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We Saw You: “Memphis” Wildsam Field Guide, Power Players 2022

Well, if my head could get any bigger with all this hair, my inclusion in the Wildsam Field Guide titled Memphis and all the compliments I’ve gotten because of it is sure to make that happen.

So, I made sure I announced to guests at the “Wildsam at Stax” party, held April 21st at Stax Museum of American Soul Music, to look for me in the book.

“We had the party to showcase who was inside the Wildsam Memphis guide, and also celebrate the launch of that book,” says the book’s editor, Hannah Hayes.

From left: Robert Gordon, Hannah Hayes, and Jesse Davis at the Wildsam party. (Credit: Michael Donahue)

“The company is Wildsam Field Guides. And we have over 50 guides to American cities, regions, and national parks. Memphis is our newest one in the series. Our field guides try to give our readers a deeper sense of places, is what we say.”

And, she adds, the book is all about “understanding a place as well as enjoying it.”

Tara Stringfellow and Jesse Davis at Wildsam party. (Credit: Michael Donahue)
Lauren and Marshall Newman with baby in tow and Chancey and Tread Thompson were at the Wildsam party. (Credit: Michael Donahue)

I asked what city will be next. “Oxford, Mississippi, is our first small town guide we are doing,” Hayes says. “The Southern California coast is one I’m working on.”

I also asked why they chose Stax as the party location. “Well, I mean, Michael Donahue, why wouldn’t we?”

One, reason, she says, “We wanted to have it in a place that means a lot to Memphis history and to the city’s future.”

Memphis Flyer editor Jesse Davis interviewed me for the book. I gave him enough information for a 30-volume encyclopedia.

Filmmaker Robert Gordon and novelist Tara Stringfellow, who recently released her debut novel, Memphis, contributed essays to the book.

And I love the illustration Maggie Russell did of me. Hair and all.

Wildsam party. (Credit: Michael Donahue)
Wildsam party (Credit: Michael Donahue)

They’ve Got the Power

From left: Jon W. Sparks, Debbi and Richard Ross, Linn Sitler, and Denice Perkins at the Power Players reception. (Credit: Michael Donahue)

I hopped back from the “Wildsam at Stax” party to catch the rest of Inside Memphis Business magazine’s “Power Players 2022” reception, held April 21st, at Folk’s Folly Prime Steak House because I didn’t want to miss any of the guests. I did miss Pat Kerr Tigrett. When I arrived, guests were still talking about her red-feathered gown.

But there were still a lot of powerful Memphis people in that room. With apologies to Snap, they’ve “got the power.”

From left: Amit Kanda, Dan Weddle, Sridhar Sunkara, Ashly Ray-Fournier, Anna Traverse Fogle, and Samuel X. Cicci at Power Players reception. (Credit: Michael Donahue)
Ruby Bright and Jeffrey Goldberg at the Power Players reception. (Credit: Michael Donahue)
Ross Meyers (left) and Steve Ehrhart at the Power Players reception (Credit: Michael Donahue)

At one point, I was told there was a power failure at the restaurant. Without skipping a beat, Dr. Isaac Rodriguez, co-founder and chief science officer of SweetBio, suggested a reason: “Too much power in one room.” Rodriguez was one of the powerful guests.

Dr. Isaac Rodriguez and Aarthi Kalyan at Power Players reception. (Credit: Michael Donahue)

IMB editor Samuel X. Cicci said that the April issue of Memphis magazine, which featured this year’s Power Players, listed “the folks who make things happen in Memphis, from top executives to specialists in a wide range of areas that keep this city and its economy alive.”

More than 500 Power Players were included this year.

From left: Randy Hutchinson, Kelli de Witt, Brandon Ingram, and Darrell Cobbins at the Power Players reception. (Credit: Michael Donahue)
Mark Goodfellow at the Power Players reception. (Credit: Michael Donahue)
Buddy Chapman (left) and Michael Detroit at the Power Players reception (Credit: Michael Donahue)
From left: Helen Bird, John Monaghan, and Chris Bird at the Power Players reception. (Credit: Michael Donahue)
We Saw You
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Music Music Blog

Overton Park Shell Archives Now On Exhibit

In light of the Overton Park Shell’s recent rechristening and Memphis magazine’s concurrent dive into the Shell’s history, “The People’s Stage,” let it be known that one fount of knowledge on the topic is the Overton Park Shell itself — especially now, as final preparations are made to open the backstage rooms to tours. With the office walls, greenroom, and other areas now bedecked with a freshly curated display of Shell-related materials, the performers, crews, and visitors can better know the significance of the bandstand as they walk its floors. Those backstage spaces – at various times open to all, shelter for some, or V.I.P.-only – now pay tribute to those who performed there in what’s now known as the Connie Abston Archive & History Exhibits at the Overton Park Shell.

