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Food & Drink Hungry Memphis

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items

Justin Fox Burks

This damn virus is closing down all of our favorite spots. (It’s for a good reason. I know, I know.) Slide on over to our How to Eat Now section of Hungry Memphis for the latest restaurant closings and to-go information.

The virus is hitting the city’s craft breweries hard, too. Nearly all have closed their taprooms and are offering some kind of to-go options. Here’s a round-up of the latest info from their Facebook pages.

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items (5)

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items (3)

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items

High Cotton Brewing

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items (2)

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items (4)

Coronavirus: Craft Breweries Close Taprooms, Offer To-Go Items (6)

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Cover Feature News

Splashdance: Announcing the Winners of the Flyer’s Beer Bracket Challenge

Meddlesome Brewing Co.’s 201 Hoplar is (once again!) the best beer in Memphis, according to the 1,634 voters in the 2019 Memphis Flyer Beer Bracket Challenge, graciously sponsored by all of the great folks at Aldo’s Pizza Pies.

The Dirty ‘Dova dudes were just getting off the ground when they took home the coveted VanWyngarden Cup last year. They brought the cup back to us during our Match-Up Monday event at Aldo’s at the beginning of this year’s challenge. After a quick trip to C & J Trophy and Engraving, we gave the cup right back to Meddlesome last week during a Facebook Live event. By now, they’ve surely returned the cup to its spot in the Meddlesome taproom, where it will reside for another year.

Meddlesome brewer Ben Pugh

“We’re still blown away,” says Meddlesome co-founder and brewer, Ben Pugh. “It’s crazy. We didn’t expect it the first year. We definitely didn’t expect it in the second year. It’s been wild and humbling.” 

Says co-founder and brewer Richie EsQuivel: “Last year was, like, ‘what the hell?’ I was hoping we could get into the last four this year, but definitely did not think it’d be 201 [Hoplar] again.”

EsQuivel calls 201 a West Coast-style American IPA, “straight up and through and through.” He says new IPAs are “soft and fruity,” while 201 Hoplar meddles with that. (Don’t worry. You’ll see that pun again later on.)

Chris Hamlett and Skyler Windsor-Cummings of Meddlesome with Flyer writer Toby Sells.

“This beer is intended to be kind of aggressive and bitter,” says EsQuivel. “It’s super-pineappley with citrus fruits.” 

We changed up the Beer Bracket Challenge this year. We did away with the four categories — light beer, dark beer, IPAs, and seasonals — and let the breweries choose any four beers they wanted to compete, regardless of style. This made for some interesting matchups. Ghost River’s Grindhouse vs. Crosstown’s Margarita Gose, for example.

In the first round, 624 people cast 3,416 votes. Most of these voters were in Midtown, but there were a surprising number from New York and Massachusetts. Somebody voted in Spain. In round two, 571 voters cast 2,911 votes from as far away as Miami to Bellingham, Washington, a town just outside Vancouver. 

Meddlesome dominated our Final Four with Broad Hammer, 201 Hoplar, and Brass Bellows all taking slots. Memphis Made’s Fireside was the fourth member of the dance.

“Fireside is easy-drinking,” says Memphis Made co-founder Andy Ashby. “It’s super-laid-back, just like Memphis. It’s accessible and easy to fall in love with.”

But it was Meddlesome’s Broad Hammer brown ale and that aggressive 201 Hoplar IPA that went to the title fight. It was a close battle; 201 Hoplar won by only five votes.

Water. Malt. Yeast. Hops.

I’ve made beer for years now. Here’s my latest recipe. 

• Walk into Sweet Grass Next Door.

• Find Bailey (or Dougan, if you must).

• Say, “Bailey, may I have a” and then say the name of a beer they have.

This produces optimal results every time. I get that perfect blend of roast-i-ness, bread-i-ness, hop-i-ness, with a perfect mouth feel and a cold, clean finish. Every. Single. Time. 

Listen, I don’t know shit about beer. I can confidently say that after spending a week visiting the crazy-smart, hardworking brewers at Ghost River, Meddlesome, Memphis Made, High Cotton, Wiseacre, and Crosstown. Those folks know a LOT about beer. 

They can trace a beer style back in time and across a world map, like a genealogist with a family tree. They can trace the ingredients they use back to their literal roots. They can talk about beer and sound like a fanatical foodie and a chemical engineer in the same sentence.

On the Facebook Live stream for our Match-Up Monday event, I said some of the best beer in America is made right here in Memphis. I stand by that. I drink local beer wherever I go, and I always compare it to stuff back home, asking myself, “Is it as good as Traffic IPA, or Tiny Bomb, or Mexican Lager, or Fireside, or Brass Bellows, or Grindhouse?” And no matter what I think, I’m always glad to come home to my Memphis favorites. 

I decided to fix some of my beer ignorance. I talked with brewers about their processes and their ingredients. I broke it down to beer’s four basic elements — water, malt, yeast, and hops. I learned a lot and have a new appreciation for brewers and the beer they make. But I’m not quite smart enough to change up my recipe anytime soon. 

