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POTS’ Virtual Production of “I Am My Own Wife” Opens Feb. 19th

Playhouse on the Square continues its 52nd season with on-stage performances streamed right to your living room.

“Offering productions in this new format gives us the exciting opportunity to meet the demands of our patrons, but also keeps our team and community safe. In addition, we have the chance to share who we are and what we do to a much larger national audience, and that is pretty exciting,” says director of community relations, Marcus Cox.

Bill Simmers

Charlotte von Mahlsdorf

Art does, after all, have its place during a national crisis. During Nazi Germany’s national crisis, traditional art was the only acceptable art. “Degenerate” art was not allowed. Or as Nazi Germany called it, modern art — gasp and pearl clutch. They would not have allowed the play I Am My Own Wife, penned by playwright Doug Wright and based on the true story of a real-life German trans woman, Charlotte von Mahlsdorf. She managed to survive both the Nazi onslaught and the repressive East German Communist regime. She was a tough cookie.

Michael Gravois will play the role of Mahlsdorf — again. He first performed the one-person play at Circuit Playhouse in August 2006. The production earned Gravois and director Stephen Hancock Ostrander nominations. The production was also nominated in the 2007 Ostranders for best play. Associate director and resident company member Dave Landis will direct this current production.

I Am My Own Wife, online from Playhouse on the Square, playhouseonthesquare.org, opens Friday, Feb. 19, 7-10 p.m., and continues through Feb. 28, $25.

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Intermission Impossible Theater

In Praise of “Love and Murder” at Playhouse on the Square

Michael Gravois, Kristen Doty

It’s pointless to refer to “the death scene” in A Gentleman’s Guide to Love and Murder. The musical farce at Playhouse on the Square has eight or maybe nine of them, and every one of the characters who goes in extremis is played by the exceptional Michael Gravois.

The stage veteran throws himself brilliantly into the silliness, playing members of the D’Ysquith family who stand in the way of a greedy outcast whose mother married for (shudder) love and was therefore kicked out of the clan’s good graces.

Nonetheless, if certain of Monty Navarro’s relatives should die (the quicker the better), then he’ll be a duke with a wife, a mistress, and most importantly, money. But we really love to watch as Gravois bursts on stage as one of the royal relatives, expires, and then reappears moments later inhabiting the character and costume of another doomed relation.

In Praise of ‘Love and Murder’ at Playhouse on the Square

Holding forth as the initially guileless Monty who embarks on a comic Breaking Bad as the bodies accrue, is Ryne Nardecchia, who played the role in the national tour and is flawless. Adam Cates directs and choreographs, and he, too, worked on the Broadway version and the national tour as associate choreographer.

It’s a thoroughly delightful escape, smartly produced, and scads of fun. If the orchestra would ease up a wee bit from time to time to let the singers be heard, it would be even better.