(Credit: Cole Early)

The backstage reboot was masterminded by Cole Early, the Shell’s video crew director and, lately, archives volunteer. Judging from the detailed, polished display, it’s been a labor of love for all the volunteers, and now Early has further plans for the space. “We’re going to start partnering with Memphis Mojo Tours. They already offer a Stax Museum add-on and a Sun Studio add-on. Well, this will be an add-on as well. The guided tour will start out here on the stage, and we’ll give people an idea of what the park’s all about.”

Artist Kirsten Sandlin prepares the exhibit. (Credit: Cole Early)

As a practice run for such a tour, Early walked me through the exhibit areas, starting with the stage itself. Being the site of Elvis Presley’s first public performance, a great many visitors would likely come here for the stage alone. That is where tours will begin. “Since we’re a concert venue, I’ll also take the time to sprinkle in some production terms, just to educate people about the concert industry,” said Early. “And we’ll talk about the acoustics of the Shell. And that it was established in 1936. The tour will then come inside here.”

With that, he led me through one of the center stage doors to the foyer, its walls emblazoned with a statement from its founding day. “During the dedication, the mayor said ‘This is a pledge to the future of music in Memphis.’,” Early said. “This section will cover that and the importance of the WPA to the arts. The importance of Overton Park in the national sense. What was here before the Shell, then the early shows there, like M.O.A.T. [Memphis Open Air Theater], Music Under the Stars, things like that.”

An Overton Park Shell program, ca. 1954 (Image courtesy Shell Archives)

He points to a playbill for one of the acts who started it all: Ralph Dunbar and His Bell Ringers. “He was important,” Early noted. “Before the Shell, it was a natural bowl and they had all kinds of stuff. During the early Depression, before the Shell was built, this cat started doing dirt floor productions out here. And Marion Keisker was a teenager who appeared in the first production; then twenty years later, she worked at Sun and recorded Elvis.”

It’s a beguiling thread of history, leading naturally to a section on Presley’s apprearances at the Shell, starting with a quote from the singer. “That’s what he said, ‘When he was shaking his hips he didn’t know what was going on.’” Early points out. “So this will be all about the ’54 show. And this will be the ’55 and ’56 shows. Blues will be here. And what I just call the classic rock era for shorthand, from the early ’70s will be here. Over here will be the period after the fence came down, the late ’70s. People like Joyce Cobb and the Bluebeats and Keith Sykes. That era.”

Altogether, the different images and plaques cover everything from Johnny Cash’s 1955 appearance, to Black Sabbath’s terrifying and brief appearance (see below), to the Save Our Shell movement that carried the structure into the 21st Century. Portraits of luminaries who have performed there, painted for the exterior in 1999, now hang in both of the larger rooms.

From there, tribute is paid to many more performers in a rotating photography exhibit that brings the exhibit up to the current era. “The theme of this area is ‘Keeping the Pledge – The Next Generation at the Shell,’” Early said. “So you’ve got Lisa Marie Presley, Rosanne Cash, Rev. Robert Wilkins’ son, John Wilkins’ family, the Rufus Thomas family, Shardé Thomas, the Sons of Mudboy.

Cole Early (Credit: Alex Greene)

“And this next section is called ‘Crossing Over,'” Early continued. “Honoring those Levitt Shell era artists we’ve lost since 2008. Unfortunately, we’ve got to add Tim Goodwin and Howard Grimes. And there’ll be more over time. These are all by Andrea Zucker. She’s been taking pictures since day one here.

“I’ve been working on it for 2 1/2 years,” he added. “I just happened to find the poster of the New Moon, New Era show with ‘ZZ Tops’ misspelled on it. Sid Selvidge and Jim Dickinson are among the listed acts — a sweet poster by Randall Lyons. So I found that, and then started finding other stuff.”

As do visitors to the exhibit now, as one image or artifact after another pulls you in deeper. “One of my favorites is this photo of Steve Cropper, and you see the edge of the Shell with him on his Telecaster,” Early said. “Marcia Hare, who held the umbrella over Furry Lewis in the documentary, Memphis ’69, donated her sunglasses.” Even ticket stubs have a place in this exhibit, I found, as we returned to the ‘classic rock’ section.

“Black Sabbath played here twice,” Early explains, “the Paranoid tour and the Masters of Reality tour. And during the Masters of Reality tour, some guy in a trench coat cut himself and started writing stuff in blood everywhere. The band was 20 minutes into their set and got all creeped out and left. Tony Iommi kicked over his amp and walked off. And we found a guy who took a picture during those 20 minutes. So we have blown up that image, with the ticket stub. It’s pieces like that, that are Shell-specific, that I’m thrilled to death to have.”

Black Sabbath at the Shell (Photo credit: Fred Sheron; Ticket stub: Kim Brakefield)

Visit www.overtonparkshell.org for details on touring the Connie Abston Archive & History Exhibits at the Overton Park Shell.

