednesday, wanted to tackle something a little more serious with “Calls From the Unknown.” “Our main character is a young woman. She’s a film student doing the usual documentary 101: interviewing her dad and hearing stories she’s never heard before,” he says.

His inspiration came from his experiences with his own father’s terminal illness. “I’ve been doing absurdist humor for so long, people who watch it have been calling it a dark comedy. People laugh, then they gasp, then they cry.”

Lead actress Lara Johnson directed the documentary “Geekland,” but Valibus says her comedic student films convinced him she could excel in the role. “A big philosophy behind doing this film was giving people chances to do something new.”

Jordan Danelz, normally a gaffer, was the cinematographer, and musician Michael Jasud, of Dead Soldiers, makes his acting debut. “All my gambles really paid off,” Valibus says.

The one sure thing was Mark Pergolizzi as Johnson’s father. “He’s my favorite actor to work with,” Valibus says. “I went through the entire thing with Mark, what I wanted out of her and what I wanted out of him. Then I sent them off together to work it out. I was trying to create a father-daughter bond. It worked out amazingly well; I just let the camera roll.”

“Teeth”

Dir. Melissa Anderson Sweazy

“Like a lot of my ideas, it came about through casual conversation with my daughter,” director Melissa Anderson Sweazy says. “She heard about the tooth fairy, and she was like, ‘Why? There’s a person coming to my house to get my teeth? Who is this person, and what are they doing with all those teeth?'”

Sweazy, whose previous works include the Indie Memphis-winning “John’s Farm” and “The Department of Signs and Magical Interventions” loves to work in fantastic realms. “I’m definitely drawn to stories about magic, either about the absence of magic in the world or the proof that it is there in reality. I like the world to look normal, except for a magical element at play.”

“Teeth” stars newcomer Gabriella Goble as the young child who wants to investigate the tooth fairy’s motives. Her father, Ryan, was the director of photography. “It was kind of a miraculous find. My day job is at a production company, so my entire crew was made up of co-workers who donated their time.”

Lindsey Roberts portrays the tooth fairy. “It’s going to be a take on the tooth fairy that you have never considered.”

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Caleb Sweazy

Today’s Music Video Monday’s could prove fatal. 

Today we have the world premiere of the latest single from Caleb Sweazy’s Music + Arts / Blue Barrel Records release Lucky Or Strong. The video for “Bluebird Wings” was directed by his wife Melissa Anderson Sweazy. who calls it “Double Indemnity meets ‘Last Dance with Mary Jane’. I¹ve long been a fan of noir films and I¹m particularly fascinated by the trope of the femme fatale, the construct of the dangerous, duplicitous woman who often has a deeply conflicted, cat-and-mouse relationship with the detective. But maybe its more like a dog with a squirrel. What happens when the chase is over and she finally catches her prey?”

The video stars Caleb Sweazy and the Memphis Flyer’s own Eileen Townsend. It was shot by Ryan Earl Parker, who also did the outstanding color work in post production, and edited by Laura Jean Hocking. 

Music Video Monday: Caleb Sweazy

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

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Film/TV Film/TV/Etc. Blog

Indie Memphis 2015, Day 2: Memphis Shorts Shine

Here’s a universal truth about film festivals: If you’re looking at a big schedule of films, but you’re uncertain as to what you want to see, you should choose a block of short films.

Memphis music legend Jimmy Crosswaith in ‘Time Will Tell’

The reason why is simple. If you choose a feature film, and it turns out you don’t like, you’re stuck with it for the duration. But if you choose a shorts block, and you don’t like one of the films, just wait a few minutes and you’ll get something else that you do like. 

The second night of Indie Memphis features a killer line up of short films from Memphians. The 6:00 PM Hometowner Narrative Shorts Block includes films from both accomplished Memphis directors and newcomers. 

“The Department of Signs and Magical Interventions” by Melissa Anderson Sweazy is a mini epic of one man’s journey through the veil of life and death, and the deadpan humor of finding that the afterworld is just as bureaucratic as the moral coil. “Alphabet” is the latest editing tour de force from Memphis filmmaker and occasional Flyer contributor Ben Siler. You can read more about those two films in Eileen Townsend’s column in this week’s issue

Also in the block is “Time Will Tell” directed by Mud Boy and the Neutrons percussionist Jimmy Crosswaith along with Theo Patt. Prolific Memphis actor Drew Smith branches out into directing with two short films, “Missed Connection” and “Snow Day”. “Glitching” directors Emily Herene and Lara Johnson led an all-female cast and crew in what they describe as a cross between “Broad City” and “The Twilight Zone.” 