Water

The skies above Meddlesome Brewing are a dark battleship gray. Inside, a heavy quiet lays upon the bar. But through a door and around tall, silver tanks, a gleaming white light exposes a scene that could be a laboratory, a laboratory that smells of bread and plays Alice In Chains over a noisy din of equipment whirring.

It’s a brew day, and the brewhouse is busy. Guys in rubber boots climb steel ladders to open steaming lids on massive silver tanks and check the couplings on long black hoses that snake across the ground, round as a python and tough as a snow tire. After the work of the day and a few weeks to ferment, they’ll have Broad Hammer and McRoy’s Irish Stout. 

“Our [Memphis] water is a fantastic vehicle for our beers,” says EsQuivel. “Beers are 90 percent water. So, it’s obviously super important.” Meddlesome’s Pugh says it takes about eight gallons of that famous Memphis water to make one gallon of beer. But Meddlesome reclaims and reuses much of that water.

EsQuivel says they may adjust the pH of the water and add some salts or acids to it sometimes. But mostly they don’t “meddle” with it, he says in a self-aware, corny dad joke.

Soft rain beats against High Cotton’s taproom windows. The room’s big “BEER!” sign bathes upturned barstools in a soft, yellow glow.

Through two enormous doors, bright lights fall on brick walls above a concrete floor and massive copper-colored tanks. It’s a brew day, and the brewhouse is busy. Guys in rubber boots check gauges and climb steel ladders to open steaming lids on those massive, copper-colored tanks. They’re making a batch of High Cotton’s new Thai IPA and a batch of Scottish Ale. 

“As Memphis brewers, we really don’t have to do anything to the water to make good beer,” says High Cotton co-founder and brewer Ryan Staggs. “We also don’t have to install a super-expensive, water filtration system. Out west, water is super-expensive, but it’s also terrible. A lot of places in California will even have to use reverse osmosis just to get that blank slate that we get right out of the tap at a great price.” 

Water is also the most local ingredient source Memphis brewers can use in their beers. The rest of the main ingredients have to be shipped from specialty sources (for now, anyway). 

Malt

Crosstown Brewing’s massive, yellow logo pops off the side of its massive, gray building. Inside, huge silver tanks sit in neat rows under high ceilings. Those tire-tough and python-thick hoses snake along the floor.

The place is nearly deserted, until two brewers come along, each with a French Truck Coffee in one hand and a pastry in the other. Soon they are busy, making a double batch of Traffic IPA. 

I point to a large bag of something with the word “Canada” written across it. Clark Ortkiese, Crosstown Brewing co-founder and brewer, says it’s their base malt.

The very patient brewers of Memphis explained to me that malt is malted barley, the same grain as in a beef and barley soup. Ortkiese says maybe 90 percent of every beer made in the world is made with a base of malted barley. If you ever see a plant that looks like wheat on a brewery logo, it’s probably barley. 

Brewers will use malt and some other grains for different kinds of beer. The list of all grains used in a beer is referred to as the beer’s “grain bill.”  

Barley is grown and harvested and then sent over to a malter. There, the grain is soaked for a time, dried, and roasted. That roast time will determine much about the beer. Lightly roasted malt will give you lighter beers, a pale ale or a pilsner, maybe. A golden-roasted malt will give you a Scottish ale or an Oktoberfest. A dark roast, of course, will give you darker beers, like a Guinness.

Ortkiese explains that the big Canada bag contains “just plain malt. You can call it two-row or pale malt. It’s a base malt. It’s all that goes into Traffic.” 

Steve Winwood’s “Roll With It” blares over the darkened taproom at Memphis Made. A pallet jack, tools, and sacks of grain spread across the floor where typically sit neat rows of tables and benches. 

By the late afternoon, the brewers are working on their second batch of the day. Back in the lighted brewhouse, they gang around a silver tank, opened at the top and just bigger and taller than a pool table. It’s filled to the brim with what looks like oatmeal. It’s not, of course. It’s that famous Memphis water and that malted barley combined to make a sugary water. One day, that hot, sweet-smelling oatmeal-looking stuff (called a mash) will somehow become an ice-cold Fireside amber ale.

Memphis Made co-founder and brewer Drew Barton says a lot of his company’s grain comes from Germany, but they get some speciality stuff from the U.S., Canada, and England. Outside of water and know-how, you can’t really source a lot of beer ingredients locally, he said. 

“We don’t grow hops around here,” Barton says. “We don’t grow barley around here. There’s no yeast labs around here. At this point, it’s more of the skill set … of the brewer and the equipment you use that’s more important than if you got the ingredients right down the street. The source is important but not the locality of it.”

Yeast

Barton says much can be done along the brewing process to change the flavor components of beer. Yeast, he says, is one the biggest contributors to flavors “that people don’t realize.” And it’s not just the casual beer drinker who doesn’t get it. 

“The most important ingredient in brewing was the last one discovered, because yeast is a single-celled organism that is invisible to the naked eye,” according to All About Beer magazine. “Still, brewers have long known that some unseen agent turned a sweet liquid into beer. Long ago, the action of yeast was such a blessing, yet so mysterious, that English brewers [in the Dark Ages] called it ‘Godisgood.'”