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News News Blog

Marjorie Hass to Leave Rhodes in August

Justin Fox Burks

Dr. Marjorie Hass

Rhodes College announced today that Dr. Marjorie Hass will depart her role as college president this summer to become president of the Council of Independent Colleges (CIC), a Washington-based association of nonprofit independent colleges and universities. Yesterday afternoon, Memphis magazine editor and CMI CEO Anna Traverse Fogle had the opportunity to talk with Hass about her decision to accept the CIC’s offer and to leave Rhodes. Her story and interview follow:

Hass, a philosopher by training and temperament, has led Rhodes since 2017. Prior to her appointment at Rhodes, she was president of Austin College, in Sherman, Texas, and before that, she spent more than 16 years as a member of the faculty and administration at Muhlenberg College in Allentown, Pennsylvania. During her Rhodes tenure — whose four-year length neatly matches that of the college’s standard course from matriculation to graduation — she has overseen an era of bold change. Hass has led the 173-year-old institution through a strategic-planning process, which is ongoing. Among her major priorities during her years at the college has been advancing diversity, equity, and inclusion throughout the Rhodes community. The college established the Lynne and Henry Turley Memphis Center under Hass’ leadership, and through it has expanded service opportunities for students. According to the college’s data, applications have increased by more than 20 percent over the past four years.

Her time as president has not been without challenges. Over the course of the past year, Hass has guided Rhodes through the COVID-19 pandemic, including an early move to virtual learning last March. This January, campus reopened to residential students, with aggressive testing and contact-tracing protocols in place. Only a few weeks after students moved back to campus, the Midtown college scrambled to relocate them to suburban hotels when dormitories became uninhabitable following February’s winter weather and associated water issues. The college has faced controversy of several sorts over the past few years, including a crisis surrounding its responses to student sexual-assault allegations in 2019.

Throughout it all — shining forward progress and darker days alike — Hass has maintained an attitude of openness, even vulnerability. She arrived in Memphis in the midst of chemotherapy treatments, and chose to share the fact of her cancer experience with the college community — maybe not an easy decision, but maybe also the only truly viable one.

In October 2020, Hass appeared on the cover of Memphis magazine as part of a story I wrote about her leadership philosophy, especially in difficult times. Regular readers may note that in December 2020, shortly after I wrote a cover story for this magazine about former National Civil Rights Museum president Terri Lee Freeman, who was our 2020 Memphian of the Year, Freeman announced she would depart the museum and Memphis for a museum presidency in Baltimore. After we wrapped up our conversation yesterday, Hass joked, “Organizations may not let you profile their female CEOs anymore!”

She went on to observe, though, “When Memphis leaders leave Memphis, we carry the good news about Memphis with us.”

What follows is an edited version of my candid conversation with Hass.

Memphis Magazine: Thank you for reaching out. Obviously, massively different circumstances from our last Zoom interview [for the cover story of the October issue of Memphis magazine]. Tell me about the new opportunity. I’ve read the release, but if you could share a little in your words about where you’ll be going and what you’ll be doing.

Dr. Marjorie Hass
: This is a moment to engage more fully in the national dialogue about higher education, particularly independent higher education. I have devoted my career to that on three different campuses. It is, to my mind, such an important aspect of the American higher education system. And it is facing many challenges, as you know. Rhodes is very fortunate to have navigated some of these more difficult waters so well in the last few years.

We need bold leadership that’s grounded in what’s best for our students, grounded in what we know — the kind of transformational experience that happens on our campuses — and then translating that into policy, into leadership development, into funding opportunities for institutions. It’s a very unique opportunity, and one that I didn’t expect. I wasn’t looking for this, didn’t expect it, but it became something that I feel called to do — even as hard as it is to imagine leaving Rhodes and Memphis.

I’ve served on the board of CIC, and have been very involved with another organization that’s more explicitly involved in federal policy, NAICU [National Association of Independent Colleges and Universities]. The mentoring work that I’ve done nationally also feeds into this. There was a sense that the skills and the passions that this job calls for are things that I’ve been cultivating for many years.

In the interview we did in the fall, we talked about the process that you go through in arriving at a decision — not just the decision itself, but the process that leads you to it. Your approach is so deliberate. What was this decision-making process like?

I knew in coming to Rhodes that I would not be leaving Rhodes to go to another college. There’s no college I would want to be president of more than I would want to be president of Rhodes College. Headhunters call, but none of that was interesting, or tempting, or even felt like an opportunity. I’m very committed to the work we’re doing at Rhodes.

When I was approached about this, it took some time for me even to get my thoughts and head around what it would mean to do this work. Would I have something unique that I could bring to it? Where did I feel that Rhodes was in its development? All of those factors weighed in. I spent a lot of time talking to my husband and God, not necessarily in that order. [Her husband, the other Dr. Hass, is Lawrence Hass, a former professor of humanities, philosophy, and theater arts who is a sleight-of-hand magician.]

