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Overton Park’s Little Log Cabin

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A couple of weeks ago, I enthralled my half-dozen readers (yes, I’m talking about you) with photos and a few words about the odd Japanese Garden that once stood in Overton Park. Surely you remember what I said? If not, scroll down and read it again. Better yet, gather your children around you as you do so; reading the inspiring story aloud to them may deter them from a life of crime. It certainly can’t hurt.

Anyway, I was rummaging through my old postcards archived in the Lauderdale Library, searching for other images of that garden, when I came across these two cards, and thought I’d share them with you. Why? Because they actually pay me to do this. Hard to believe, but it’s true.

After they — and I don’t know who, exactly, “they” were, since I wasn’t around at the time — but as I was saying, after “they” demolished the Japanese Garden after the attack on Pearl Harbor, “they” were left with a little empty island in the middle of the lake, so “they” put a rather bleak little fountain there. And here’s an image of it, below. Oh, I could stare at it for hours!

But at some point, “they” erected a cute little log cabin on the island, as you can see in the top image. I have no idea how large (or small) this structure was; somebody should have stood beside it when they snapped the photograph, to provide a sense of scale. What were you thinking, cameraman? And I also don’t know what purpose it served, or where it came from, or what happened to it, so please don’t ask me about any of that.

What I DO know is that this is not the present-day Rainbow Lake in Overton Park. This lake, as I’ve said before, was filled in when they constructed the Memphis Academy of Arts complex.

And that concludes today’s history lesson on Overton Park.

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Remembering Ted Rust 1910-2010

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Edwin C. “Ted” Rust died last week at the age of 99. As the longtime director of the Memphis College of Art, and the Memphis Academy of Arts before that, he was an icon in the art world of our region. He can take credit, more than anyone else if you ask me, for turning the college into an institution with national credibility. He was also a talented sculptor, a brilliant administrator who had a knack for finding and nurturing the best artists and teachers, and a true gentleman in every sense of the word.

It was an honor to know him, and though he is gone, his memory lives on in all the public art he created throughout our city, from the sweeping sculpture of Rhodes College President Charles Diehl on that school’s campus to the wonderful plaques (below) that adorn the Memphis Dermatology Clinic in Midtown.

Ten years ago, one of my colleagues at Memphis magazine profiled Rust in a cover story. You can read about it here, and you should. Rust definitely made Memphis a better place.

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Vandalism of Nude Art at Brooks Art Gallery!

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In the November issue of Memphis magazine, we tell the dramatic story of the strange events that took place at the Memphis Academy of Arts from 1969 to 1971, when certain people here objected rather strongly to the school’s use of nudes, and an exhibition of nude photography. The result was death threats, car bombs, even a kidnapping. It’s on newsstands now. Buy a copy. I mean it.

But the art academy (now known as Memphis College of Art) wasn’t the only victim of this outrageous behavior. You know the graceful statue of the three female swimmers that stands as the centerpiece of the garden by the west entrance to Memphis Brooks Museum of Art? (The actual location is called the North Holly Court.) Lovely, isn’t it?

Well, sometime during the evening of August 9, 1976, somebody must have thought otherwise, because they hacked the thing to pieces.

Here’s the photo of the ruined sculpture that ran in the Memphis Press-Scimitar. Quite a mess. The newspaper reported, “The statue has a history of controversy. When it was first put in place, critics objected so strongly to the nude figures that the sculptor, Frances Mallory Morgan, was required to put a suggestion of bathing suits on the figures.”

Apparently that was not enough. Luckily, the artist was able to repair the damage, and it’s hard to tell the piece ever looked like this.