Barton says yeast is vitally important to flavors. “We can have 500 gallons of wort [beer before yeast and fermentation] and split it up into five 100-gallon tanks with five different kinds of yeast in them,” Barton says, “Even though everything started out the same, you’d get five very different beers.” 

Ortkiese rattles off the name of the yeast used at Crosstown — US-05 California Ale yeast — quickly, from the top of his head. But then, his eyes light up as he courses through the history of that yeast strain from a now-defunct California brewery to its rediscovery and “rescue” by Ken Grossman, billionaire founder of Sierra Nevada. 

“I’m guessing here, but I’ll bet half the beers in the United States are fermented with that yeast; it’s just a workhorse,” Ortkiese says. “It’s very neutral. So, it lets all the hop flavors come forward.”

Yeast also gets you drunk. 

Those little fungi eat all that sugar we made with the water and malted barley, remember? It chews it up somehow and poops out — you guessed it — alcohol. Thanks, yeast. You really are the best. 

Hops

But for the gentle hum of some equipment and a hiss of running water somewhere, things are quiet at Wiseacre, relative to the size of its big brewhouse. The brewers are busy, but they’re spread out, working somewhere amid silver tanks that seem two stories tall. Somewhere in here, I think to myself, is an Ananda that I will drink sometime in the future. Weird.

Inside a walk-in cooler, brewer Sam Tomaszczuk pours bright green pellets from a futuristic, metallic-silver pouch. While you might not recognize them in their pelletized form, you’ve seen hops before. Have another look at a brewery logo. You might find a small, green plant the same shape as strawberry. Heck, a hop plant is the central feature of Meddlesome’s logo. 

Hops are little green flowers, cousins to marijuana. Brewers primarily use hops to bitter beer, to balance out that sweetness from that sugary barley water.

“There are a lot of beers that are quite hoppy out there that aren’t bitter at all,” Tomaszczuk says. “We have people who say they don’t like a hoppy beer and then we have them try something like Adjective Animal. It’s 8.6 percent alcohol … so it has a lot of sugars to it. It’s actually kind of sweet, compared to some of our other beers. So, when people try that, they tend to like it, even thought that’s a ‘hoppy beer.'”

Tomaszczuk pours those green, pelletized hops into a the steaming hole of a massive silver tank. In a few weeks, it’ll be a Hefeweizen, a light wheat beer, just in time for spring. 

Chunky, heavy-metal guitar riffs blend somehow over the hiss, clatter, and conversation spilling out of the open bay door of Ghost River. It’s a canning day, and the brewers are canners for the day. 

A pallet of naked, empty, silver cans glide from their stacks in satisfying single file through a machine that would make Willy Wonka smile. The cans are filled four at a time, sealed with a lid, twirled with a label, and six-packed by hand. It’s the very first time Ghost River has canned its new Grind-N-Shine, a light cream ale with coffee and vanilla. The beer is cold, and the freshly filled cans sweat in the tropical brewhouse environs. 

Back in the quiet of the taproom, Ghost River head brewer Jimmy Randall explains that it was “time to move forward.” Ghost River replaced its 1887 IPA with Zippin Pippin, and hops were a big reason why.

“We really wanted something … that would reflect those flavors that you get in IPAs and the hop profile was a big one,” Randall says. “We wanted to give it those big, up-front hops, the aroma, the flavor of them. So, we changed the way we hopped the beer completely.”

Add hops to the end of the boil, Randall explains, the more aroma you’ll get. Boil them longer, you’ll get a more bitter beer. Add hops at the end, you’ll get different flavors. And the types of hops you use will change everything. 

“So, take your Centennial hops, for example, which are kind of your classic, American IPA hops,” Randall says. “Bells Two Hearted IPA? That is 100 percent Centennial hops.”

Mosaic hops will give you juicy, tropical-fruit flavors, he says. Citra will give you citrus flavors.  

Get Crafty

There are about 100 craft breweries in Tennessee. About two dozen of those are in Nashville. Knoxville has 15 along its “Ale Trail.” 

The craft beer scene is still fairly new in Memphis. Boscos was Tennessee’s first brewpub, opening in 1992. Ghost River opened here in 2007. We’re now about five years from the Great Craft Awakening of 2013, the year that saw High Cotton, Wiseacre, and Memphis Made open. Since then, the city has added Meddlesome and Crosstown, each of which has been open for just more than a year. 

The Memphis scene isn’t small. It’s right-sized, and more is on the way. We’ll hopefully see Grind City Brewing in next year’s Beer Bracket Challenge. They’re planning to open in July. Plans to open Soul & Spirits Brewing in Uptown were revealed last week. There are more breweries coming, I’m told, but nothing we can report just yet. 

Until then, support your local craft brewers. Go drink a beer. And feel free to use my recipe.

Categories
Food & Wine Food & Drink

Flyer “Beer Bracket Challenge” Down to Final Four

The whole thing started a few years ago, when Flyer associate editor Toby Sells blindfolded himself to pick the match-ups for the Flyer‘s first Beer Bracket Challenge. It was all kind of a goof that first year, replete with a “trophy” made from an old ice bucket that editor Bruce VanWyngarden found in his garage. Now, the Beer Bracket Challenge has morphed into a lineup of 24 local beers from five breweries going toe-to-toe against each other for votes from Flyer readers. It is a friendly competition, but it is a competition — and these Memphis beer gurus want to win.