But I didn’t have a lot of time for decision-making. This opportunity arose unexpectedly and within a very short time frame. I do feel that the work we’ve done at Rhodes has made an impact, and thinking about how to magnify that impact — how to best serve students across the country, best serve the mission of higher education.

One other factor is this moment: the change in administration, and the renewed focus on access to higher education, coupled with all the various ways that colleges have had to navigate crises over the past few years, make this a unique moment for impact and action.

I also reflect back on the couple of conversations that you and I have had about the opportunities that are presented in crisis. Collectively, we have been in an ongoing crisis for certainly the last year, and in some ways a lot longer than that. I could see that that would be also something that would impel you to make this decision.

I feel so proud of Rhodes. We have navigated this in ways that have strengthened the college. Our goal, going into this, was to make decisions about how to navigate COVID in ways that left the college stronger and better positioned for the future. I can point to so many ways that we have done that. Our strategic plan has been so widely embraced by our board of trustees, by our faculty and students, by our alumni. We’ve been able to make progress on that even in this difficult year. We will continue to do so. I’ll be here till August, so I still have plenty of time to continue working on those projects with others. And I think it sets the next president up with a real opportunity for success.

You’ve been at Rhodes four years now, a relatively short tenure in terms of the sheer numbers. But your impact has been quite a bit larger than one might expect from its length. Could you say a bit about what you’d consider to be key areas that you’ve worked on within those four years?

Many others can weigh in on what this has meant for Rhodes. For me, some of the things that have felt most impactful personally are the core relationship pieces. I am very proud of the people we’ve brought to Rhodes, of people we’ve retained and hired during my time at Rhodes. We’ve filled many key positions, including some brand-new positions that are explicitly focused on diversity, equity, and inclusion. We have our first chief diversity office [Dr. Sherry Turner]; she’s also vice president for strategic initiatives. That’s not just a new person, but a new position. We have some new deans and a newly restructured provost’s office. Those are all opportunities where we’ve brought people who will be shaping Rhodes for many, many years to come. We’ve made changes in the communication office; we’ve really prioritized both strategic communication and more informal ways of engaging with faculty and students on campus, as well as our alumni.

All of those pieces have impacted the culture — the way it feels to be at Rhodes, and how people feel they belong there. So that feels to me like the most gratifying part of the work we’ve done together. We’ve charted a course for the future that is focused strategically on positioning Rhodes to be the institution of choice, or an institution of choice, for the diverse, talented students of tomorrow. We’ve honed what we call the Rhodes Edge. All of those pieces certainly will be here for the long haul.

The work with the [Lynne and Henry] Turley Memphis Center is gratifying. The work we’ve done on teacher education, to help put teachers in Memphis’ classrooms. And the deepening of bonds between Rhodes and the community of Memphis. All of those things feel very personally meaningful for me.

And also very ongoing. As you say, these things are in motion and can continue even without you on campus.

It’s very easy to look at the things that have gone well. The things that have been most meaningful to me have been the ways we have worked through, and I have led our campus through, some very difficult moments. Obviously, COVID was unprecedented, but also other reckonings with aspects of Rhodes’ history, and Rhodes’ present, called for holding our campus as we navigated difficult dialogues, difficult conversations. That also feels very personally gratifying and meaningful, even though those aren’t necessarily the things you point to as the most exciting or newsworthy moments in my tenure here.

We’ve talked before about leaning into crisis, not walking away from it — letting crisis change you.

You asked me how Rhodes might have changed as a result of my being here. But there’s also how I’ve changed because of my participation in the Rhodes community and in the Memphis community. There’s so much that I take away from this experience. I’m not the same woman who came here, either. I have allowed myself to be changed in important ways through the experience of leading Rhodes and living in Memphis.

We’ve been dealing with so much, and so much all at once — I wonder what the experience has been like for you and for the college, to bring students back after everyone has been remote for quite a while [Rhodes ended its spring 2020 semester virtually, and remained virtual during the fall 2020 semester], and then a month or so later, the dorms become uninhabitable because of water problems caused by February’s winter storms.

Historically, let’s hope I will be the only president ever to have to evacuate the campus twice within one year — we don’t want anyone to break that record!

Going through hardship is what bonds you and what shapes you as an institution. We faced these things at Rhodes with our values front and center. As you and I have talked about, the very first thing we did is look at how we make decisions. It’s easy, in times of peace and plenty and calm, to say in words what you value. But it’s when the chips are down, and you’re making challenging decisions, that those values become visible. I think that visibility will serve Rhodes. Again, we certainly want peace and plenty and calm to be the watchwords of Rhodes’ future. But it also will mean that in very living memory, we know that we can navigate through rough waters — and come out better and stronger.