Part of the all female cast and crew of ‘Glitching’

The second show at the Halloran Centre features two very different Memphis-centric documentaries. The contemplative documentary Barge by director Ben Powell has won awards at both the Dallas International and Crossroads Film Festival in Jackson. It depicts modern working life on the Mississippi river 150 years after Mark Twain first examined the subject. It is proceeded by “All Day, All Night”, the first film by acclaimed Memphis director Robert Gordon. The film about Beale Street features such remarkable scenes as a meeting of the minds between Rufus Thomas, Evelyn Young, Sunbeam Mitchell, and Earnestine of Ernestine and Hazel’s fame. Gordon, who will speak at a panel on documentary filmmaking at 6 PM, is the co-director of Best Of Enemies, which was a documentary hit this year and is currently gathering buzz for an Academy Award nomination. (As a side note, Memphis musician Jonathan Kirkscey just won an award from the International Documentary Association for the soundtrack of Best Of Enemies.) You can read more about Robert Gordon in this Flyer cover feature from August. 

B. B. King in ‘All Day, All Night’

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Film Features Film/TV

Indie Memphis 2015

One of the best things about Indie Memphis is the festival’s schedule of shorts from local, national, and international filmmakers. This year, the entries range from documentary shorts about young dancers in Memphis (Suzannah Herbert’s “What’s Inside the Cage”) to narrative works about living with an autoimmune disorder (Stacey Ashworth’s “No Breath Play”). Over 70 submissions, all under 25 minutes, will play throughout the week. We picked out a few of our favorites.

“The Department of Signs and Magical Intervention”

“The Department of Signs and Magical Intervention” – Melissa Anderson Sweazy

When Aidan (Sean McBride) gets hit by a fast-moving bus while skateboarding, he finds himself in the afterlife, a realm that — according to Memphis filmmaker Melissa Anderson Sweazy — looks a whole lot like the most boring parts of corporeal existence. Specifically, it looks like a bank. Except instead of dealing in dollars, this ethereal vault and its matter-of-fact employees dole out “signs and magical intervention” to unsuspecting humans.

“The Department of Signs and Magical Intervention,” shot in Downtown Memphis with a cast of familiar local faces, is perhaps this year’s most charming contender: lighthearted, very funny, and smartly framed by Sweazy. The lesson, as Aidan navigates an undead bureaucracy, is that magic, and second chances, just might exist.

“Alphabet” – Ben Siler

“Alphabet,” the latest from Memphis underground filmmaker Ben Siler, opens with a blonde woman wielding an axe in a suburban kitchen. Blood spatters on her shirt as she hacks at someone out-of-frame. You see her digging a hole in her garden and then shoving potato chips into her mouth and examining her nails. Later, she cries to a neighbor, who comforts her unsentimentally.

In two minutes and 37 seconds, we see two murders, an affair, and the long legacy of a secret. It’s funny and brilliant in Siler’s usual muted, dark way. Siler’s dialogue-less, low-definition shorts are as sharply edited as they are pointedly mundane. Despite frequently macabre and over-the-top plots, the filmmaker’s lens is always focused on unremarkable details, such as the glass of seltzer water on the table, or an unplugged power strip in the corner.

“To Cross”

“To Cross” – Suzannah Herbert

This documentary short from the Brooklyn-based and Memphis-born filmmaker Suzannah Herbert follows a high school student named Jared on his daily commute. At 3:30 a.m., Jared wakes up on the Mexican side of Tijuana, early enough that he is able to cross the border and attend high school in America. Twelve arduous hours later, he returns home to Mexico. “At the end of the day, we are really tired,” says Jared, who, we learn, is the only member of his family able to attend school in the U.S. After graduation, he hopes to be able to support his siblings by finding work in the States.