For the more casual craft beer fan, the Beer Bracket Challenge, assisted by some delicious pizza at Aldo’s Pizza Downtown, where this year’s seeding ceremony took place, is one of the best ways to take the aimlessness out of your tour of the booming Memphis craft beer scene. Sure it’s fun to simply toss a ball idly into the air on a lazy day, but sinking it through the hoop when there is a mob trying to stop you is just more fun.

There are four divisions in the challenge. The “Tapped Out” division was seeded with two big winners from last year, Meddlesome’s 201 Hoplar and one of my long time go-tos, Wiseacre’s Ananda — two IPA heavyweights in a town that loves its IPAs. In the first round of voting, 201 Hoplar beat out Midnight Magic, a German Black Ale from Memphis OB (Original Brewer) Ghost River. Ananda lost out to another Meddlesome entrant, Dirty Dova. This was a little surprising, but as beers go, Dirty Dova, a crisp and refreshing double IPA, is a winner. In fact, it may go down a little too easy; its 8.5 percent ABV makes it a brew on a mission. Get a Lyft home.

In the “Perfect Pour” division, Wiseacre’s Tiny Bomb lager beat out another top seed from last year, High Cotton’s Thai Pale Ale, making it to the third round, where it was voted out, losing to Memphis Made’s Fireside, a malty roasted Red Ale.

In the “Drafted” division, Meddlesome continued its winning streak, as its Broad Hammer American Brown Ale edged out Memphis Made’s Cat Nap IPA. Broad Hammer then went on to beat out Crosstown’s Siren Blonde Ale in the next round and, then, finally, steal a win over Wiseacre’s Regular Pale Ale to make the Final Four.

Over in the “Frosty Mug” division, Wiseacre’s coffee stout (and nearly guaranteed hangover cure) Gotta Get Up to Get Down, beat out Plaid Attack Scotch Ale, another perennial favorite from Memphis Made. Gotta Get Up was beaten in the next round by this year’s Cinderella story, Meddlesome’s Brass Bellows, a great blonde ale. For the record, Brass Bellows had some fearsome competition from long-time favorite Ghost River Gold, followed by a close contest with High Cotton’s Mexican Lager, a sort of cosmic ideal of Corona.

The Beer Bracket Final Four for 2019: 201 Hoplar, Broad Hammer, Brass Bellows, and Fireside. The big winner in the tourney has been Meddlesome Brewing. If not exactly the new kid in class, they are certainly not the old guard either. Their tap room, out near the end of Shelby Farms, might be a bit out of the loop, but their beers are hard to ignore.

Final Four voting ended at press time. We know that Meddlesome will take home our Beer Bracket Challenge Cup. But to find out which beer won, you’ll have to check next week’s Flyer.

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We Recommend We Saw You

Stax, Bigfoot, Cornhole Challenge and More!

MIchael Donahue

Heart Full of Soul at Napa Cafe

Instead of playing bass, Andre Banks reclined in a restaurant booth.

It was his foot.

“I popped it out of place playing basketball,” he says.

And, he says, “It’s really swollen.”

He couldn’t stand up and play, but he was on hand to lend moral support to his fellow Stax Music Academy performers who played at Heart Full of Soul, the annual fund-raiser at Napa Cafe. The benefit for Stax Music Academy, which was founded by Napa Cafe owner Glenda Hastings, was held Nov. 11th.

The four-course meal included “The Tribute to Johnnie Taylor” (tempura goat cheese salad), “The Music of the Staple Singers” (seared sea scallop with melted leeks and peas), “The Soul Explosion” (shrimp and grits), and “The Music of Isaac Hayes” (braised beef short ribs, lentil stew and mashed potatoes).

Veronica Hayes and Nikki Hayes McGee, daughters of the late Isaac Hayes, were among the guests.

“Glenda Hastings put on a fabulous event honoring Stax legends,” Hayes says. “The students, under the direction of Paul McKinney, were beyond perfect and engaging. The tribute to my dad brought me and my sister Nikki Hayes McGhee to tears. It was an evening filled with great food, wine and entertainment. It doesn’t get any better than that.”

Michael Donahue

Nikki Hayes McGhee and Veronic Hayes – daughters of the late Isaac Hayes – were at Heart Full of Soul.

Michael Donahue

Andre Banks at Heart Full of Soul.

Michael Donahue

Heart Full of Soul

……….

Michael Donahue

Caitlin Motte, Dr. Brad Somer and Jason Motte at Memphis Cornhole Challenge.

If you don’t know how to play cornhole, think bean-bag toss.

Two teams throw the bean bags at holes in a board 27 feet away. If they go in the hole, they score points. And you have to get to 21 or win by two points.

I attended the seventh Memphis Cornhole Challenge, which was held November 10th at The Columns.

The event was hosted by former Major League baseball player Jason Motte and his wife, Caitlin on behalf of the Jason Motte Foundation, which benefits people affected by all types of cancer.