I think with institutions, as with people: you often learn the true colors not in the easy, abundant times, but in the more difficult, stressful times.

My time at Rhodes has been marked by a lot of personal vulnerability. You and I have talked over my years here, too, about how I arrived in the middle of chemotherapy. I was very open with our campus about what that meant for me physically and personally. Rhodes was also reckoning with a number of issues when I arrived. We were acknowledging what it meant for us to be celebrating 100 years of co-education, but only 50 years of integration. We had a longstanding set of questions around our primary campus building, and its namesake. [The college’s oldest building, now known as Southwestern Hall, was, until 2019, known as Palmer Hall, after Rev. Benjamin Palmer, who advanced a purported Biblical justification for slavery.] We had a number of issues that really had to be taken on directly. I would like to think that part of why I was able to help the college work through some of these more longstanding issues was because I was so fully present in those conversations. I didn’t have a lot of personal shields between me and the decisions that the college had to face.

That rings really true for me. Sometimes it’s simpler to be fully present with others’ difficulties in moments when we ourselves don’t have a whole lot of skin on. I’ve had some moments like that. It’s difficult, and it’s exhausting, but often that’s when the most transformative work can happen.

And it invites others to come in, set their armor down, at least for the purposes of the conversation, and you can speak freely and truly. Obviously, as a president you have to make controversial decisions. Certainly there are people who are critical of things I’ve done, or didn’t do. But I hope that people have always felt that I have dealt with them from the core of my being. That I have acted with integrity and with as much transparency as circumstances would allow.

I don’t know exactly how long you’ve known you will be departing Rhodes. What has it been like for you: knowing this news while others don’t, and continuing to show up and lead every day?

First of all, I’m not a good secret keeper; I don’t like to ask others to keep secrets. Fortunately, this has not been a long, drawn-out process. But the bigger question is: how do you lead when you know you’re leaving, right? We have between now and July/August — how will you lead?

The secret, though, is that as a leader you always are leading for what will be beyond you. From day one. You have to be thinking not just: what is best for today, but: how is this shaping the future of the institution? And you’re always trying to make the institution bigger and better than you — more than you. Rhodes belongs to everyone and no one. As an institution, it must and will extend beyond any individual’s leadership. Everything I’ve tried to do at Rhodes, from the day I arrived, has really been with that in mind: what is it that sets Rhodes on a trajectory to longer-term success? And what can I do in my time here to serve our students — not just today’s students, but tomorrow’s, and the students after that.

You make the changes that you can make with the time that you’re allotted. I think about U.S. presidents who have to, like, start answering questions about their presidential libraries before they’ve even gotten through the midterms.

Right, from day one: what do you want your legacy to be? You can’t think like that, but you also have to remember that the institution is more than you. We’ve seen what happens when leaders forget that. When a leader imagines that they are more important, that they transcend the institution rather than the other way around, you really don’t get the kind of good decision-making and the kind of ethical leadership that are required.

And we’re all of us, in roles like this, short-termers to one extent or another.

The average college presidency now is something like five years. I imagined staying at Rhodes longer.

The way that you’re approaching this move and framing it, you’re not moving away from Rhodes, so much as moving toward an opportunity that will in many ways strengthen the future of Rhodes and other colleges like it. It’s not a moving-away, necessarily, it’s a moving-toward.

It’s an expansion, not a separation. That’s really something that makes it plausible and possible. First of all, Rhodes has a lot of relationships with CIC, as do many other independent colleges [Christian Brothers University is another Memphis-based member, for instance.] Rhodes sends a lot of leaders to CIC for leadership development. And the kind of decisions that are being made about policy impact Rhodes and its students every day. We’re about to enter into a major conversation nationally about the Pell Grant, which is essential for so many Rhodes students. We’re about to focus on diversifying and broadening the leadership pipeline so that there are great presidents and provosts and deans for decades to come, reflecting the makeup of our student bodies. We are looking to help colleges identify ways to strengthen their financial underpinnings, so that, again, they can make access available to students.

You’ll be moving to D.C. — is that exciting?

The most exciting thing about it is that I can hop on a train in D.C. and be in Philadelphia really quickly, where my son lives. Bringing our family back together — especially after this difficult year — feels really pleasing. My husband and I both have colleagues and friends on the East Coast, in Washington, D.C., and New York, so there’s certainly a piece of a homecoming there, given that we spent 17 years near Philadelphia. All of that feels good. And then I think about the energy and excitement of being in D.C. and being in the midst of those very important conversations that may seem abstract, but on a daily basis shape the conditions of our campuses.

But we’re leaving parts of ourselves here in Memphis.

The college, through your tenure, has formed a more productive relationship with the city than it’s had for most of my memory.

Right, but it also means that we’re not just saying goodbye to a campus; we’re saying goodbye to a city that we’ve come to love. We will be leaving parts of our heart here, and we will be back often. As Memphians and Memphis leaders find ways to interact with higher education on a national basis, or have business in D.C., I will look forward to continuing these relationships and connections.

