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Onscreen Women Dominate Indie Memphis

Eileen Townsend in ‘Two Whole Days of Nothing But Uppercase F*CK!’

Indie Memphis’ salute to the Bluff City in May continues this week with two programs featuring strong women.

On Tuesday, May 21st, Indie Memphis’ venerable Microcinema series presents a selection of shorts by women directors from Memphis.

The program doubles as a who’s who of Memphis female filmmakers, including Rachel Taylor’s fantasy “Avarice,” Sarah Fleming’s whimsical travelog “Carbike,” Munirah Safiyah Jones’ savage comedy “Fuckboy Defense 101,” Aisha Raison’s “Girls Like Me: A Self Love Story,” McGehee Montieth’s Memphis Film Prize winner “He Could Have Gone Pro,” Melissa Anderson Sweazy’s childcare parable “John’s Farm,” Sissy Denkova’s “Sabine,” Nubia Yasin’s Youth-Fest sensation “Sensitive,” Kathy O. Lofton’s “Tether,” Laura Jean Hocking’s surreal mood piece “Two Whole Days Of Nothing But Uppercase Fuck,” and Deaara Lewis’ “What If?”

Show starts at 7:00 PM at Crosstown Arts.

TETHER OFFICIAL TRAILER from Kathy O Lofton, MBA, MPA on Vimeo.

Onscreen Women Dominate Indie Memphis

Then, on Wednesday at Studio on the Square, Memphis’ indie originator Mike McCarthy is celebrated with a screening of his 2000 magnum opus Superstarlet A.D. McCarthy’s career has been defined by taking high concept film, culture, and feminist theory and wrapping those ideas in the cinematic language of the low-budget, drive-in grindhouse. Nowhere is that more evident than in this post-apocalyptic romp.

Tickets are available at the Indie Memphis website
, but don’t take the kids to this one.

Superstarlet A.D.

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Film/TV Film/TV/Etc. Blog

Women’s Rights Documentary Equal Means Equal Brings Fight To Memphis

Here is the text of the Equal Rights Amendment (ERA):

Section 1. Equality of rights under the law shall not be denied or abridged by the United States or by any State on account of sex.

Section 2. The Congress shall have the power to enforce, by appropriate legislation, the provisions of this article.

Section 3. This amendment shall take effect two years after the date of ratification

The 19th Amendment to the Constitution, ratified in 1920, guaranteed women the right to vote, but the suffergette movement that produced that great human rights victory didn’t feel that the struggle for sexual equality under the law finished there. The first draft of what would become known as the ERA was written during the Seneca Falls Convention of 1923. Fifty years later, a fierce, decades long battle in Congress and state legislatures came very close to finally ratifying it, enshrining equal treatment for men and women under the law. The final failure to ratify in 1982 came as a major blow to the feminist movement. But with the defeat of Hilary Clinton by Donald Trump, American feminism has become energized as never before, turning out the largest protest march in the history of the republic last January. Now there is a serious movement afoot to bring the dreams of generations of women to fruition by finally enshrining the ERA as the Constitution.

This is the atmosphere into which Equal Means Equal is being released. Actress turned director Kamala Lopez steps back from the daily political storms to render the big picture of women’s rights in twenty first century America. The film is a mixture of ground level stories of pay inequality, domestic assault, and discrimination, and examinations of the legal and political fights for reproductive, economic, and legal rights for women.

Equal Means Equal director Kamala Lopez

The Memphis Women In Film and the Memphis Area Women’s Council have arranged three free screenings of Equal Means Equal during May. The first one will be May 2 at Malco Ridgeway at 7:00 PM. The second will be a part of the MWIF/Indie Memphis event series, and will happen on Monday, May 8, 7:00 PM, at Crosstown Arts, with complimentary food and beverages beginning at 6:30 PM. The third will be at the National Civil Rights Museum on Tuesday, May 16 at 6 PM, which will be accompanied by refreshments and a panel discussion facilitated by Memphis Area Women’s Council.

For a taste of the film, here’s the trailer:

Women’s Rights Documentary Equal Means Equal Brings Fight To Memphis

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Film/TV Film/TV/Etc. Blog

The Monstrous Feminine: Dr. Marina Levina Talks Horror At Crosstown Arts

The 2017 Memphis Women In Film Speaker Series begins tonight at Crosstown Arts with a discussion on women in horror films.
poster by Lauren Rae Holtermann

Dr. Marina Levina, Associate Professor of Communication at the University of Memphis, is a film scholar and expert on horror, sci fi, and fantasy cinema. As the editor of Monster Culture In the 21st Century, she has expanded the scholarship around the study of fantastic literature and film and the depiction of women as “monstrous and deviant in need of control and punishment”. Her lecture tonight will be “Our Monsters, Our Selves: Monstrous Feminine In Horror FIlms”, discussing such films as Alien and Jennifer’s Body.

This is the first installment of the quarterly Memphis Women in Film speaker series, which will run quarterly at Crosstown Arts. Formerly Femme Fatales Memphis, the Memphis Women In Film is an organization of female filmmakers devoted to bringing more women into the art.

Tonight’s event will begin with a 6:30 meet and greet, with the talk beginning at 7 PM.