This year’s event raised $47,000 for the West Cancer Center.

MIchael Donahue

Kevin Harlow wore a Bigfoot on his head.

…………….

Michael Donahue

Kevin Harlow

The second annual Memphis Bigfoot Festival, held November 19th at Memphis Made Brewing, is the city’s celebration of Sasquatch, a tall, hairy primate that reportedly exists in Canada, northwestern United States, and maybe even in the Mid-South.

About 300 attended the event, which included trivia, videos, T-shirts, panel discussions, and a costume contest.

Kevin Harlow wore a cap with a Bigfoot head on the back.

“I made this hat out of a golf club head cover,” he said. “I took it off and stitched it on.”

Is Harlow a believer? “No, I don’t believe in Bigfoot. But I’m here because it was a beer festival and we didn’t have anything to do.”

I asked Mark Ramsay and Betsy Prendergast why they were at the Bigfoot Festival.

“Half of us are here ironically,” Prendergast said.

“And the other half not ironically,” Ramsay said. “And we’re all happy here together.”

………………………………
Michael Donahue

Melanie Pafford at Howl at the Moon. Melanie, along with her husband, Kent, are founders of Streetdog Foundation,

Grape, The Strayz, Shufflegrit, The Handy Band, and DJ Tree provided music to accompany guests who wanted to howl at the moon at the sixth annual Howl at the Moon fundraiser for Streetdog Foundation. It was held November 10th at The Warehouse.

A total of 1,000 people attended the event, which raises about 70 percent of Streetdog’s operating budget for the year.

……………..
Michael Donahue

Elizabeth Mall and Trace Austin at Ave Maria Home’s annual Wine Tasting and Art Show,

Almost $10,000 was raised at Ave Maria Home’s annual Wine Tasting and Art Show, which was held November 18th.

A total of 150 people attended. Wines were from Bill Lucchesi of Empire Distributors and food from area restaurants and food purveyors.

Art was from about 40 local artists.

Proceeds will benefit programs and services for residents of Ave Maria.

Michael Donahue

Connie Dismukes at Ave Maria Home’s annual Wine Tasting and Art Show,

Proceeds will benefit programs and services for residents of Ave Maria.

Michael Donahue

Ave Maria Board Member David Dahler and Amy Dahler with Frank Gattuso

…………………

Michael Donahue

Memphis Blues rugby team captain John Elmore attended the Memphis Rugby Hall of Fame dinner with Chloe Johnson.

Dr. Wally Dyke, Jimmy Fant, and Marc Holley were inducted into the Memphis Rugby Hall of Fame at a dinner, held November 14th at Germantown Country Club.

The Memphis Rugby Foundation hosted the event. Guests included anyone who has been involved in or supported Memphis rugby over the years. And that included friends and fans.

Michael Donahue

Memphis Blues player Chris Lemons was at the Memphis Rugby Hall of Fame dinner.

Michael Donahue

Memphis Blues players Daniel Hyatt and Rob Reetz were at the Memphis Rugby Hall of Fame dinner.

Fara Captain

Orphan’s Thanksgiving a. k. a. Funky Socks party

Speaking of rugby, Memphis Blues player Chris Claude and his wife, Fara Captain, held their Orphans Thanksgiving a.k.a. Funky Socks party on Thanksgiving at their home.

The invitation read, “Wear your funkiest socks (since we have a leave your shoes downstairs rule).”

This was a “new version” of their Orphans Thanksgiving, which is a tradition for their friends who don’t have family nearby to celebrate the holiday with, Claude says. They ask people to bring a dish from their traditional family Thanksgiving. “You get to experience a little bit of everybody’s Thanksgiving,” he says. “Different stuffings. Different side dishes. Different pies.”

The “Funky Socks” idea came about because at past events people were asked to leave their shoes downstairs. “People felt awkward about their socks. Some people had holes in their socks. We said, ‘Why not next time do it as a ‘funky sock’? Make sure everybody has socks that are okay to show everybody. Make sure everybody has socks that are fun to see.”

So, what kind of socks did Claude wear? “I had my Father’s Day socks my wife gave me, which had a picture of my daughter on my socks and said, ‘I love you Daddy.’”

………….
Michael Donahue

Zach Thomason, Jimmy Gentry, David Krog and Keith Clinton at Gallery 7 dinner.

Multi-course meals sometimes can be long and tedious, but the Gallery dinner I participated in at the new P.O. Press restaurant in Collierville was a lot of fun. Great group of people at the event, which was held October 21st. These are the dinners hosted by chef David Krog and his wife, Amanda. Helping him in the kitchen were the restaurant’s chef Jimmy Gentry and Zach Thomason and Keith Clinton.

The dinner included scallop with mustard seeds and speck smoke and shrimp mousse and duck breast confit. Dessert was a vanilla panna cotta. I could have eaten three or four more of them.

The next one will be held in January at 64 South Main, Krog says. 

Michael Donahue

Carol Ann Jordan and Daniel Szymanek at Gallery 7 dinner.

Michael Donahue

MIchael and Britney Christie at Gallery 7 dinner.