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News News Blog

Terri Freeman Talks About Her Resignation from NCRM

Editor’s note: The Flyer is sharing this story from the Memphis magazine website because of its timeliness.

Each December since 2013, Memphis magazine has named a Memphian of the Year. 2020 marks the first year that our selected Memphian of the Year announced she is leaving her post and, in fact, the city, just two days after the December issue was published. That’s what happened this morning when news broke that Terri Freeman would be resigning as director of the National Civil Rights Museum, effective February 3, 2021.

I interviewed Freeman for the December cover story at the end of October; we went to press with the issue the day before Thanksgiving, not knowing that the Memphian of the Year article would be transformed into a sort of thankful farewell by the time most readers picked up a copy or read the story online. When I saw the news this morning of her resignation, I was certainly surprised. Freeman had not mentioned any plans to depart during our extensive conversation; she told me today that she had considered whether she ought to bring it up, and decided that it wouldn’t be right to share the news with a magazine before telling many of those closest to her. And anyway, the Memphian of the Year honor is a marker of what someone has accomplished already, not what that person may or may not do tomorrow. Freeman’s existing contributions to Memphis are undeniable.

One strand of our October conversation stands out vividly today, in my memory: She and I empathized about the difficulties of being in a marriage that requires commuting. Her husband leads a congregation in Baltimore; mine teaches at a law school in Alabama. It’s tough dealing with chronic separation from the person you lean on most in the world, and keeping up the commuting lifestyle for months and then years doesn’t magically make it any easier — if anything, the opposite is true.

I spoke with Freeman this morning to ask her to shed some light on the news of her departure. She noted that “2020 was a really hard year for me” – beginning with a bad car accident in January, followed by the pandemic and associated shutdowns, and then losing her mother midway through the year. Her husband has been commuting between Memphis and Baltimore for six years, and Freeman says the two had decided that by the end of 2021, they needed to find a way to get their family back under one roof. Her husband “had tried to get a church here,” she said, “but it just didn’t work. He didn’t push me, and the job wasn’t something I was looking for.” Indeed, when she got a call from the Reginald Lewis Museum in Baltimore that they were looking for a new executive director, she said that initially, she “was not in the mindset to be thinking about this stuff.” But they pursued her, and she ultimately decided that this was the right time to make the move: the NCRM is in a stable position, and she feels good about handing over the reins.

“We don’t know what the future holds,” Freeman commented, “and neither one of us [her or her husband] is getting younger. We would like to be together.”

Before we hung up, Freeman told me that she has great love for Memphis. “I will always be an adopted child of this city,” she said, “and I am happy that I have been able to leave something behind that’s beneficial.”

Anna Traverse is CEO of Contemporary-Media and the editor of Memphis magazine. 

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Food & Drink Hungry Memphis

Memphis Magazine Launches its In the Kitchen Virtual Event Series


COVID-19 has disrupted many of our normal routines, some of those including weekly dinner dates and outings with our loved ones. Instead, we’ve been spending much more time in our kitchens, attempting to come up with creative and delicious dishes of our own. To help with that, our sister publication, Memphis magazine, has created a platform for us to stay connected with our local chefs through its
In the Kitchen with Memphis Magazine virtual event series.

“You’ll be invited into the kitchens of local chefs who will share their perspectives on everything they’re dealing with in the time of COVID-19 — and also walk us through some recipes we can prepare at home,” said our CEO Anna Traverse via an online Memphis magazine post.

Derk Meitzler, chef at The Vault in Downtown Memphis, will kick off the webinar series via Zoom on Monday, April 13th, at 2 p.m., inviting us into his kitchen for conversation and a cooking demonstration. Due to limited space, attendees are encouraged to register for the virtual event here.

This webinar will also be streamed live on Memphis magazine’s Facebook.

This event is sponsored by the Downtown Memphis Commission, which drives Downtown’s role as the heartbeat of our region and the economic, cultural, and governmental core of our city.

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News News Blog

Martha McKay Murdered at Horseshoe Lake Home

Martha McKay of Hughes, Arkansas, was stabbed to death Wednesday in her Horseshoe Lake home, Snowden House, which she operated as a bed and breakfast. Her apparent assailant, who broke into the house, was Travis Lewis, the same man who had recently been paroled from prison after serving a lengthy term for the double murder in 1996 of McKay’s mother, Sally McKay, and her first cousin Lee Baker, a well-known Memphis musician. 

Using an alarm that was installed in her house, McKay was able to transmit an electronic alert regarding the ongoing assault to local law enforcement, who arrived too late to save the victim but made an effort to apprehend the fleeing assailant, who drowned in Horseshoe Lake in his effort to escape.
Jack Kenner, Memphis Magazine

Martha McKay at her Horseshoe Lake home.

