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Remembering Otis

An exhibit displaying rare photos and personal belongings of soul singer Otis Redding opened Monday, December 10th, and runs through April at the Stax Museum of American Soul Music. The opening of the exhibit commemorated the 40th anniversary of Redding’s death at age 26 in a plane crash near Madison, Wisconsin.

Redding recorded several classic songs, including “(Sittin’ on) The Dock of the Bay,” in the studio that stood at the present site of the Stax Museum.

The exhibit features mementos from Redding’s family, many on display for the first time. They range from pictures taken at Redding’s “Big O” Ranch near his hometown of Macon, Georgia, to a poster advertising the show he never made it to.

In addition to the artifacts on loan from Redding’s widow Zelma Redding and daughter Karla Redding-Andrews, the exhibit contains several items from private collector Bob Grady and never-before-shown objects from the Stax Museum archives.

“Stax Records was like a second home for Otis,” Zelma Redding said. “We are pleased to be able to share some of our personal family moments in this exhibit.”

“Otis Redding: From Macon to Memphis,” Stax Museum of American Soul Music. Through April 30th, 2008. $10

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News The Fly-By

The Importance of Having Been Ernest

Mourners of Ernest Withers filled the Pentecostal Temple Institutional Church of God in Christ downtown Saturday afternoon to celebrate the homegoing of the world-renowned photographer.

Withers, who died October 15th at the age 85, left a vast body of work that chronicled the Beale Street blues and the birth of rock-and-roll in 1950s Memphis, and the Civil Rights movement across America.

At the service, friends, family members, and public officials eulogized Withers with a celebratory tone.

Afrocentric spiritualist Ekpe Abioto, dressed in ceremonial boubou, tapped a Congo drum and whistled through panpipes as he led the Withers family into church and down the aisle of the expansive, blue-carpeted sanctuary.

From the pulpit, Abioto delivered the libation, assuring the crowd that “death is only a fulfillment of life.” He asked that both the oldest and youngest people in the room — a COGIC minister in his 90s and a two-month-old baby — identify themselves and be recognized.

Trumpeter Mickey Gregory, a former Stax Records session player and Beale Street club entertainer, represented Withers’ ties to the music industry, performing the popular Thomas A. Dorsey gospel composition “Precious Lord, Take My Hand.”

Memphis mayor Willie Herenton called Withers a “giant and a genius,” expressing his gratitude to God “that I, Willie Herenton, had the privilege of kneeling at [Withers’] feet.

“They don’t put just anybody’s obituary in The New York Times,” he reminded the audience.

The Reverend Samuel Kyles also eulogized Withers: “It is said that a drop of water can knock holes in stone, not by violence, but by oft-falling.” Like that drop of water on the stone, Withers’ “camera knocked holes in the stones of ignorance one click at a time.”

Beale Street developer John Elkington promised “there will always be a Withers gallery on Beale.” He said he once asked Withers if he’d been afraid photographing civil rights-era riots and episodes of police brutality.

“No,” Withers told Elkington. “I was too busy working.”

Finally, family members evoked tender and personal memories of Withers playing on the floor and watching cartoons with his grandchildren. “He saw the world through our eyes,” Withers’ granddaughter, Esi Sawyer, recalled.

Those gathered, and the photographer’s many admirers, would agree that we’re better for having seen the world through his.

A procession down Beale Street, past the last of Withers’ six offices located on the strip over the years, and interment at Elmwood Cemetery followed. Dorothy, Withers’ wife of 65 years, four of their eight children, and numerous grandchildren survive him.

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News

Ernest Withers Goes Home: “He Saw the World Through Our Eyes”

Mourners of Ernest Withers filled the Pentecostal Temple Institutional Church of God in Christ downtown Saturday afternoon to celebrate the home-going of the world-renowned photographer who died Monday at age 85.

A celebratory tone prevailed among the many friends, family members, and public officials who spoke at the funeral. Eulogists represented the many facets of Withers’ life.

Afro-centric spiritualist Ekpe Abioto assured the crowd that “death is a fulfillment of life.� Trumpeter Mickey Gregory, a former Stax Records session player and Beale Street club entertainer represented Withers’ rhythm and blues associates, though he performed the popular gospel composition “Take My Hand Precious Lord.�

Mayor Willie Herenton called Withers a “giant and a genius,� expressing his gratitude to God “that I Willie Herenton had the privilege of kneeling at [Withers’] feet.

“They don’t put just anybody’s obituary in the New York Times,� he reminded the audience.