Categories
Music Music Blog

Gonerfest 15: Friday

Day two of Gonerfest 15, the annual celebration of punk, garage, and other off-kilter forms of rock, took place in two locations: at Memphis Made Brewing, during the afternoon hours, and Hi Tone on Cleveland late into the night. The daylong festivities featured a songwriter session from Harlan T. Bobo, psych-blues-punk from Chicken Snake, the dark and deranged disco extravaganza of Cobra Man, and a breakout performance from indie-pop band En Attendant Anna. 

Gonerbraü by Memphis Made

Memphis Made produced a limited cream ale, the Gonerbraü, to commemorate this year’s festival. The light, fizzy beer seems like the best bet to help get into the Gonerfest spirit, so, Gonerbraü in hand, I weave my way through the crowd to the small stage on the back patio of the Cooper-Young-area brewery and catch Harlan T. Bobo’s acoustic set.

“I wonder if there are many people who get engaged at Gonerfest,” Bobo muses. “Or get divorced at Gonerfest — or at least because of Gonerfest.” The crowd laughs, and Bobo begins playing “I’m Your Man,” a love song from his 2007 album of the same name. Gone is the demented showman who, backed up by a full band, closed out the festivities sometime after 2 a.m. the night before, and in his place is an indulgent father, a humorist, and a day-drinking, guitar-wielding teller of truths.

Bobo jokingly tries to calm a crying child hiding beneath the wooden stairs, tossing a rolled-up T-shirt down to the kid in an attempt to distract him. Then he brings guitarist Jeff “Bunny” Dutton onstage to add commentary to a song Bobo wrote about Dutton, who so ably backed him up on lead guitar the night before. “He don’t drink water and he don’t eat. He lives off alcohol and nicotine,” Bobo sings as Bunny smiles and nods, unable to contest his bandleader’s claims. The crowd laughs, and the kid beneath the stairs is busying himself dragging a plastic chain around. Later, the same little boy will run haphazardly up and down the loading ramp in front of the venue, narrowly avoiding spilling my Gonerbraü.

Out front, New Orleans-based Chicken Snake take the stage, ripping into a swampy, blues-inspired punk set. The drummer sports a goth-glam mane as she attacks the drums with a frenzy. Sneering, strutting guitar licks call to mind the pioneering work of The Sonics or Roky Erickson. “Baby, don’t you give me them walkin’ blues,” the singer implores.

Jesse Davis

Cobra Man

Later, back at the Hi Tone, L.A. synth duo Cobra Man blends seemingly disparate elements of punk and disco, crafting a spooky dance atmosphere. Their sequined jackets flash in the green lights. During the rising energy of the repeated line, “I want it all,” audience members begin crowd surfing. By the time the singer begins chanting, “I’ve been living in hell with you,” Goner fans are taking turns clambering aboard a large wooden plank and riding it like a surf board across the waves of outstretched hands. The lights change to red, and the rhythm shifts into cut time. The Goner fans dance, revelers in a disco of the damned. Cobra Man’s set is wild and dramatic, and I hope the next band can top it.

French indie-rockers En Attendant Ana follow the depraved rave that is Cobra Man, and far from being overshadowed by the L.A. disco duo, the Parisian quintet make their set look easy. Their Gonerfest performance marks the end of a two-and-half-week U.S. tour in support of the band’s debut album Lost and Found, out on Trouble in Mind. Their tour has taken them through Cleveland, Chicago, Milwaukee, and Boston, landing them on the main stage at the Hi Tone. They begin, and a wave of jangly guitars and trumpet blasts washes over the crowd, prompting an immediate reaction, as the collected bodies begin to move to the beat. The young indie-rockers ride the wave, all clean guitars, synths, and breathy, urgent vocals, before crashing to a halt.  

Jesse Davis

Margaux Bouchaudon of En Attendant Ana

A smile tugs at the corners of singer and guitarist Margoux Bouchaudon’s lips as the crowd cheers their support. Grinning, she ducks her head as lead guitarist Romain Meaulard introduces the next tune in a thick French accent. En Attendant Ana’s music sounds like euphoria feels. It’s bright and optimistic, like the ideal soundtrack to kick off a road trip. The clean guitars, trumpet, and dreamy rhythms call to mind Belle & Sebastian or Camera Obscura, but there’s a punk urgency that adds an edge the Scottish indie-pop legends lack. The Parisian quintet’s set seems to pass in an instant of pop nirvana. “This could be the end, oh, this could be the end,” Bouchadon sings on “This Could Be,” backed up by Meaulard and by vocalist/guitarist/trumpet player Camille Fréchou. The song is insistent and anthemic, and I don’t want the lyrics to be true. I hate for the set to end.

I catch three or four songs by New York-based Surfbort, a pure punk explosion, all alcohol-sweat and frantic guitar wrapped in a revealing bodysuit. They’re Gonerfest gold, but I can’t get En Attendant Ana out of my head, so I make tracks toward the merchandise room to find the band and ask them about their tour. I find Fréchou and Bouchadon, who are game for a quick interview.