No motive for the crime was known. In a statement released Wednesday evening, Crittenden County Sheriff Mike Allen said: “Deputies today responded to an alarm at the historical Snowden House in Horseshoe Lake. Two deputies that arrived found an open back door and upon clearing the house located a possible suspect who jumped from an upstairs window and ran to a vehicle that he drove across the yard and got stuck in the yard.”

Dottie Jones of Memphis, a first cousin of the deceased, confirmed such details as could be immediately known. Jones said that her cousin had befriended Lewis during his time in prison and subsequent parole. She said that members of the family had opposed a capital sentence at the time of Lewis’ conviction for the 1996 crime, committed when Lewis was surprised by his victims in the act of committing a burglary. After that dual murder, Lewis set fire to that house, which had been situated near the site of today’s crime.

The bed and breakfast operated by Martha McKay had attained a certain fame and in 2012 was the subject of a feature story and photo spread in Memphis Magazine, the Flyer’s sister publication. The story, by senior editor Michael Finger, chronicled McKay’s conversion of the lakeside mansion, the former home of Colonel Bob and Grace Snowden, her grandparents, into a bed and breakfast.

McKay, a member of the Snowden family, was well-known in Memphis and counted many friends here. This story will be updated as more details emerge. 

Categories
From My Seat Sports

Larry Finch Lives

Larry Finch played his last game for the Memphis State Tigers 22 days after my fourth birthday. But if you looked at the current issue of Memphis magazine — and you can get over the Lester Quinones amount of leg players showed in 1973 — you’d swear the Tiger legend is alive, well, and ready for one more NCAA tournament run.

Among the joys of being a sportswriter is the rare feeling that I am in precisely the right place at precisely the right time. (No, this is not the Alcorn State game at FedExForum on a Tuesday night in November.) Most recently, when the University of Memphis football team won its conference championship and clinched a berth in the Cotton Bowl, the Liberty Bowl felt like earthbound heaven, at least for that moment, that night of fireworks and confetti, December 7, 2019. So many Memphians, so happy, and together, as one. This was Memphis Tiger football. The Cotton f’n Bowl!

This brand of euphoria doesn’t always require fireworks or confetti. It crept up and hugged me rather tightly over the course of several recent weeks in my day job as managing editor for Memphis magazine (the Flyer‘s sister monthly). It began with a business meeting at Spark Printing last December, in which a colleague and I were introduced to a machine called the Jetvarnish 3DS. The size of a computer from 1975 (smallish for the kind of press a magazine typically requires), this printer can apply foil and varnish — separately — to previously printed material. Like the cover of a magazine.

A few weeks earlier, I’d received a press release from the Pink Palace notifying the world that a special exhibit on Memphis Tiger basketball would open in March, one curated to celebrate the culture and impact of this city’s first true home team. It didn’t take long, upon meeting the good folks at Spark, for the staff at Memphis to realize, yes, a spark of inspiration. How might we help celebrate Tiger basketball culture with the new — literally shiny — technology available with that magic printer?

The question then became who might help celebrate Tiger basketball culture, and the answer was as swift as a Derrick Rose crossover, as resounding as a Keith Lee two-handed dunk. If we could find the right picture of Larry Finch in his prime, we had the chance to honor and salute the greatest Tiger of them all while bringing him to life in ways no print media ever had before.

You can now see — and importantly, feel — the result. And it took a village. The University of Memphis athletic department had the iconic image, back when media photos were the norm, before pregame videos became a team’s identifier. Printing the cover required more than Spark alone could provide. Toof Commercial Printing and LSC Communications took the floor in our multi-stage process, one that required well over 24 hours to complete.

Snags? Heck yeah, there were snags. Thankfully, all relatively minor. (I chose to ignore my dentist on a recent visit when he asked if I’d been grinding my teeth more than usual.) Printing to the standards of Memphis magazine is still as much art as science. Applying ink to paper — to say nothing of applying foil or varnish — can be precise, but it’s not a given, ever. Professionals, though, make this magic happen. They collaborate toward a reward that allows you to feel the fingers of Larry Finch’s left hand, to see the name “Memphis” shine as brightly as Finch himself did the night he scored 48 points in a single game.

I’ve missed Larry Finch since he died in 2011. The city of Memphis has missed his presence. An anonymous American once said of Franklin Roosevelt, upon the president’s death in 1945, “I didn’t know FDR, but he knew me.” Finch occupies that place in my heart, and in the hearts of countless other Memphians. I’m grateful to have played a role in bringing him to life on the cover of our March magazine. Stories — those we tell, and those told about us — are the closest any of us will come to immortality. By that measure, Larry Finch is indeed alive and well, among us even. Let him shine.

Memphis magazine can be found at Novel (387 Perkins Extd.). To subscribe, call 575-9470 or visit memphismagazine.com.