Reverend Samuel “Billy� Kyles, said that like the drop of water that knocks holes in stone by oft-falling, Withers “camera knocked holes in the stones of ignorance one click at a time.�

Beale Street developer John Elkington promised “there will always be a Withers gallery on Beale.� He added that he once asked Withers if he’d been afraid photographing civil rights era riots and episodes of police brutality.

“No,� Withers told Elkington. “I was too busy working.�

Finally, a family member evoked tender personal memories of Withers playing on the floor and watching cartoons with his grandchildren. “He saw the world through our eyes,� Withers’ granddaughter Esi Sawyer recalled.

Those gathered would agree that we’re better for having seen the world through his.

A procession down Beale Street and interment at Elmwood Cemetery followed.

###

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Sports Sports Feature

Memphis Motorplex Park Honors Bobby Hamilton

Bobby Hamilton, the late Mt. Juliet-based racer who lost a battle to cancer earlier this year, will have a street named after him at Memphis Motorplex Park on Saturday, a day which Governor Phil Bredesen has designated “Bobby Hamilton Day”

The newly named “Bobby Hamilton Boulevard” will be a street leading to the grandstands. Drivers will also carry a special memorial decal on their race trucks in tribute to Hamilton, who won the Memphis track championship in 2004.

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Opinion The Last Word

The Rant

I was really surprised by the lack of press coverage it got, but not really. And for selfish reasons, I’m rather glad it didn’t. I was in New York not long ago and was privileged to be invited to a memorial service for the late rhythm-and-blues singer Ruth Brown — the original female rhythm-and blues singer who was so popular in her day and sold so many records that her record company, Atlantic Records, was known as “The House That Ruth Built.” The service was held in the Abyssinian Baptist Church in Harlem, an absolutely exquisite 1920s structure with immense stained-glass windows and red-velvet-covered pews and hanging art-nouveau chandeliers. People filed into the church dressed to the nines, and the crowd was there not to see a spectacle but because they really wanted to honor Brown. There was no media circus, and no one was allowed to use flash photography. When the service began, the minister asked everyone to stand and cheer for Ruth Brown, which we did, and when the noise would die down a little, he had us cheer and clap even louder. It was amazing. I can’t write this without name-dropping, because Bonnie Raitt got up and spoke about how Brown had been like a mother to her. The First Lady of Motown and later Stax singer and lead singer for Ray Charles’ Raelettes, Mable John, got up and spoke about how, on the night of her first appearance at the Apollo theater, Brown took her home, opened her closet, and told her to pick out as many dresses as she liked, because if she was going to be performing at the Apollo she needed some new gowns. Little Jimmy Scott, at age 84, got up and sang one of Brown’s favorite hits, “So Long,” and sounded like solid gold. Others from Broadway and beyond sang, spoke, told happy stories and not-so-happy stories, including one about how Brown, having not received royalties for her music, had to work as a maid to put food on the table for her children and would hear her own songs on the radio in houses where she was mopping the floor. But then they spoke of how, in later years, she worked relentlessly to reform the music business to make sure this didn’t happen to anyone else. Nick Ashford and Valerie Simpson were there. Paul Shaeffer was there, albeit late. Ben E. King was there. There’s no telling who else. The service lasted two-and-a-half hours, and when we left the church building, snow was falling in Harlem. There is indeed some kind of point to this. I know it sounds cheesy, but for those two-and-a-half hours, it was like being in a civilized world. For that period of time, there was no war in Iraq and no need to wonder why on earth there even is a war in Iraq. There were no insane plans by an insane man to send more young people over to that insane war. There were no presidential candidates shrieking about this or that. There was no poor little Miss U.S.A. going into rehab for drinking too much. There was no Orange Alert or Red Alert or protecting oil rigs or nonexistent weapons of mass destruction or bombs or kidnappings or lies for political gain or people eating cockroaches on television or commercials advertising crap no one really needs or computer viruses or Hummers or really bad singers making fools of themselves or people listening to Britney Spears. It was absolutely civilized. It made me wonder if people who don’t pay attention to what’s going on the world because it is just too depressing might not have the right idea. That used to drive me crazy, but somehow it’s starting to make sense. And it was great to see such a service for a real legend. The older I get, the more it seems like everything in American culture is totally fleeting, without any real merit, and usually just plain bad. I know I sound bitter, but when I think that someone like the aforementioned Britney Spears can sell millions of records while Ruth Brown mops floors, I get a little queasy. But hey, that’s just me.