“We’ve been [in Memphis] for six or seven hours, but tomorrow we stay all day long,” Bouchaudon says. She’s wearing a flowing red coat she bought on tour, and she and Fréchou lean close and speak into my recorder. “This will be the first town in which we can relax and visit. We want to go to Sun Records,” Bouchaudon says. “I would like to go to Graceland,” Camille Fréchou adds, “But I don’t think we are going to.” “Non,” Bouchaudon interjects emphatically. “I will go to Graceland, and you will come with me.” The nearly three-weeks-long tour marks the band’s first time in the U.S. “Every day was like, ‘I’m going to move here,’” says Fréchou, who assures me that Americans have been “really friendly.”

Jesse Davis

En Attendant Ana

En Attendant Ana recorded an EP to tape two years ago, releasing a limited run on cassette, which caught the attention of Canadian label Nominal Records. “[They] asked us if we were okay to release the EP on vinyl, and we said ‘Yes!’” Bouchaudon says, emphasizing the affirmative. The group then recorded their full-length debut, Lost and Found, which they released on Trouble in Mind. After a successful tour with label-mates (and fellow Gonerfest 15 performers) Ethers and a day and a night spent being “the best tourists ever,” Bouchaudon says the band will “go back to France, [and] go back to work.” She says they will spend some time playing in the West of France before getting down to the business of a follow up to Lost and Found. “And then we’ll have some time to make new songs,” she says. “And a new record. And another, and another,” Fréchou chimes in. Personally, I hope Fréchou is right. After only one concert and a brief conversation in the alley behind the Hi Tone, I’m already looking forward to the band’s next release and U.S. tour. Gonerfest 16, maybe? We can only hope.

Jesse Davis

Oblivians

I make it back inside in time to catch The Oblivians, Gonerfest royalty, who deliver their raunchy garage-rock excellence to a packed mass of sweaty music fans. After two days of nearly nonstop music, I settle in to enjoy the show. The rhythm section is tight and powerful. The guitar tones are crunchy and snarling, as befits a late-night set helmed by Jack Oblivian, star of Memphis filmmaker Mike McCarthy’s psychedelic punk odyssey, The Sore Losers, screening Sunday afternoon at Studio on the Square. With two days of Gonerfest memories fresh in my mind, I relax, thankful for the 15-year-old festival that brings so many diverse and distant musical experimenters to the Bluff City.

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Food & Drink Hungry Memphis

Two Great Beers, Two Great Causes

John Klyce Minervini

Church Health Center’s Marvin Stockwell and Citizens to Preserve Overton Park’s Jessica Buttermore enjoy craft brews for a tasty cause.

I’ve heard it said that Memphis is the biggest small town in America. To judge from the beer, I think it might be true. This weekend, Memphis Made Brewing debuted two craft beers, each tied to a local event and an important cause.

The first is Rocket #9, an IPA that will be served over the weekend at Church Health Center’s 9th annual Rock For Love concert series. (click here to see the complete schedule)

Where flavor is concerned, Rocket #9 is understated and oaky. Made with Pacific Gem Hops from New Zealand, it’s a contemplative pale ale with notes from the forest floor. Perfect for a late-night conversation, or unwinding after a punk rock concert. Pezz, anyone?

John Klyce Minervini

Memphis Made’s Rocket #9 IPA will be served this weekend at Rock For Love.

The cause is even tastier. For 28 years, Church Health Center been providing low-cost health and wellness care for the working uninsured. Today, more than 60,000 people in Shelby County are counting on them.

“We’re helping this city get healthy and stay healthy,” says CHC communications director Marvin Stockwell. “And one of the ways we do that is by taking care of Memphis’s hardworking musicians.

“What an amazingly generous group of people,” he continues. “Not to mention, they make the best music in the world. I mean, come on. You can’t go wrong with that.”

This year, in addition to a badass music lineup, Rock For Love will feature a dunk tank, a comedy showcase, and a pop-up fitness park. So drink a beer already! It’s for charity.

The second craft brew is Memphis Made’s Greenswarden. It will be served this Saturday at Get Off Our Lawn’s Party for the Greensward, which features a great lineup of local bands.

Here’s the issue. The City of Memphis allows the zoo to put their overflow parking on the Greensward (the big field in Overton Park, the one by Rainbow Lake). They’ve been doing it for about 20 years. But Citizens to Preserve Overton Park (CPOP)—the group behind Get Off Our Lawn—say they’ve had about enough. 

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John Klyce Minervini

Memphis Made’s ‘Greenswarden’ hefeweizen will be served at Saturday’s Party for the Greensward.

“It’s public land, and they’re making a profit off it. We think that’s wrong,” says CPOP president Jessica Buttermore. “They’re not planning for their parking needs. Instead, they’re dumping it on the city and the surrounding neighborhood.”

“Our mission is to protect the park,” she continues. “As public land, it should be free for us to use.”

As a hefeweizen, Greenswarden is slightly cloudy with a balanced, fruity flavor. Don’t laugh: at my tasting, we even thought we detected notes of bubblegum. Only we couldn’t decide which one. Bubblicious? Fruit stripe?

“I don’t know if I would go brand-specific,” cautions Memphis Made co-founder Andy Ashby. “I guess I don’t really chew enough gum to pin it down.”