Categories
Intermission Impossible Theater

For Your Consideration: Tell the 2018 Ostrander Judges Who to Nominate

The Ostrander Awards are scheduled to go off Sunday, August 26th. The judges have not yet convened, and it’s only a matter of days now before the haggling begins over who gets nominated for one of Memphis’ coveted theater awards, and who goes home with the plaque. In other words, if there was ever a time to make your feelings known as to who you think they should choose, now would be the time to make some noise. I’m suggesting not that any of our upstanding judges could ever be swayed by outside influence. But it sure can’t hurt and might even be fun to try.

What I’m proposing is that theater fans post their own “for your consideration” suggestions in comments here, or on the social media platform of your choosing. You can make it text only, or — if you’re feeling creative — make Academy Awards-style “for your consideration” ads and share them around. My only request is, if you make ads, either email a copy to me or tag me when you post it. If we get enough I’ll create a second post with the best homemade ads out there.

For my sample I picked John Maness because that guy could easily be nominated in a couple of categories, and absolutely deserves a play prize this year.

Have fun and stay tuned to Intermission Impossible for Ostrander updates including nominees, interviews with honorees, and this year’s installment of WHO GOT ROBBED?!?!

Categories
News News Blog

Contemporary Media Inc. Hires Michael Donahue

Contemporary Media, Inc. has announced that the company has hired former Commercial Appeal writer and columnist, Michael Donahue. The official press release:

Contemporary Media Inc. Hires Michael Donahue

Contemporary Media Inc., publishers of the Memphis Flyer, Memphis magazine, Memphis Parent, and Inside Memphis Business, are pleased to announce the hiring of long-time Memphis journalist Michael Donahue.

Michael Donahue

Donahue began his career in 1975 at the now-defunct Memphis Press-Scimitar and moved to The Memphis Commercial Appeal in 1984, where he wrote about food and dining, music, and covered social events until earlier this year. He has received Hall of Fame and Distinguished Graduate honors from his alma maters, Christian Brothers High School and the University of Memphis.

Donahue will write for the Flyer, Memphis magazine, and Inside Memphis Business.

“We are pleased to have been able to bring such a skilled, veteran Memphis journalist on board to CMI,” said Publisher and CEO Kenneth Neill. “And we look forward to fully utilizing Michael’s many talents in both our print and digital products.”

Categories
Editorial Opinion

Suburbs of Nothing

Oklahoma City Mayor Mick Cornett

We are indebted to a wise and friendly visitor, Mayor Mick Cornett of Oklahoma City, for the phrase that heads this editorial. The mayor, who has been elected four times to lead his up-and-coming city, was the third in the series of other cities’ chief executives who have been invited to Memphis to share their urban wisdom with us Memphians under the rubric of our sister publication Memphis Magazine’s annual “A Summons to Memphis” series. He follows Mayor Mitch Landrieu of New Orleans (2013) and Mayor Karl Dean of Nashville, who spoke last year. 

The phrase “suburb of nothing” is one of those conceptual terms, instantly understood once you’ve heard it, that you end up wishing you’d said yourself. Before he spoke to a large audience at the official “Summons” luncheon at The Peabody, the mayor had first broken bread at breakfast with a small group of Memphis/Mid-South leaders at Harbortown’s River Inn, and when he served up the phrase to his hosts, it resonated immediately.

Cornett used the term, in a sense that was simultaneously descriptive and cautionary, to denote those developed and nominally independent areas adjacent to a core metropolis that either choose to disaffiliate from the mother city or are alienated from it by some aspect of the city perceived by them to be undesirable. Or both. Those of us who live with this condition on a daily basis on one side of the dividing line or another and who still smart from the wounds of a protracted city/county school-merger controversy instantly recognized ourselves in the phrase. As Cornett went on to dilate on the matter, he made the obvious point that such a de facto divorce between city and suburb is in the long run ruinous to both, for it is the city, and only the city, that can provide both a psychic and a physical infrastructure to nourish its suburbs and make of them something other than peripheral zip codes. We are in this together, or should be, and the city, by virtue of its size and clout, has the major responsibility to make it so.

Ask someone in a suburb where downtown is, Cornett suggested. “If they point to the smaller buildings nearby, you’re in trouble. If they point to the taller buildings off in the distance a bit, you’re okay.” It is a syllogism of sorts: If the core city is a living, breathing, culturally attractive place, then to that degree its suburbs will be drawn into its orbit.

Cornett is recognized as a national leader (most recently the only mayor named to a list of 50 movers and shakers by Politico Magazine) because he was instrumental in converting his own city, an automobile-centric place “with the most unfriendly walkability imaginable” (a kind of overgrown suburb itself, in other words), into a walkable, lively, urban environment.

That was one of the lessons for us that the Oklahoma City mayor brought with him, and that is precisely why we summoned him.