Herbert’s short shines light on the lengths Jared and his peers go to in order to obtain an education, despite the fact that their schooling is considered illegal since the students are not United States residents. “To Cross” gives viewers a sense of its subjects not only as young people, tasked with the care of their families, but as regular high school students. Herbert, who has worked for Martin Scorsese and Michael Moore in addition to making her own films, tells Jared’s story with a light touch and characteristic skill.

“One Hitta Quitta”

“One Hitta Quitta” – Ya’Ke Smith

“One Hitta Quitta” is a genre-bending narrative entry from newcomer Ya’Ke Smith, a Texas-based filmmaker. The film melds real footage of fights, shot on phones and posted online, with the story of a young man whose obsession with watching violent footage leads him to act out. We see Jason (Dariel Embry) challenge his algebra teacher, Mr. Kelly (Shelton Jolivette), while other students in the class surround with phones primed.

Smith shot entirely on mobile devices, which contributes to the film’s fast pace and realistic feel. In the height of the short’s drama, when Mr. Kelly returns Jason’s punch, the frame shifts from horizontal to vertical to horizontal again, referencing the crowd-sourced depictions of similar real events. Smith’s handling is seamless, and makes what might otherwise be a run-of-the-mill story into something new and on point.

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Music Video Monday: Bryan Hayes

Country comes to town in this week’s Music Video Monday. 

Bryan Hayes’ new video highlights some familiar Memphis landmarks. Directed by Melissa Anderson Sweazy, “Farther Down The Line” features some excellent cinematography by Sarah Fleming of locations such as The Arcade, the Downtown skyline, and the Mississippi riverfront. Today marks the world premiere of this song by the Iraq War veteran, in which the singer ponders the present and future of America. 

Music Video Monday: Bryan Hayes

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Caleb Sweazy World Premiere

Does this Monday morning feel like a punch in the face? Music Video Monday is here to help! 

We’ve got the world premiere of the new video “Lucky or Strong”, the title track from Caleb Sweazy’s new album on Memphis’ Blue Barrel Records imprint. The folk rocker directed this video, which was shot in Downtown Memphis at Envision Gym. Sweazy appears as a boxer having a bad day opposite Jerome Hardaway. Brian Krueger and Envision’s Mark Akin appear as the fighters’ trainers. Caleb’s wife Melissa Anderson Sweazy produced the video, which features cinematography by John Paul Clark and Laura Jean Hocking editing. 

Music Video Monday: Caleb Sweazy World Premiere

If you would like to see your video on Music Video Monday, email cmccoy@memphisflyer.com

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Film/TV Film/TV/Etc. Blog

Music Video Monday: John Kilzer

By any measure, John Kilzer has had an eventful life. He’s been a college basketball player, an English professor, an internationally renowned recording artist, and a Methodist minister. Now, at age 57, he has put out a new album of original songs on Memphis’ Archer Records

“California” is the second video from Hide Away. The song is about trying and failing to make it in the wilds of Hollywood. Director Melissa Anderson Sweazy and editor Laura Jean Hocking put Memphis actor Drew Smith back in the silent era for this beautiful and poignant video—and be sure to watch for the cameo by Drew’s son Hank. 

Music Video Monday: John Kilzer

If you would like your video featured on Music Video Monday, just email cmccoy@memphisflyer.com

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News

Mothersville Will Remain Open

“It’s been just about 40 weeks since I made the initial announcement about the uncertain future of Mothersville,” says Andria Cline, co-owner of the Cooper-Young establishment that she describes as a “community resource and retailer serving expectant and experienced parents.”

According to Cline, she was told, “over and over again” that Mothersville simply could not close. “I was overwhelmed by the reaction of our customers, from the play-group regulars to one-time buyers, who repeatedly told me how important the store had been during their own early mothering experiences.”

But Cline herself had recently given birth to a son, so what to do? Well, one of her new customers stepped forward and “offered her time, ideas, and resources to keep Mothersville going.” The new co-owner is Melissa Anderson Sweazy, a former Memphian and graduate of Rhodes College, who recently returned to the Bluff City after several years working as a writer in Los Angeles.

“Melissa brings a Southerner’s wit and charm curled up around a left coast artistic sensibility, and best of all, a deep and true desire to help out the new mamas of Memphis,” Cline says.

Read more about Mothersville, complete with blog, resources, links, and even photos of proud parents with their happy children.