As for Memphis Made, Ashby says brewing beers for important local causes is right in the brewery’s wheelhouse.

“We’re not like these big breweries,” Ashby says. “We can’t make it rain t-shirts and coozies. But one thing we can do is make a beer for a cause we believe in.”

John Klyce Minervini

Memphis Made Brewing co-founder Andy Ashby

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Food & Drink Hungry Memphis

Sprouts’ Opening Date, Rockbone Beer, etc.

• Opening date for the Sprouts Farmers Market in Lakeland has been set for May 13th, 7 a.m.

Sprouts will employ about 100. Info on jobs: sprouts.com/careers.

The store’s motto is ““Healthy Living for Less.”

Memphis Made has announced that its new Rockbone IPA will hit the bars and stores tomorrow. 

Joy Bateman will sign the latest in her “Art of Dining” series, The Art of Dining in New Orleans tonight at 6:30 p.m. at the Booksellers at Laurelwood. 

Categories
Food & Drink Hungry Memphis

Live on the Scene at the First Annual Taste the Flavors Brew Festival

John Klyce Minervini

On Saturday, the Sickle Cell Foundation of Tennessee hosted the first annual Taste the Flavors Brew Festival.

Last year, Ghost River Brewing co-founder Chuck Skypeck raised a few eyebrows when he suggested, in an interview with the Commercial Appeal, that Memphis might not be able to sustain its new crop of craft breweries.

His reason? Black people don’t drink craft beer.

“There are about a million people in the Memphis area, Skypeck began. More than 60 percent of them are African-Americans who…largely prefer higher-end alcohol (if any alcohol at all) to beer.”

Oh really?

I decided to run that comment by Trevor Thompson. Besides being black and loving craft beer, Thompson is the CEO of the Sickle Cell Foundation of Tennessee. On Saturday night, his organization hosted their first annual Taste the Flavors Brew Festival. Held at Just For Lunch, the event gave Memphians a chance to sample delicious local brews while raising money for those who suffer from Sickle Cell Anemia.

John Klyce Minervini

From left: Steven Whitney and Trevor Thompson

“Really, it all goes back to exposure,” said Thompson, sipping from a glass of High Cotton ESB. “I think it’s true that African Americans have historically participated in the craft beer movement at lower rates. But already tonight, I’ve had two people come up to me and tell me how much they love this beer or that beer.”

For those who don’t know, Sickle Cell Anemia is an inherited blood disease that primarily affects people of African and Caribbean descent. One out of every 350 Memphians has sickle cell, and the crowd at the event—which numbered about 150—was equal parts black and white.

When I caught up with Claire Gentry, she was enjoying a cup of Ghost River’s Honey Wheat Reserve.

“I’m usually a light beer kind of person,” confessed Gentry. “You know, Bud Light, Miller Lite, Michelob. But I liked it! It wasn’t heavy at all, and it was kind of sweet.”

Taste the Flavors featured three Memphis breweries—Ghost River, High Cotton, and Memphis Made—plus a few beers from farther afield—notably Schlafly and Lagunitas. And hey, what’s beer without some food to wash it down? Texas de Brazil was serving steak, and Aldo’s Pizza Pies brought some of their addictive garlic knots with vodka cream sauce.

The event was conceived and chaired by Steven Whitney, an enterprising 23-year-old at the University of Memphis. Whitney, who works with sickle cell patients at St. Jude, says he has always had a passion for craft beer. Combining those interests gave him an opportunity to help introduce craft beer to Memphis’s black community and while helping sickle cell patients in the process.

“Craft beer is blowing up here in Memphis,” says Whitney. “So I figure, let’s knock down the walls and bring everybody in. I mean, why not? It’s a huge untapped market.”

John Klyce Minervini

The event gave Memphians a chance to sample delicious local brews while raising money for those who suffer from Sickle Cell Anemia.

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Sing All Kinds We Recommend

Guitar Attack IPA Hits Shelves Tomorrow

Guitar Attack IPA Label artwork by Jeff Mahannah

  • Guitar Attack IPA Label artwork by Jeff Mahannah

Goner Records has officially entered the craft beer game. After being the premier indie label in Memphis for over 20 years, the folks at Goner decided to team up with Memphis Made Brewing to create the “Guitar Attack IPA” named after the Sector Zero song “Guitar Attack”. Sector Zero features Goner co-owners Zac Ives and Eric Friedl, and the beer’s label artwork was done by Jeff Mahannah, the artist behind the Goner Fest 11 poster. The IPA hits shelves tomorrow (Friday), and will also be available at the following establishments, as well as Goner Fest 11:

-Cashsaver
-Tamp & Tap
-DKDC
-Joe’s Wine and Liquor
-Kimbrough Liquor Store
-Raffe’s Deli and Beer Garden
-Busters
-The Corkscrew

Brewing the Guitar Attack IPA

  • Chris Shaw
  • Brewing the Guitar Attack IPA at Memphis Made.

Goner Records and Memphis Made Brewing will also be unveiling the “Goner Blue Ribbon” beer soon, which will be available on draft only. The Guitar Attack IPA will be sold in 24 oz bottles.