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Wilco to Play Levitt Shell in First Fundraiser of the Year

Wilco

The band Wilco has longstanding ties to the Bluff City, reaching back to their 1994 debut, A.M., recorded at Easley-McCain Studio.

Even then, in their alt-country days, they displayed a reliable knack for both classic songwriting and sonic experimentation: a perfect fit with that renowned Memphis studio in its heyday. That such a spirit has remained and evolved with the band over the course of 10 subsequent studio albums is a testament to their collective restlessness with indie-pop conventions.

While the group has seen personnel changes over that time — a stable lineup featuring Nels Cline, Mikael Jorgensen, Glenn Kotche, Patrick Sansone, John Stirratt, and, of course, singer-songwriter Jeff Tweedy — it has endured since 2004. Now, in the wake of a marked ramping-up of Jeff Tweedy solo albums, they’re touring to support 2019’s Ode to Joy, which strikes a middle ground between the solo Tweedy’s more stripped-down approach and the wider sonic palette of previous Wilco albums.

Mellotron Variations at the Solid Sound Festival, 2019 (L-R, Pat Sansone, Robby Grant, Jonathan Kirkscey)

The band’s spirit of sonic exploration has lately infused the most recent Memphis/Wilco cross-pollination, in the form of the Mellotron Variations group, an ensemble of Mellotron players founded here by Robby Grant and Jonathan Kirkscey, which has grown to include John Medeski and Wilco’s Pat Sansone. The group’s concerts and rehearsals have made Sansone a more regular visitor from his home in Nashville, and when they played Wilco’s Solid Sound Festival in Massachusetts last year, the sympatico between Wilco and Memphis’ flair for the unconventional was sealed.

Thus, Wilco’s upcoming performance at the Levitt Shell on April 14th (just announced Tuesday) has a certain resonance with the Memphis music scene. Part of the Shell Yeah! Benefit Concert Series held at the iconic outdoor stage every year, this will precede the Shell’s regular Summer Orion Free Music Concert Series as a rare ticketed event — one of four this year — designed to raise funds for the many free concerts staged by the Levitt Shell.

Shell Yeah! Presents Wilco, Levitt Shell, Tuesday, April 14. 8:00 pm. Tickets on pre-sale February 5, public sale February 7.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Mellotron Variations

Increase your chill with Music Video Monday.

It’s the weekend after Gonerfest, and you’re too tired to be at work. But here we are. Chill out with Mellotron Variations.

The groundbreaking project from Robby Grant, Johnathan Kirlscey, John Medeski, and Wilco’s Patrick Sansone now has a second album, recorded at the April 24, 2018 Crosstown Arts show. That was the first time in history that four Mellotrons had been on stage at the same time—but not the last.

The quartet has since played at Wilco’s Solid Sound festival in Maryland, and will perform in Nashville in December. The video, directed by Ben Rednour, is a psychedelic feast, incorporating footage from John Wayne westerns and vintage home movies. Go “Into The Sunrise!”

Music Video Monday: Mellotron Variations

If you would like to see your music video appear on Music Video Monday, email cmccoy@memphisflyer.com

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Music Music Blog

Pat Sansone: Making Memphis Mello Again

Sansonica, INC

Pat Sansone

“It’s gonna be a mellow acoustic set,” Pat Sansone says of his moment in the sun, down at the Harbor Town Amphitheater on Sunday, April 28th. His forecast matches that for the afternoon’s weather. It will be an ideal setting for that rare chance to hear Sansone’s songs, no doubt played with his usual musical dexterity. Better known as a multi-instrumentalist member of Wilco for the past 15 years, Sansone was a Wilco fan and a songwriter in his own right long before that.

He’ll be selecting from twenty years’ worth of songs he’s contributed to the band Autumn Defense, founded with Sansone’s friend John Stirratt in New Orleans. And even before that venture, Sansone was writing. “I was living in New Orleans for the back half of the 90s. At the studio where I worked in New Orleans, even before the Autumn Defense got going, I was working on a batch of solo material. I’m revisiting that stuff now to finally mix it properly and hopefully release it sometime later this year. It definitely has a kinship with Autumn Defense — very much influenced by the Zombies, the Beatles, the Kinks. English Psychedelic Pop.”

To these ears, there are also plenty of echoes of American renegades like Todd Rundgren or Emitt Rhodes. “Big Star and all sorts of other things were influences too. Shoegaze. A weird mish-mash of stuff, which is not very New Orleans-y. As much as I love New Orleans, and I love it dearly, and certainly John loves it as well, I think one of the reasons we connected so strongly was we both felt a little bit outside of what was happening musically in New Orleans. There just wasn’t much of an audience or interest for the kind of music we were making. I learned a lot in New Orleans, and I absorbed a lot of amazing music, but I didn’t necessarily feel like I was part of it, other than being a fan. That’s one of the reasons I left. I knew that the music that I was going to make and what I had to offer musically wasn’t something that New Orleans really needed or wanted,” he laughs.

Selections from the above mish-mash are what Sansone will be conjuring up Sunday, albeit in minimalist form. One of Autumn Defense’s strengths is their harmonies. Though Sansone and Stirratt are not kin, they sing harmonies like they are. On record, it can be difficult to distinguish their voices, especially when layered together on songs like the early gem “The Sun In California.”

“Working on that song was really a milestone in the realization of what we were about as a band,” Sansone recalls. That number from their second album was by Stirratt; naturally Sansone focuses on his own songs when playing solo. “I know I’ll be playing ‘The August Song,’ from our album Fifth, and I’ll play ‘Feel You Now’ from our self-titled album on piano.”

For Wilco fans who haven’t yet explored the Autumn Defense’s discography, the work holds up beautifully, and may be a kind of skeleton key into Wilco’s poppier moments.

“John and I had been doing the Autumn Defense for about five years before I got absorbed into the Wilco organism. It was a natural thing. I think the type of music that John and I connected over, was very much the same reason John and Jeff [Tweedy] connected. I remember hearing [Wilco album] Summerteeth. I guess it came out around the same time that John and I were working on the first Autumn Defense record. And there’s a similar heartbeat going on, between those two records.”

While the albums are available for the ages, a performance by Autumn Defense is a rare thing. “I don’t think we’re gonna do anything this year, except for a performance at Solid Sound.” That would be the Wilco-launched Solid Sound Festival, June 28th-31st in North Adams, Massachusetts. That festival will also notably play host to the Memphis-based ensemble behind last year’s Mellotron Variations, in which Sansone was a key player, along with Robby Grant, Jonathan Kirkscey, and John Medeski. (More on their new album and Solid Sound performance in the near future).

The Mellotron Variations project was clearly dear to Sansone’s heart. “I was really transported by it. And I have to say the Mellotron has been very helpful to me as far as arranging goes, because you have all those colors, and those instruments at your fingertips. It’s allowed me to do things I never would have been able to do without it.”

Indeed, that experience will feed right back into the Autumn Defense’s appearance at Solid Sound. “It will be fun,” Sansone says, “because it’s gonna be an acoustic performance with a string quartet. I wrote string arrangements for a handful of songs and I’m gonna be cranking out a few more. So, hopefully we can do an entire set with strings. That’s the only Autumn Defense performance on the books this year.”

As the band’s song “Things On My Mind” goes, “Let’s go, let’s get in the sun.” That, and the rarity of hearing those songs live, could well be an exhortation to attend Sunday’s gathering by the river.

Pat Sansone and Crystal Shrine will appear at The River Series at the Harbor Town Amphitheatre, Sunday, April 28, 3:00 pm. $5 admission.